Songs like Paro Fadeout by Microstoria
Based on a tempo of (+/- 10%) and a similar genre
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Klein
a break from angel
114 bpm • C Maj • 01:08 • -10.35db
19% Popularity • 48% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
19% Popularity • 48% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Microstoria
Paro Fadeout
114 bpm • C# Maj • 03:45 • -17.89db
1% Popularity • 33% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 33% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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The Focus Group
Open the Gate
114 bpm • C# Maj • 01:14 • -14.53db
10% Popularity • 64% Danceability • 44% Energy • 13% Liveness
74% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 44% Energy • 13% Liveness
74% Instrumentalness • 48% Positiveness
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Teresa Winter
Circles
114 bpm • B min • 05:53 • -20.79db
8% Popularity • 18% Danceability • 46% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 46% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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LCM
lense phase
113 bpm • G Maj • 06:07 • -18.79db
8% Popularity • 58% Danceability • 6% Energy • 6% Liveness
68% Instrumentalness • 27% Positiveness
8% Popularity • 58% Danceability • 6% Energy • 6% Liveness
68% Instrumentalness • 27% Positiveness
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Peter Zummo
Deep Slide With Trio (Cafe, A Plan)
115 bpm • C# min • 01:24 • -16.46db
23% Popularity • 35% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 35% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Daniel Bachman
On A Summer Over Yonder (With Joy To You...
115 bpm • C# Maj • 03:25 • -8.85db
11% Popularity • 33% Danceability • 66% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
11% Popularity • 33% Danceability • 66% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Microstoria
Pokus
113 bpm • C Maj • 06:04 • -26.95db
2% Popularity • 35% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
2% Popularity • 35% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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M. Sage
Tell Tail Tale
115 bpm • C# Maj • 03:00 • -13.11db
14% Popularity • 20% Danceability • 49% Energy • 27% Liveness
66% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 49% Energy • 27% Liveness
66% Instrumentalness • 15% Positiveness
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Jan Jelinek
Lemminge Und Lurche Inc.
115 bpm • C# Maj • 03:50 • -18.91db
12% Popularity • 50% Danceability • 32% Energy • 13% Liveness
86% Instrumentalness • 21% Positiveness
12% Popularity • 50% Danceability • 32% Energy • 13% Liveness
86% Instrumentalness • 21% Positiveness
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Laurent Chambert
The Other Colors
112 bpm • A# Maj • 03:11 • -8.07db
10% Popularity • 36% Danceability • 57% Energy • 39% Liveness
6% Instrumentalness • 21% Positiveness
10% Popularity • 36% Danceability • 57% Energy • 39% Liveness
6% Instrumentalness • 21% Positiveness
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![[Untitled] cover art](https://i.scdn.co/image/ab67616d00001e02e9495a570628f8a4a3e866c0)
Nuno Canavarro
[Untitled]
116 bpm • D Maj • 02:08 • -19.99db
13% Popularity • 53% Danceability • 12% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
13% Popularity • 53% Danceability • 12% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Romance
Eric Forrester
112 bpm • C# Maj • 03:08 • -20.77db
11% Popularity • 20% Danceability • 16% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 17% Liveness
86% Instrumentalness • 6% Positiveness
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Microstoria
Pokus
112 bpm • C Maj • 06:04 • -23.02db
8% Popularity • 40% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
8% Popularity • 40% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Taylor Deupree
mil
112 bpm • D Maj • 03:05 • -27.31db
24% Popularity • 23% Danceability • 12% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Emil Amos
Red Palms
116 bpm • A# min • 02:47 • -14.04db
13% Popularity • 45% Danceability • 66% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 45% Danceability • 66% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Purelink
In Circuits
112 bpm • G min • 05:17 • -18.27db
27% Popularity • 74% Danceability • 26% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
27% Popularity • 74% Danceability • 26% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
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Lia Kohl
in a specific room
116 bpm • C Maj • 04:28 • -14.57db
9% Popularity • 21% Danceability • 57% Energy • 41% Liveness
11% Instrumentalness • 10% Positiveness
9% Popularity • 21% Danceability • 57% Energy • 41% Liveness
11% Instrumentalness • 10% Positiveness
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Chris Abrahams
Placelessness 2.5
112 bpm • D Maj • 02:39 • -21.22db
17% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
17% Popularity • 43% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Knobs
Overstill
116 bpm • D# Maj • 02:20 • -15.21db
8% Popularity • 20% Danceability • 67% Energy • 66% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 67% Energy • 66% Liveness
92% Instrumentalness • 4% Positiveness
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Jean Michel P.s
Whispers of the Flow
117 bpm • D Maj • 03:20 • -16.1db
15% Popularity • 30% Danceability • 33% Energy • 10% Liveness
63% Instrumentalness • 3% Positiveness
15% Popularity • 30% Danceability • 33% Energy • 10% Liveness
63% Instrumentalness • 3% Positiveness
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Jon Hassell
Paris I
111 bpm • D Maj • 05:48 • -17.05db
8% Popularity • 39% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 39% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Romance
Some Enchanted Evening
111 bpm • F Maj • 02:24 • -36.98db
22% Popularity • 31% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 31% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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OZmotic
Movements l ll
117 bpm • E Maj • 10:23 • -13.4db
11% Popularity • 18% Danceability • 44% Energy • 12% Liveness
65% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 44% Energy • 12% Liveness
65% Instrumentalness • 5% Positiveness
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Microstoria
Microstoria Runtime Engine
117 bpm • B Maj • 07:06 • -17.08db
4% Popularity • 21% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Risto Holopainen
The Quasi-periodic Table
111 bpm • C# Maj • 04:39 • -15.84db
10% Popularity • 36% Danceability • 0% Energy • 14% Liveness
47% Instrumentalness • 8% Positiveness
10% Popularity • 36% Danceability • 0% Energy • 14% Liveness
47% Instrumentalness • 8% Positiveness
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Jan Jelinek
It Moves Swiftly Forward - Version
117 bpm • F min • 02:50 • -21.94db
10% Popularity • 22% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
10% Popularity • 22% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Nuno Canavarro
Wolfie
117 bpm • B min • 02:13 • -22.5db
10% Popularity • 48% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 36% Positiveness
10% Popularity • 48% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 36% Positiveness
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Biosphere
Florian´s Flute
117 bpm • A# min • 02:49 • -12.95db
14% Popularity • 35% Danceability • 17% Energy • 12% Liveness
44% Instrumentalness • 60% Positiveness
14% Popularity • 35% Danceability • 17% Energy • 12% Liveness
44% Instrumentalness • 60% Positiveness
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GAS
Der Lange Marsch 4
111 bpm • D# Maj • 04:53 • -19.25db
14% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
14% Popularity • 33% Danceability • 35% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Anja Lauvdal
Siste hus
118 bpm • D Maj • 04:29 • -24.85db
10% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Jean Michel P.s
Breath of Sunset
118 bpm • C Maj • 03:25 • -12.16db
15% Popularity • 42% Danceability • 73% Energy • 50% Liveness
31% Instrumentalness • 18% Positiveness
15% Popularity • 42% Danceability • 73% Energy • 50% Liveness
31% Instrumentalness • 18% Positiveness
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Oval
Panorama
110 bpm • F# Maj • 03:51 • -11.74db
19% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
19% Popularity • 43% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Pan-American
Esso
110 bpm • C Maj • 09:51 • -25.09db
8% Popularity • 31% Danceability • 20% Energy • 58% Liveness
79% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 20% Energy • 58% Liveness
79% Instrumentalness • 6% Positiveness
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The Sounds They Made
intact
118 bpm • G# min • 01:34 • -19.19db
17% Popularity • 23% Danceability • 23% Energy • 17% Liveness
87% Instrumentalness • 19% Positiveness
17% Popularity • 23% Danceability • 23% Energy • 17% Liveness
87% Instrumentalness • 19% Positiveness
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Josiah Steinbrick
Hybridise
118 bpm • C Maj • 04:11 • -14.17db
14% Popularity • 57% Danceability • 48% Energy • 16% Liveness
68% Instrumentalness • 29% Positiveness
14% Popularity • 57% Danceability • 48% Energy • 16% Liveness
68% Instrumentalness • 29% Positiveness
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Ulla Straus
Oil
110 bpm • G min • 02:34 • -21.15db
11% Popularity • 96% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 96% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Bachman
Sunshine Over Clover Blossom On The Mead...
110 bpm • B Maj • 02:43 • -7.12db
9% Popularity • 19% Danceability • 83% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 83% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Luke Syrnick
Sprout
110 bpm • A min • 02:40 • -11.85db
21% Popularity • 22% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Fred Frith
Outer Order
110 bpm • C# Maj • 04:28 • -15.57db
10% Popularity • 30% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 30% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Gene du Vergier
skylark
118 bpm • C# min • 02:13 • -20.78db
23% Popularity • 48% Danceability • 22% Energy • 10% Liveness
44% Instrumentalness • 24% Positiveness
23% Popularity • 48% Danceability • 22% Energy • 10% Liveness
44% Instrumentalness • 24% Positiveness
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Ulla
macys
118 bpm • F Maj • 03:57 • -19.09db
14% Popularity • 34% Danceability • 11% Energy • 9% Liveness
16% Instrumentalness • 20% Positiveness
14% Popularity • 34% Danceability • 11% Energy • 9% Liveness
16% Instrumentalness • 20% Positiveness
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Jan Jelinek
The Water Seems Changed To Mist And Vapo...
109 bpm • B min • 03:51 • -20.58db
15% Popularity • 37% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
15% Popularity • 37% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Oval
Amethyst
119 bpm • G min • 04:10 • -13.19db
7% Popularity • 35% Danceability • 36% Energy • 51% Liveness
77% Instrumentalness • 36% Positiveness
7% Popularity • 35% Danceability • 36% Energy • 51% Liveness
77% Instrumentalness • 36% Positiveness
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HTRK
Unselving I and II
109 bpm • F min • 01:54 • -22.59db
21% Popularity • 32% Danceability • 18% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 18% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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John Norr
Touchdown
109 bpm • F# min • 01:15 • -20.52db
11% Popularity • 86% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 86% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Microstoria
Slap Top
119 bpm • G Maj • 04:03 • -18.78db
5% Popularity • 38% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
5% Popularity • 38% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Martyna Basta
Back and Forth
109 bpm • A min • 03:57 • -25.23db
10% Popularity • 25% Danceability • 16% Energy • 31% Liveness
59% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 16% Energy • 31% Liveness
59% Instrumentalness • 9% Positiveness
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Roméo Poirier
Apella
119 bpm • G# Maj • 05:16 • -20.11db
11% Popularity • 35% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
11% Popularity • 35% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
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Oval
Line Extension
109 bpm • C# min • 03:05 • -18.25db
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Jeremiah Chiu
Brush with Thin Air
119 bpm • G min • 03:55 • -17.76db
13% Popularity • 23% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
13% Popularity • 23% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Picnic
Dewey
109 bpm • C# min • 04:54 • -22.77db
12% Popularity • 29% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
12% Popularity • 29% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Jan Jelinek
Warm Murmur In The Room
109 bpm • G# Maj • 04:55 • -25.4db
10% Popularity • 42% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 42% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Ulla
for your love
120 bpm • G Maj • 02:56 • -15.68db
15% Popularity • 36% Danceability • 49% Energy • 21% Liveness
72% Instrumentalness • 12% Positiveness
15% Popularity • 36% Danceability • 49% Energy • 21% Liveness
72% Instrumentalness • 12% Positiveness
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Toshimaru Nakamura
NIMB #8
120 bpm • F# Maj • 03:06 • -30.82db
10% Popularity • 68% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
10% Popularity • 68% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Roméo Poirier
Sablage
109 bpm • C# Maj • 03:20 • -21.87db
11% Popularity • 27% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
11% Popularity • 27% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Flora Yin-Wong
Beautiful Crisis
120 bpm • A min • 03:07 • -17db
11% Popularity • 28% Danceability • 36% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 36% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Oval
Zauberwort
120 bpm • A min • 04:06 • -11.28db
9% Popularity • 35% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
9% Popularity • 35% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Pablo's Eye
A Boiling Life
120 bpm • G Maj • 01:34 • -34db
15% Popularity • 46% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
15% Popularity • 46% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Shuttle358
frame
120 bpm • G Maj • 07:53 • -29.1db
15% Popularity • 41% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 41% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Gonubie
Sei
120 bpm • A Maj • 06:35 • -25.5db
13% Popularity • 51% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 51% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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meetka
Boarding Gate
120 bpm • C# Maj • 02:08 • -26.32db
19% Popularity • 68% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
19% Popularity • 68% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Pan-American
Noun
108 bpm • C# Maj • 07:52 • -22.35db
7% Popularity • 52% Danceability • 16% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
7% Popularity • 52% Danceability • 16% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Oval
Rytmy
120 bpm • A# Maj • 03:12 • -15.01db
11% Popularity • 47% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
11% Popularity • 47% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Roméo Poirier
Longe-côte
108 bpm • F Maj • 05:30 • -15.15db
13% Popularity • 32% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
13% Popularity • 32% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Sofie Birch
Calibrating Senses
120 bpm • C Maj • 04:02 • -17.86db
27% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
27% Popularity • 37% Danceability • 22% Energy • 30% Liveness
75% Instrumentalness • 11% Positiveness
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Jan Jelinek
It Moves Swiftly Forward, Throwing Up Gr...
120 bpm • G Maj • 04:17 • -18.52db
10% Popularity • 39% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 39% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Taylor Deupree
ser
108 bpm • G# Maj • 03:13 • -25.14db
14% Popularity • 22% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
14% Popularity • 22% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Microstoria
Yaun Twais Oy
121 bpm • F min • 06:56 • -22.41db
1% Popularity • 46% Danceability • 33% Energy • 9% Liveness
54% Instrumentalness • 12% Positiveness
1% Popularity • 46% Danceability • 33% Energy • 9% Liveness
54% Instrumentalness • 12% Positiveness
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OmertÃ
Le Magnifique
107 bpm • C Maj • 01:21 • -13.26db
24% Popularity • 43% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 52% Positiveness
24% Popularity • 43% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 52% Positiveness
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Martyna Basta
Glass
107 bpm • C Maj • 03:48 • -21.13db
17% Popularity • 26% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 26% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Tim Hecker
Boreal Kiss Pt. 3
121 bpm • B min • 01:59 • -26.43db
34% Popularity • 25% Danceability • 15% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 25% Danceability • 15% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
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African-American Sound Recordings
Respiratory Poem
107 bpm • D# min • 02:53 • -13.85db
14% Popularity • 16% Danceability • 0% Energy • 13% Liveness
4% Instrumentalness • 14% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 13% Liveness
4% Instrumentalness • 14% Positiveness
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Jan Jelinek
On The Quay Now, Waiting And Watching
107 bpm • A# min • 05:16 • -25.36db
10% Popularity • 32% Danceability • 24% Energy • 25% Liveness
97% Instrumentalness • 3% Positiveness
10% Popularity • 32% Danceability • 24% Energy • 25% Liveness
97% Instrumentalness • 3% Positiveness
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Pauline Anna Strom
Cult of Isis
107 bpm • C min • 07:41 • -21.04db
17% Popularity • 47% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 47% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Early Fern
Radiant Mist
107 bpm • C Maj • 03:20 • -8.99db
13% Popularity • 15% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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3/4HadBeenEliminated
Shifting Position
107 bpm • F Maj • 01:54 • -22.25db
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Shuttle358
sea
122 bpm • D Maj • 05:21 • -21.32db
7% Popularity • 31% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 31% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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African-American Sound Recordings
Zoo York
122 bpm • E Maj • 02:12 • -11.78db
12% Popularity • 55% Danceability • 43% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
12% Popularity • 55% Danceability • 43% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Roméo Poirier
Kyra Panagia
122 bpm • G# Maj • 04:17 • -25.61db
10% Popularity • 62% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 61% Positiveness
10% Popularity • 62% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 61% Positiveness
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r beny
Grinnell
106 bpm • F# min • 02:50 • -31.66db
9% Popularity • 21% Danceability • 3% Energy • 16% Liveness
96% Instrumentalness • 32% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 16% Liveness
96% Instrumentalness • 32% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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MPU101
nurMKS30
106 bpm • D min • 05:06 • -18.04db
9% Popularity • 15% Danceability • 18% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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Santa Pfeffer
Entering My Dream Journey
122 bpm • G# Maj • 02:56 • -20.45db
10% Popularity • 44% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 44% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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African-American Sound Recordings
Champagne Misery Cycles
123 bpm • D min • 09:26 • -4.46db
8% Popularity • 29% Danceability • 80% Energy • 62% Liveness
75% Instrumentalness • 6% Positiveness
8% Popularity • 29% Danceability • 80% Energy • 62% Liveness
75% Instrumentalness • 6% Positiveness
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Microstoria
Mem.Brand
123 bpm • A# min • 04:01 • -17.4db
1% Popularity • 45% Danceability • 25% Energy • 8% Liveness
85% Instrumentalness • 18% Positiveness
1% Popularity • 45% Danceability • 25% Energy • 8% Liveness
85% Instrumentalness • 18% Positiveness
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Oval
Oval Office
106 bpm • D# Maj • 05:08 • -22.07db
10% Popularity • 40% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
10% Popularity • 40% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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Josiah Steinbrick
2XQ
123 bpm • C Maj • 02:19 • -15db
31% Popularity • 45% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
31% Popularity • 45% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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CTM
Getting lost
106 bpm • E min • 04:02 • -14.34db
11% Popularity • 26% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Off World
Terrascope
123 bpm • C# Maj • 01:01 • -16.32db
9% Popularity • 54% Danceability • 46% Energy • 17% Liveness
86% Instrumentalness • 48% Positiveness
9% Popularity • 54% Danceability • 46% Energy • 17% Liveness
86% Instrumentalness • 48% Positiveness
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Philip Jeck
Beetroot Train
123 bpm • C# Maj • 04:20 • -14.03db
8% Popularity • 48% Danceability • 46% Energy • 49% Liveness
86% Instrumentalness • 15% Positiveness
8% Popularity • 48% Danceability • 46% Energy • 49% Liveness
86% Instrumentalness • 15% Positiveness
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Microstoria
Fund
106 bpm • D# min • 03:00 • -16.08db
9% Popularity • 36% Danceability • 36% Energy • 16% Liveness
89% Instrumentalness • 18% Positiveness
9% Popularity • 36% Danceability • 36% Energy • 16% Liveness
89% Instrumentalness • 18% Positiveness
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Jeremiah Chiu
For Voices
123 bpm • A min • 01:09 • -13.2db
26% Popularity • 54% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 95% Positiveness
26% Popularity • 54% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 95% Positiveness
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Roméo Poirier
Sarakiniko
123 bpm • G# min • 04:51 • -17.53db
8% Popularity • 17% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Jan Jelinek
Ropes Sing In The Air
124 bpm • E min • 03:04 • -26.77db
14% Popularity • 47% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
14% Popularity • 47% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Memotone
Laughing Grass
105 bpm • D Maj • 04:45 • -14.65db
10% Popularity • 49% Danceability • 16% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
10% Popularity • 49% Danceability • 16% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Oval
Cross Selling
104 bpm • B Maj • 06:09 • -18.52db
17% Popularity • 46% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 46% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Microstoria
16:9
123 bpm • A# min • 04:46 • -16.9db
14% Popularity • 24% Danceability • 39% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 24% Danceability • 39% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
