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Pass That Piece Pipe
Songs like
Pass That Piece Pipe
by
Hugh Martin
Based on a tempo of (+/- 10%) and a similar genre
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Hugh Martin
Pass That Piece Pipe
96 bpm • A# min • 02:23 • -16.67db
1% Popularity • 73% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Mitch Leigh
The Impossible Dream (Arr. by Tom Rainey...
96 bpm • C Maj • 04:04 • -7.31db
18% Popularity • 22% Danceability • 38% Energy • 18% Liveness
11% Instrumentalness • 5% Positiveness
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Marcel Louiguy
La vie en rose
96 bpm • D Maj • 02:37 • -13.88db
17% Popularity • 30% Danceability • 21% Energy • 11% Liveness
51% Instrumentalness • 20% Positiveness
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Nigel Hess
Hetty Wainthropp Investigates (BBC)
96 bpm • A# min • 02:47 • -19db
15% Popularity • 42% Danceability • 16% Energy • 5% Liveness
95% Instrumentalness • 19% Positiveness
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Frank Patterson
Red Sails in the Sunset
96 bpm • G# Maj • 03:09 • -13db
11% Popularity • 33% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D minor, K.626: 2. Kyrie
96 bpm • D min • 02:24 • -21.24db
6% Popularity • 35% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Hugh Martin
Pass That Peace Pipe
96 bpm • D# min • 02:23 • -8.99db
0% Popularity • 71% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Praetorius
Lo, How a Rose E'er Blooming
96 bpm • F Maj • 03:07 • -12db
8% Popularity • 24% Danceability • 38% Energy • 20% Liveness
92% Instrumentalness • 13% Positiveness
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John Høybye
God Rest Ye Merry, Gentlemen
95 bpm • F min • 01:54 • -20.55db
15% Popularity • 26% Danceability • 21% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
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Mantovani & His Orchestra
A Summer Place Theme
97 bpm • G# Maj • 02:22 • -15.61db
12% Popularity • 27% Danceability • 26% Energy • 6% Liveness
14% Instrumentalness • 31% Positiveness
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Brian Crain
Rain
97 bpm • G min • 04:32 • -14.29db
44% Popularity • 32% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
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Antonín Dvořák
Gypsy Songs, Op. 55: IV. Songs My Mother...
95 bpm • A min • 02:06 • -17.15db
26% Popularity • 16% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 6% Positiveness
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Astor Piazzolla
Piazzolla / Transcr. Ducros: Chiquilín ...
97 bpm • B min • 03:32 • -19.75db
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Tom Fettke
The Majesty And Glory Of Your Name
97 bpm • D# Maj • 02:26 • -17.43db
30% Popularity • 13% Danceability • 18% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
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Alec Wilder
The Grandma Moses Suite (arr. A. Wilder)...
94 bpm • C# min • 03:09 • -16.04db
0% Popularity • 25% Danceability • 8% Energy • 16% Liveness
17% Instrumentalness • 4% Positiveness
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Steve Hall
God Help The Outcasts
98 bpm • F Maj • 03:01 • -18.97db
29% Popularity • 48% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Ron Goodwin
A Christmas Fantasy
94 bpm • D# Maj • 03:02 • -14db
14% Popularity • 37% Danceability • 28% Energy • 32% Liveness
88% Instrumentalness • 62% Positiveness
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Kurt Weill
Je ne t'aime pas
97 bpm • F Maj • 03:19 • -17.72db
13% Popularity • 29% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Hal David and John Cacavas
Too Early to Say Goodnight - Male Vocal ...
98 bpm • D# Maj • 02:53 • -9.89db
8% Popularity • 47% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Hannah Holgersson
Ave Maria - Caccini
94 bpm • A# min • 04:34 • -18db
32% Popularity • 12% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Alec Wilder
Sugaring Off
94 bpm • G# Maj • 01:34 • -5.67db
0% Popularity • 34% Danceability • 36% Energy • 23% Liveness
90% Instrumentalness • 33% Positiveness
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Hugh Martin
Siddeoway
98 bpm • B Maj • 01:18 • -25.9db
0% Popularity • 73% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Chiemi Eri
Jingke bells
94 bpm • A# Maj • 02:39 • -11.09db
2% Popularity • 70% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Brian Byrne
Lay Your Head Down
98 bpm • F Maj • 04:13 • -11.51db
31% Popularity • 28% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Air de trompette
94 bpm • C Maj • 00:57 • -16db
27% Popularity • 46% Danceability • 22% Energy • 9% Liveness
97% Instrumentalness • 46% Positiveness
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Felix Mendelssohn
Hark! The Herald-Angels Sing
99 bpm • F# Maj • 02:53 • -19.4db
10% Popularity • 24% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Gustav Holst
In the Bleak Midwinter
99 bpm • F Maj • 02:39 • -26db
8% Popularity • 20% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 10% Positiveness
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Hugh Martin
Leviavern
98 bpm • E min • 01:06 • -14.21db
0% Popularity • 69% Danceability • 50% Energy • 85% Liveness
78% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D minor, K.626: 3. Sequentia:...
93 bpm • G min • 02:01 • -22.15db
19% Popularity • 20% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 27% Positiveness
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Elmer Bernstein
Mrs. Mingott
93 bpm • F Maj • 01:37 • -9.95db
23% Popularity • 18% Danceability • 33% Energy • 14% Liveness
92% Instrumentalness • 18% Positiveness
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Erik Satie
I Want You
93 bpm • G Maj • 05:41 • -30.47db
4% Popularity • 16% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
93 bpm • A# Maj • 02:39 • -11.7db
38% Popularity • 19% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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George Beverly Shea
All My Life
93 bpm • C# Maj • 02:35 • -11.54db
11% Popularity • 25% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Hugh Martin
The Boy Next Door
93 bpm • F Maj • 03:02 • -6.32db
0% Popularity • 34% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Kristin Amarie
Lover’s Bridge (Ponte Dell’amante)
99 bpm • B min • 04:42 • -12.11db
22% Popularity • 31% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 17% Positiveness
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Brian Crain
Hallelujah
93 bpm • G Maj • 04:11 • -25db
44% Popularity • 31% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Charles Gounod
Gounod: Ave Maria, CG 89a
100 bpm • G Maj • 03:15 • -15.97db
26% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
92 bpm • F Maj • 02:18 • -12db
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D minor, K.626: 3. Sequentia:...
92 bpm • D min • 03:01 • -23.25db
13% Popularity • 11% Danceability • 7% Energy • 9% Liveness
34% Instrumentalness • 4% Positiveness
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Hugh Martin
The Little Boy Blues
93 bpm • D# min • 03:18 • -14.78db
0% Popularity • 56% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Lenz Music
Queen Of Carmel
92 bpm • F Maj • 06:05 • -16.52db
10% Popularity • 14% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Michael Praetorius
Audite, silete
101 bpm • C# min • 01:04 • -23db
34% Popularity • 26% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Luigi Boccherini
Minuet from String Quintet No.1 in E Maj...
91 bpm • A Maj • 03:38 • -27.75db
29% Popularity • 54% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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James Galway
Somewhere Out There
91 bpm • C Maj • 03:09 • -17.99db
14% Popularity • 19% Danceability • 20% Energy • 18% Liveness
96% Instrumentalness • 15% Positiveness
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Howard Keel
Yesterday When I Was Young
91 bpm • A min • 01:50 • -14.37db
14% Popularity • 53% Danceability • 39% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Peter Cavallo
Of Night and Light and the Half Light
101 bpm • C min • 03:05 • -15.89db
42% Popularity • 33% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Henry John Gauntlett
St. Fulbert "Ye Choirs of New Jerusalem"
102 bpm • D# Maj • 02:16 • -14.49db
4% Popularity • 28% Danceability • 25% Energy • 31% Liveness
7% Instrumentalness • 35% Positiveness
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Barbara Hendricks
Ave Maria (Ellen's Gesang) D.839
102 bpm • A# Maj • 06:15 • -24.42db
26% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Joaquin Borges
Tu Iluminas Mi Vida
91 bpm • E min • 02:36 • -8.51db
27% Popularity • 14% Danceability • 32% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Franz Schubert
Ave Maria, D. 839, Op. 52, No. 6
90 bpm • A# Maj • 05:24 • -28.64db
9% Popularity • 16% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto Saint Marc: II. Allegro
102 bpm • A# Maj • 01:38 • -15.66db
43% Popularity • 47% Danceability • 27% Energy • 18% Liveness
80% Instrumentalness • 80% Positiveness
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Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Henry John Gauntlett
Hawkhurst "Come Gracious Spirit"
90 bpm • G Maj • 01:54 • -29.05db
4% Popularity • 14% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Philippe Rombi
Aria
89 bpm • D# min • 04:09 • -21.33db
19% Popularity • 21% Danceability • 12% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
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Howard Blake
The Snowman: Walking in the Air
103 bpm • D min • 03:23 • -14.12db
10% Popularity • 22% Danceability • 19% Energy • 12% Liveness
42% Instrumentalness • 12% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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a balladeer
Eleven - instrumental
104 bpm • C Maj • 03:30 • -17.47db
26% Popularity • 41% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Nick Pitera
Home Alone (Somewhere In My Memory) - A ...
89 bpm • D Maj • 01:36 • -10.69db
20% Popularity • 22% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hugh Martin
Meet Me in St. Louis: The Boy Next Door ...
89 bpm • A# Maj • 03:26 • -30.46db
0% Popularity • 20% Danceability • 7% Energy • 24% Liveness
63% Instrumentalness • 5% Positiveness
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Swedish Chamber Orchestra
Sov lilla knytt
89 bpm • A# Maj • 03:15 • -19.84db
14% Popularity • 28% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
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The United States Air Force Strolling Strings
The Ice Skater's Waltz, Op. 183
104 bpm • D Maj • 02:56 • -21.14db
14% Popularity • 26% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
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Steinar Lugn
Abide With Me
104 bpm • C Maj • 02:46 • -32db
37% Popularity • 45% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 74% Positiveness
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Jeff Meegan
The Very Best Day This Year
104 bpm • C min • 02:56 • -8.69db
16% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Laudesi Umbri
Gloria in excelsis Deo
88 bpm • F# Maj • 03:17 • -16db
23% Popularity • 14% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Mykola Dmytrovych Leontovych
Carols of Christmas: No. 3, Carol of the...
104 bpm • G min • 02:38 • -13db
9% Popularity • 50% Danceability • 45% Energy • 69% Liveness
31% Instrumentalness • 33% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Leroy Anderson
Song Of The Bells
105 bpm • D Maj • 03:31 • -14db
9% Popularity • 38% Danceability • 24% Energy • 14% Liveness
63% Instrumentalness • 48% Positiveness
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Dublin Welsh Male Voice Choir
All Through the Night/Ar Hyd Y Nos
105 bpm • E Maj • 02:17 • -30.46db
22% Popularity • 24% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 15% Positiveness
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Hugh Martin
Dunuce
105 bpm • C Maj • 01:01 • -19.05db
1% Popularity • 80% Danceability • 32% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Norddeutsche Philharmonie Symphony
Skater's Waltz
105 bpm • D Maj • 04:34 • -16.82db
18% Popularity • 31% Danceability • 25% Energy • 16% Liveness
46% Instrumentalness • 29% Positiveness
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Jessica Byrd
God Bless Ye Merry Gentlemen
105 bpm • G min • 05:06 • -7db
14% Popularity • 70% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Mary Costa
Blue Bird / I Wonder
88 bpm • C# Maj • 02:43 • -19.97db
37% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
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Leroy Anderson
Sleigh Ride
105 bpm • F Maj • 03:12 • -9.34db
29% Popularity • 62% Danceability • 45% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
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Lordina The Soprano
A Charge to Keep I Have
87 bpm • G# Maj • 02:10 • -6.52db
20% Popularity • 26% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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AFLBS Proclaim Choir
Celtic Advent Carol
87 bpm • F Maj • 03:17 • -22db
8% Popularity • 31% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
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Brian Crain
Andantino
87 bpm • G Maj • 03:56 • -13.89db
42% Popularity • 20% Danceability • 28% Energy • 7% Liveness
55% Instrumentalness • 19% Positiveness
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Maureen McGovern
On My Way to You
87 bpm • D Maj • 03:44 • -17.95db
15% Popularity • 17% Danceability • 17% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
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張菲
玫瑰人生
106 bpm • B Maj • 03:33 • -7.21db
8% Popularity • 27% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
37% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Johann Pachelbel
Canon in D Major, P. 37
106 bpm • C Maj • 04:34 • -21.52db
19% Popularity • 32% Danceability • 8% Energy • 21% Liveness
85% Instrumentalness • 16% Positiveness
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Darius Milhaud
Le Bœuf sur le toit, Op. 58
106 bpm • F Maj • 02:24 • -18db
13% Popularity • 37% Danceability • 16% Energy • 14% Liveness
52% Instrumentalness • 35% Positiveness
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Young Women's Chorus of San Francisco
Pat-a-Pan
87 bpm • A min • 01:48 • -29db
11% Popularity • 30% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
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Carducci String Quartet
The Wexford Carol
106 bpm • G Maj • 02:37 • -17.38db
24% Popularity • 19% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 7% Positiveness
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Herbert Howells
Behold, O God, Our Great Defender
87 bpm • A Maj • 04:29 • -20.84db
8% Popularity • 16% Danceability • 14% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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Freddie Mercury
Love of My Life
87 bpm • F Maj • 03:44 • -8.91db
21% Popularity • 24% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Frederick Delius
Hassan, DCW 8, Act 5 Scene 2: Closing Sc...
87 bpm • G min • 10:16 • -26.95db
21% Popularity • 13% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
87 bpm • E min • 03:44 • -20db
28% Popularity • 19% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Yves Castagnet
Messe solennelle, Op. 16: I. Kyrie
86 bpm • C# min • 05:18 • -18.99db
6% Popularity • 9% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
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Nina Simone
The Last Rose Of Summer
86 bpm • G Maj • 03:03 • -16.96db
21% Popularity • 13% Danceability • 19% Energy • 29% Liveness
17% Instrumentalness • 25% Positiveness
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Mantovani & His Orchestra
Summertime In Venice
86 bpm • D Maj • 03:22 • -16.26db
18% Popularity • 15% Danceability • 22% Energy • 21% Liveness
75% Instrumentalness • 9% Positiveness
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Jester Hairston
Mary's Boy Child (F5 Show Blow)
107 bpm • G# Maj • 02:31 • -11.3db
0% Popularity • 46% Danceability • 36% Energy • 13% Liveness
81% Instrumentalness • 55% Positiveness
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Ralph Vaughan Williams
All People that on Earth Do Dwell ("Old ...
86 bpm • G Maj • 04:52 • -19.37db
17% Popularity • 11% Danceability • 16% Energy • 10% Liveness
32% Instrumentalness • 15% Positiveness
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Nigel Hess
Main Theme
86 bpm • D Maj • 03:26 • -16.62db
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
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Oscar Pascasio
Sensaciones
108 bpm • E Maj • 04:12 • -16.36db
31% Popularity • 25% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Steve Dobrogosz
Mass: VI. Agnus Dei
86 bpm • C Maj • 06:39 • -20.51db
12% Popularity • 18% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Mantovani & His Orchestra
Over The Rainbow
86 bpm • D Maj • 03:05 • -14.63db
12% Popularity • 9% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Dominique
I´m Gonna Be (500 miles wedding waltz)
86 bpm • F Maj • 05:00 • -9.62db
11% Popularity • 23% Danceability • 28% Energy • 13% Liveness
69% Instrumentalness • 26% Positiveness
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Colin Towns
Perfect Day
85 bpm • B min • 03:21 • -16.19db
11% Popularity • 22% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 19% Positiveness
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Pass That Piece Pipe