Songs like Parking Lot by Genevieve Stokes
Based on a tempo of (+/- 10%) and a similar genre
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Genevieve Stokes
Habits - Demo
77 bpm • A Maj • 03:41 • -8db
38% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Martin Luke Brown
damn, look at the view !
77 bpm • D Maj • 01:50 • -11.54db
40% Popularity • 47% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 47% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Emily Lind
Spotless Mind
77 bpm • C Maj • 03:02 • -14db
29% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Alix Page
Radiohead
77 bpm • C Maj • 03:17 • -11.63db
30% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Melchor
I'm Afraid I Love You
77 bpm • F# Maj • 02:38 • -11.3db
34% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Philip Brooks
is there something for me?
77 bpm • C Maj • 02:37 • -10.83db
24% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Genevieve Stokes
Parking Lot
77 bpm • C Maj • 02:41 • -8.26db
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Katie Gregson-MacLeod
i'm worried it will always be you
78 bpm • D Maj • 04:11 • -10.87db
39% Popularity • 36% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 36% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Searows
Walk Me Home
78 bpm • D Maj • 04:37 • -17db
46% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Cece Coakley
Terrify You With My Heart
78 bpm • F Maj • 02:23 • -7.25db
27% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Melchor
I Don't Wanna See You Cryin' Anymore
78 bpm • C Maj • 03:43 • -11.93db
43% Popularity • 66% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
43% Popularity • 66% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
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young friend
ARIZONA
78 bpm • C# min • 03:35 • -9.45db
44% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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mehro
howling
76 bpm • E Maj • 03:33 • -11db
45% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
45% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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The Greeting Committee
More
78 bpm • F Maj • 03:40 • -5db
49% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Brummies
Alone with You
76 bpm • G Maj • 04:18 • -9.05db
39% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sjowgren
Change
76 bpm • A# Maj • 01:30 • -12.59db
48% Popularity • 64% Danceability • 30% Energy • 20% Liveness
42% Instrumentalness • 34% Positiveness
48% Popularity • 64% Danceability • 30% Energy • 20% Liveness
42% Instrumentalness • 34% Positiveness
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Flower Face
Cornflower Blue
76 bpm • D# Maj • 03:08 • -9.89db
49% Popularity • 18% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Sydney Rose
Bedroom Floor
78 bpm • C Maj • 04:09 • -19.07db
29% Popularity • 55% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 55% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tommy Lefroy
Trashfire
78 bpm • C Maj • 02:51 • -6.93db
43% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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awfultune
things that i miss
78 bpm • G# Maj • 03:36 • -12.59db
55% Popularity • 53% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 53% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Genevieve Stokes
Lonely and Bored
79 bpm • A Maj • 03:01 • -6db
34% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Florist
Moon Begins
75 bpm • A# Maj • 03:04 • -15db
51% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
51% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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runo plum
yin to yang
79 bpm • F# min • 03:30 • -11db
50% Popularity • 30% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
50% Popularity • 30% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Searows
House Song
79 bpm • D Maj • 04:54 • -19db
67% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
67% Popularity • 29% Danceability • 13% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
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Wasia Project
U Deserve
75 bpm • C Maj • 03:38 • -20.33db
43% Popularity • 51% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Victoria Bigelow
Low
75 bpm • A Maj • 03:13 • -8.76db
44% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Genevieve Stokes
Portland Nights
75 bpm • C Maj • 01:41 • -16db
39% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Margaux Beylier
Northern Italy
75 bpm • B min • 03:10 • -21.04db
45% Popularity • 50% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
45% Popularity • 50% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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pinkpirate
Nowhere
75 bpm • A# Maj • 03:15 • -16.22db
36% Popularity • 68% Danceability • 15% Energy • 26% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 68% Danceability • 15% Energy • 26% Liveness
1% Instrumentalness • 16% Positiveness
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Eleni Drake
Peaches
75 bpm • C Maj • 03:56 • -18.63db
36% Popularity • 51% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
36% Popularity • 51% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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Christian Leave
Maybe
75 bpm • G Maj • 03:00 • -8.36db
35% Popularity • 40% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
35% Popularity • 40% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Matt Maltese
You Deserve an Oscar
79 bpm • F# Maj • 03:36 • -6.02db
48% Popularity • 46% Danceability • 61% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
48% Popularity • 46% Danceability • 61% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
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Alann8h
Burger King Bathroom
79 bpm • F# Maj • 02:28 • -11.05db
24% Popularity • 51% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 51% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Samia
Is There Something In The Movies?
75 bpm • G Maj • 03:30 • -13.97db
24% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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quinnie
gold star
80 bpm • A# min • 03:10 • -14db
40% Popularity • 62% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 62% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Lorde
Big Star
80 bpm • G Maj • 02:47 • -19db
50% Popularity • 33% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 33% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Baby FuzZ
Cig
80 bpm • F# Maj • 03:18 • -8.06db
36% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Cece Coakley
Cliché
80 bpm • G Maj • 02:56 • -6.32db
43% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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flipturn
August (Acoustic)
80 bpm • F# Maj • 05:02 • -12.78db
57% Popularity • 52% Danceability • 26% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 11% Liveness
15% Instrumentalness • 9% Positiveness
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Delaney Bailey
Just Come Down
80 bpm • A Maj • 03:30 • -14.93db
39% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Samia
Kill Her Freak Out
80 bpm • C Maj • 04:20 • -16.8db
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 27% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Oscar Lang
Liking All Your Posts
80 bpm • A Maj • 02:56 • -10db
36% Popularity • 63% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 26% Positiveness
36% Popularity • 63% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 26% Positiveness
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Genevieve Stokes
Morning Dove
80 bpm • A min • 03:02 • -13db
35% Popularity • 59% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 59% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Adam Melchor
Real Estate
80 bpm • D Maj • 03:36 • -12.82db
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Lennon Stella
Goodnight
80 bpm • D Maj • 02:56 • -10.44db
50% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Victoria Bigelow
Love In Vain
80 bpm • D Maj • 03:25 • -9.33db
26% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 53% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Boyish
July
74 bpm • A# Maj • 03:40 • -11.8db
37% Popularity • 63% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 63% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Margot Liotta
Planet Song
80 bpm • G# Maj • 03:30 • -14.49db
42% Popularity • 46% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 46% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Sarah Kinsley
Caught Up In A Dream
74 bpm • B Maj • 05:10 • -10db
34% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Delaney Bailey
(i would have followed you)
81 bpm • D min • 01:54 • -19.84db
40% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Chinouriri
If Only
81 bpm • A# min • 03:22 • -7.86db
39% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ethan Tasch
Face Again
81 bpm • B Maj • 02:14 • -7db
36% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Haley Blais
So Funny
81 bpm • C Maj • 05:02 • -7.51db
28% Popularity • 43% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
28% Popularity • 43% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
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Liang Lawrence
(not) a love song
81 bpm • E Maj • 02:53 • -10.01db
53% Popularity • 63% Danceability • 50% Energy • 32% Liveness
16% Instrumentalness • 80% Positiveness
53% Popularity • 63% Danceability • 50% Energy • 32% Liveness
16% Instrumentalness • 80% Positiveness
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Allison Ponthier
Faking My Own Death
81 bpm • B min • 03:58 • -10db
44% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 38% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Wasia Project
My Vine
73 bpm • F Maj • 03:08 • -22db
44% Popularity • 34% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
44% Popularity • 34% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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tyke james
saw u in a dream
81 bpm • F# min • 02:34 • -10db
33% Popularity • 39% Danceability • 46% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
33% Popularity • 39% Danceability • 46% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
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Breakup Shoes
Unrequited Love (& other clichés)
81 bpm • E Maj • 04:46 • -9.59db
54% Popularity • 38% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 25% Positiveness
54% Popularity • 38% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 25% Positiveness
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Zeph
you
73 bpm • C Maj • 01:10 • -9db
52% Popularity • 32% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 32% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Maya Hawke
Luna Moth
73 bpm • A# Maj • 03:24 • -12db
41% Popularity • 45% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 45% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Field Guide
You Were
82 bpm • G Maj • 03:13 • -12.56db
50% Popularity • 64% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
50% Popularity • 64% Danceability • 57% Energy • 6% Liveness
1% Instrumentalness • 61% Positiveness
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Billie Eilish
Halley's Comet
72 bpm • C# min • 03:54 • -16.73db
76% Popularity • 40% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
76% Popularity • 40% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
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Adam Melchor
30 MINUTES
82 bpm • C Maj • 03:05 • -7.6db
37% Popularity • 61% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 61% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Brother Moses
Inertia
82 bpm • E Maj • 04:09 • -10.37db
28% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 60% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jensen McRae
Happy Girl
72 bpm • F# min • 03:03 • -8db
35% Popularity • 38% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 38% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Etta Marcus
Salt Lake City
72 bpm • G Maj • 03:52 • -10.87db
46% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Dora Jar
Lagoon
72 bpm • A Maj • 02:33 • -6db
40% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Flyte
Never Get To Heaven
72 bpm • C Maj • 02:38 • -11db
40% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tommy Lefroy
Recency Bias
72 bpm • D Maj • 03:10 • -13.41db
33% Popularity • 67% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 67% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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runo plum
very overdue goodbye
83 bpm • A# Maj • 03:36 • -9.89db
38% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Noah Floersch
Love You By Myself
83 bpm • D# Maj • 03:01 • -8.92db
48% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Maltese
Even If It's a Lie - Demo
83 bpm • D Maj • 03:57 • -6db
51% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Flower Face
Back to You
83 bpm • D Maj • 03:22 • -15.12db
47% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Zeph
friends or not
83 bpm • F Maj • 03:12 • -6.58db
42% Popularity • 41% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 41% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Oh Wonder
Dinner
83 bpm • F# min • 01:43 • -11.96db
44% Popularity • 65% Danceability • 28% Energy • 24% Liveness
49% Instrumentalness • 36% Positiveness
44% Popularity • 65% Danceability • 28% Energy • 24% Liveness
49% Instrumentalness • 36% Positiveness
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Delaney Bailey
Loving & Losing
70 bpm • C Maj • 03:04 • -23db
47% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Sophie May
Lover Boy
85 bpm • E Maj • 01:59 • -11db
57% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Medium Build
Be Your Boy
85 bpm • D Maj • 03:27 • -12.04db
46% Popularity • 62% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 62% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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awfultune
lvr boy
85 bpm • F# Maj • 04:55 • -25.02db
56% Popularity • 50% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
56% Popularity • 50% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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quinnie
itch
86 bpm • G Maj • 03:45 • -6.29db
39% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Holly Humberstone
Thursday
86 bpm • A# Maj • 04:07 • -8db
40% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Wallice
Japan
87 bpm • C# Maj • 03:36 • -9.99db
39% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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normal the kid
curse,
86 bpm • G# Maj • 03:58 • -11.67db
49% Popularity • 57% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
49% Popularity • 57% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Suki Waterhouse
Valentine
68 bpm • E min • 03:01 • -13.76db
48% Popularity • 55% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 55% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Samia
Pool
68 bpm • D Maj • 04:29 • -12.16db
24% Popularity • 14% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 14% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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quinnie
get what u get
87 bpm • G Maj • 01:06 • -6.74db
47% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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runo plum
jupiter
87 bpm • G Maj • 02:40 • -18.47db
38% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Thea
TwentyTwo
67 bpm • F Maj • 03:07 • -9db
29% Popularity • 64% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
29% Popularity • 64% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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BAILEN
Rose Leaves
89 bpm • G# Maj • 03:58 • -9.8db
29% Popularity • 25% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 25% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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Tommy Lefroy
Dog Eat Dog
88 bpm • B Maj • 02:49 • -8.67db
47% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Peter McPoland
Let Her Remember
89 bpm • G Maj • 03:32 • -6.5db
37% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
57% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Slow Hollows
Two Seasons
89 bpm • G Maj • 03:44 • -10db
29% Popularity • 46% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 46% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Evann McIntosh
Yours
66 bpm • C Maj • 04:46 • -11db
37% Popularity • 45% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 45% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ezra Glatt
Moving Light
90 bpm • B Maj • 01:32 • -14db
50% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
50% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
