Songs like Path for Air by From The Mouth of The Sun
Based on a tempo of (+/- 10%) and a similar genre
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Rachel Grimes
Patsy - Instrumental
99 bpm • B min • 02:10 • -18.51db
36% Popularity • 28% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 28% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Taylor Deupree
The Lost See
99 bpm • C Maj • 06:04 • -24.71db
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Aaron Martin
Light Blooms in Hollow Space
100 bpm • C Maj • 03:03 • -17.26db
4% Popularity • 21% Danceability • 7% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
4% Popularity • 21% Danceability • 7% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
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Gareth Dickson
Happy Easters
100 bpm • C Maj • 05:56 • -21.92db
32% Popularity • 21% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Fischersund
Burnirót
98 bpm • G Maj • 05:22 • -25.84db
8% Popularity • 19% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Jakob Lindhagen
Under Hamnen
100 bpm • A min • 05:26 • -16db
23% Popularity • 13% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
Path for Air
100 bpm • A Maj • 04:40 • -19.14db
17% Popularity • 27% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Troubles
98 bpm • G# Maj • 01:03 • -23.53db
45% Popularity • 57% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 57% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Mike Lazarev
Out Of Time
100 bpm • G# Maj • 03:04 • -21db
24% Popularity • 17% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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John Hayes
Almost Amen
98 bpm • C Maj • 05:30 • -19.98db
10% Popularity • 14% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Uriel VIllalobos Alva
Acōlmiztli
98 bpm • G# min • 03:34 • -25.13db
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 33% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Light From Garden
100 bpm • G Maj • 09:43 • -30.13db
29% Popularity • 13% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
Bring Me Home
98 bpm • D Maj • 01:19 • -17.98db
17% Popularity • 21% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
17% Popularity • 21% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Eluvium
The Violet Light
101 bpm • C Maj • 02:30 • -15.76db
24% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 38% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Clem Leek
Never A Lover
101 bpm • D Maj • 01:43 • -13.94db
43% Popularity • 52% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 52% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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David Cordero
Recuerdos Inefables
97 bpm • A min • 01:47 • -15.41db
32% Popularity • 24% Danceability • 30% Energy • 36% Liveness
97% Instrumentalness • 16% Positiveness
32% Popularity • 24% Danceability • 30% Energy • 36% Liveness
97% Instrumentalness • 16% Positiveness
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Oliver Patrice Weder
Abend
97 bpm • C min • 05:59 • -29.13db
9% Popularity • 34% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
9% Popularity • 34% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Aaron Martin
A Place We Cannot See
97 bpm • A Maj • 02:00 • -23.88db
1% Popularity • 12% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Ian Hawgood
Call Me When the Leaves Fall
101 bpm • D Maj • 01:55 • -24.12db
20% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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William Ryan Fritch
Low Smoulder
97 bpm • D Maj • 06:26 • -16.86db
13% Popularity • 12% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jogging House
Tongues
97 bpm • G# Maj • 01:35 • -20.98db
35% Popularity • 12% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 12% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Tom Ashbrook
Klass (MISSUXO Film Edit)
97 bpm • D# min • 03:58 • -26.14db
29% Popularity • 20% Danceability • 19% Energy • 23% Liveness
94% Instrumentalness • 20% Positiveness
29% Popularity • 20% Danceability • 19% Energy • 23% Liveness
94% Instrumentalness • 20% Positiveness
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Federico Durand
Dia de Nieve
96 bpm • D min • 01:38 • -24.89db
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
22% Popularity • 40% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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John Hayes
Intention
101 bpm • C min • 05:16 • -20.82db
12% Popularity • 14% Danceability • 25% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 25% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Oli Bayston
Two Weeks
102 bpm • G# min • 02:29 • -28.47db
33% Popularity • 26% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 26% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Brambles
Such Owls As You
102 bpm • B Maj • 05:29 • -26db
44% Popularity • 19% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 19% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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Felix Rösch
Sphere - Piano Version
96 bpm • A# min • 02:01 • -26.89db
22% Popularity • 31% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
An Old Friend
96 bpm • F Maj • 01:22 • -15.81db
47% Popularity • 15% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
47% Popularity • 15% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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The Last Days of Our Past
Fragile
96 bpm • D Maj • 04:08 • -33.18db
33% Popularity • 14% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
33% Popularity • 14% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Alex Somers
Light Past Blue, Pt. 1
95 bpm • G min • 04:40 • -24.66db
9% Popularity • 16% Danceability • 42% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 16% Danceability • 42% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Twinsleep
A Taste of Spring
95 bpm • C min • 04:26 • -21.89db
16% Popularity • 26% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Ryan Teague
Wide Angle
103 bpm • F# Maj • 01:53 • -16.6db
25% Popularity • 27% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
25% Popularity • 27% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Felix Rösch
Opal
102 bpm • C min • 03:33 • -23.94db
38% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
38% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Pausal
Fall On Certain Accents
95 bpm • F Maj • 01:32 • -29.44db
33% Popularity • 16% Danceability • 4% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 4% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
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AVAWAVES
Fractured Light
94 bpm • B min • 03:22 • -20.29db
32% Popularity • 18% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Aaron Martin
The Medusa
104 bpm • C min • 09:45 • -21db
5% Popularity • 15% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
5% Popularity • 15% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Tom Ashbrook
Winda
94 bpm • G Maj • 04:03 • -25.01db
20% Popularity • 21% Danceability • 9% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
20% Popularity • 21% Danceability • 9% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
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From The Mouth of The Sun
Only a Moment
93 bpm • G Maj • 01:25 • -20.31db
35% Popularity • 12% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
35% Popularity • 12% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
Adios, Florida (Snippet)
105 bpm • G min • 00:56 • -21.99db
44% Popularity • 46% Danceability • 24% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
44% Popularity • 46% Danceability • 24% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
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John Hayes
Curandero
93 bpm • D# Maj • 02:00 • -17.08db
11% Popularity • 16% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Selke
All Airport Delays
93 bpm • C# Maj • 01:41 • -19.02db
37% Popularity • 11% Danceability • 10% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 10% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Alex Kozobolis
I am Seven
93 bpm • D Maj • 02:13 • -26.87db
39% Popularity • 42% Danceability • 32% Energy • 21% Liveness
89% Instrumentalness • 33% Positiveness
39% Popularity • 42% Danceability • 32% Energy • 21% Liveness
89% Instrumentalness • 33% Positiveness
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Tom Ashbrook
Klass (Piano Edit)
93 bpm • D# min • 04:39 • -23.63db
11% Popularity • 28% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Erik K Skodvin
Breathe
93 bpm • D# min • 03:42 • -27.43db
13% Popularity • 13% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Illuminine
Take 3 - Ways
106 bpm • F Maj • 02:42 • -25.06db
39% Popularity • 19% Danceability • 5% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 5% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
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Sea Oleena
Portugal (A Lift)
106 bpm • G# Maj • 06:48 • -20db
38% Popularity • 15% Danceability • 22% Energy • 5% Liveness
92% Instrumentalness • 2% Positiveness
38% Popularity • 15% Danceability • 22% Energy • 5% Liveness
92% Instrumentalness • 2% Positiveness
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Caterina Barbieri
Rendering Intuitions
92 bpm • D# Maj • 06:36 • -19.45db
27% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
27% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Amulets
Severed Seas
106 bpm • G# min • 08:08 • -21db
22% Popularity • 15% Danceability • 10% Energy • 38% Liveness
97% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 10% Energy • 38% Liveness
97% Instrumentalness • 3% Positiveness
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Mountains
Sheets Two
92 bpm • A Maj • 02:38 • -25db
35% Popularity • 29% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
35% Popularity • 29% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Mike Lazarev
Leaving This Behind Again
92 bpm • A# min • 06:09 • -23.54db
19% Popularity • 16% Danceability • 10% Energy • 31% Liveness
59% Instrumentalness • 9% Positiveness
19% Popularity • 16% Danceability • 10% Energy • 31% Liveness
59% Instrumentalness • 9% Positiveness
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Felix Rösch
Elegy for Peace
92 bpm • C min • 02:25 • -23.92db
39% Popularity • 42% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
39% Popularity • 42% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Kaitlyn Aurelia Smith
Moon In Your Eye
92 bpm • D Maj • 02:14 • -17.48db
46% Popularity • 22% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
46% Popularity • 22% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Aaron Martin
Roads
92 bpm • F min • 05:05 • -18.51db
2% Popularity • 12% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Angèle David-Guillou
Vraisemblance
107 bpm • C# Maj • 04:16 • -18.01db
22% Popularity • 22% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
22% Popularity • 22% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Benjamin Gustafsson
The Beauty Around Us
91 bpm • C# min • 02:46 • -22.96db
24% Popularity • 28% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Federico Durand
Salvia
91 bpm • E Maj • 01:59 • -26db
26% Popularity • 19% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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VLMV
We Were Landed, We Were Landing Gently W...
108 bpm • F# min • 04:06 • -17.31db
19% Popularity • 63% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
19% Popularity • 63% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Felix Rösch
Interlude III
108 bpm • C min • 01:39 • -22.27db
38% Popularity • 49% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
38% Popularity • 49% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
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Aaron Martin
Breaking Light
108 bpm • E Maj • 05:38 • -12.34db
5% Popularity • 41% Danceability • 50% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
5% Popularity • 41% Danceability • 50% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
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July Skies
To My Love
108 bpm • C Maj • 01:57 • -21.39db
27% Popularity • 36% Danceability • 12% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 36% Danceability • 12% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Sebastian Plano
Last Day Of May
90 bpm • G Maj • 04:03 • -16.76db
15% Popularity • 13% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Todesfuge
Iridescent
90 bpm • E min • 01:54 • -19.66db
14% Popularity • 19% Danceability • 1% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Deru
No One Cares as Much as You
90 bpm • A min • 01:49 • -30.39db
28% Popularity • 37% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
28% Popularity • 37% Danceability • 2% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Desolate Horizons
Prudence
109 bpm • A# Maj • 03:37 • -20db
32% Popularity • 16% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
32% Popularity • 16% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Ann Annie
Lake Flora
90 bpm • B Maj • 01:07 • -15.35db
34% Popularity • 12% Danceability • 49% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
34% Popularity • 12% Danceability • 49% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
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Shuta Yasukochi
Home
109 bpm • G Maj • 02:22 • -24.49db
34% Popularity • 32% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 16% Positiveness
34% Popularity • 32% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 16% Positiveness
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Taylor Deupree
Eev
90 bpm • B min • 03:56 • -20.29db
29% Popularity • 22% Danceability • 16% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 16% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Blurstem
Tapir
90 bpm • A# Maj • 03:05 • -22.68db
5% Popularity • 16% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
5% Popularity • 16% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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A Winged Victory for the Sullen
The Slow Descent Has Begun
109 bpm • A min • 04:55 • -21db
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Lowercase Noises
Inorganic Demons
89 bpm • D Maj • 08:40 • -21.56db
9% Popularity • 16% Danceability • 19% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 19% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Clem Leek
In The Fields
110 bpm • G Maj • 01:42 • -33.41db
46% Popularity • 49% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 41% Positiveness
46% Popularity • 49% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 41% Positiveness
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The Album Leaf
Venice
110 bpm • D Maj • 01:08 • -25.31db
42% Popularity • 54% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
42% Popularity • 54% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Chihei Hatakeyama
Water And Birds
110 bpm • E Maj • 06:29 • -24.16db
34% Popularity • 19% Danceability • 39% Energy • 37% Liveness
87% Instrumentalness • 41% Positiveness
34% Popularity • 19% Danceability • 39% Energy • 37% Liveness
87% Instrumentalness • 41% Positiveness
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Anna Yarbrough
Little Voices
110 bpm • E Maj • 02:06 • -20.25db
38% Popularity • 22% Danceability • 8% Energy • 15% Liveness
89% Instrumentalness • 21% Positiveness
38% Popularity • 22% Danceability • 8% Energy • 15% Liveness
89% Instrumentalness • 21% Positiveness
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Julia Kent
Sailing
110 bpm • C Maj • 01:05 • -37.7db
37% Popularity • 25% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
37% Popularity • 25% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
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Aaron Martin
A Breath to Retrieve Your Body
89 bpm • D min • 05:55 • -16.47db
5% Popularity • 10% Danceability • 19% Energy • 14% Liveness
96% Instrumentalness • 10% Positiveness
5% Popularity • 10% Danceability • 19% Energy • 14% Liveness
96% Instrumentalness • 10% Positiveness
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Natalia Tsupryk
beyond the cemetery wall
89 bpm • F min • 04:08 • -31.95db
31% Popularity • 21% Danceability • 0% Energy • 13% Liveness
67% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 0% Energy • 13% Liveness
67% Instrumentalness • 4% Positiveness
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Snorri Hallgrímsson
For Better Waters
89 bpm • A Maj • 05:47 • -25.62db
13% Popularity • 9% Danceability • 3% Energy • 34% Liveness
96% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 34% Liveness
96% Instrumentalness • 3% Positiveness
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Clem Leek
Into The Wind
111 bpm • A Maj • 03:29 • -13.17db
35% Popularity • 48% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
35% Popularity • 48% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Western Skies Motel
Empty Rooms
111 bpm • E min • 03:46 • -19.89db
7% Popularity • 33% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 33% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Hollie Kenniff
Sunset Chant
88 bpm • A min • 03:19 • -14.46db
30% Popularity • 9% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Aaron Martin
Ashen
88 bpm • D min • 08:04 • -19.84db
5% Popularity • 9% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 9% Danceability • 14% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
The Crossing
88 bpm • G Maj • 01:08 • -19.82db
11% Popularity • 25% Danceability • 37% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
11% Popularity • 25% Danceability • 37% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Brambles
In The Androgynous Dark - Nest Version
112 bpm • C min • 04:17 • -26.18db
31% Popularity • 21% Danceability • 7% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 7% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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Anatole
No Ritual
113 bpm • G# min • 03:31 • -16.69db
4% Popularity • 24% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
4% Popularity • 24% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Taylor Deupree
elm
113 bpm • D Maj • 01:22 • -24.2db
44% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Displacement
87 bpm • D# Maj • 04:16 • -24.23db
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Francesco Siano
Warm
87 bpm • C min • 02:18 • -21.49db
29% Popularity • 10% Danceability • 7% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 7% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Kryshe
Meditation
113 bpm • D Maj • 04:48 • -22.89db
13% Popularity • 26% Danceability • 8% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 8% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Aaron Martin
Landing in the Dark
87 bpm • D min • 04:24 • -18.28db
21% Popularity • 18% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
The Memories That I Have
87 bpm • G Maj • 02:28 • -14.87db
5% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
5% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
A Minor Fifth Is Made Of Phantoms
87 bpm • B min • 04:59 • -23.25db
29% Popularity • 9% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Fading Language
Weep
113 bpm • C# Maj • 04:56 • -25.88db
16% Popularity • 17% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Desolate Horizons
Everyday, There Is That Memory or That D...
86 bpm • E Maj • 02:37 • -19.08db
33% Popularity • 12% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Brian McBride
Toil Theme Part 3
86 bpm • C min • 02:27 • -22.02db
28% Popularity • 9% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 13% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Ekin Fil
Pisces
114 bpm • A# Maj • 04:58 • -22.04db
15% Popularity • 17% Danceability • 22% Energy • 94% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 22% Energy • 94% Liveness
92% Instrumentalness • 4% Positiveness
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From The Mouth of The Sun
A Season in Waters
87 bpm • E min • 11:39 • -15.89db
3% Popularity • 9% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 9% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Pulse
86 bpm • C# Maj • 04:04 • -20.6db
36% Popularity • 9% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
36% Popularity • 9% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
