Songs like Parchman Farm by John Mayall & The Bluesbreakers
Based on a tempo of (+/- 10%) and a similar genre
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Jimmie Vaughan
Baby, Please Come Home
123 bpm • D# Maj • 02:54 • -5.84db
41% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Slim Harpo
Te Ni Nee Ni Nu - Single Version
123 bpm • A Maj • 02:06 • -10.09db
42% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
42% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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Hound Dog Taylor & The HouseRockers
Wild About You, Baby
123 bpm • G# min • 03:39 • -15.93db
38% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Gary Moore
Long Grey Mare
123 bpm • A Maj • 02:06 • -13.1db
33% Popularity • 65% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 65% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
35% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
35% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
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Son Seals
Look Now, Baby
123 bpm • C Maj • 03:27 • -10.72db
34% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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John Mayall
Let's Work Together
123 bpm • G# Maj • 03:20 • -14.73db
19% Popularity • 80% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 80% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Memphis Slim
Everyday (I Have The Blues)
123 bpm • F Maj • 02:58 • -7db
26% Popularity • 75% Danceability • 53% Energy • 32% Liveness
29% Instrumentalness • 23% Positiveness
26% Popularity • 75% Danceability • 53% Energy • 32% Liveness
29% Instrumentalness • 23% Positiveness
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Leon Russell
Of Thee I Sing
123 bpm • G Maj • 04:23 • -12.34db
26% Popularity • 60% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 60% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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Mose Allison
Parchman Farm - Stereo
123 bpm • B Maj • 02:20 • -5.96db
21% Popularity • 56% Danceability • 91% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
21% Popularity • 56% Danceability • 91% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
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John Mayall & The Bluesbreakers
Parchman Farm
123 bpm • B Maj • 02:24 • -9.09db
19% Popularity • 56% Danceability • 84% Energy • 10% Liveness
20% Instrumentalness • 96% Positiveness
19% Popularity • 56% Danceability • 84% Energy • 10% Liveness
20% Instrumentalness • 96% Positiveness
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Ronnie Earl
Country Girl
124 bpm • C Maj • 04:48 • -17.9db
33% Popularity • 61% Danceability • 28% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
33% Popularity • 61% Danceability • 28% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
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Nick Gravenites
Gypsy Good Time
122 bpm • A# Maj • 04:30 • -9.38db
8% Popularity • 66% Danceability • 74% Energy • 50% Liveness
6% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 74% Energy • 50% Liveness
6% Instrumentalness • 84% Positiveness
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Country Joe & The Fish
Rock And Soul Music/Love
122 bpm • D Maj • 06:19 • -12.71db
25% Popularity • 42% Danceability • 68% Energy • 78% Liveness
10% Instrumentalness • 60% Positiveness
25% Popularity • 42% Danceability • 68% Energy • 78% Liveness
10% Instrumentalness • 60% Positiveness
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John Mayall
Walking On Sunset
124 bpm • G# Maj • 02:54 • -20.56db
19% Popularity • 58% Danceability • 27% Energy • 9% Liveness
42% Instrumentalness • 94% Positiveness
19% Popularity • 58% Danceability • 27% Energy • 9% Liveness
42% Instrumentalness • 94% Positiveness
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Albert Collins
Honey, Hush aka Talking Woman Blues
122 bpm • C Maj • 04:28 • -7db
44% Popularity • 86% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
44% Popularity • 86% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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John Mayall & The Bluesbreakers
It's Over
124 bpm • G min • 02:49 • -15.15db
17% Popularity • 62% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 62% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Lonnie Brooks
Voodoo Daddy
122 bpm • G Maj • 04:44 • -12db
23% Popularity • 56% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
23% Popularity • 56% Danceability • 57% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
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Jimmie Vaughan
Hey Yeah
122 bpm • G Maj • 03:43 • -9db
36% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Electric Flag
Wine
122 bpm • D Maj • 02:39 • -8.55db
11% Popularity • 55% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 55% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 87% Positiveness
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Slim Harpo
One of These Days
122 bpm • A# Maj • 02:49 • -4.7db
33% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Robin Trower
Too Rolling Stoned - 2007 Remaster
125 bpm • A# min • 07:31 • -9db
45% Popularity • 53% Danceability • 62% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
45% Popularity • 53% Danceability • 62% Energy • 10% Liveness
47% Instrumentalness • 37% Positiveness
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John Mayall & The Bluesbreakers
Have You Heard
122 bpm • G min • 05:56 • -10.99db
20% Popularity • 35% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 35% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Quicksilver Messenger Service
Pride Of Man
125 bpm • A min • 04:08 • -13db
37% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Magic Sam
I Don't Want No Woman
125 bpm • E Maj • 03:38 • -10.23db
13% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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John Brim
You Got Me
121 bpm • A Maj • 02:55 • -11.55db
21% Popularity • 73% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 73% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Elvin Bishop
Can't Even Do Wrong Right
121 bpm • D Maj • 03:46 • -5.92db
24% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Big Walter Horton
Lovin' My Baby
125 bpm • A Maj • 02:50 • -13.26db
48% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
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John Mayall & The Bluesbreakers
Snowy Wood - Original
125 bpm • B min • 03:37 • -11.33db
2% Popularity • 41% Danceability • 45% Energy • 20% Liveness
60% Instrumentalness • 80% Positiveness
2% Popularity • 41% Danceability • 45% Energy • 20% Liveness
60% Instrumentalness • 80% Positiveness
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Jimmie Vaughan
Motor Head Baby
121 bpm • C Maj • 03:59 • -6db
28% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Magic Sam
All Your Love
121 bpm • B Maj • 02:56 • -7.76db
32% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
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Johnny "Guitar" Watson
Highway 60
121 bpm • C Maj • 02:30 • -8db
24% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 68% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Fenton Robinson
Killing Floor
125 bpm • D Maj • 03:37 • -12.66db
36% Popularity • 80% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 78% Positiveness
36% Popularity • 80% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 78% Positiveness
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Ronnie Earl
Little Johnny Lee
121 bpm • E min • 06:33 • -7.34db
25% Popularity • 58% Danceability • 77% Energy • 17% Liveness
86% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 77% Energy • 17% Liveness
86% Instrumentalness • 71% Positiveness
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Pee Wee Crayton
Do Unto Others
125 bpm • A# Maj • 02:22 • -10db
29% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Albert Collins
I Ain't Drunk - Remastered
126 bpm • D Maj • 04:07 • -5.87db
52% Popularity • 65% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 65% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Robert Cray
Phone Booth
121 bpm • G Maj • 03:32 • -13.49db
39% Popularity • 82% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 73% Positiveness
39% Popularity • 82% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 73% Positiveness
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The Rhythm Rockers
Annie Maybe
120 bpm • G Maj • 02:53 • -5.96db
21% Popularity • 73% Danceability • 80% Energy • 5% Liveness
10% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 80% Energy • 5% Liveness
10% Instrumentalness • 96% Positiveness
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Jack Bruce
Never Tell Your Mother She's Out Of Tune
126 bpm • F Maj • 03:39 • -9db
18% Popularity • 64% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 64% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
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Leon Russell
Roll Away The Stone
120 bpm • F Maj • 03:10 • -8db
37% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Juicy Lucy
Pretty Woman
126 bpm • F# min • 03:13 • -12.82db
22% Popularity • 85% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 97% Positiveness
22% Popularity • 85% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 97% Positiveness
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John Mayall & The Bluesbreakers
Dust My Blues
126 bpm • C# min • 02:47 • -14.73db
17% Popularity • 48% Danceability • 47% Energy • 16% Liveness
2% Instrumentalness • 75% Positiveness
17% Popularity • 48% Danceability • 47% Energy • 16% Liveness
2% Instrumentalness • 75% Positiveness
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The Paul Butterfield Blues Band
Mystery Train
126 bpm • A Maj • 02:35 • -9db
27% Popularity • 66% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 66% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
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John Brim
You Put the Heart on Me
120 bpm • F Maj • 02:40 • -14db
23% Popularity • 59% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 59% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Hot Tuna
Hesitation Blues - Live
126 bpm • C Maj • 05:06 • -18.2db
32% Popularity • 52% Danceability • 20% Energy • 69% Liveness
8% Instrumentalness • 61% Positiveness
32% Popularity • 52% Danceability • 20% Energy • 69% Liveness
8% Instrumentalness • 61% Positiveness
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J.B. Lenoir
Talk to Your Daughter
126 bpm • G Maj • 02:45 • -7db
25% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Booker T. & the M.G.'s
Mo' Onions
126 bpm • F min • 02:57 • -9.17db
38% Popularity • 72% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
38% Popularity • 72% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
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Billy Boy Arnold
I Ain't Got You
126 bpm • A Maj • 03:15 • -9.25db
26% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Fenton Robinson
Just A Little Bit
126 bpm • C Maj • 04:35 • -11db
31% Popularity • 72% Danceability • 74% Energy • 8% Liveness
77% Instrumentalness • 95% Positiveness
31% Popularity • 72% Danceability • 74% Energy • 8% Liveness
77% Instrumentalness • 95% Positiveness
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John Brim
Ice Cream Man
126 bpm • A Maj • 02:44 • -13.7db
35% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Slim Harpo
Tip On In
127 bpm • E Maj • 02:51 • -15.28db
36% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
36% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
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Frijid Pink
Drivin' Blues - Remastered
127 bpm • A min • 03:48 • -4.62db
24% Popularity • 64% Danceability • 80% Energy • 5% Liveness
4% Instrumentalness • 91% Positiveness
24% Popularity • 64% Danceability • 80% Energy • 5% Liveness
4% Instrumentalness • 91% Positiveness
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Lonnie Brooks
Sweet Home Chicago
119 bpm • E Maj • 04:55 • -9db
29% Popularity • 63% Danceability • 47% Energy • 8% Liveness
27% Instrumentalness • 49% Positiveness
29% Popularity • 63% Danceability • 47% Energy • 8% Liveness
27% Instrumentalness • 49% Positiveness
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Elvin Bishop
Rock My Soul
127 bpm • G Maj • 02:48 • -11.91db
24% Popularity • 60% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 60% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Free
Goin' Down Slow
127 bpm • G Maj • 08:20 • -11db
31% Popularity • 36% Danceability • 53% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
31% Popularity • 36% Danceability • 53% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
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Robin Trower
Rock Me Baby
119 bpm • C Maj • 04:15 • -12.16db
36% Popularity • 55% Danceability • 62% Energy • 21% Liveness
22% Instrumentalness • 50% Positiveness
36% Popularity • 55% Danceability • 62% Energy • 21% Liveness
22% Instrumentalness • 50% Positiveness
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Gregg Allman
Little By Little
119 bpm • C min • 02:45 • -9.03db
31% Popularity • 71% Danceability • 63% Energy • 12% Liveness
66% Instrumentalness • 79% Positiveness
31% Popularity • 71% Danceability • 63% Energy • 12% Liveness
66% Instrumentalness • 79% Positiveness
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Little Feat
Forty-Four Blues / How Many More Years
127 bpm • A# Maj • 06:32 • -12.78db
18% Popularity • 49% Danceability • 47% Energy • 18% Liveness
43% Instrumentalness • 72% Positiveness
18% Popularity • 49% Danceability • 47% Energy • 18% Liveness
43% Instrumentalness • 72% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
12% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Lowell Fulson
Do Me Right
119 bpm • F min • 02:53 • -14db
34% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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John Mayall & The Bluesbreakers
Mama, Talk To Your Daughter
118 bpm • D# Maj • 02:38 • -12.89db
22% Popularity • 90% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 90% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Big Walter Horton
That Ain't It
118 bpm • E Maj • 02:41 • -14.76db
44% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Jimmie Vaughan
Don't Cha Know
128 bpm • C min • 04:20 • -9.46db
44% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Billy Lee Riley
St. James Infirmary
128 bpm • B min • 04:23 • -6.4db
24% Popularity • 68% Danceability • 76% Energy • 98% Liveness
13% Instrumentalness • 92% Positiveness
24% Popularity • 68% Danceability • 76% Energy • 98% Liveness
13% Instrumentalness • 92% Positiveness
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Willie Dixon
Spoonful
118 bpm • F Maj • 04:55 • -17db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
61% Instrumentalness • 77% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
61% Instrumentalness • 77% Positiveness
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Fenton Robinson
Somebody Loan Me A Dime - Remastered
118 bpm • D# Maj • 02:56 • -3.44db
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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John Mayall & The Bluesbreakers
Ridin' On The L And N
128 bpm • A# Maj • 02:26 • -6.08db
11% Popularity • 44% Danceability • 77% Energy • 27% Liveness
49% Instrumentalness • 70% Positiveness
11% Popularity • 44% Danceability • 77% Energy • 27% Liveness
49% Instrumentalness • 70% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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Leon Russell
Delta Lady
118 bpm • F Maj • 04:05 • -8.67db
32% Popularity • 52% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 52% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
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Duffy Power
I Don't Care
118 bpm • G Maj • 02:42 • -7.99db
25% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Lonnie Brooks
Two Guitars Shuffle - Take 2
118 bpm • A Maj • 06:16 • -10db
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
30% Popularity • 53% Danceability • 57% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
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Magic Sam
All of Your Love
118 bpm • F# min • 03:52 • -11.5db
14% Popularity • 56% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
14% Popularity • 56% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 73% Positiveness
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John Mayall & The Bluesbreakers
Top Of The Hill
118 bpm • G# Maj • 02:38 • -14.49db
14% Popularity • 73% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 76% Positiveness
14% Popularity • 73% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 76% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
34% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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David Bromberg
Someone Else's Blues
118 bpm • D Maj • 07:58 • -13.37db
14% Popularity • 61% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Country Joe & The Fish
Rock And Soul Music
117 bpm • D Maj • 06:54 • -9.89db
22% Popularity • 33% Danceability • 81% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 33% Danceability • 81% Energy • 88% Liveness
0% Instrumentalness • 64% Positiveness
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Magic Sam
Sweet Home Chicago
117 bpm • A Maj • 04:16 • -10.81db
23% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Savoy Brown
Stay With Me Baby
129 bpm • D Maj • 02:41 • -13.91db
11% Popularity • 68% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Steamhammer
Contemporary Chick Con Song - Remastered
129 bpm • G Maj • 04:55 • -9.11db
29% Popularity • 45% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 45% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Bobby Keys
Steal from a King
129 bpm • D Maj • 04:51 • -9.52db
10% Popularity • 49% Danceability • 84% Energy • 17% Liveness
90% Instrumentalness • 71% Positiveness
10% Popularity • 49% Danceability • 84% Energy • 17% Liveness
90% Instrumentalness • 71% Positiveness
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Hot Tuna
Hot Jelly Roll Blues
117 bpm • A# Maj • 04:20 • -8db
17% Popularity • 50% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
17% Popularity • 50% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
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Fenton Robinson
I Hear Some Blues Downstairs
117 bpm • C# Maj • 04:14 • -11.32db
44% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
44% Popularity • 78% Danceability • 58% Energy • 8% Liveness
53% Instrumentalness • 94% Positiveness
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J.B. Lenoir
The Mojo Boogie
130 bpm • B min • 02:17 • -6.61db
30% Popularity • 85% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 85% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmie Vaughan
The Pleasure's All Mine
117 bpm • G min • 03:43 • -5.59db
39% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Climax Blues Band
City Ways
130 bpm • G Maj • 03:21 • -11.94db
8% Popularity • 72% Danceability • 39% Energy • 13% Liveness
64% Instrumentalness • 68% Positiveness
8% Popularity • 72% Danceability • 39% Energy • 13% Liveness
64% Instrumentalness • 68% Positiveness
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Slim Harpo
Buzz Me, Babe
130 bpm • B min • 02:14 • -7.5db
47% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
47% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
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Lazy Lester
I'm a Lover Not a Fighter
117 bpm • E Maj • 03:09 • -6.56db
15% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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John Mayall & The Bluesbreakers
They Call It Stormy Monday - Live
130 bpm • D min • 04:33 • -9.57db
10% Popularity • 30% Danceability • 57% Energy • 69% Liveness
87% Instrumentalness • 52% Positiveness
10% Popularity • 30% Danceability • 57% Energy • 69% Liveness
87% Instrumentalness • 52% Positiveness
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Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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J.B. Lenoir
I Feel So Good
130 bpm • B min • 01:54 • -7db
42% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Free
The Hunter
130 bpm • E min • 04:14 • -8.53db
38% Popularity • 38% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 38% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Carey Bell
What My Mama Told Me
130 bpm • F min • 03:04 • -15.21db
30% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
30% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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John Mayall & The Bluesbreakers
Man Of Stone - Original
130 bpm • F min • 02:26 • -12.68db
4% Popularity • 73% Danceability • 32% Energy • 5% Liveness
46% Instrumentalness • 64% Positiveness
4% Popularity • 73% Danceability • 32% Energy • 5% Liveness
46% Instrumentalness • 64% Positiveness
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Lazy Lester
Sugar Coated Love
131 bpm • A Maj • 02:46 • -7db
15% Popularity • 63% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 63% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Fenton Robinson
Checking On My Woman - Remastered
116 bpm • E Maj • 03:24 • -4.96db
43% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness