Songs like Paris brûle-t-il ? - Générique début by Maurice Jarre
Based on a tempo of (+/- 10%) and a similar genre
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Dario Marianelli
We Shall Fight
106 bpm • C# Maj • 07:26 • -15.46db
30% Popularity • 24% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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John Ford
Main Title "How the West Was Won"
107 bpm • F min • 01:37 • -12.5db
17% Popularity • 53% Danceability • 63% Energy • 32% Liveness
54% Instrumentalness • 84% Positiveness
17% Popularity • 53% Danceability • 63% Energy • 32% Liveness
54% Instrumentalness • 84% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Clint Eastwood
Mom's On Call / Late To Trolley
105 bpm • C# Maj • 01:39 • -21.56db
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Alex North
Main Title
108 bpm • G Maj • 03:14 • -29.53db
23% Popularity • 34% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
23% Popularity • 34% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 31% Positiveness
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Marvin Hamlisch
Solace - The Sting/Soundtrack Version (O...
108 bpm • F Maj • 03:35 • -12db
31% Popularity • 46% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 33% Positiveness
31% Popularity • 46% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 33% Positiveness
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David Arnold
Solange
108 bpm • A min • 00:59 • -21.89db
37% Popularity • 17% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Maurice Jarre
Train Trauma
104 bpm • F Maj • 01:42 • -23.83db
5% Popularity • 14% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
5% Popularity • 14% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Nicola Piovani
La stanza del figlio
108 bpm • C Maj • 04:05 • -20.25db
35% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Four
104 bpm • F# min • 00:59 • -22.22db
42% Popularity • 36% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
42% Popularity • 36% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 40% Positiveness
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Alex North
Spartacus Love Theme
108 bpm • A min • 02:50 • -17.51db
18% Popularity • 20% Danceability • 26% Energy • 32% Liveness
83% Instrumentalness • 17% Positiveness
18% Popularity • 20% Danceability • 26% Energy • 32% Liveness
83% Instrumentalness • 17% Positiveness
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Aaron Zigman
Overture
103 bpm • G# Maj • 06:16 • -20db
34% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Orchestre Philharmonique National de Pologne
Father Kolbe's Preaching
109 bpm • E Maj • 02:26 • -11.57db
34% Popularity • 23% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
34% Popularity • 23% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Andrea Guerra
Kalida
103 bpm • G Maj • 01:36 • -22db
52% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Nicola Piovani
Soli
109 bpm • C Maj • 02:32 • -20db
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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John Barry
I Had A Farm (Main Title) - Main Title F...
109 bpm • D min • 03:15 • -24.57db
45% Popularity • 16% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
45% Popularity • 16% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
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Erich Wolfgang Korngold
The Adventures of Robin Hood: Love Scene
109 bpm • G Maj • 06:25 • -22.2db
11% Popularity • 16% Danceability • 11% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Edward Elgar
Nimrod
103 bpm • D# Maj • 03:27 • -9.99db
26% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Klaus Badelt
Main Themes
102 bpm • D min • 05:52 • -11.95db
32% Popularity • 30% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
32% Popularity • 30% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Andrea Guerra
Una luce nell'anima
109 bpm • E min • 01:57 • -26.42db
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
51% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
51% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Lennie Niehaus
End Titles - Flags Of Our Fathers
102 bpm • C Maj • 04:25 • -23.01db
14% Popularity • 36% Danceability • 3% Energy • 24% Liveness
4% Instrumentalness • 7% Positiveness
14% Popularity • 36% Danceability • 3% Energy • 24% Liveness
4% Instrumentalness • 7% Positiveness
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Randy Edelman
A Happy Ending
102 bpm • G Maj • 02:23 • -17db
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Bob Cobert
Main Title: Love Theme From "The Winds o...
110 bpm • D min • 02:23 • -12db
18% Popularity • 19% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Maurice Jarre
Baby Pictures
110 bpm • D# Maj • 01:00 • -26.01db
4% Popularity • 16% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Philippe Rombi
Le piano d'Isabelle
110 bpm • F min • 01:12 • -28db
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
43% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
43% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Seven
102 bpm • G min • 01:08 • -31.08db
17% Popularity • 24% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Randy Edelman
Bruce And Linda
110 bpm • E Maj • 02:41 • -16.97db
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Alex North
Space Station Docking
102 bpm • A min • 02:22 • -26.06db
18% Popularity • 25% Danceability • 15% Energy • 29% Liveness
81% Instrumentalness • 44% Positiveness
18% Popularity • 25% Danceability • 15% Energy • 29% Liveness
81% Instrumentalness • 44% Positiveness
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Burkhard Dallwitz
Reunion
111 bpm • D# Maj • 02:26 • -14db
30% Popularity • 21% Danceability • 18% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 18% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
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Debbie Wiseman
Wiseman : Fields of Hope - Theme from La...
102 bpm • D# Maj • 02:54 • -16.81db
16% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
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Zbigniew Preisner
First Time Outside
102 bpm • B min • 01:25 • -18db
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Isobel Waller-Bridge
Poor Miss Taylor
101 bpm • C Maj • 01:41 • -13.04db
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
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Rachel music
Rolig
111 bpm • A Maj • 03:45 • -19.31db
8% Popularity • 44% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
8% Popularity • 44% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Lennie Niehaus
Kate's Theme
101 bpm • C Maj • 02:07 • -30db
41% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
41% Popularity • 19% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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I Salonisti
Blue Danube
101 bpm • D Maj • 06:55 • -15db
25% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Maurice Jarre
Doctor Zhivago (Main Title)
101 bpm • A min • 02:40 • -21.1db
32% Popularity • 14% Danceability • 18% Energy • 11% Liveness
42% Instrumentalness • 24% Positiveness
32% Popularity • 14% Danceability • 18% Energy • 11% Liveness
42% Instrumentalness • 24% Positiveness
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Christopher Gunning
The Hollow
111 bpm • F# min • 03:19 • -21.8db
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Andrea Guerra
Il dolore di una cittÃ
112 bpm • C min • 01:19 • -26.05db
54% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Dario Marianelli
A Letter From Prison
112 bpm • A# Maj • 02:20 • -25db
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Alex North
Overture
100 bpm • A Maj • 02:43 • -13.03db
16% Popularity • 48% Danceability • 31% Energy • 35% Liveness
95% Instrumentalness • 44% Positiveness
16% Popularity • 48% Danceability • 31% Energy • 35% Liveness
95% Instrumentalness • 44% Positiveness
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Maurice Jarre
Overture
112 bpm • D min • 04:24 • -19.1db
21% Popularity • 36% Danceability • 36% Energy • 16% Liveness
43% Instrumentalness • 29% Positiveness
21% Popularity • 36% Danceability • 36% Energy • 16% Liveness
43% Instrumentalness • 29% Positiveness
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Geoffrey Burgon
Brideshead Revisited Theme
112 bpm • C Maj • 02:07 • -15db
37% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
37% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Melbourne Symphony Orchestra
That’ll Do
100 bpm • C Maj • 03:29 • -14.22db
15% Popularity • 14% Danceability • 25% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 25% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Regency Players
Persuasion [BBC 2007 Adaptation]
100 bpm • C Maj • 01:52 • -18db
29% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Sergey Yevtushenko
Romanze
113 bpm • A min • 01:50 • -15.64db
13% Popularity • 17% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Michael Kamen
Parapluie - Instrumental
113 bpm • G min • 02:17 • -13.5db
22% Popularity • 20% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Jarre
The Harvest
113 bpm • E min • 03:00 • -17.96db
10% Popularity • 31% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
10% Popularity • 31% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Six
113 bpm • C# min • 01:02 • -29.42db
37% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
37% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
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John Lunn
Belgravia
99 bpm • F# min • 05:49 • -12.65db
15% Popularity • 21% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Clint Eastwood
Ride To School
99 bpm • A# min • 01:23 • -19.35db
41% Popularity • 30% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
41% Popularity • 30% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Maurice Jarre
Ghost
114 bpm • A Maj • 07:24 • -17.65db
28% Popularity • 19% Danceability • 23% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
28% Popularity • 19% Danceability • 23% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
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Alex North
Main Title
114 bpm • D min • 02:54 • -21.19db
16% Popularity • 20% Danceability • 17% Energy • 21% Liveness
92% Instrumentalness • 27% Positiveness
16% Popularity • 20% Danceability • 17% Energy • 21% Liveness
92% Instrumentalness • 27% Positiveness
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Jan A.P. Kaczmarek
The Play And The Flight - Finding Neverl...
114 bpm • C Maj • 01:21 • -16.37db
36% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
36% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
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Debbie Wiseman
Juliet's Theme
97 bpm • C Maj • 04:03 • -19.87db
11% Popularity • 41% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
11% Popularity • 41% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
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Pino Donaggio
Main Title From Carrie
115 bpm • C min • 02:05 • -25.1db
21% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
Reception Waltzer
97 bpm • A# Maj • 01:27 • -21db
19% Popularity • 24% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 38% Positiveness
19% Popularity • 24% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 38% Positiveness
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Clint Eastwood
Deep In Thought
115 bpm • F Maj • 01:53 • -22db
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
34% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Orchestre Philharmonique de Prague
Lawrence d'Arabie - Live
116 bpm • A# Maj • 03:17 • -21.36db
3% Popularity • 32% Danceability • 20% Energy • 79% Liveness
67% Instrumentalness • 17% Positiveness
3% Popularity • 32% Danceability • 20% Energy • 79% Liveness
67% Instrumentalness • 17% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
41% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
41% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Maurice Jarre
Carpe Diem
116 bpm • A# Maj • 04:48 • -22.29db
42% Popularity • 35% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
42% Popularity • 35% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
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Orchestra Sinfonica Di Milano
Prelude - Excerpt from Blow Out
116 bpm • G min • 03:05 • -15.87db
21% Popularity • 30% Danceability • 13% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 13% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Alex North
Spartacus - Love Theme
96 bpm • A min • 03:38 • -23.62db
35% Popularity • 18% Danceability • 15% Energy • 32% Liveness
87% Instrumentalness • 9% Positiveness
35% Popularity • 18% Danceability • 15% Energy • 32% Liveness
87% Instrumentalness • 9% Positiveness
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Martin Phipps
Charles
117 bpm • D min • 02:23 • -24.55db
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
Opening
117 bpm • C min • 02:13 • -15.27db
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Michael Kamen
Nixon's Walk - Instrumental
117 bpm • G# Maj • 02:14 • -20.83db
19% Popularity • 17% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 5% Positiveness
19% Popularity • 17% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 5% Positiveness
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Maurice Jarre
Victoria
118 bpm • G Maj • 07:29 • -25.25db
16% Popularity • 18% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Christopher Gunning
Five Little Pigs
96 bpm • A min • 03:37 • -32.9db
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Aaron Zigman
Allie Returns
95 bpm • B min • 05:06 • -21.59db
33% Popularity • 12% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Randy Newman
Real Rain
95 bpm • G Maj • 04:31 • -25.5db
16% Popularity • 19% Danceability • 7% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Kamen
Open Range
96 bpm • C Maj • 02:36 • -16db
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Maurice Jarre
Butterfly Wings
118 bpm • A# Maj • 02:53 • -23.04db
8% Popularity • 17% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening Titles
118 bpm • C Maj • 01:33 • -26.92db
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Emma Suite
119 bpm • C Maj • 06:07 • -14.99db
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 14% Positiveness
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Elixer
Rob Roy
119 bpm • D Maj • 02:52 • -12.19db
6% Popularity • 18% Danceability • 23% Energy • 7% Liveness
43% Instrumentalness • 7% Positiveness
6% Popularity • 18% Danceability • 23% Energy • 7% Liveness
43% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
The Park On Piano - Finding Neverland/So...
119 bpm • C Maj • 05:23 • -20.61db
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Michael Nyman
The Morrow
95 bpm • A# min • 03:10 • -13.1db
27% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Maurice Jarre
Interior Student Cafe
95 bpm • G Maj • 01:36 • -12.11db
29% Popularity • 38% Danceability • 24% Energy • 16% Liveness
7% Instrumentalness • 53% Positiveness
29% Popularity • 38% Danceability • 24% Energy • 16% Liveness
7% Instrumentalness • 53% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Five
119 bpm • F Maj • 01:02 • -22.88db
35% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
35% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Mark Isham
Haunted by Waters - A River Runs Through...
94 bpm • D Maj • 04:21 • -12db
22% Popularity • 18% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 18% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
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Clint Eastwood
It's Nice Viewing
120 bpm • C Maj • 00:57 • -27db
45% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Maurice Jarre
Overture
118 bpm • D Maj • 04:18 • -14.62db
15% Popularity • 31% Danceability • 41% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
15% Popularity • 31% Danceability • 41% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
38% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
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Mark Isham
The Moment That Could Not Last
94 bpm • F Maj • 01:23 • -20db
27% Popularity • 37% Danceability • 14% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
27% Popularity • 37% Danceability • 14% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Randy Newman
End of Story (Credits)
121 bpm • E Maj • 02:46 • -15.48db
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness