Songs like Passion It's Business by Nuthouse Flowers
Based on a tempo of (+/- 10%) and a similar genre
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Lesfm
Old Friendship
140 bpm • A# min • 02:55 • -14.06db
17% Popularity • 54% Danceability • 31% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
17% Popularity • 54% Danceability • 31% Energy • 9% Liveness
97% Instrumentalness • 18% Positiveness
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Poppy WS
In My Place
140 bpm • G Maj • 05:03 • -15.79db
10% Popularity • 63% Danceability • 33% Energy • 28% Liveness
8% Instrumentalness • 53% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 28% Liveness
8% Instrumentalness • 53% Positiveness
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Sean Heathcliff
Breaking
140 bpm • F Maj • 06:16 • -18.81db
13% Popularity • 65% Danceability • 21% Energy • 7% Liveness
70% Instrumentalness • 26% Positiveness
13% Popularity • 65% Danceability • 21% Energy • 7% Liveness
70% Instrumentalness • 26% Positiveness
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Marko Topa
Summer holidays
140 bpm • F Maj • 02:58 • -13.39db
15% Popularity • 55% Danceability • 28% Energy • 10% Liveness
31% Instrumentalness • 37% Positiveness
15% Popularity • 55% Danceability • 28% Energy • 10% Liveness
31% Instrumentalness • 37% Positiveness
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Nuthouse Flowers
Passion It's Business
140 bpm • E min • 04:40 • -3.55db
0% Popularity • 48% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 48% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Wild Pink
Brothers
140 bpm • D Maj • 02:34 • -10.98db
14% Popularity • 60% Danceability • 51% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
14% Popularity • 60% Danceability • 51% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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MVSO
Bird Cage
140 bpm • G min • 04:40 • -17.52db
7% Popularity • 48% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
7% Popularity • 48% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
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Halina Heron
far apart
140 bpm • C min • 01:34 • -23.03db
12% Popularity • 49% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
12% Popularity • 49% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Haleen
Gentle Breeze
140 bpm • C# Maj • 03:51 • -13.82db
10% Popularity • 67% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
10% Popularity • 67% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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.paul
Harvey
140 bpm • A Maj • 03:05 • -11.88db
12% Popularity • 51% Danceability • 36% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
12% Popularity • 51% Danceability • 36% Energy • 10% Liveness
20% Instrumentalness • 18% Positiveness
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Nuthouse Flowers
Muirshin Duirkin
140 bpm • A Maj • 03:07 • -5.63db
0% Popularity • 67% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 67% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Hot Left Pole
The Running Kind
140 bpm • E Maj • 03:08 • -15.56db
15% Popularity • 61% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
15% Popularity • 61% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Hilke
Paradoxes - Piano Feroce
140 bpm • C min • 04:29 • -20.83db
9% Popularity • 38% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 38% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Glass Candles
Always Together
140 bpm • G Maj • 02:50 • -13db
9% Popularity • 54% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 30% Positiveness
9% Popularity • 54% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 30% Positiveness
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Lesfm
In the Camp
140 bpm • C# Maj • 02:55 • -14.65db
20% Popularity • 25% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 17% Energy • 13% Liveness
96% Instrumentalness • 15% Positiveness
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Baswod
The Eye
141 bpm • D Maj • 03:01 • -17.61db
16% Popularity • 48% Danceability • 29% Energy • 10% Liveness
25% Instrumentalness • 57% Positiveness
16% Popularity • 48% Danceability • 29% Energy • 10% Liveness
25% Instrumentalness • 57% Positiveness
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Nuthouse Flowers
If I Should Fall from Grace with God
140 bpm • A Maj • 02:56 • -5.84db
1% Popularity • 57% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 86% Positiveness
1% Popularity • 57% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 86% Positiveness
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Cape Francis
Out Of Frame
139 bpm • D# Maj • 03:01 • -19.73db
8% Popularity • 46% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 10% Positiveness
8% Popularity • 46% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 10% Positiveness
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Starbelly
the Ghost and the Skeleton
141 bpm • C Maj • 03:33 • -19.87db
18% Popularity • 42% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 12% Positiveness
18% Popularity • 42% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 12% Positiveness
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Jimi Florence
I Still Haven't Found What I'm Looking F...
139 bpm • E Maj • 04:14 • -15.1db
10% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sunburnt
Having a Catch
139 bpm • E Maj • 02:15 • -14.38db
9% Popularity • 55% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 55% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Swimming Bell
In Amber
141 bpm • G Maj • 04:28 • -11.92db
7% Popularity • 55% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 30% Positiveness
7% Popularity • 55% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 30% Positiveness
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Nuthouse Flowers
Repeal of the Licensing Laws
140 bpm • G Maj • 02:12 • -7.26db
1% Popularity • 56% Danceability • 90% Energy • 20% Liveness
95% Instrumentalness • 97% Positiveness
1% Popularity • 56% Danceability • 90% Energy • 20% Liveness
95% Instrumentalness • 97% Positiveness
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Corail
Toaster
142 bpm • F Maj • 00:58 • -17.92db
7% Popularity • 29% Danceability • 22% Energy • 13% Liveness
96% Instrumentalness • 51% Positiveness
7% Popularity • 29% Danceability • 22% Energy • 13% Liveness
96% Instrumentalness • 51% Positiveness
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M.L Barlow
The Pigs
142 bpm • F Maj • 02:25 • -12.66db
9% Popularity • 38% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 38% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jimi Florence
One More Between Many - Alternate Versio...
139 bpm • A min • 04:12 • -18.78db
9% Popularity • 48% Danceability • 16% Energy • 11% Liveness
71% Instrumentalness • 34% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 11% Liveness
71% Instrumentalness • 34% Positiveness
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Daley Road
Mountainside
138 bpm • B Maj • 03:27 • -14.9db
14% Popularity • 30% Danceability • 26% Energy • 14% Liveness
67% Instrumentalness • 12% Positiveness
14% Popularity • 30% Danceability • 26% Energy • 14% Liveness
67% Instrumentalness • 12% Positiveness
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One Zever
Crimson Tears
142 bpm • A Maj • 02:25 • -22.37db
10% Popularity • 49% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 12% Positiveness
10% Popularity • 49% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 12% Positiveness
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Thad Kopec
I Heard a Prayer
137 bpm • B min • 02:19 • -19.4db
24% Popularity • 42% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 8% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 8% Positiveness
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Luke De-Sciscio
Score
137 bpm • C# Maj • 03:04 • -9.33db
18% Popularity • 52% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
18% Popularity • 52% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Joseph Brunelle
Round To It
136 bpm • G Maj • 04:43 • -12.55db
12% Popularity • 42% Danceability • 27% Energy • 10% Liveness
59% Instrumentalness • 13% Positiveness
12% Popularity • 42% Danceability • 27% Energy • 10% Liveness
59% Instrumentalness • 13% Positiveness
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Jimi Florence
Old Cold Town
142 bpm • F# Maj • 02:19 • -13.35db
12% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tim Hill
Emerald Shine
137 bpm • D Maj • 05:27 • -15.21db
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 8% Positiveness
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Wolfe Trap
Tell Me Tomorrow
144 bpm • A# Maj • 03:35 • -11.21db
7% Popularity • 49% Danceability • 32% Energy • 20% Liveness
7% Instrumentalness • 29% Positiveness
7% Popularity • 49% Danceability • 32% Energy • 20% Liveness
7% Instrumentalness • 29% Positiveness
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Muriel Arnold
This Star
136 bpm • A# Maj • 02:26 • -11.87db
22% Popularity • 54% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 54% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Nyan Feder
Glacier Bay
136 bpm • C# min • 02:24 • -12.75db
18% Popularity • 59% Danceability • 29% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
18% Popularity • 59% Danceability • 29% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
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Draper Family Band
Aim All Around
136 bpm • C Maj • 04:39 • -9.69db
13% Popularity • 62% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
13% Popularity • 62% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
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Benjamin Thorndike
Lord Knows
144 bpm • B Maj • 03:55 • -12.74db
8% Popularity • 40% Danceability • 18% Energy • 13% Liveness
42% Instrumentalness • 36% Positiveness
8% Popularity • 40% Danceability • 18% Energy • 13% Liveness
42% Instrumentalness • 36% Positiveness
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Greater Alexander
Feeling Inemuri With Deceased Belongings
136 bpm • G# Maj • 02:42 • -19.23db
17% Popularity • 62% Danceability • 14% Energy • 26% Liveness
92% Instrumentalness • 23% Positiveness
17% Popularity • 62% Danceability • 14% Energy • 26% Liveness
92% Instrumentalness • 23% Positiveness
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JB Paterson
Time Goes By
136 bpm • F# Maj • 03:28 • -11.8db
8% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Nuthouse Flowers
The March
136 bpm • A min • 03:35 • -3.43db
0% Popularity • 58% Danceability • 91% Energy • 26% Liveness
2% Instrumentalness • 88% Positiveness
0% Popularity • 58% Danceability • 91% Energy • 26% Liveness
2% Instrumentalness • 88% Positiveness
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Dalton Mills
Fadin
136 bpm • D# Maj • 04:21 • -13.03db
8% Popularity • 45% Danceability • 21% Energy • 12% Liveness
8% Instrumentalness • 42% Positiveness
8% Popularity • 45% Danceability • 21% Energy • 12% Liveness
8% Instrumentalness • 42% Positiveness
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Jess Ribeiro
The Trees And Me
136 bpm • G min • 04:46 • -14.86db
12% Popularity • 57% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
12% Popularity • 57% Danceability • 15% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Este Haim
Like Your Brother
136 bpm • A Maj • 01:23 • -14.68db
15% Popularity • 47% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
15% Popularity • 47% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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The Reds, Pinks and Purples
There Must be a Pill for this
136 bpm • G Maj • 02:20 • -12.67db
9% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 43% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Aleksander Pavlovic
Snow
135 bpm • B min • 01:50 • -11.02db
23% Popularity • 60% Danceability • 41% Energy • 13% Liveness
84% Instrumentalness • 39% Positiveness
23% Popularity • 60% Danceability • 41% Energy • 13% Liveness
84% Instrumentalness • 39% Positiveness
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Nuthouse Flowers
The March
136 bpm • A min • 03:41 • -4.11db
0% Popularity • 58% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 58% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Brian Hingerty
Storm
135 bpm • G min • 02:28 • -18.86db
20% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Evgueni Galperine
Across the Darkness
135 bpm • A# min • 02:04 • -18.62db
9% Popularity • 60% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
9% Popularity • 60% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Equinox, the Peacekeeper
The Obligatory Sansula Song
145 bpm • A Maj • 04:22 • -14.81db
16% Popularity • 54% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
16% Popularity • 54% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
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Kira Lehner
Emmma
145 bpm • A# Maj • 03:21 • -9.54db
24% Popularity • 54% Danceability • 42% Energy • 45% Liveness
2% Instrumentalness • 34% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 45% Liveness
2% Instrumentalness • 34% Positiveness
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Lesfm
Letter of love
135 bpm • C Maj • 01:42 • -14.62db
15% Popularity • 65% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 89% Positiveness
15% Popularity • 65% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 89% Positiveness
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Nuthouse Flowers
Hawaii
145 bpm • D Maj • 03:54 • -5.7db
0% Popularity • 65% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 65% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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soft star
Sit Around For Days
145 bpm • C# Maj • 03:36 • -17.16db
14% Popularity • 50% Danceability • 26% Energy • 10% Liveness
77% Instrumentalness • 24% Positiveness
14% Popularity • 50% Danceability • 26% Energy • 10% Liveness
77% Instrumentalness • 24% Positiveness
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Jazmine Mary
Only Yellow
145 bpm • F Maj • 04:29 • -14.22db
14% Popularity • 28% Danceability • 17% Energy • 16% Liveness
23% Instrumentalness • 17% Positiveness
14% Popularity • 28% Danceability • 17% Energy • 16% Liveness
23% Instrumentalness • 17% Positiveness
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After Berlin
Challenger 86
146 bpm • C# Maj • 02:55 • -11.55db
17% Popularity • 33% Danceability • 26% Energy • 11% Liveness
40% Instrumentalness • 35% Positiveness
17% Popularity • 33% Danceability • 26% Energy • 11% Liveness
40% Instrumentalness • 35% Positiveness
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Ciara Maria
Reveries
135 bpm • B Maj • 03:14 • -21.74db
8% Popularity • 39% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 32% Positiveness
8% Popularity • 39% Danceability • 27% Energy • 7% Liveness
14% Instrumentalness • 32% Positiveness
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Yes the Raven
Abilene
146 bpm • D min • 07:09 • -17.12db
12% Popularity • 30% Danceability • 14% Energy • 11% Liveness
36% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 14% Energy • 11% Liveness
36% Instrumentalness • 16% Positiveness
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Nuthouse Flowers
I Know
135 bpm • C Maj • 03:17 • -8.23db
1% Popularity • 68% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
1% Popularity • 68% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Kevin O'Donnell
The Assignment
134 bpm • A Maj • 03:57 • -12.88db
12% Popularity • 41% Danceability • 21% Energy • 12% Liveness
45% Instrumentalness • 18% Positiveness
12% Popularity • 41% Danceability • 21% Energy • 12% Liveness
45% Instrumentalness • 18% Positiveness
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Comaneci
Couldn't Help It
146 bpm • A min • 02:40 • -11.48db
11% Popularity • 62% Danceability • 44% Energy • 11% Liveness
28% Instrumentalness • 60% Positiveness
11% Popularity • 62% Danceability • 44% Energy • 11% Liveness
28% Instrumentalness • 60% Positiveness
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Jimi Florence
The Garden of Forking Paths
146 bpm • B Maj • 04:54 • -19.93db
8% Popularity • 27% Danceability • 19% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 19% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Magnolian
Баавгай Болохсон
134 bpm • F Maj • 02:54 • -12.09db
24% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Motivational Quotes
Help Me Remember
134 bpm • G min • 02:44 • -12.88db
18% Popularity • 62% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 17% Positiveness
18% Popularity • 62% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 17% Positiveness
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Sammi Malkah
Care
134 bpm • A Maj • 04:41 • -13.62db
11% Popularity • 56% Danceability • 43% Energy • 12% Liveness
10% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 43% Energy • 12% Liveness
10% Instrumentalness • 28% Positiveness
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Loverdrive
Where did i go ?
133 bpm • D# Maj • 02:48 • -25.45db
8% Popularity • 42% Danceability • 6% Energy • 9% Liveness
38% Instrumentalness • 23% Positiveness
8% Popularity • 42% Danceability • 6% Energy • 9% Liveness
38% Instrumentalness • 23% Positiveness
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Rogue Valley
Flickering Frames
133 bpm • C Maj • 01:29 • -14.16db
13% Popularity • 45% Danceability • 23% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
13% Popularity • 45% Danceability • 23% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
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Ember Marie
Mine
148 bpm • E Maj • 03:17 • -17.98db
10% Popularity • 38% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
10% Popularity • 38% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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The River Otters
Lyra's Mad Dance
133 bpm • F Maj • 02:26 • -8.25db
9% Popularity • 42% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
9% Popularity • 42% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
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Demand Huge
Revive College
148 bpm • G# Maj • 03:11 • -17.48db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
37% Instrumentalness • 37% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
37% Instrumentalness • 37% Positiveness
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Dell Lubowitz
The Sad River
148 bpm • C Maj • 01:58 • -17.25db
27% Popularity • 51% Danceability • 37% Energy • 7% Liveness
34% Instrumentalness • 43% Positiveness
27% Popularity • 51% Danceability • 37% Energy • 7% Liveness
34% Instrumentalness • 43% Positiveness
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Julius Krebs
Reach for the Moon
148 bpm • G Maj • 05:25 • -13.22db
14% Popularity • 47% Danceability • 26% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 10% Liveness
8% Instrumentalness • 23% Positiveness
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Harry Paradise
Drifting Further & Farther Away
148 bpm • C Maj • 01:04 • -18.54db
16% Popularity • 55% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 55% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Staffan Carlén
A Calming Ocean, a Common Notion
148 bpm • E Maj • 02:58 • -7.15db
12% Popularity • 67% Danceability • 38% Energy • 23% Liveness
78% Instrumentalness • 16% Positiveness
12% Popularity • 67% Danceability • 38% Energy • 23% Liveness
78% Instrumentalness • 16% Positiveness
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Sophia Corinne
Call Me Back
148 bpm • D# Maj • 03:19 • -13.25db
12% Popularity • 40% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
12% Popularity • 40% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
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Jimi Florence
Red White and Blue - Acoustic
132 bpm • F# Maj • 02:47 • -14.16db
13% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Nuthouse Flowers
Ship of Fools
132 bpm • D Maj • 02:59 • -4.27db
0% Popularity • 55% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 55% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Sam Tudor
Fixture
132 bpm • G# Maj • 03:21 • -17.29db
25% Popularity • 64% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 64% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nayar
Tender
132 bpm • G Maj • 03:05 • -18.17db
11% Popularity • 59% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 31% Positiveness
11% Popularity • 59% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 31% Positiveness
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FontShots
Runaway
132 bpm • E min • 02:54 • -18.96db
10% Popularity • 59% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 59% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hounds
The Flood
132 bpm • E min • 03:40 • -16.98db
13% Popularity • 53% Danceability • 21% Energy • 22% Liveness
36% Instrumentalness • 11% Positiveness
13% Popularity • 53% Danceability • 21% Energy • 22% Liveness
36% Instrumentalness • 11% Positiveness
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Pompey
curls
149 bpm • E min • 03:11 • -12.81db
18% Popularity • 33% Danceability • 42% Energy • 25% Liveness
86% Instrumentalness • 40% Positiveness
18% Popularity • 33% Danceability • 42% Energy • 25% Liveness
86% Instrumentalness • 40% Positiveness
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Nuthouse Flowers
Ship of Fools
132 bpm • G Maj • 02:58 • -3.5db
0% Popularity • 60% Danceability • 96% Energy • 34% Liveness
7% Instrumentalness • 88% Positiveness
0% Popularity • 60% Danceability • 96% Energy • 34% Liveness
7% Instrumentalness • 88% Positiveness
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Joshua Bond
Elsewhere
149 bpm • C Maj • 03:19 • -18.34db
13% Popularity • 35% Danceability • 13% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
13% Popularity • 35% Danceability • 13% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Keenan O'Meara
You Awful Creature
150 bpm • F Maj • 02:48 • -11.21db
17% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel O'Sullivan
For Ari
131 bpm • C Maj • 02:34 • -13.58db
20% Popularity • 22% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
20% Popularity • 22% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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MALKOLM
Stand by Me
131 bpm • D Maj • 02:22 • -11.88db
13% Popularity • 34% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Jimi Florence
For Some Hope (At the End)
131 bpm • F# Maj • 03:02 • -15db
11% Popularity • 34% Danceability • 20% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
11% Popularity • 34% Danceability • 20% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
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Dynamic Music
Enough Now
131 bpm • E Maj • 02:22 • -10.95db
12% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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The Ballroom Thieves
I Don't Mind
150 bpm • A# Maj • 04:18 • -10.28db
24% Popularity • 49% Danceability • 33% Energy • 13% Liveness
6% Instrumentalness • 22% Positiveness
24% Popularity • 49% Danceability • 33% Energy • 13% Liveness
6% Instrumentalness • 22% Positiveness
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RiverGold
Is It Still Beating
150 bpm • B min • 03:18 • -17.53db
10% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Cecil Ted
Burn Down This House
131 bpm • A# Maj • 03:40 • -15.28db
31% Popularity • 45% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Heather on the Corner
3. Overthinking
130 bpm • G min • 02:40 • -10.82db
16% Popularity • 70% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 70% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Nuthouse Flowers
Boy On the Roof
130 bpm • E Maj • 02:32 • -6.83db
0% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ronja Maltzahn
About Sadness
130 bpm • B min • 02:51 • -11.39db
8% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Coyle Girelli
The Girl - Acoustic Version
130 bpm • B Maj • 03:42 • -14.09db
14% Popularity • 54% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
14% Popularity • 54% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Zane McWilliams
Dopamine
130 bpm • A# min • 02:10 • -22.19db
8% Popularity • 57% Danceability • 7% Energy • 12% Liveness
28% Instrumentalness • 18% Positiveness
8% Popularity • 57% Danceability • 7% Energy • 12% Liveness
28% Instrumentalness • 18% Positiveness
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Jimi Florence
Let's Dance Above the Roof
130 bpm • A# Maj • 05:41 • -19.79db
8% Popularity • 40% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 17% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 17% Positiveness
