Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists
|
Pitch your song
|
<<
Back to
Passage of Time
Songs like
Passage of Time
by
Rachel Portman
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Laurent Aknin
L'étudiante et Monsieur Henri: généri...
94 bpm • C min • 02:25 • -15.42db
43% Popularity • 43% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Rachel Portman
Passage of Time
94 bpm • E min • 02:32 • -22db
35% Popularity • 41% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 19% Positiveness
► Preview
Michael Nyman
A Wild And Distant Shore
95 bpm • A min • 05:52 • -15.86db
33% Popularity • 13% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Mark Isham
Haunted by Waters - A River Runs Through...
94 bpm • D Maj • 04:21 • -12db
21% Popularity • 18% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
London Festival Orchestra
The Magnificent Seven: Theme
93 bpm • G# Maj • 03:34 • -14.52db
18% Popularity • 31% Danceability • 29% Energy • 14% Liveness
44% Instrumentalness • 36% Positiveness
► Preview
Carter Burwell
The Good Liar
93 bpm • A min • 03:41 • -17db
9% Popularity • 17% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Silver Screen Sound Machine
Julia's Theme
95 bpm • A# Maj • 02:16 • -17.52db
16% Popularity • 35% Danceability • 16% Energy • 7% Liveness
73% Instrumentalness • 19% Positiveness
► Preview
Rachel Portman
Chocolate Sauce - Instrumental
93 bpm • G Maj • 00:48 • -27.8db
30% Popularity • 24% Danceability • 1% Energy • 8% Liveness
59% Instrumentalness • 12% Positiveness
► Preview
Harry Gregson-Williams
Operation Dinner Out - Original Motion P...
93 bpm • G Maj • 04:50 • -12db
27% Popularity • 28% Danceability • 41% Energy • 13% Liveness
76% Instrumentalness • 5% Positiveness
► Preview
Craig Armstrong
Armstrong: Destiny Theme
95 bpm • D# min • 02:31 • -15.84db
19% Popularity • 12% Danceability • 26% Energy • 21% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
David Hirschfelder
The Dressmaker Opening Titles
93 bpm • G min • 03:13 • -18.43db
14% Popularity • 39% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Carter Burwell
Crossing
93 bpm • D min • 01:30 • -19.37db
26% Popularity • 11% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Christopher Gunning
Five Little Pigs
96 bpm • A min • 03:37 • -32.9db
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
► Preview
Rachel Portman
Main Titles
93 bpm • G Maj • 02:10 • -17.43db
47% Popularity • 14% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
96 bpm • D Maj • 03:35 • -17db
13% Popularity • 26% Danceability • 14% Energy • 31% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Laurent Aknin
La vie de Constance
92 bpm • G Maj • 02:03 • -12.9db
36% Popularity • 30% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
► Preview
Martin Phipps
I Lived Here
96 bpm • A min • 01:49 • -16.32db
37% Popularity • 12% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Kyle Eastwood
Invictus Theme
92 bpm • G# min • 04:09 • -19.38db
30% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Whispers
92 bpm • A min • 03:41 • -19db
35% Popularity • 54% Danceability • 31% Energy • 32% Liveness
88% Instrumentalness • 74% Positiveness
► Preview
Rachel Portman
Some Things Too Late, Others Too Early
96 bpm • D min • 01:06 • -22.67db
29% Popularity • 16% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 5% Positiveness
► Preview
Philippe Rombi
Nocturne No. 20 en Do Dièse Mineur, Op....
96 bpm • F# min • 02:23 • -17.8db
35% Popularity • 27% Danceability • 14% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
► Preview
Nicola Piovani
Il Marchese del Grillo, Pt. 1
92 bpm • C Maj • 01:30 • -21.3db
42% Popularity • 44% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
► Preview
Zbigniew Preisner
Fashion Show, Pt. 2
97 bpm • A Maj • 01:27 • -15.17db
34% Popularity • 29% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Andrea Guerra
Il pensiero di te
91 bpm • C min • 01:37 • -10db
30% Popularity • 15% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
► Preview
Rachel Portman
Caravan - Instrumental
96 bpm • E min • 03:43 • -18.85db
34% Popularity • 74% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 43% Positiveness
► Preview
Klaus Badelt
I Don't Belong Here
91 bpm • A Maj • 03:48 • -13db
27% Popularity • 11% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
David Buckley
Waiting Room Rondo
97 bpm • F min • 02:18 • -20.59db
13% Popularity • 45% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op.46: I. Morning...
97 bpm • E Maj • 03:47 • -20.84db
17% Popularity • 17% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Maurizio Malagnini
Reception Waltzer
97 bpm • A# Maj • 01:27 • -21db
18% Popularity • 24% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 38% Positiveness
► Preview
Philip Glass
Escape!
97 bpm • A min • 03:51 • -27.27db
31% Popularity • 32% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Rachel Portman
Theme
92 bpm • G Maj • 02:59 • -21.8db
44% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Fabian Römer
Alle Ehre
91 bpm • C min • 02:06 • -27.07db
21% Popularity • 12% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
98 bpm • F# Maj • 01:18 • -21db
36% Popularity • 42% Danceability • 5% Energy • 10% Liveness
22% Instrumentalness • 32% Positiveness
► Preview
George Fenton
Miss Shepherd's Waltz
98 bpm • C min • 01:56 • -18db
30% Popularity • 46% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Maurizio Malagnini
The Final Kiss
98 bpm • A Maj • 02:44 • -16.87db
13% Popularity • 14% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Karl Jenkins
Palladio: I. Allegretto
90 bpm • D min • 03:49 • -17db
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Rachel Portman
Ashes to the Wind / Roux Returns - Instr...
92 bpm • A min • 02:18 • -21db
31% Popularity • 23% Danceability • 4% Energy • 36% Liveness
45% Instrumentalness • 5% Positiveness
► Preview
Patrick Thomas Hawes
Premier Cru
90 bpm • C min • 02:24 • -11.76db
24% Popularity • 66% Danceability • 29% Energy • 22% Liveness
96% Instrumentalness • 61% Positiveness
► Preview
Nicola Piovani
Palombella Rossa: Palombella Rossa
98 bpm • D Maj • 01:58 • -16.61db
36% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
24% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Rachel Portman
Adagio from String Quartet Opus 1 No. 3 ...
91 bpm • D Maj • 05:49 • -26.38db
11% Popularity • 15% Danceability • 4% Energy • 14% Liveness
38% Instrumentalness • 10% Positiveness
► Preview
Sergey Yevtushenko
Yasnaya Polyana
90 bpm • F# min • 01:20 • -15db
26% Popularity • 26% Danceability • 27% Energy • 12% Liveness
63% Instrumentalness • 35% Positiveness
► Preview
David Hirschfelder
Elizabeth - Original Motion Picture Soun...
89 bpm • A min • 03:10 • -25db
17% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Clint Eastwood
Ride To School
99 bpm • A# min • 01:23 • -19.35db
40% Popularity • 30% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Ruth Barrett
The London Ball
89 bpm • C# min • 04:27 • -14.63db
16% Popularity • 31% Danceability • 31% Energy • 26% Liveness
65% Instrumentalness • 30% Positiveness
► Preview
Caroline Dale
Merlin's Hat
89 bpm • C min • 05:22 • -21.91db
14% Popularity • 22% Danceability • 10% Energy • 20% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Rachel Portman
Cements The Deal
89 bpm • D Maj • 01:15 • -16.5db
18% Popularity • 26% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Academy of St. Martin in the Fields
Read Me To Sleep
89 bpm • B min • 05:01 • -23db
21% Popularity • 22% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Michael Nyman
To The Edge Of The Earth
100 bpm • A min • 04:05 • -17db
36% Popularity • 14% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Thomas Adès
Colette’s Journey
89 bpm • A Maj • 01:57 • -17.33db
19% Popularity • 13% Danceability • 20% Energy • 15% Liveness
78% Instrumentalness • 15% Positiveness
► Preview
Frederic Talgorn
Thème de Molière
100 bpm • F Maj • 01:06 • -16.84db
23% Popularity • 70% Danceability • 29% Energy • 8% Liveness
77% Instrumentalness • 72% Positiveness
► Preview
Luis Bacalov
Il Postino - Guitar And Bandoneon Versio...
100 bpm • A Maj • 03:12 • -19db
38% Popularity • 43% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
► Preview
Rachel Portman
Minor Swing
99 bpm • A min • 02:13 • -15db
41% Popularity • 72% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 94% Positiveness
► Preview
Alex Heffes
The Waterhole & Enter the Queen
89 bpm • D min • 02:22 • -20.18db
22% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Michael Nyman
The Sacrifice
100 bpm • A min • 02:50 • -21.39db
42% Popularity • 28% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
► Preview
Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
41% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
► Preview
Carter Burwell
Lovers
88 bpm • D min • 02:40 • -13.77db
35% Popularity • 18% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Rachel Portman
The Cider House - Instrumental
88 bpm • C Maj • 04:12 • -19.21db
31% Popularity • 10% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Song to the moon
87 bpm • F# Maj • 05:41 • -23db
14% Popularity • 20% Danceability • 5% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
► Preview
Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux: Carnival of the...
88 bpm • G Maj • 03:13 • -29.22db
33% Popularity • 15% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
The Cave Of Swimmers
87 bpm • C Maj • 02:00 • -14.6db
28% Popularity • 18% Danceability • 22% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Guy Farley
Modigliani
101 bpm • G min • 03:28 • -14.34db
29% Popularity • 18% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Alessio Vlad
Vlad, Alessio: Callas Forever
87 bpm • D# Maj • 02:52 • -17.84db
13% Popularity • 15% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Martin Phipps
Maria Altman
87 bpm • G min • 03:10 • -18.39db
18% Popularity • 27% Danceability • 23% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
► Preview
Pino Donaggio
Sissi
87 bpm • D Maj • 02:32 • -13.45db
32% Popularity • 16% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Luis Bacalov
Beatrice
102 bpm • C# Maj • 04:07 • -12.05db
32% Popularity • 36% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Debbie Wiseman
Wiseman : Fields of Hope - Theme from La...
102 bpm • D# Maj • 02:54 • -16.81db
16% Popularity • 47% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 31% Positiveness
► Preview
Randy Edelman
A Happy Ending
102 bpm • G Maj • 02:23 • -17db
32% Popularity • 26% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Rachel Portman
Guillaume's Confession - Instrumental
102 bpm • D# Maj • 01:29 • -27.32db
31% Popularity • 27% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
► Preview
Armand Amar
Un sac de billes
87 bpm • C Maj • 02:31 • -23.53db
19% Popularity • 18% Danceability • 7% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
► Preview
Mingxin Du
In The Silver Moonshine
87 bpm • G Maj • 05:28 • -19.69db
14% Popularity • 20% Danceability • 10% Energy • 15% Liveness
22% Instrumentalness • 6% Positiveness
► Preview
Panu Aaltio
Forgiveness
86 bpm • D min • 02:55 • -15db
36% Popularity • 22% Danceability • 16% Energy • 10% Liveness
50% Instrumentalness • 5% Positiveness
► Preview
Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
► Preview
Nicola Piovani
Buon giorno principessa
86 bpm • A Maj • 03:40 • -12.19db
42% Popularity • 19% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Andrea Guerra
Coco Chanel - Main Title
86 bpm • D# Maj • 01:27 • -32.04db
51% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Nimrod
103 bpm • D# Maj • 03:27 • -9.99db
25% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Rachel Portman
G and Grey Together in Bath
103 bpm • G Maj • 02:57 • -23db
23% Popularity • 18% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 10% Positiveness
► Preview
Paul Reeves
Design the Future
103 bpm • B min • 02:52 • -12.72db
13% Popularity • 47% Danceability • 44% Energy • 23% Liveness
84% Instrumentalness • 39% Positiveness
► Preview
Luis Bacalov
Metafore
103 bpm • D min • 02:05 • -11.73db
28% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Alex North
Unchained - Unchained Melody
86 bpm • A Maj • 03:26 • -24db
18% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
86 bpm • D# Maj • 04:29 • -21db
19% Popularity • 9% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Ulrich Herkenhoff
The English Patient: Convento di Sant'An...
85 bpm • G Maj • 03:31 • -20.84db
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Alberto Iglesias
Tessa's Death
104 bpm • C Maj • 02:15 • -25.48db
27% Popularity • 30% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
► Preview
Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
45% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
► Preview
Luis Bacalov
Il Postino (Titoli)
85 bpm • C Maj • 02:44 • -16db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Armand Amar
Theme Andreï 5
85 bpm • G min • 03:28 • -20.74db
17% Popularity • 12% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
48% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Martin Phipps
The Language of Our Future
85 bpm • F Maj • 03:18 • -21.31db
22% Popularity • 9% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Alan Silvestri
I'm Forrest... Forrest Gump
104 bpm • F Maj • 02:39 • -22.78db
61% Popularity • 40% Danceability • 5% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
► Preview
Die 12 Cellisten der Berliner Philharmoniker
Poverty / Deborah's Theme
85 bpm • E Maj • 07:09 • -24.74db
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
FELIX MEAGHER
Life Begins Again
85 bpm • D Maj • 03:36 • -11.21db
19% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Armand Amar
Zarmov
85 bpm • E Maj • 03:18 • -15.75db
9% Popularity • 31% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Clint Eastwood
Mom's On Call / Late To Trolley
105 bpm • C# Maj • 01:39 • -21.56db
38% Popularity • 24% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
<<
Back to
Passage of Time