Songs like Passport by Joe Lovano Us Five
Based on a tempo of (+/- 10%) and a similar genre
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Brian Blade & The Fellowship Band
Return of the Prodigal Son
84 bpm • D Maj • 08:54 • -12.51db
16% Popularity • 23% Danceability • 47% Energy • 34% Liveness
93% Instrumentalness • 20% Positiveness
16% Popularity • 23% Danceability • 47% Energy • 34% Liveness
93% Instrumentalness • 20% Positiveness
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Joe Lovano Us Five
Passport
84 bpm • C min • 05:25 • -11.8db
3% Popularity • 58% Danceability • 36% Energy • 11% Liveness
12% Instrumentalness • 63% Positiveness
3% Popularity • 58% Danceability • 36% Energy • 11% Liveness
12% Instrumentalness • 63% Positiveness
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Douglas Brown
Swatin
84 bpm • B Maj • 05:51 • -14.05db
12% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
12% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Art Pepper
Tin Tin Deo
84 bpm • F min • 07:46 • -14.5db
23% Popularity • 64% Danceability • 40% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
23% Popularity • 64% Danceability • 40% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
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Barry Harris Trio
Sro
84 bpm • G min • 03:52 • -14.88db
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Dave Holland Quintet
Make Believe
83 bpm • A# min • 06:23 • -23db
9% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Ron Miles
Queen Of The South
83 bpm • F# Maj • 04:20 • -11.58db
29% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
29% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Jackie McLean Quintet
Up
85 bpm • F Maj • 04:44 • -13.49db
11% Popularity • 46% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 46% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Sam Rivers
Gangsterism On A River
83 bpm • A# Maj • 03:41 • -14db
8% Popularity • 37% Danceability • 33% Energy • 13% Liveness
87% Instrumentalness • 26% Positiveness
8% Popularity • 37% Danceability • 33% Energy • 13% Liveness
87% Instrumentalness • 26% Positiveness
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Denny Zeitlin
Cathexis
83 bpm • A min • 02:25 • -18db
11% Popularity • 48% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 48% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Scolohofo
The Winding Way
85 bpm • D Maj • 10:38 • -15.72db
10% Popularity • 50% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
10% Popularity • 50% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
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Eric Reed
Medley: Autumn In New York
83 bpm • F# min • 07:18 • -18.11db
10% Popularity • 40% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 15% Positiveness
10% Popularity • 40% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 15% Positiveness
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Jason Moran
Gangsterism On Canvas
85 bpm • G# Maj • 04:37 • -15.56db
8% Popularity • 35% Danceability • 33% Energy • 13% Liveness
77% Instrumentalness • 23% Positiveness
8% Popularity • 35% Danceability • 33% Energy • 13% Liveness
77% Instrumentalness • 23% Positiveness
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Sonny Clark
Melody For C
83 bpm • C Maj • 07:45 • -13db
31% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Joe Lovano Us Five
Dewey Square
83 bpm • G# Maj • 08:25 • -13.98db
0% Popularity • 44% Danceability • 47% Energy • 9% Liveness
20% Instrumentalness • 60% Positiveness
0% Popularity • 44% Danceability • 47% Energy • 9% Liveness
20% Instrumentalness • 60% Positiveness
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Christian McBride Big Band
Up Jumped Spring
86 bpm • G min • 08:12 • -16.92db
10% Popularity • 55% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
10% Popularity • 55% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
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Obed Calvaire
Immigrant Song
83 bpm • F# min • 06:51 • -21.07db
12% Popularity • 37% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 10% Positiveness
12% Popularity • 37% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 10% Positiveness
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Julian & Roman Wasserfuhr
Tinderly
86 bpm • C min • 07:25 • -9.26db
11% Popularity • 39% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
11% Popularity • 39% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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The Chick Corea New Trio
Past, Present & Futures
82 bpm • C min • 09:38 • -19.31db
9% Popularity • 31% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
9% Popularity • 31% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
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Aaron Diehl
The Vagabond
86 bpm • G# Maj • 03:19 • -20.52db
8% Popularity • 32% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Bill Charlap
Jubilee
86 bpm • G Maj • 03:11 • -10.48db
13% Popularity • 46% Danceability • 71% Energy • 12% Liveness
45% Instrumentalness • 66% Positiveness
13% Popularity • 46% Danceability • 71% Energy • 12% Liveness
45% Instrumentalness • 66% Positiveness
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Anders Jormin
Bagatell
82 bpm • D min • 06:29 • -25.04db
13% Popularity • 41% Danceability • 5% Energy • 9% Liveness
63% Instrumentalness • 7% Positiveness
13% Popularity • 41% Danceability • 5% Energy • 9% Liveness
63% Instrumentalness • 7% Positiveness
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Camille Thurman
Kindred Minds
82 bpm • D Maj • 05:46 • -12.07db
8% Popularity • 61% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
8% Popularity • 61% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Vijay Iyer Trio
Taking Flight
82 bpm • A min • 07:15 • -21.47db
9% Popularity • 35% Danceability • 25% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
9% Popularity • 35% Danceability • 25% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Esperanza Spalding
The Peacocks
82 bpm • F# Maj • 07:56 • -16db
19% Popularity • 30% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
19% Popularity • 30% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Hank Mobley
Funk In Deep Freeze - 1998 - Remaster; V...
86 bpm • F min • 06:49 • -10db
9% Popularity • 53% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 53% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Brian Blade Fellowship
Crooked Creek
87 bpm • C# Maj • 09:10 • -11.24db
22% Popularity • 34% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
22% Popularity • 34% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Horace Parlan
C-Jam Blues
81 bpm • C Maj • 05:13 • -10.17db
8% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jesse Van Ruller
Silent Blue Hour
87 bpm • F Maj • 07:13 • -19.12db
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
56% Instrumentalness • 10% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
56% Instrumentalness • 10% Positiveness
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Christian McBride Trio
Interlude
81 bpm • F# Maj • 07:18 • -14.98db
13% Popularity • 44% Danceability • 44% Energy • 66% Liveness
91% Instrumentalness • 60% Positiveness
13% Popularity • 44% Danceability • 44% Energy • 66% Liveness
91% Instrumentalness • 60% Positiveness
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Harold Land Quintet
40 Love
87 bpm • B Maj • 04:49 • -13.79db
8% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Hank Mobley
Three Coins In The Fountain - Remastered...
81 bpm • C min • 05:26 • -10.84db
19% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Wynton Kelly
Willow Weep For Me
81 bpm • C Maj • 06:09 • -20.42db
20% Popularity • 43% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 26% Positiveness
20% Popularity • 43% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 26% Positiveness
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Bobo Stenson Trio
All My Life
88 bpm • C Maj • 06:24 • -21.39db
7% Popularity • 26% Danceability • 24% Energy • 17% Liveness
17% Instrumentalness • 37% Positiveness
7% Popularity • 26% Danceability • 24% Energy • 17% Liveness
17% Instrumentalness • 37% Positiveness
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Joshua Redman Quartet
Mischief
81 bpm • G min • 05:50 • -16db
19% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
19% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
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Christian McBride Trio
Hallelujah Time
81 bpm • C Maj • 04:03 • -17db
20% Popularity • 51% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
20% Popularity • 51% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
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Ambrose Akinmusire
Confessions To My Unborn Daughter
88 bpm • A min • 08:35 • -12db
12% Popularity • 37% Danceability • 33% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 33% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Booker Ervin
204 - 2005 Remastered
80 bpm • C min • 10:21 • -7.32db
9% Popularity • 37% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
9% Popularity • 37% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Barry Harris Trio
Passport
88 bpm • G min • 03:44 • -13db
29% Popularity • 67% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
29% Popularity • 67% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 62% Positiveness
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Harold Mabern
Edward Lee
80 bpm • D Maj • 08:53 • -12.81db
8% Popularity • 53% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 53% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 50% Positiveness
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Lukmil Perez
ABC
88 bpm • G# Maj • 05:35 • -16.84db
9% Popularity • 51% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 51% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Joe Lovano Us Five
Blues Collage
80 bpm • G Maj • 01:52 • -13.49db
0% Popularity • 67% Danceability • 24% Energy • 11% Liveness
78% Instrumentalness • 68% Positiveness
0% Popularity • 67% Danceability • 24% Energy • 11% Liveness
78% Instrumentalness • 68% Positiveness
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Ambrose Akinmusire
Marie Christie
88 bpm • A min • 03:15 • -18.3db
28% Popularity • 46% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Tomasz Stanko Quartet
Soul of Things, Var. 2
80 bpm • F# Maj • 07:57 • -16.77db
10% Popularity • 43% Danceability • 18% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
10% Popularity • 43% Danceability • 18% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
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Pepper Adams
Inanout
89 bpm • G min • 05:53 • -14.45db
12% Popularity • 33% Danceability • 56% Energy • 37% Liveness
9% Instrumentalness • 62% Positiveness
12% Popularity • 33% Danceability • 56% Energy • 37% Liveness
9% Instrumentalness • 62% Positiveness
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Dave Holland Big Band
Last Minute Man
89 bpm • C Maj • 07:13 • -11.37db
14% Popularity • 54% Danceability • 42% Energy • 14% Liveness
58% Instrumentalness • 50% Positiveness
14% Popularity • 54% Danceability • 42% Energy • 14% Liveness
58% Instrumentalness • 50% Positiveness
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Lyle Mays
On the Other Hand
79 bpm • C Maj • 05:02 • -19db
8% Popularity • 20% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
8% Popularity • 20% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Oscar Peterson Trio
Goodbye J.D.
79 bpm • G# Maj • 02:56 • -14.89db
17% Popularity • 34% Danceability • 48% Energy • 7% Liveness
14% Instrumentalness • 91% Positiveness
17% Popularity • 34% Danceability • 48% Energy • 7% Liveness
14% Instrumentalness • 91% Positiveness
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Kenny Burrell
Fugue 'N Blues
79 bpm • G Maj • 06:47 • -15.39db
14% Popularity • 60% Danceability • 23% Energy • 9% Liveness
15% Instrumentalness • 53% Positiveness
14% Popularity • 60% Danceability • 23% Energy • 9% Liveness
15% Instrumentalness • 53% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Cannonball Adderley
Au Privave - Live
89 bpm • C Maj • 03:54 • -10.59db
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
39% Instrumentalness • 71% Positiveness
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
39% Instrumentalness • 71% Positiveness
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Alex Sipiagin
Next Stop - Tsukiji
89 bpm • A Maj • 08:35 • -13.63db
8% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
8% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
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Melissa Aldana
Alegria
79 bpm • F min • 05:11 • -14.57db
12% Popularity • 32% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
12% Popularity • 32% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
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Ingrid Jensen
Higher Grounds
90 bpm • F min • 05:46 • -19db
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Branford Marsalis Quartet
A Love Supreme, Pt. 1: Acknowledgement
79 bpm • F min • 09:00 • -12.07db
9% Popularity • 26% Danceability • 50% Energy • 28% Liveness
44% Instrumentalness • 36% Positiveness
9% Popularity • 26% Danceability • 50% Energy • 28% Liveness
44% Instrumentalness • 36% Positiveness
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Joshua Redman Quartet
Sweet Sorrow
79 bpm • G min • 08:43 • -16.33db
35% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
35% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
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Cannonball Adderley
Somethin' Else
79 bpm • G min • 08:14 • -6.83db
38% Popularity • 51% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 51% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Lovano Us Five
Ettenro
90 bpm • G# Maj • 08:12 • -13.44db
0% Popularity • 50% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 55% Positiveness
0% Popularity • 50% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 55% Positiveness
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Tomasz Stanko Quartet
Tales For A Girl, 12
78 bpm • E min • 09:08 • -21.28db
5% Popularity • 34% Danceability • 16% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
5% Popularity • 34% Danceability • 16% Energy • 7% Liveness
75% Instrumentalness • 7% Positiveness
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Hank Mobley
Uh Huh - Remastered 2005
78 bpm • F min • 10:47 • -10.2db
34% Popularity • 60% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 60% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Danilo Perez
Bright Mississippi
90 bpm • C# Maj • 05:39 • -14db
9% Popularity • 52% Danceability • 45% Energy • 8% Liveness
83% Instrumentalness • 78% Positiveness
9% Popularity • 52% Danceability • 45% Energy • 8% Liveness
83% Instrumentalness • 78% Positiveness
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Abdullah Ibrahim
Skippy
90 bpm • C# Maj • 05:34 • -12.32db
8% Popularity • 45% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Vijay Iyer Trio
Work
90 bpm • D Maj • 06:14 • -22db
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Joe Lovano Us Five
Yardbird Suite
78 bpm • G Maj • 11:58 • -12.64db
1% Popularity • 44% Danceability • 34% Energy • 7% Liveness
39% Instrumentalness • 35% Positiveness
1% Popularity • 44% Danceability • 34% Energy • 7% Liveness
39% Instrumentalness • 35% Positiveness
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Ornette Coleman
Chippie
78 bpm • C Maj • 05:40 • -14db
18% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Hank Mobley
Workout - Remastered 2005
90 bpm • F Maj • 10:03 • -9db
20% Popularity • 44% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 79% Positiveness
20% Popularity • 44% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 79% Positiveness
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The Alan Broadbent Trio
Chris Craft
78 bpm • C Maj • 06:38 • -16.18db
22% Popularity • 32% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
22% Popularity • 32% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
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Sonny Clark
Blue Minor - Rudy Van Gelder Edition/199...
78 bpm • F min • 10:19 • -7db
25% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
25% Popularity • 50% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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John Coltrane Quartet
Bessie's Blues
91 bpm • F min • 03:35 • -10db
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Horace Parlan
No blues
91 bpm • F Maj • 06:13 • -15.96db
13% Popularity • 54% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
13% Popularity • 54% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
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Kenny Wheeler
Sea Lady
77 bpm • D min • 08:31 • -20.64db
11% Popularity • 28% Danceability • 13% Energy • 34% Liveness
52% Instrumentalness • 9% Positiveness
11% Popularity • 28% Danceability • 13% Energy • 34% Liveness
52% Instrumentalness • 9% Positiveness
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Danny Grissett
Cambridge Place
77 bpm • G# Maj • 07:03 • -14.81db
36% Popularity • 46% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 60% Positiveness
36% Popularity • 46% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 60% Positiveness
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Joe Lovano Us Five
Ko Ko
91 bpm • D# Maj • 06:20 • -14.12db
0% Popularity • 49% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
0% Popularity • 49% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Michel Petrucciani Trio
Maybe Yes
91 bpm • F min • 03:47 • -14.5db
11% Popularity • 43% Danceability • 36% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
11% Popularity • 43% Danceability • 36% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
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Cannonball Adderley
Bohemia After Dark
92 bpm • F Maj • 06:05 • -11.19db
22% Popularity • 55% Danceability • 35% Energy • 5% Liveness
77% Instrumentalness • 58% Positiveness
22% Popularity • 55% Danceability • 35% Energy • 5% Liveness
77% Instrumentalness • 58% Positiveness
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Kevin Hays
All Things Are
92 bpm • C Maj • 09:35 • -14db
12% Popularity • 38% Danceability • 34% Energy • 7% Liveness
26% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 34% Energy • 7% Liveness
26% Instrumentalness • 42% Positiveness
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Christian McBride Trio
Cherokee
92 bpm • C# Maj • 05:39 • -20.52db
18% Popularity • 59% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
18% Popularity • 59% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Joshua Redman Quartet
Rejoice
92 bpm • F min • 11:12 • -15db
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Joe Lovano Us Five
Donna Lee
77 bpm • D# Maj • 04:30 • -14.33db
3% Popularity • 56% Danceability • 24% Energy • 12% Liveness
45% Instrumentalness • 51% Positiveness
3% Popularity • 56% Danceability • 24% Energy • 12% Liveness
45% Instrumentalness • 51% Positiveness
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Bud Powell
Celia
77 bpm • F Maj • 02:57 • -18.2db
37% Popularity • 55% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
37% Popularity • 55% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 80% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Marcin Wasilewski Trio
Actual Proof
92 bpm • A# min • 06:05 • -19.64db
10% Popularity • 36% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Anthony Wonsey Trio
Just You, Just Me
92 bpm • D# Maj • 05:16 • -11.1db
7% Popularity • 60% Danceability • 42% Energy • 9% Liveness
27% Instrumentalness • 47% Positiveness
7% Popularity • 60% Danceability • 42% Energy • 9% Liveness
27% Instrumentalness • 47% Positiveness
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The Chick Corea New Trio
The Revolving Door
77 bpm • F min • 06:20 • -19.17db
9% Popularity • 50% Danceability • 34% Energy • 22% Liveness
73% Instrumentalness • 45% Positiveness
9% Popularity • 50% Danceability • 34% Energy • 22% Liveness
73% Instrumentalness • 45% Positiveness
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Joe Lovano Us Five
Drum Song
92 bpm • C min • 08:30 • -16.07db
0% Popularity • 48% Danceability • 33% Energy • 11% Liveness
34% Instrumentalness • 39% Positiveness
0% Popularity • 48% Danceability • 33% Energy • 11% Liveness
34% Instrumentalness • 39% Positiveness
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Ornette Coleman
When Will The Blues Leave?
92 bpm • A min • 05:00 • -14.76db
32% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
32% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Jason Moran
Blue Blocks
93 bpm • A# min • 04:35 • -13.44db
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
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Carla Bley
Andando El Tiempo: Camino Al Volver
76 bpm • G# min • 08:27 • -16.83db
24% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Hank Mobley
A Baptist Beat - Rudy Van Gelder Edition
76 bpm • C min • 08:54 • -11.33db
29% Popularity • 62% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 62% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Clifford Jordan Quartet
Cal Massey
93 bpm • C Maj • 02:42 • -14.24db
9% Popularity • 55% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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The Jazz Seekers
Limbo Jazz
76 bpm • C# Maj • 03:09 • -13.72db
25% Popularity • 68% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 78% Positiveness
25% Popularity • 68% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 78% Positiveness
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Larry Young
The Moontrane - Rudy Van Gelder 24Bit Ma...
93 bpm • A# Maj • 07:21 • -7.84db
41% Popularity • 41% Danceability • 75% Energy • 30% Liveness
8% Instrumentalness • 59% Positiveness
41% Popularity • 41% Danceability • 75% Energy • 30% Liveness
8% Instrumentalness • 59% Positiveness
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Lee Morgan
Most Like Lee
93 bpm • C min • 06:49 • -12.66db
22% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Ralph Towner
The Glide
93 bpm • D min • 06:15 • -16.29db
11% Popularity • 47% Danceability • 32% Energy • 10% Liveness
42% Instrumentalness • 26% Positiveness
11% Popularity • 47% Danceability • 32% Energy • 10% Liveness
42% Instrumentalness • 26% Positiveness
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Joe Lovano Us Five
Barbados
93 bpm • G# Maj • 06:19 • -12.5db
3% Popularity • 61% Danceability • 38% Energy • 5% Liveness
26% Instrumentalness • 56% Positiveness
3% Popularity • 61% Danceability • 38% Energy • 5% Liveness
26% Instrumentalness • 56% Positiveness
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Melissa Aldana
Pasos
94 bpm • C Maj • 07:18 • -9.38db
8% Popularity • 44% Danceability • 47% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
8% Popularity • 44% Danceability • 47% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Jackie McLean
Cancellation - Digital Remaster/2006
93 bpm • F# min • 07:43 • -5.25db
14% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 44% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Roy Haynes Quartet
Fly Me To The Moon
94 bpm • C min • 06:40 • -11.65db
18% Popularity • 48% Danceability • 53% Energy • 11% Liveness
40% Instrumentalness • 68% Positiveness
18% Popularity • 48% Danceability • 53% Energy • 11% Liveness
40% Instrumentalness • 68% Positiveness
