Songs like Party Machine by Bruce Haack
Based on a tempo of (+/- 10%) and a similar genre
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Ashra
Shuttle Cock
109 bpm • A min • 08:31 • -11.71db
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
87% Instrumentalness • 94% Positiveness
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
87% Instrumentalness • 94% Positiveness
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Joe Meek & the Blue Men
Valley of the Saroos
109 bpm • G Maj • 02:50 • -14.83db
10% Popularity • 59% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 29% Positiveness
10% Popularity • 59% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 29% Positiveness
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The Zodiac
Pisces - The Peace Piper
109 bpm • A min • 03:21 • -12.92db
12% Popularity • 29% Danceability • 28% Energy • 18% Liveness
9% Instrumentalness • 14% Positiveness
12% Popularity • 29% Danceability • 28% Energy • 18% Liveness
9% Instrumentalness • 14% Positiveness
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Bernard Fevre
Skeeze
109 bpm • F min • 01:53 • -11.63db
20% Popularity • 78% Danceability • 44% Energy • 16% Liveness
53% Instrumentalness • 54% Positiveness
20% Popularity • 78% Danceability • 44% Energy • 16% Liveness
53% Instrumentalness • 54% Positiveness
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Antena
To Climb the Cliff
109 bpm • G# Maj • 03:43 • -12.93db
29% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Bruce Haack
Party Machine
109 bpm • B min • 08:38 • -6.91db
8% Popularity • 86% Danceability • 80% Energy • 12% Liveness
68% Instrumentalness • 64% Positiveness
8% Popularity • 86% Danceability • 80% Energy • 12% Liveness
68% Instrumentalness • 64% Positiveness
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Enno Velthuys
In IJle Lucht
109 bpm • G Maj • 04:20 • -16.08db
13% Popularity • 60% Danceability • 18% Energy • 24% Liveness
19% Instrumentalness • 17% Positiveness
13% Popularity • 60% Danceability • 18% Energy • 24% Liveness
19% Instrumentalness • 17% Positiveness
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Faust
It's A Rainy Day Sunshine Girl
109 bpm • C Maj • 07:27 • -10.57db
20% Popularity • 66% Danceability • 68% Energy • 7% Liveness
55% Instrumentalness • 96% Positiveness
20% Popularity • 66% Danceability • 68% Energy • 7% Liveness
55% Instrumentalness • 96% Positiveness
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Deux Filles
She Slides - Remastered
108 bpm • B Maj • 03:05 • -17.28db
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
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Laraaji
Hare Jaya Jaya Rama I
110 bpm • F min • 05:41 • -16.21db
21% Popularity • 47% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 47% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Yonkers
Tripping Through the Rose Gardens
110 bpm • A# min • 04:33 • -14.1db
7% Popularity • 62% Danceability • 29% Energy • 33% Liveness
86% Instrumentalness • 53% Positiveness
7% Popularity • 62% Danceability • 29% Energy • 33% Liveness
86% Instrumentalness • 53% Positiveness
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Bruce Haack
Party Machine
109 bpm • B min • 08:01 • -10.02db
7% Popularity • 86% Danceability • 72% Energy • 11% Liveness
71% Instrumentalness • 75% Positiveness
7% Popularity • 86% Danceability • 72% Energy • 11% Liveness
71% Instrumentalness • 75% Positiveness
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DRINKS
Real Outside
110 bpm • E Maj • 04:27 • -9.24db
21% Popularity • 91% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 91% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Master Wilburn Burchette
Birth of a Witch
110 bpm • A min • 05:16 • -18db
11% Popularity • 22% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 22% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Gil Trythall
Last Date
108 bpm • C Maj • 02:32 • -11.95db
14% Popularity • 26% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
14% Popularity • 26% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Silver Apples
A Pox On You
108 bpm • C Maj • 05:13 • -8.59db
16% Popularity • 24% Danceability • 58% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
16% Popularity • 24% Danceability • 58% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Gary Wilson
Groovy Girls Make Love At The Beach
111 bpm • A# Maj • 04:09 • -9.92db
15% Popularity • 72% Danceability • 50% Energy • 8% Liveness
9% Instrumentalness • 56% Positiveness
15% Popularity • 72% Danceability • 50% Energy • 8% Liveness
9% Instrumentalness • 56% Positiveness
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Bruce Haack
Music
108 bpm • G# Maj • 02:50 • -15.97db
4% Popularity • 60% Danceability • 59% Energy • 90% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 60% Danceability • 59% Energy • 90% Liveness
0% Instrumentalness • 65% Positiveness
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Woo
No More Telly
111 bpm • B Maj • 01:40 • -18.08db
17% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 20% Positiveness
17% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 20% Positiveness
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Mamman Sani
Dangay Kotyo
111 bpm • D min • 04:16 • -12.33db
17% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
17% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
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Eden Ahbez
Eden's Cove
111 bpm • C min • 02:44 • -17db
24% Popularity • 45% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 45% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Antena
Joppo + Eno
107 bpm • C# min • 03:35 • -9db
19% Popularity • 87% Danceability • 48% Energy • 5% Liveness
43% Instrumentalness • 90% Positiveness
19% Popularity • 87% Danceability • 48% Energy • 5% Liveness
43% Instrumentalness • 90% Positiveness
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Bernard Estardy
Cha tatch ka
111 bpm • G Maj • 02:27 • -9db
23% Popularity • 61% Danceability • 94% Energy • 8% Liveness
84% Instrumentalness • 22% Positiveness
23% Popularity • 61% Danceability • 94% Energy • 8% Liveness
84% Instrumentalness • 22% Positiveness
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ESG
Chistelle
111 bpm • A min • 01:56 • -12.37db
30% Popularity • 48% Danceability • 81% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
30% Popularity • 48% Danceability • 81% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
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Space Art
Love Machine
107 bpm • D# min • 03:56 • -12.02db
20% Popularity • 97% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 97% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Raymond Scott
Baltimore Gas & Electric Co.
107 bpm • A# min • 01:14 • -15db
27% Popularity • 52% Danceability • 46% Energy • 13% Liveness
40% Instrumentalness • 94% Positiveness
27% Popularity • 52% Danceability • 46% Energy • 13% Liveness
40% Instrumentalness • 94% Positiveness
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White Noise
Here Come The Fleas
111 bpm • G Maj • 02:12 • -10db
18% Popularity • 66% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 66% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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R. Stevie Moore
Another No Answer
107 bpm • B Maj • 05:12 • -13.69db
29% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
29% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
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Yasuaki Shimizu
Ricoh 1
112 bpm • A min • 01:31 • -13.59db
18% Popularity • 87% Danceability • 56% Energy • 23% Liveness
12% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 56% Energy • 23% Liveness
12% Instrumentalness • 97% Positiveness
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Conrad Schnitzler
16 - Bonus Track
112 bpm • C# Maj • 01:32 • -9.66db
20% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
20% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
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Charlie Megira
Now I Wanna Drown in Your Dark Dreamy Ey...
106 bpm • G min • 01:13 • -22.09db
34% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
34% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Robert Wyatt
Born Again Cretin
106 bpm • F# Maj • 03:11 • -15db
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Tipsy
Size 178-79-55-91
112 bpm • G# Maj • 03:18 • -7.85db
10% Popularity • 72% Danceability • 74% Energy • 23% Liveness
88% Instrumentalness • 80% Positiveness
10% Popularity • 72% Danceability • 74% Energy • 23% Liveness
88% Instrumentalness • 80% Positiveness
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White Noise
Your Hidden Dreams
112 bpm • E min • 04:55 • -12.66db
16% Popularity • 46% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 45% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Angel Rada
Video Game
106 bpm • F# Maj • 04:19 • -10.68db
12% Popularity • 50% Danceability • 27% Energy • 15% Liveness
6% Instrumentalness • 13% Positiveness
12% Popularity • 50% Danceability • 27% Energy • 15% Liveness
6% Instrumentalness • 13% Positiveness
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Bernard Fevre
Earth Message
112 bpm • G# Maj • 02:30 • -6.86db
18% Popularity • 40% Danceability • 81% Energy • 19% Liveness
13% Instrumentalness • 43% Positiveness
18% Popularity • 40% Danceability • 81% Energy • 19% Liveness
13% Instrumentalness • 43% Positiveness
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Laraaji
Cosmic Joe
112 bpm • F Maj • 04:27 • -11.06db
17% Popularity • 57% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 57% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Subject A
Be Careful!
106 bpm • G Maj • 02:13 • -11db
28% Popularity • 74% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 84% Positiveness
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Raymond Scott
Portofino 2
112 bpm • A# Maj • 02:14 • -15.68db
41% Popularity • 57% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
41% Popularity • 57% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
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Dick Hyman
The Moog And Me
106 bpm • C min • 03:03 • -13db
26% Popularity • 78% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
26% Popularity • 78% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 3
106 bpm • F min • 01:11 • -19.08db
35% Popularity • 46% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
34% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
34% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Bruce Haack
Noon Day Sun
113 bpm • C# min • 01:51 • -9.79db
2% Popularity • 83% Danceability • 55% Energy • 8% Liveness
71% Instrumentalness • 40% Positiveness
2% Popularity • 83% Danceability • 55% Energy • 8% Liveness
71% Instrumentalness • 40% Positiveness
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Cluster
In Ewigkeit
113 bpm • A# Maj • 07:24 • -21db
26% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
26% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Suburban Lawns
Cowboy
113 bpm • G Maj • 04:31 • -13db
14% Popularity • 67% Danceability • 66% Energy • 28% Liveness
5% Instrumentalness • 53% Positiveness
14% Popularity • 67% Danceability • 66% Energy • 28% Liveness
5% Instrumentalness • 53% Positiveness
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Silver Apples
Dancing Gods
105 bpm • B Maj • 05:54 • -9db
19% Popularity • 78% Danceability • 82% Energy • 23% Liveness
1% Instrumentalness • 50% Positiveness
19% Popularity • 78% Danceability • 82% Energy • 23% Liveness
1% Instrumentalness • 50% Positiveness
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Section 25
C.P.
113 bpm • E Maj • 02:23 • -18.88db
18% Popularity • 63% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 63% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Harald Grosskopf
Synthesist
105 bpm • C# Maj • 07:39 • -10db
21% Popularity • 43% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 80% Positiveness
21% Popularity • 43% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 80% Positiveness
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Bruce Haack
War
105 bpm • D min • 03:45 • -9.23db
10% Popularity • 22% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 22% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Joe Meek & the Blue Men
Love Dance of the Saroos
113 bpm • D min • 02:33 • -17.21db
14% Popularity • 44% Danceability • 33% Energy • 11% Liveness
98% Instrumentalness • 60% Positiveness
14% Popularity • 44% Danceability • 33% Energy • 11% Liveness
98% Instrumentalness • 60% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Belbury Poly
The Willows
113 bpm • C# Maj • 04:43 • -11.11db
19% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
19% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
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Lizzy Mercier Descloux
Torso Corso
114 bpm • D Maj • 01:43 • -12.16db
36% Popularity • 87% Danceability • 57% Energy • 42% Liveness
72% Instrumentalness • 53% Positiveness
36% Popularity • 87% Danceability • 57% Energy • 42% Liveness
72% Instrumentalness • 53% Positiveness
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Bernard Parmegiani
Témoignages - 1972
104 bpm • C# Maj • 01:22 • -16.05db
16% Popularity • 34% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
16% Popularity • 34% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Bruce Haack
Lie Back
114 bpm • C# Maj • 04:25 • -10.73db
7% Popularity • 69% Danceability • 71% Energy • 52% Liveness
31% Instrumentalness • 81% Positiveness
7% Popularity • 69% Danceability • 71% Energy • 52% Liveness
31% Instrumentalness • 81% Positiveness
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Brian Hodgson
Liquid Energy - Underscore Version
114 bpm • B min • 01:04 • -30.08db
19% Popularity • 63% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
19% Popularity • 63% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
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Brian Eno
Broken Head
104 bpm • A# min • 05:22 • -14db
17% Popularity • 63% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
17% Popularity • 63% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
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Mamman Sani
Tunan
104 bpm • C# min • 03:21 • -7db
32% Popularity • 67% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 63% Energy • 17% Liveness
21% Instrumentalness • 72% Positiveness
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Moebius Plank Neumeier
All Repro
115 bpm • G Maj • 03:29 • -10.4db
9% Popularity • 68% Danceability • 92% Energy • 9% Liveness
88% Instrumentalness • 65% Positiveness
9% Popularity • 68% Danceability • 92% Energy • 9% Liveness
88% Instrumentalness • 65% Positiveness
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Moebius
Contramio
115 bpm • C# Maj • 02:28 • -10.73db
14% Popularity • 97% Danceability • 79% Energy • 10% Liveness
37% Instrumentalness • 98% Positiveness
14% Popularity • 97% Danceability • 79% Energy • 10% Liveness
37% Instrumentalness • 98% Positiveness
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Bruce Haack
Requiem
104 bpm • F min • 03:22 • -7db
10% Popularity • 48% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
29% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
29% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Cybe
Bali Pulau Bagus
103 bpm • B min • 02:44 • -5.63db
23% Popularity • 71% Danceability • 56% Energy • 10% Liveness
45% Instrumentalness • 94% Positiveness
23% Popularity • 71% Danceability • 56% Energy • 10% Liveness
45% Instrumentalness • 94% Positiveness
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Annie Anxiety
Third Gear
103 bpm • C Maj • 07:50 • -7.14db
8% Popularity • 68% Danceability • 75% Energy • 26% Liveness
42% Instrumentalness • 66% Positiveness
8% Popularity • 68% Danceability • 75% Energy • 26% Liveness
42% Instrumentalness • 66% Positiveness
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Faust
Giggy Smile
103 bpm • D Maj • 04:28 • -18.06db
17% Popularity • 71% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 32% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 32% Positiveness
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Raymond Scott
The Rhythm Modulator
115 bpm • A# Maj • 03:37 • -18.57db
8% Popularity • 83% Danceability • 32% Energy • 10% Liveness
75% Instrumentalness • 82% Positiveness
8% Popularity • 83% Danceability • 32% Energy • 10% Liveness
75% Instrumentalness • 82% Positiveness
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Bruce Haack
Just a Song at Twilight
104 bpm • C# Maj • 05:05 • -16.93db
4% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Brainticket
Jardins
103 bpm • E min • 02:09 • -10.95db
12% Popularity • 19% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 19% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Martin Rev
River of Tears
115 bpm • C# min • 03:44 • -14.53db
16% Popularity • 66% Danceability • 37% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
16% Popularity • 66% Danceability • 37% Energy • 18% Liveness
91% Instrumentalness • 51% Positiveness
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Flaming Tunes
Another Flaming Tune
103 bpm • F Maj • 02:25 • -13.97db
12% Popularity • 61% Danceability • 51% Energy • 8% Liveness
24% Instrumentalness • 23% Positiveness
12% Popularity • 61% Danceability • 51% Energy • 8% Liveness
24% Instrumentalness • 23% Positiveness
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Cybe
Om Swastiastu
115 bpm • C# Maj • 04:01 • -8.29db
16% Popularity • 67% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
16% Popularity • 67% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
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Arthur Russell
The Deer In The Forest Part 1
115 bpm • C Maj • 01:35 • -20.18db
40% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
40% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Bruce Haack
The Word
114 bpm • F min • 00:32 • -16.81db
11% Popularity • 28% Danceability • 30% Energy • 26% Liveness
82% Instrumentalness • 75% Positiveness
11% Popularity • 28% Danceability • 30% Energy • 26% Liveness
82% Instrumentalness • 75% Positiveness
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White Noise
My Game Of Loving
116 bpm • C Maj • 04:07 • -12db
19% Popularity • 42% Danceability • 63% Energy • 49% Liveness
9% Instrumentalness • 44% Positiveness
19% Popularity • 42% Danceability • 63% Energy • 49% Liveness
9% Instrumentalness • 44% Positiveness
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The Space Lady
Ghost Riders in the Sky
116 bpm • E Maj • 05:06 • -17db
32% Popularity • 44% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 44% Positiveness
32% Popularity • 44% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 44% Positiveness
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Hailu Mergia
Embuwa Bey Lamitu
116 bpm • G# Maj • 06:05 • -10.98db
37% Popularity • 41% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
37% Popularity • 41% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
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Sun City Girls
Bens Radio
116 bpm • F min • 03:04 • -6.81db
12% Popularity • 55% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 55% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Ahmed Malek
Tape 3 Track 4
116 bpm • G# min • 01:30 • -9.6db
24% Popularity • 55% Danceability • 94% Energy • 31% Liveness
83% Instrumentalness • 28% Positiveness
24% Popularity • 55% Danceability • 94% Energy • 31% Liveness
83% Instrumentalness • 28% Positiveness
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Bruce Haack
Chant Of The Unborn
103 bpm • C Maj • 01:24 • -8.02db
13% Popularity • 53% Danceability • 93% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 53% Danceability • 93% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Louis Hardin
Theme - Instrumental
102 bpm • G Maj • 02:59 • -14.87db
29% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
29% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
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Tonto's Expanding Head Band
Timewhys
102 bpm • G# Maj • 04:57 • -12.18db
11% Popularity • 22% Danceability • 69% Energy • 22% Liveness
52% Instrumentalness • 40% Positiveness
11% Popularity • 22% Danceability • 69% Energy • 22% Liveness
52% Instrumentalness • 40% Positiveness
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Pram
Track Of The Cat
102 bpm • A min • 04:13 • -8.77db
32% Popularity • 62% Danceability • 80% Energy • 12% Liveness
8% Instrumentalness • 63% Positiveness
32% Popularity • 62% Danceability • 80% Energy • 12% Liveness
8% Instrumentalness • 63% Positiveness
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Raymond Scott
Sprite: Melonball Bounce
102 bpm • B min • 01:01 • -13.06db
23% Popularity • 78% Danceability • 66% Energy • 69% Liveness
8% Instrumentalness • 91% Positiveness
23% Popularity • 78% Danceability • 66% Energy • 69% Liveness
8% Instrumentalness • 91% Positiveness
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Bernard Fevre
Sunshine on March
117 bpm • C min • 01:58 • -11db
29% Popularity • 42% Danceability • 43% Energy • 21% Liveness
80% Instrumentalness • 35% Positiveness
29% Popularity • 42% Danceability • 43% Energy • 21% Liveness
80% Instrumentalness • 35% Positiveness
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Bruce Haack
Sun Sukd
103 bpm • G Maj • 04:48 • -11.59db
4% Popularity • 58% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 60% Positiveness
4% Popularity • 58% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 60% Positiveness
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The Space Lady
Shakin' All Over
117 bpm • G# Maj • 03:10 • -11.62db
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
21% Instrumentalness • 39% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
21% Instrumentalness • 39% Positiveness
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Captain Beefheart & His Magic Band
A Carrot Is As Close As A Rabbit Gets To...
102 bpm • C Maj • 01:38 • -16.2db
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Cluster
Helle Melange
102 bpm • F Maj • 03:37 • -18db
13% Popularity • 38% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 49% Positiveness
13% Popularity • 38% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 49% Positiveness
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Yasuaki Shimizu
Tachikawa
102 bpm • D Maj • 01:07 • -11.91db
28% Popularity • 59% Danceability • 36% Energy • 62% Liveness
68% Instrumentalness • 88% Positiveness
28% Popularity • 59% Danceability • 36% Energy • 62% Liveness
68% Instrumentalness • 88% Positiveness
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Tonto's Expanding Head Band
Jetsex
117 bpm • C# Maj • 04:14 • -19.78db
10% Popularity • 47% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 47% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Moebius
News
117 bpm • B min • 04:53 • -14.39db
11% Popularity • 97% Danceability • 40% Energy • 83% Liveness
1% Instrumentalness • 84% Positiveness
11% Popularity • 97% Danceability • 40% Energy • 83% Liveness
1% Instrumentalness • 84% Positiveness
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Raymond Scott
Sleepy Time
101 bpm • C Maj • 04:27 • -20.89db
22% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
22% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Bernard Fevre
2043
101 bpm • C min • 02:08 • -10db
21% Popularity • 35% Danceability • 36% Energy • 26% Liveness
95% Instrumentalness • 14% Positiveness
21% Popularity • 35% Danceability • 36% Energy • 26% Liveness
95% Instrumentalness • 14% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
24% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Algebra Suicide
After Charles
117 bpm • G Maj • 01:30 • -10.76db
35% Popularity • 88% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 98% Positiveness
35% Popularity • 88% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 98% Positiveness
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Listening Center
Titoli
117 bpm • E Maj • 04:31 • -9.32db
14% Popularity • 58% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
14% Popularity • 58% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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Saskia
My Lips Get Hot
118 bpm • F min • 08:15 • -15db
12% Popularity • 65% Danceability • 49% Energy • 31% Liveness
77% Instrumentalness • 72% Positiveness
12% Popularity • 65% Danceability • 49% Energy • 31% Liveness
77% Instrumentalness • 72% Positiveness
