Songs like Parallel Jalebi by Four Tet
Based on a tempo of (+/- 10%) and a similar genre
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Joy Orbison
The Shrew Would Have Cushioned The Blow
133 bpm • F# Maj • 05:47 • -9.14db
22% Popularity • 57% Danceability • 54% Energy • 7% Liveness
93% Instrumentalness • 67% Positiveness
22% Popularity • 57% Danceability • 54% Energy • 7% Liveness
93% Instrumentalness • 67% Positiveness
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Jon Hopkins
Singularity
133 bpm • C# Maj • 06:29 • -8.87db
38% Popularity • 53% Danceability • 78% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
38% Popularity • 53% Danceability • 78% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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4TLR
Parallel Jalebi - Live at Funkhaus Berli...
133 bpm • D Maj • 06:42 • -13.33db
11% Popularity • 64% Danceability • 72% Energy • 75% Liveness
89% Instrumentalness • 39% Positiveness
11% Popularity • 64% Danceability • 72% Energy • 75% Liveness
89% Instrumentalness • 39% Positiveness
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Leon Vynehall
Mothra
133 bpm • F# Maj • 05:39 • -12.85db
30% Popularity • 73% Danceability • 42% Energy • 22% Liveness
72% Instrumentalness • 13% Positiveness
30% Popularity • 73% Danceability • 42% Energy • 22% Liveness
72% Instrumentalness • 13% Positiveness
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Four Tet
Parallel Jalebi
133 bpm • B min • 03:53 • -15.14db
38% Popularity • 65% Danceability • 70% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
38% Popularity • 65% Danceability • 70% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
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Jamie xx
Just Saying
134 bpm • G# min • 01:23 • -17.39db
39% Popularity • 28% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 28% Danceability • 20% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Ross from Friends
The Daisy
132 bpm • G# min • 05:38 • -12db
43% Popularity • 70% Danceability • 61% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
43% Popularity • 70% Danceability • 61% Energy • 10% Liveness
16% Instrumentalness • 25% Positiveness
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The Cinematic Orchestra
Channel 1 Suite - Four Tet Remix
132 bpm • A# min • 07:36 • -8.62db
13% Popularity • 61% Danceability • 83% Energy • 13% Liveness
52% Instrumentalness • 37% Positiveness
13% Popularity • 61% Danceability • 83% Energy • 13% Liveness
52% Instrumentalness • 37% Positiveness
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Floating Points
Sais
134 bpm • F min • 08:03 • -13db
36% Popularity • 75% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 75% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Leon Vynehall
Mothra - Edit
133 bpm • F# Maj • 03:54 • -11db
31% Popularity • 76% Danceability • 58% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
31% Popularity • 76% Danceability • 58% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Four Tet
Locked
133 bpm • E min • 08:29 • -11.5db
41% Popularity • 78% Danceability • 74% Energy • 10% Liveness
17% Instrumentalness • 89% Positiveness
41% Popularity • 78% Danceability • 74% Energy • 10% Liveness
17% Instrumentalness • 89% Positiveness
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Chloé Robinson
Pax - Four Tet Remix
134 bpm • D Maj • 05:20 • -8.6db
33% Popularity • 77% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 36% Positiveness
33% Popularity • 77% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 36% Positiveness
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FaltyDL
Hip Love - Jamie xx Remix
132 bpm • D# min • 04:49 • -11db
19% Popularity • 78% Danceability • 56% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
19% Popularity • 78% Danceability • 56% Energy • 9% Liveness
5% Instrumentalness • 51% Positiveness
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Thom Yorke
Atoms For Peace - Four Tet Remix
135 bpm • C# Maj • 05:52 • -10.66db
25% Popularity • 62% Danceability • 63% Energy • 11% Liveness
85% Instrumentalness • 72% Positiveness
25% Popularity • 62% Danceability • 63% Energy • 11% Liveness
85% Instrumentalness • 72% Positiveness
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Aphex Twin
Tha
135 bpm • E min • 09:07 • -19.88db
52% Popularity • 60% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
52% Popularity • 60% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Actress
Leaves Against The Sky
135 bpm • F min • 04:38 • -15db
34% Popularity • 69% Danceability • 75% Energy • 11% Liveness
60% Instrumentalness • 52% Positiveness
34% Popularity • 69% Danceability • 75% Energy • 11% Liveness
60% Instrumentalness • 52% Positiveness
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Four Tet
Lush
133 bpm • C# min • 05:11 • -10.46db
52% Popularity • 66% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
52% Popularity • 66% Danceability • 67% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Dauwd
What's There
131 bpm • E min • 06:24 • -10db
24% Popularity • 68% Danceability • 67% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
24% Popularity • 68% Danceability • 67% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
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John Beltran
Faux - Four Tet Remix
135 bpm • F# Maj • 06:59 • -8.31db
10% Popularity • 62% Danceability • 91% Energy • 13% Liveness
96% Instrumentalness • 80% Positiveness
10% Popularity • 62% Danceability • 91% Energy • 13% Liveness
96% Instrumentalness • 80% Positiveness
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Mount Kimbie
Carbonated
135 bpm • E min • 04:18 • -13.52db
43% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
43% Popularity • 55% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 78% Positiveness
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Floating Points
Last Bloom
135 bpm • C# Maj • 05:53 • -11.71db
36% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
36% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Darkstar
Aidys Girls a Computer
135 bpm • F# Maj • 05:10 • -6db
14% Popularity • 75% Danceability • 73% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
14% Popularity • 75% Danceability • 73% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Four Tet
Ribbons
132 bpm • A# min • 05:22 • -11db
23% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dark Sky
The Walker
131 bpm • E min • 07:13 • -14.47db
23% Popularity • 64% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
23% Popularity • 64% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Throwing Snow
Pyre
131 bpm • A min • 05:13 • -8.76db
17% Popularity • 80% Danceability • 53% Energy • 7% Liveness
83% Instrumentalness • 10% Positiveness
17% Popularity • 80% Danceability • 53% Energy • 7% Liveness
83% Instrumentalness • 10% Positiveness
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Dauwd
Shimmer
131 bpm • G Maj • 04:45 • -16.21db
12% Popularity • 54% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
12% Popularity • 54% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Clark
Butterfly Prowler
131 bpm • B Maj • 04:27 • -6.48db
19% Popularity • 67% Danceability • 87% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
19% Popularity • 67% Danceability • 87% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Jon Hopkins
Vessel - Four Tet Remix
136 bpm • G# Maj • 07:24 • -11.19db
19% Popularity • 48% Danceability • 65% Energy • 29% Liveness
94% Instrumentalness • 46% Positiveness
19% Popularity • 48% Danceability • 65% Energy • 29% Liveness
94% Instrumentalness • 46% Positiveness
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Four Tet
Dreamer
135 bpm • C Maj • 03:22 • -9.74db
29% Popularity • 76% Danceability • 76% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
29% Popularity • 76% Danceability • 76% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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BICEP
Opal
130 bpm • A min • 04:31 • -10.19db
42% Popularity • 85% Danceability • 50% Energy • 15% Liveness
63% Instrumentalness • 64% Positiveness
42% Popularity • 85% Danceability • 50% Energy • 15% Liveness
63% Instrumentalness • 64% Positiveness
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Apparat
Limelight
130 bpm • G# min • 04:12 • -7.22db
22% Popularity • 65% Danceability • 77% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
22% Popularity • 65% Danceability • 77% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Plaid
CLOCK
136 bpm • F min • 04:24 • -12.4db
32% Popularity • 45% Danceability • 52% Energy • 7% Liveness
82% Instrumentalness • 34% Positiveness
32% Popularity • 45% Danceability • 52% Energy • 7% Liveness
82% Instrumentalness • 34% Positiveness
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Floating Points
LesAlpx
130 bpm • C Maj • 04:41 • -12db
38% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
38% Popularity • 70% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Moderat
Seamonkey
130 bpm • C# Maj • 06:14 • -10db
37% Popularity • 74% Danceability • 81% Energy • 10% Liveness
89% Instrumentalness • 55% Positiveness
37% Popularity • 74% Danceability • 81% Energy • 10% Liveness
89% Instrumentalness • 55% Positiveness
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Four Tet
Insect Near Piha Beach
131 bpm • A Maj • 05:15 • -10db
32% Popularity • 73% Danceability • 84% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
32% Popularity • 73% Danceability • 84% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Actress
Hubble
130 bpm • C# Maj • 08:48 • -9.1db
20% Popularity • 69% Danceability • 60% Energy • 11% Liveness
44% Instrumentalness • 53% Positiveness
20% Popularity • 69% Danceability • 60% Energy • 11% Liveness
44% Instrumentalness • 53% Positiveness
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Balam Acab
See Birds (Moon)
130 bpm • C min • 03:48 • -5.32db
30% Popularity • 72% Danceability • 91% Energy • 6% Liveness
86% Instrumentalness • 92% Positiveness
30% Popularity • 72% Danceability • 91% Energy • 6% Liveness
86% Instrumentalness • 92% Positiveness
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Kelly Lee Owens
Jeanette
130 bpm • G# min • 06:14 • -14.65db
36% Popularity • 58% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
36% Popularity • 58% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Telefon Tel Aviv
Fahrenheit Fair Enough
130 bpm • F Maj • 06:40 • -9db
34% Popularity • 67% Danceability • 88% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
34% Popularity • 67% Danceability • 88% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Illum Sphere
Second Sight
130 bpm • B min • 06:39 • -5.67db
9% Popularity • 48% Danceability • 98% Energy • 15% Liveness
86% Instrumentalness • 22% Positiveness
9% Popularity • 48% Danceability • 98% Energy • 15% Liveness
86% Instrumentalness • 22% Positiveness
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Four Tet
Aerial
130 bpm • A# min • 05:56 • -10.77db
17% Popularity • 73% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
17% Popularity • 73% Danceability • 77% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
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The Field
Silent
130 bpm • G min • 07:35 • -13.44db
23% Popularity • 71% Danceability • 50% Energy • 26% Liveness
89% Instrumentalness • 44% Positiveness
23% Popularity • 71% Danceability • 50% Energy • 26% Liveness
89% Instrumentalness • 44% Positiveness
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Blackdown
Crackle Blues - Burial Remix
136 bpm • A# Maj • 05:42 • -12.41db
13% Popularity • 76% Danceability • 73% Energy • 18% Liveness
92% Instrumentalness • 60% Positiveness
13% Popularity • 76% Danceability • 73% Energy • 18% Liveness
92% Instrumentalness • 60% Positiveness
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Floating Points
Realise
130 bpm • F min • 05:26 • -17.91db
21% Popularity • 57% Danceability • 30% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 57% Danceability • 30% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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![The Truth in You (Fourtet Remix) [feat. Fourtet & Erin Lang] cover art](https://i.scdn.co/image/ab67616d00001e026d1f146adbcbfea982b928f1)
Roger O'Donnell
The Truth in You (Fourtet Remix)
130 bpm • F# min • 04:57 • -10.47db
14% Popularity • 59% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
14% Popularity • 59% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Cloud Boat
Lions on the Beach
137 bpm • E min • 03:32 • -6.51db
19% Popularity • 35% Danceability • 86% Energy • 38% Liveness
86% Instrumentalness • 40% Positiveness
19% Popularity • 35% Danceability • 86% Energy • 38% Liveness
86% Instrumentalness • 40% Positiveness
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Four Tet
LA Trance
130 bpm • C# Maj • 05:47 • -12.48db
38% Popularity • 68% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
38% Popularity • 68% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
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Scuba
Three Sided Shape
137 bpm • C min • 05:21 • -9.62db
15% Popularity • 57% Danceability • 75% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 57% Danceability • 75% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Andy Stott
Faith in Strangers
137 bpm • G Maj • 06:29 • -10db
42% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
42% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Daphni
Ye Ye
129 bpm • G# Maj • 06:05 • -10db
27% Popularity • 87% Danceability • 75% Energy • 7% Liveness
85% Instrumentalness • 41% Positiveness
27% Popularity • 87% Danceability • 75% Energy • 7% Liveness
85% Instrumentalness • 41% Positiveness
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The Field
A Paw In My Face
129 bpm • C Maj • 05:24 • -13db
31% Popularity • 61% Danceability • 70% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
31% Popularity • 61% Danceability • 70% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Nathan Fake
The Equator & I
129 bpm • C Maj • 02:24 • -7.22db
20% Popularity • 55% Danceability • 66% Energy • 18% Liveness
80% Instrumentalness • 21% Positiveness
20% Popularity • 55% Danceability • 66% Energy • 18% Liveness
80% Instrumentalness • 21% Positiveness
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Four Tet
Our Navigation
130 bpm • A min • 03:53 • -13.96db
19% Popularity • 48% Danceability • 57% Energy • 14% Liveness
37% Instrumentalness • 66% Positiveness
19% Popularity • 48% Danceability • 57% Energy • 14% Liveness
37% Instrumentalness • 66% Positiveness
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Teebs
Verbena Tea
128 bpm • B Maj • 04:24 • -9.4db
32% Popularity • 32% Danceability • 44% Energy • 23% Liveness
47% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 44% Energy • 23% Liveness
47% Instrumentalness • 8% Positiveness
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Dark Sky
Field Tower
138 bpm • B Maj • 06:25 • -15.27db
23% Popularity • 54% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 12% Positiveness
23% Popularity • 54% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 12% Positiveness
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Airhead
South Congress
138 bpm • E min • 03:54 • -6.78db
30% Popularity • 64% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
30% Popularity • 64% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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Moderat
No. 22
138 bpm • B min • 05:40 • -13.33db
37% Popularity • 61% Danceability • 53% Energy • 27% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 61% Danceability • 53% Energy • 27% Liveness
83% Instrumentalness • 4% Positiveness
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Caribou
Melody Day (Four Tet Remix Luke Lalonde,...
138 bpm • C# Maj • 04:49 • -19.95db
30% Popularity • 45% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
30% Popularity • 45% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Four Tet
School
129 bpm • F min • 04:02 • -8.49db
36% Popularity • 64% Danceability • 74% Energy • 4% Liveness
58% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 74% Energy • 4% Liveness
58% Instrumentalness • 76% Positiveness
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Pantha Du Prince
Water Falls
128 bpm • A min • 06:02 • -11.33db
10% Popularity • 75% Danceability • 52% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
10% Popularity • 75% Danceability • 52% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Vessels
Vertical
128 bpm • A# min • 05:55 • -15.23db
24% Popularity • 54% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
24% Popularity • 54% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Shlohmo
The Way U Do
128 bpm • E min • 05:18 • -6.46db
29% Popularity • 69% Danceability • 74% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
29% Popularity • 69% Danceability • 74% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Hagop Tchaparian
Round - Four Tet Remix
128 bpm • A min • 06:11 • -8db
25% Popularity • 74% Danceability • 71% Energy • 5% Liveness
93% Instrumentalness • 30% Positiveness
25% Popularity • 74% Danceability • 71% Energy • 5% Liveness
93% Instrumentalness • 30% Positiveness
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Caribou
Can't Do Without You
128 bpm • C Maj • 03:56 • -9.03db
44% Popularity • 69% Danceability • 41% Energy • 80% Liveness
82% Instrumentalness • 52% Positiveness
44% Popularity • 69% Danceability • 41% Energy • 80% Liveness
82% Instrumentalness • 52% Positiveness
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Four Tet
Memories
128 bpm • B Maj • 03:17 • -14.89db
31% Popularity • 39% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 39% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Burial
Nova
128 bpm • F# min • 05:42 • -13.98db
51% Popularity • 68% Danceability • 76% Energy • 37% Liveness
93% Instrumentalness • 13% Positiveness
51% Popularity • 68% Danceability • 76% Energy • 37% Liveness
93% Instrumentalness • 13% Positiveness
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Lukid
Chord
139 bpm • G# Maj • 05:41 • -11.71db
11% Popularity • 76% Danceability • 62% Energy • 31% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 76% Danceability • 62% Energy • 31% Liveness
92% Instrumentalness • 6% Positiveness
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Floating Points
Anasickmodular
139 bpm • C# Maj • 03:12 • -11.63db
47% Popularity • 67% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
47% Popularity • 67% Danceability • 57% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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BICEP
Opal - Four Tet Remix
127 bpm • A min • 08:14 • -9.58db
56% Popularity • 83% Danceability • 72% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
56% Popularity • 83% Danceability • 72% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
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Caribou
Sun
128 bpm • C# Maj • 05:44 • -7.37db
42% Popularity • 69% Danceability • 82% Energy • 17% Liveness
79% Instrumentalness • 45% Positiveness
42% Popularity • 69% Danceability • 82% Energy • 17% Liveness
79% Instrumentalness • 45% Positiveness
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Four Tet
31 Bloom
127 bpm • D Maj • 05:52 • -9.15db
58% Popularity • 70% Danceability • 75% Energy • 6% Liveness
87% Instrumentalness • 26% Positiveness
58% Popularity • 70% Danceability • 75% Energy • 6% Liveness
87% Instrumentalness • 26% Positiveness
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Burial
Nightmarket
127 bpm • F min • 07:25 • -12.7db
20% Popularity • 27% Danceability • 79% Energy • 12% Liveness
55% Instrumentalness • 34% Positiveness
20% Popularity • 27% Danceability • 79% Energy • 12% Liveness
55% Instrumentalness • 34% Positiveness
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KH
Only Human
127 bpm • A# min • 07:56 • -8.31db
38% Popularity • 82% Danceability • 59% Energy • 6% Liveness
14% Instrumentalness • 21% Positiveness
38% Popularity • 82% Danceability • 59% Energy • 6% Liveness
14% Instrumentalness • 21% Positiveness
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John Tejada
Farther And Fainter
127 bpm • C# Maj • 06:19 • -11.13db
33% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
33% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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Bob Holroyd
African Drug (Four Tet Remix)
127 bpm • G# Maj • 11:48 • -8.06db
10% Popularity • 67% Danceability • 92% Energy • 23% Liveness
89% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 92% Energy • 23% Liveness
89% Instrumentalness • 66% Positiveness
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Daphni
Tin
127 bpm • E min • 04:33 • -10db
28% Popularity • 62% Danceability • 83% Energy • 25% Liveness
92% Instrumentalness • 20% Positiveness
28% Popularity • 62% Danceability • 83% Energy • 25% Liveness
92% Instrumentalness • 20% Positiveness
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Four Tet
Something in the Sadness
129 bpm • A# min • 05:11 • -11.15db
28% Popularity • 65% Danceability • 76% Energy • 45% Liveness
91% Instrumentalness • 90% Positiveness
28% Popularity • 65% Danceability • 76% Energy • 45% Liveness
91% Instrumentalness • 90% Positiveness
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The Field
Good Things End
127 bpm • G Maj • 06:08 • -17db
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
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KH
Only Human - Radio Edit
127 bpm • G# min • 03:21 • -7db
28% Popularity • 82% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 82% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
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James Holden
10101
127 bpm • A# min • 06:05 • -14db
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Jamie xx
Gosh
139 bpm • A# min • 04:51 • -12.29db
52% Popularity • 75% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness
52% Popularity • 75% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness
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Joy Orbison
Hyph Mngo
140 bpm • C# Maj • 05:38 • -9.2db
37% Popularity • 48% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
37% Popularity • 48% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Four Tet
Anna Painting
129 bpm • B min • 07:41 • -7.99db
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Skream
Summer Dreams
140 bpm • A min • 07:58 • -11.58db
38% Popularity • 41% Danceability • 68% Energy • 72% Liveness
79% Instrumentalness • 44% Positiveness
38% Popularity • 41% Danceability • 68% Energy • 72% Liveness
79% Instrumentalness • 44% Positiveness
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Ifan Dafydd
Treehouse
140 bpm • F min • 03:54 • -8.81db
10% Popularity • 64% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
10% Popularity • 64% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
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Caribou
Julia Brightly
140 bpm • A min • 02:03 • -5.86db
14% Popularity • 58% Danceability • 91% Energy • 11% Liveness
58% Instrumentalness • 42% Positiveness
14% Popularity • 58% Danceability • 91% Energy • 11% Liveness
58% Instrumentalness • 42% Positiveness
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![Amo Bishop Roden [Chosen by Warp co-founder Steve Beckett] cover art](https://i.scdn.co/image/ab67616d00001e02d3d11f5fd4ca73e13cf2a973)
Boards of Canada
Amo Bishop Roden [Chosen by Warp co-foun...
140 bpm • G# min • 06:13 • -11db
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 29% Positiveness
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 29% Positiveness
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Forest Swords
Raw Language
140 bpm • D# min • 04:28 • -9.69db
26% Popularity • 36% Danceability • 44% Energy • 8% Liveness
74% Instrumentalness • 25% Positiveness
26% Popularity • 36% Danceability • 44% Energy • 8% Liveness
74% Instrumentalness • 25% Positiveness
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Four Tet
Love Salad
129 bpm • F min • 07:20 • -10.28db
30% Popularity • 61% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 61% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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HAAi
Head Above The Parakeets
140 bpm • A# min • 07:16 • -11.48db
27% Popularity • 44% Danceability • 63% Energy • 35% Liveness
23% Instrumentalness • 4% Positiveness
27% Popularity • 44% Danceability • 63% Energy • 35% Liveness
23% Instrumentalness • 4% Positiveness
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SBTRKT
Hold The Line
140 bpm • F# min • 03:27 • -8.11db
16% Popularity • 64% Danceability • 83% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Throwing Snow
Un Vingt
140 bpm • C min • 05:06 • -8db
13% Popularity • 57% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
13% Popularity • 57% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Plaid
Saladore
140 bpm • C# Maj • 03:51 • -18.16db
17% Popularity • 73% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 81% Positiveness
17% Popularity • 73% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 81% Positiveness
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James Blake
Pan
140 bpm • G Maj • 05:29 • -13.67db
13% Popularity • 68% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 68% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Four Tet
SW9 9SL
129 bpm • E min • 07:55 • -9.76db
35% Popularity • 71% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
35% Popularity • 71% Danceability • 83% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Daphni
Life’s What You Make It
140 bpm • G Maj • 03:51 • -12db
29% Popularity • 66% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
29% Popularity • 66% Danceability • 61% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
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Youandewan
Be Good To Me Poly
140 bpm • F# Maj • 05:06 • -8.05db
36% Popularity • 54% Danceability • 72% Energy • 7% Liveness
97% Instrumentalness • 64% Positiveness
36% Popularity • 54% Danceability • 72% Energy • 7% Liveness
97% Instrumentalness • 64% Positiveness
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Jon Hopkins
Form By Firelight - Remaster 2023
140 bpm • G Maj • 05:45 • -12.67db
29% Popularity • 70% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
29% Popularity • 70% Danceability • 45% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
