Songs like Parsifal: Act I: The Journey to Montsalvat by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Haugtussa - Song Cycle, Op. 67: Ved gjae...
73 bpm • B min • 06:17 • -27db
16% Popularity • 28% Danceability • 4% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Georg Joseph Vogler
Gustaf Adolf och Ebba Brahe: Act I: Hvad...
73 bpm • C Maj • 03:06 • -26.21db
0% Popularity • 23% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 23% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Otello / Act 1: "Una vela! Una vela!"
73 bpm • G# Maj • 04:18 • -16.38db
16% Popularity • 22% Danceability • 30% Energy • 83% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 30% Energy • 83% Liveness
1% Instrumentalness • 7% Positiveness
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Richard Wagner
Parsifal: Act I: The Journey to Montsalv...
73 bpm • G# Maj • 23:48 • -24.28db
17% Popularity • 7% Danceability • 5% Energy • 11% Liveness
56% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 5% Energy • 11% Liveness
56% Instrumentalness • 3% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Orff
Carmina Burana: XIX. Si puer cum puellul...
74 bpm • B min • 01:00 • -30.24db
27% Popularity • 40% Danceability • 13% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 40% Danceability • 13% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
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Edvard Grieg
The Mountain Thrall, Op. 32
72 bpm • G# Maj • 06:19 • -18.99db
18% Popularity • 16% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Robert Schumann
Das Paradies und die Peri, Op. 50, Erste...
74 bpm • B min • 01:52 • -32db
23% Popularity • 7% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 7% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
La traviata / Act I: "E strano! ... Ah, ...
74 bpm • F Maj • 03:36 • -24.81db
34% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 2: "Welch ein Geh...
74 bpm • C Maj • 04:27 • -21.11db
0% Popularity • 13% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 2 Scene 2: ...
74 bpm • G# Maj • 04:57 • -20.35db
10% Popularity • 21% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Carl Orff
Carmina Burana: XI. Estuans interius
74 bpm • A min • 02:16 • -21.51db
26% Popularity • 36% Danceability • 24% Energy • 15% Liveness
4% Instrumentalness • 48% Positiveness
26% Popularity • 36% Danceability • 24% Energy • 15% Liveness
4% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Act II: Der, w...
74 bpm • C Maj • 10:06 • -17.46db
0% Popularity • 24% Danceability • 21% Energy • 41% Liveness
1% Instrumentalness • 17% Positiveness
0% Popularity • 24% Danceability • 21% Energy • 41% Liveness
1% Instrumentalness • 17% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 1: Hastrmánku, t...
72 bpm • D# Maj • 05:10 • -20.43db
16% Popularity • 17% Danceability • 6% Energy • 43% Liveness
6% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 6% Energy • 43% Liveness
6% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Don Carlo*: Act I: Di qual amor (Elisabe...
74 bpm • C# Maj • 03:39 • -16.5db
2% Popularity • 23% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 23% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 12% Positiveness
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Georg Joseph Vogler
Gustaf Adolf och Ebba Brahe: Act II: Ach...
74 bpm • G Maj • 04:47 • -25.55db
0% Popularity • 25% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 25% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
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Richard Wagner
Götterdämmerung, Act II Scene 4: Brün...
73 bpm • F Maj • 03:30 • -17.08db
8% Popularity • 14% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La fanciulla del West: Ch'ella mi creda
75 bpm • F# Maj • 02:01 • -18.2db
27% Popularity • 22% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 22% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Harry Burleigh
Swing Low, Sweet Chariot (arr. H.T. Burl...
75 bpm • G Maj • 04:08 • -22.23db
0% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 29% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Mass in D Major, Op. 123 "Missa Solemnis...
75 bpm • G Maj • 01:49 • -20db
23% Popularity • 21% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
23% Popularity • 21% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Don Carlo*: Act IV Scene 1: O Re, se non...
71 bpm • F Maj • 02:51 • -18.49db
1% Popularity • 22% Danceability • 21% Energy • 25% Liveness
32% Instrumentalness • 18% Positiveness
1% Popularity • 22% Danceability • 21% Energy • 25% Liveness
32% Instrumentalness • 18% Positiveness
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Georges Bizet
Carmen, WD 31, Act II: Gypsy Song. Les t...
75 bpm • A min • 06:16 • -21db
14% Popularity • 27% Danceability • 5% Energy • 52% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 5% Energy • 52% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Wagner
Wagner: Tannnhäuser, Act 2: "Dort ist s...
73 bpm • D# Maj • 07:15 • -21.83db
1% Popularity • 31% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 31% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Tosca / Act III: "Come è lunga l'attest...
71 bpm • A min • 02:41 • -19.4db
21% Popularity • 11% Danceability • 6% Energy • 7% Liveness
76% Instrumentalness • 7% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 7% Liveness
76% Instrumentalness • 7% Positiveness
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Bedřich Smetana
The Kiss (Hubicka) - Opera in 2 Acts: Lu...
75 bpm • A Maj • 04:08 • -24.48db
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act II Scene 1...
71 bpm • B Maj • 02:03 • -21.24db
0% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Il trovatore: Act III: Trio: Giorni pove...
71 bpm • C# min • 02:57 • -20.67db
0% Popularity • 31% Danceability • 30% Energy • 32% Liveness
92% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 30% Energy • 32% Liveness
92% Instrumentalness • 12% Positiveness
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Georg Joseph Vogler
Gustaf Adolf och Ebba Brahe: Act II: Sto...
76 bpm • G Maj • 01:01 • -29.28db
0% Popularity • 28% Danceability • 10% Energy • 63% Liveness
83% Instrumentalness • 62% Positiveness
0% Popularity • 28% Danceability • 10% Energy • 63% Liveness
83% Instrumentalness • 62% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act III: "...
74 bpm • D# Maj • 02:46 • -16.31db
12% Popularity • 11% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Preludio sinfonico
75 bpm • A Maj • 08:47 • -21db
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
76 bpm • G# Maj • 04:25 • -19db
14% Popularity • 11% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 11% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Slovak Radio Symphony Orchestra
Lohengrin: Bridal Chorus
70 bpm • A# Maj • 04:48 • -21.42db
12% Popularity • 14% Danceability • 9% Energy • 9% Liveness
28% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 9% Liveness
28% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Requiem: IId. Liber scriptus
71 bpm • D Maj • 05:31 • -20.06db
1% Popularity • 19% Danceability • 12% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 12% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72, Act I: Quartet: Mir ist...
76 bpm • G Maj • 04:43 • -24.59db
16% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 2, Sept...
70 bpm • D Maj • 05:24 • -23db
17% Popularity • 14% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Qui tollis pec...
70 bpm • F Maj • 04:15 • -22.25db
15% Popularity • 18% Danceability • 6% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 6% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
70 bpm • E Maj • 04:43 • -13.09db
13% Popularity • 26% Danceability • 51% Energy • 93% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 51% Energy • 93% Liveness
0% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
Il trovatore: Act I: Scene: Che piu t'ar...
76 bpm • A# min • 02:02 • -20.91db
0% Popularity • 26% Danceability • 29% Energy • 24% Liveness
89% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 29% Energy • 24% Liveness
89% Instrumentalness • 18% Positiveness
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Johannes Brahms
German Requiem, Op. 45: Herr, lehre doch...
77 bpm • D min • 08:16 • -23db
13% Popularity • 12% Danceability • 11% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
13% Popularity • 12% Danceability • 11% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act 3: "Be...
71 bpm • D# Maj • 05:33 • -20db
12% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Alexander Nevsky, Op. 78: VI. Field of t...
77 bpm • C min • 06:01 • -33.79db
11% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Quoniam tu sol...
69 bpm • C Maj • 01:11 • -14.02db
15% Popularity • 16% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
15% Popularity • 16% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Recordare
76 bpm • F Maj • 04:26 • -23.29db
16% Popularity • 14% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Britten
War Requiem, Op. 66: II. Dies irae: g. D...
78 bpm • F min • 01:13 • -17.44db
11% Popularity • 46% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 46% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96 ...
75 bpm • F# min • 06:17 • -18db
21% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act II: (...
78 bpm • E min • 10:11 • -19.71db
13% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra, Op. 58: "Wo bleibt Elektra?"
78 bpm • D Maj • 06:09 • -27.54db
10% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hector Berlioz
Les Troyens: Act I Scene 2: Gloire, gloi...
78 bpm • G Maj • 02:04 • -10.65db
0% Popularity • 32% Danceability • 37% Energy • 22% Liveness
84% Instrumentalness • 39% Positiveness
0% Popularity • 32% Danceability • 37% Energy • 22% Liveness
84% Instrumentalness • 39% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XI. Confutatis
76 bpm • B Maj • 05:25 • -17.15db
13% Popularity • 13% Danceability • 14% Energy • 14% Liveness
38% Instrumentalness • 8% Positiveness
13% Popularity • 13% Danceability • 14% Energy • 14% Liveness
38% Instrumentalness • 8% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: So...
78 bpm • D Maj • 06:50 • -31.41db
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Wagner
Götterdämmerung, Prologue: Mehr gabst ...
71 bpm • F Maj • 09:52 • -14.03db
15% Popularity • 20% Danceability • 37% Energy • 25% Liveness
2% Instrumentalness • 14% Positiveness
15% Popularity • 20% Danceability • 37% Energy • 25% Liveness
2% Instrumentalness • 14% Positiveness
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Gustav Mahler
Mahler: Des Knaben Wunderhorn: No. 7, Rh...
68 bpm • A Maj • 03:07 • -27.86db
5% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Alexander Nevsky: VII. Alexander's Entry...
79 bpm • D# Maj • 03:43 • -16.17db
11% Popularity • 19% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 19% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Franz Schreker
Die Gezeichneten: Vorspiel
79 bpm • D Maj • 09:37 • -20.46db
0% Popularity • 7% Danceability • 7% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 7% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Il trovatore: Act II: Perche piangete? -...
78 bpm • G# Maj • 06:36 • -19.01db
0% Popularity • 22% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
0% Popularity • 22% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
79 bpm • E Maj • 03:59 • -24.32db
8% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act I: Frau Holda k...
75 bpm • G Maj • 05:22 • -33.9db
3% Popularity • 8% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 8% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 8 in E-Flat Major "...
67 bpm • G# Maj • 01:25 • -15.49db
20% Popularity • 26% Danceability • 31% Energy • 24% Liveness
1% Instrumentalness • 42% Positiveness
20% Popularity • 26% Danceability • 31% Energy • 24% Liveness
1% Instrumentalness • 42% Positiveness
► Preview
Gustave Charpentier
Louise: Act II: La la la la la la la la
67 bpm • E min • 05:07 • -20.4db
0% Popularity • 32% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 32% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Gioachino Rossini
Rossini: Stabat Mater: VII. Fac, ut port...
79 bpm • E Maj • 04:43 • -20.6db
9% Popularity • 14% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Don Carlo*: Act IV Scene 1: Cantabile: D...
68 bpm • D min • 04:36 • -19.76db
1% Popularity • 19% Danceability • 20% Energy • 70% Liveness
6% Instrumentalness • 12% Positiveness
1% Popularity • 19% Danceability • 20% Energy • 70% Liveness
6% Instrumentalness • 12% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
79 bpm • G min • 01:43 • -33db
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act III Scene 3: Morg...
75 bpm • F Maj • 04:46 • -14db
9% Popularity • 33% Danceability • 36% Energy • 7% Liveness
80% Instrumentalness • 24% Positiveness
9% Popularity • 33% Danceability • 36% Energy • 7% Liveness
80% Instrumentalness • 24% Positiveness
► Preview
Gustav Mahler
Symphony No. 8, Zweiter Teil: XIII. Neig...
79 bpm • A# Maj • 05:02 • -25db
16% Popularity • 15% Danceability • 10% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 10% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act 4: "Vecchia zima...
79 bpm • C# min • 02:31 • -25db
23% Popularity • 26% Danceability • 11% Energy • 54% Liveness
4% Instrumentalness • 6% Positiveness
23% Popularity • 26% Danceability • 11% Energy • 54% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Mass in D Major, Op. 123 "Missa Solemnis...
79 bpm • G Maj • 04:51 • -15.8db
16% Popularity • 25% Danceability • 34% Energy • 35% Liveness
62% Instrumentalness • 15% Positiveness
16% Popularity • 25% Danceability • 34% Energy • 35% Liveness
62% Instrumentalness • 15% Positiveness
► Preview
Giuseppe Verdi
Requiem: IV. Liber Scriptus
68 bpm • A# Maj • 05:02 • -29.84db
29% Popularity • 11% Danceability • 3% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Alphorn, o. Op.
67 bpm • D# Maj • 04:25 • -24.98db
9% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Richard Wagner
Die Walküre, Act II Scene 1: Deiner ew'...
71 bpm • D# Maj • 03:44 • -20db
11% Popularity • 28% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Igor Stravinsky
Le rossignol (The Nightingale): Scene 1 ...
66 bpm • F# Maj • 03:00 • -25db
13% Popularity • 27% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Lieder eines fahrenden Gesellen: Wenn me...
81 bpm • A# Maj • 03:42 • -30db
13% Popularity • 20% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Il trovatore, Act 4: "D'amor sull...
79 bpm • G# Maj • 03:48 • -19.33db
32% Popularity • 30% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
32% Popularity • 30% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
81 bpm • C Maj • 03:41 • -21.98db
16% Popularity • 29% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 29% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Wagner
Tristan und Isolde: Act I Scene 4: Auf! ...
76 bpm • C Maj • 08:04 • -24.47db
0% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
19% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Gustav Mahler
Das Lied von der Erde: 1. Das Trinklied ...
81 bpm • C min • 08:53 • -16.24db
9% Popularity • 22% Danceability • 20% Energy • 31% Liveness
16% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 20% Energy • 31% Liveness
16% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Don Carlo*: Act IV Scene 1: Scene: Il Gr...
81 bpm • F min • 03:12 • -19.8db
1% Popularity • 24% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 24% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 3. Der Nussbaum
65 bpm • G Maj • 03:32 • -28.2db
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
8% Instrumentalness • 13% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 1: "Du bist ...
76 bpm • C# Maj • 06:53 • -21db
15% Popularity • 16% Danceability • 11% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 3, Beim Sc...
66 bpm • C# Maj • 05:40 • -24.57db
15% Popularity • 9% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Myedle...
82 bpm • G# Maj • 05:10 • -16.45db
12% Popularity • 28% Danceability • 20% Energy • 5% Liveness
2% Instrumentalness • 7% Positiveness
12% Popularity • 28% Danceability • 20% Energy • 5% Liveness
2% Instrumentalness • 7% Positiveness
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Gustav Mahler
Lieder eines fahrenden Gesellen: Gieng h...
81 bpm • F# Maj • 03:45 • -28db
11% Popularity • 18% Danceability • 4% Energy • 8% Liveness
9% Instrumentalness • 19% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 8% Liveness
9% Instrumentalness • 19% Positiveness
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Giuseppe Verdi
Aida: Act II: Marcia trionfale and Balla...
81 bpm • G# Maj • 06:00 • -14.84db
0% Popularity • 36% Danceability • 34% Energy • 69% Liveness
15% Instrumentalness • 29% Positiveness
0% Popularity • 36% Danceability • 34% Energy • 69% Liveness
15% Instrumentalness • 29% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, Act II: O sink herni...
70 bpm • G# Maj • 05:17 • -24db
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Richard Strauss
Arabella, Op. 79, TrV 263: Das war sehr ...
82 bpm • G# min • 08:00 • -15.34db
12% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
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Carl Unander-Scharin
Tokfursten: Act II Scene 2: Ronden. För...
82 bpm • D Maj • 07:39 • -22.98db
0% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Gustav Mahler
Kindertotenlieder: In diesem Wetter
81 bpm • D Maj • 05:36 • -21.41db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Ingemisco
82 bpm • D# Maj • 03:48 • -26db
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Carl Orff
Carmina Burana: XV. Amor volat undique
83 bpm • E min • 03:51 • -37.24db
25% Popularity • 15% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90, Act II Scene...
76 bpm • D Maj • 02:00 • -31.39db
26% Popularity • 20% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 1, Frü...
83 bpm • G# Maj • 03:44 • -17.35db
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
10% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor, Part II: IV. ...
82 bpm • A min • 08:48 • -27.41db
16% Popularity • 15% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness