Songs like Pas assez by Gradur
Based on a tempo of (+/- 10%) and a similar genre
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Benab
Mon poto
126 bpm • A# min • 03:19 • -5.54db
50% Popularity • 84% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 84% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Gradur
Pas assez
126 bpm • C# Maj • 02:28 • -6.11db
29% Popularity • 90% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 90% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Chabodo
Litron
126 bpm • C# Maj • 03:05 • -5.93db
0% Popularity • 75% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 75% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Biwaï
Copacabana
126 bpm • D Maj • 03:07 • -5.54db
43% Popularity • 94% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 94% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Gambi
Khedma
126 bpm • E min • 02:14 • -5db
43% Popularity • 80% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 80% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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DJ Vielo
RR 9.1 AFRO
126 bpm • F# min • 03:25 • -2.84db
47% Popularity • 95% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 95% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Sasso
Pardonne-moi
126 bpm • F min • 03:35 • -9.83db
45% Popularity • 71% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 71% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Gradur
Flex
126 bpm • G Maj • 02:56 • -4.87db
26% Popularity • 57% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 57% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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L'Allemand
C'est ça les rats
126 bpm • F# min • 02:43 • -8db
50% Popularity • 84% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 84% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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KeBlack
Tout va bien
126 bpm • G# Maj • 03:23 • -5.9db
50% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Bramsito
Millions de mélos
126 bpm • A Maj • 03:10 • -5.46db
36% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Landy
Le même
126 bpm • G# min • 03:17 • -5.93db
53% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Aya Nakamura
Super héros
126 bpm • G# min • 03:32 • -5.18db
46% Popularity • 72% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 72% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Gradur
Tu crois que je mens
125 bpm • D Maj • 03:20 • -4.1db
37% Popularity • 90% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 90% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Gambi
ON S'TAILLE
127 bpm • B min • 02:11 • -7db
52% Popularity • 90% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 90% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Werenoi
Pyramide
125 bpm • E min • 03:28 • -5.78db
76% Popularity • 78% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
76% Popularity • 78% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Sexion d'Assaut
Wati House
125 bpm • F min • 04:16 • -4db
58% Popularity • 95% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 95% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Bosh
Coeur Noir
127 bpm • C# Maj • 02:17 • -6.22db
40% Popularity • 93% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 93% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sasso
J'picole
127 bpm • F# min • 03:05 • -8.36db
67% Popularity • 86% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
67% Popularity • 86% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Gradur
R.D.C
125 bpm • C# Maj • 04:49 • -4.08db
30% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Gazo
FLEURS
127 bpm • A# Maj • 03:30 • -7.43db
68% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Werenoi
Laboratoire
125 bpm • F min • 02:42 • -6.53db
75% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
75% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Damso
N. J Respect R
127 bpm • F# min • 03:37 • -8.06db
65% Popularity • 75% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 75% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bosh
Défilé
125 bpm • C Maj • 02:46 • -9.66db
37% Popularity • 87% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 87% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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DTF
Comme tu veux
125 bpm • A min • 03:01 • -8db
66% Popularity • 86% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 86% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Gradur
Ken
125 bpm • E min • 03:36 • -5.86db
27% Popularity • 73% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 73% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Mig
30 Septembre
124 bpm • D Maj • 02:00 • -8db
54% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
54% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ninho
Lové
128 bpm • C min • 03:15 • -9.73db
48% Popularity • 78% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 78% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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MZ
Toi sur moi
124 bpm • D# min • 03:55 • -6.85db
59% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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MRC
Rafalez-les
128 bpm • G# min • 02:43 • -8.03db
43% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Werenoi
Vulgaire
128 bpm • C# Maj • 01:22 • -17.41db
70% Popularity • 82% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
70% Popularity • 82% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Gradur
Kumbaya
125 bpm • F# min • 03:01 • -6db
26% Popularity • 72% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mig
Pas ralentir
128 bpm • A# min • 04:12 • -7.14db
53% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Maes
Blanche
128 bpm • E min • 03:13 • -6.12db
60% Popularity • 78% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 78% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Niaks
A las seis
124 bpm • D Maj • 03:06 • -7.27db
63% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
63% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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La Famax
T'es en love
128 bpm • F Maj • 03:37 • -11.58db
43% Popularity • 97% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 97% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ppros
Yoka ndoulé (Sosa remix)
124 bpm • C# Maj • 04:23 • -7.94db
4% Popularity • 84% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 84% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Gradur
Sheguey 13 - Bonus
125 bpm • A# min • 03:26 • -8.23db
17% Popularity • 66% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 66% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Marwa Loud
Fallait Pas
124 bpm • A Maj • 03:28 • -6.61db
55% Popularity • 89% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 89% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Landy
Aucune limite
128 bpm • C# min • 03:06 • -6.56db
55% Popularity • 95% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 95% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Bosh
Slide
124 bpm • F# min • 02:23 • -7db
48% Popularity • 91% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 91% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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La Famax
J'veux m'en aller
128 bpm • C min • 03:30 • -10.17db
47% Popularity • 83% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 83% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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ISK
Le billet
124 bpm • C Maj • 02:35 • -6db
47% Popularity • 97% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 97% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Gradur
Elle était
125 bpm • A min • 03:05 • -8.18db
50% Popularity • 66% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 66% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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MZ
Ma substance
129 bpm • D# min • 04:10 • -9db
50% Popularity • 70% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 70% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Siboy
Mobali
123 bpm • G min • 03:28 • -5.38db
59% Popularity • 81% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 81% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Bosh
Djomb - Bien ou quoi
123 bpm • C# Maj • 02:21 • -6.6db
56% Popularity • 94% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 94% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Jul
Comme d'hab
129 bpm • F# min • 03:23 • -6.11db
66% Popularity • 92% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 92% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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ISK
Acharné 10
124 bpm • D Maj • 03:49 • -5.72db
47% Popularity • 84% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 84% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Gradur
Oblah
124 bpm • C# Maj • 03:31 • -4.44db
46% Popularity • 94% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 94% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Damso
Λ. Lové
123 bpm • D min • 03:29 • -6.6db
54% Popularity • 71% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 71% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 20% Positiveness
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Comar
Yamaha
123 bpm • C# Maj • 03:01 • -3.89db
44% Popularity • 84% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 84% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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JKSN
Christian Dior
123 bpm • G# Maj • 02:34 • -11.07db
70% Popularity • 76% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
70% Popularity • 76% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Maes
Madrina
123 bpm • B min • 03:40 • -5.17db
61% Popularity • 74% Danceability • 80% Energy • 36% Liveness
2% Instrumentalness • 71% Positiveness
61% Popularity • 74% Danceability • 80% Energy • 36% Liveness
2% Instrumentalness • 71% Positiveness
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Booba
92i veyron
123 bpm • F# min • 03:37 • -5.58db
64% Popularity • 80% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
64% Popularity • 80% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Gradur
Grady
124 bpm • D Maj • 03:58 • -5.33db
23% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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T2R
Loka 4
123 bpm • G Maj • 03:24 • -11db
45% Popularity • 89% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 89% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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PNL
Lion
129 bpm • C Maj • 04:51 • -6db
55% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Gambi
MACINTOSH
123 bpm • F Maj • 02:25 • -7db
52% Popularity • 85% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 85% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Werenoi
Location
123 bpm • A# min • 03:27 • -6.3db
68% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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4Keus
Wakztoubi #2
130 bpm • G# Maj • 03:06 • -5.56db
39% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Gradur
Cherche la monnaie
124 bpm • C# Maj • 03:04 • -5.42db
26% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Smily
Oublier
130 bpm • F# min • 03:34 • -8.13db
60% Popularity • 74% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 74% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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PNL
Sur Paname
130 bpm • F min • 04:07 • -9.27db
60% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Damso
Θ. Macarena
130 bpm • D Maj • 03:26 • -8.18db
69% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Gambi
POPOPOP
130 bpm • C min • 02:35 • -6.02db
61% Popularity • 84% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 84% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sasso
Napoli
130 bpm • G min • 03:15 • -8.45db
52% Popularity • 93% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 93% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Gradur
Never Change
129 bpm • A Maj • 03:11 • -5.92db
24% Popularity • 88% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 88% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Bosh
C'est pour nous
130 bpm • C# min • 02:45 • -5.35db
34% Popularity • 83% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 83% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Niaks
Mahmouma
130 bpm • G# min • 02:22 • -7.08db
66% Popularity • 86% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 86% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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THABITI
Maeva Ghennam
130 bpm • A Maj • 02:16 • -3.6db
40% Popularity • 88% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 88% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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ISK
Acharné 8 (Richard Mille)
130 bpm • F# min • 04:05 • -7.02db
39% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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DJ Erise
En altitude
130 bpm • G min • 03:12 • -7db
37% Popularity • 95% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 95% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Gradur
BANG BANG (SchweitzerNVRsquaad)
123 bpm • G# Maj • 03:44 • -6.45db
31% Popularity • 81% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 81% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
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Bosh
Anomalie
130 bpm • D Maj • 02:30 • -8.29db
36% Popularity • 71% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 71% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
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MMZ
Ma bulle
130 bpm • F# min • 04:44 • -5.23db
50% Popularity • 77% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 77% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Ixzo
On n'est pas tout seul
130 bpm • E Maj • 03:48 • -7.58db
44% Popularity • 82% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 82% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Shay
Fais ta monnaie
130 bpm • F min • 03:44 • -7.78db
23% Popularity • 78% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 78% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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Seth Gueko
Chintawaz
130 bpm • G# Maj • 03:49 • -5.92db
27% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Gradur
Calibré
130 bpm • D# Maj • 02:51 • -5.46db
37% Popularity • 87% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 87% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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XV
Le gun ou la rose
130 bpm • D Maj • 05:06 • -7db
38% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Soso Maness
So Maness
122 bpm • A# min • 02:39 • -5db
53% Popularity • 89% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 89% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Key Largo
Chaque matin
122 bpm • D# Maj • 04:11 • -5.95db
40% Popularity • 92% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 92% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Brulux
Les étoiles
122 bpm • A# Maj • 02:39 • -6db
48% Popularity • 81% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 81% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sexion d'Assaut
J'reste debout
130 bpm • A# min • 03:55 • -7.2db
49% Popularity • 53% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 53% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Gradur
#PTT
130 bpm • F min • 03:20 • -6.32db
25% Popularity • 90% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 90% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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4Keus
Vie d'artiste
122 bpm • C min • 04:02 • -9db
49% Popularity • 76% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 76% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Royce
Catalina
122 bpm • F min • 03:10 • -10db
32% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Oskoow
La Diff
122 bpm • F min • 02:09 • -10.17db
61% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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OBOY
Rien à fêter
131 bpm • F Maj • 02:45 • -8.13db
51% Popularity • 92% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 92% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Waïv
C’est bon
121 bpm • C# min • 02:32 • -12db
45% Popularity • 93% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 93% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Gradur
Secteur
130 bpm • C# Maj • 03:57 • -5.35db
28% Popularity • 75% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 75% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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4Keus
En bas
122 bpm • C min • 03:53 • -7db
43% Popularity • 82% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 82% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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MZ
MD - Radio Edit
121 bpm • A min • 04:50 • -5.05db
46% Popularity • 92% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 92% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Dabs
Ouloulou
132 bpm • F# min • 02:57 • -6.82db
38% Popularity • 80% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
38% Popularity • 80% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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OBOY
Ysl
121 bpm • E min • 02:39 • -9db
62% Popularity • 82% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
62% Popularity • 82% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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1PLIKÉ140
ONGBAK 2
132 bpm • A# min • 02:31 • -10.23db
54% Popularity • 87% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 87% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Gradur
Bloody Murder
130 bpm • A Maj • 04:11 • -6.82db
30% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
