Songs like Patrzec i Lezec by L.A.S.
Based on a tempo of (+/- 10%) and a similar genre
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PROBLEMS
Shadow in the Dark
135 bpm • G# Maj • 04:17 • -12.31db
19% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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L.A.S.
Patrzec i Lezec
135 bpm • C Maj • 03:57 • -11.52db
0% Popularity • 68% Danceability • 82% Energy • 15% Liveness
28% Instrumentalness • 85% Positiveness
0% Popularity • 68% Danceability • 82% Energy • 15% Liveness
28% Instrumentalness • 85% Positiveness
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Błażej Król
Jawa
135 bpm • E Maj • 02:32 • -8.48db
10% Popularity • 77% Danceability • 60% Energy • 12% Liveness
9% Instrumentalness • 39% Positiveness
10% Popularity • 77% Danceability • 60% Energy • 12% Liveness
9% Instrumentalness • 39% Positiveness
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Helucze
Łąką w Las
135 bpm • F min • 03:52 • -9.7db
24% Popularity • 78% Danceability • 56% Energy • 12% Liveness
28% Instrumentalness • 63% Positiveness
24% Popularity • 78% Danceability • 56% Energy • 12% Liveness
28% Instrumentalness • 63% Positiveness
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Robert Cichy
Grzybowska
135 bpm • D Maj • 04:10 • -6.08db
25% Popularity • 55% Danceability • 68% Energy • 36% Liveness
1% Instrumentalness • 57% Positiveness
25% Popularity • 55% Danceability • 68% Energy • 36% Liveness
1% Instrumentalness • 57% Positiveness
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Marc Henry
4AM Fog
135 bpm • G Maj • 02:08 • -11.21db
22% Popularity • 53% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
22% Popularity • 53% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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HarmonyIsle
Synthetic Mirages
135 bpm • G min • 02:51 • -25.06db
17% Popularity • 64% Danceability • 13% Energy • 14% Liveness
69% Instrumentalness • 5% Positiveness
17% Popularity • 64% Danceability • 13% Energy • 14% Liveness
69% Instrumentalness • 5% Positiveness
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Streamer
Enjoy the Feeling
136 bpm • G min • 05:42 • -3.24db
21% Popularity • 59% Danceability • 96% Energy • 10% Liveness
8% Instrumentalness • 30% Positiveness
21% Popularity • 59% Danceability • 96% Energy • 10% Liveness
8% Instrumentalness • 30% Positiveness
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Wadabaddis
Fortune
134 bpm • F Maj • 03:17 • -8.21db
18% Popularity • 42% Danceability • 76% Energy • 10% Liveness
44% Instrumentalness • 12% Positiveness
18% Popularity • 42% Danceability • 76% Energy • 10% Liveness
44% Instrumentalness • 12% Positiveness
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AGAVOID
White Noise
134 bpm • A# min • 04:01 • -7.66db
9% Popularity • 61% Danceability • 64% Energy • 7% Liveness
77% Instrumentalness • 42% Positiveness
9% Popularity • 61% Danceability • 64% Energy • 7% Liveness
77% Instrumentalness • 42% Positiveness
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Stimmgewalt
This Time It´s Personal - Two Words in ...
134 bpm • E Maj • 03:03 • -7.79db
25% Popularity • 62% Danceability • 75% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 62% Danceability • 75% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Super Girl & Romantic Boys
Koma
136 bpm • G Maj • 05:23 • -4.34db
10% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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L.A.S.
Opada Mgla Ania Brachaczek
136 bpm • C Maj • 03:57 • -12.58db
1% Popularity • 71% Danceability • 57% Energy • 42% Liveness
75% Instrumentalness • 17% Positiveness
1% Popularity • 71% Danceability • 57% Energy • 42% Liveness
75% Instrumentalness • 17% Positiveness
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Edouard van Praet
Echoes
134 bpm • G Maj • 04:30 • -7.56db
16% Popularity • 61% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
16% Popularity • 61% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Jeszcze
Zawsze
134 bpm • C# Maj • 03:36 • -8.87db
33% Popularity • 72% Danceability • 85% Energy • 12% Liveness
63% Instrumentalness • 61% Positiveness
33% Popularity • 72% Danceability • 85% Energy • 12% Liveness
63% Instrumentalness • 61% Positiveness
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Moimir Papalescu & The Nihilists
Tell Me You Love Me
134 bpm • G Maj • 02:58 • -7.86db
13% Popularity • 67% Danceability • 79% Energy • 15% Liveness
2% Instrumentalness • 56% Positiveness
13% Popularity • 67% Danceability • 79% Energy • 15% Liveness
2% Instrumentalness • 56% Positiveness
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Wczasy
Nowy Świat
134 bpm • A min • 03:26 • -7.53db
9% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Super Girl & Romantic Boys
Mam jeszcze 3 życia
134 bpm • C Maj • 05:24 • -5.46db
10% Popularity • 72% Danceability • 92% Energy • 5% Liveness
17% Instrumentalness • 93% Positiveness
10% Popularity • 72% Danceability • 92% Energy • 5% Liveness
17% Instrumentalness • 93% Positiveness
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L.A.S.
Ochota
136 bpm • A min • 05:10 • -9.36db
0% Popularity • 38% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
0% Popularity • 38% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Kamela EitzGerald
Always Wait
134 bpm • A min • 02:12 • -13.66db
25% Popularity • 48% Danceability • 36% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
25% Popularity • 48% Danceability • 36% Energy • 12% Liveness
13% Instrumentalness • 22% Positiveness
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Union Of Knives
Salut Salut
137 bpm • A Maj • 03:43 • -8.53db
8% Popularity • 60% Danceability • 85% Energy • 73% Liveness
14% Instrumentalness • 35% Positiveness
8% Popularity • 60% Danceability • 85% Energy • 73% Liveness
14% Instrumentalness • 35% Positiveness
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Just Someone
The Sad Club
133 bpm • G# min • 03:52 • -9.57db
16% Popularity • 64% Danceability • 50% Energy • 10% Liveness
68% Instrumentalness • 78% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 10% Liveness
68% Instrumentalness • 78% Positiveness
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Rylan Farrell
The Black Swan
137 bpm • C Maj • 03:37 • -9.63db
18% Popularity • 56% Danceability • 73% Energy • 34% Liveness
10% Instrumentalness • 36% Positiveness
18% Popularity • 56% Danceability • 73% Energy • 34% Liveness
10% Instrumentalness • 36% Positiveness
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Odpoczno
Polka Wodna
138 bpm • A min • 04:11 • -6.48db
8% Popularity • 43% Danceability • 71% Energy • 13% Liveness
53% Instrumentalness • 27% Positiveness
8% Popularity • 43% Danceability • 71% Energy • 13% Liveness
53% Instrumentalness • 27% Positiveness
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L.A.S.
Cichy Dom
136 bpm • C Maj • 04:20 • -12.38db
0% Popularity • 62% Danceability • 50% Energy • 17% Liveness
88% Instrumentalness • 14% Positiveness
0% Popularity • 62% Danceability • 50% Energy • 17% Liveness
88% Instrumentalness • 14% Positiveness
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paul can't cry
hate on it
138 bpm • B min • 01:52 • -10.88db
16% Popularity • 72% Danceability • 54% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
16% Popularity • 72% Danceability • 54% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Pamela Borum
Because You Know
132 bpm • F min • 03:43 • -12.29db
21% Popularity • 76% Danceability • 62% Energy • 15% Liveness
5% Instrumentalness • 62% Positiveness
21% Popularity • 76% Danceability • 62% Energy • 15% Liveness
5% Instrumentalness • 62% Positiveness
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Yellow Trash Bomb
Keep Wave
132 bpm • C# Maj • 01:21 • -5.07db
12% Popularity • 66% Danceability • 81% Energy • 22% Liveness
2% Instrumentalness • 53% Positiveness
12% Popularity • 66% Danceability • 81% Energy • 22% Liveness
2% Instrumentalness • 53% Positiveness
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Krystyna Prońko
Dążenie (Ashley Slater's Give Trance A...
132 bpm • C Maj • 04:32 • -7.23db
7% Popularity • 72% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 72% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Mjut
Pomału
132 bpm • A# Maj • 03:28 • -8.33db
14% Popularity • 58% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
14% Popularity • 58% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Roni Luca
Personal Injury Lawyers
132 bpm • A# min • 01:41 • -13.64db
23% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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L.A.S.
ZAWIESZONY
139 bpm • G Maj • 02:35 • -25.54db
1% Popularity • 46% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
1% Popularity • 46% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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RANNE PTASZKI
JEMNANOC
139 bpm • B min • 04:45 • -12.45db
13% Popularity • 22% Danceability • 28% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 28% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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HarmonyIsle
Maximum Voltage
130 bpm • E Maj • 02:40 • -16.66db
17% Popularity • 48% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Aqua Ara
Snow Globe
140 bpm • F min • 03:07 • -10.03db
26% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Moonlight Breakfast
Today We Are
140 bpm • A Maj • 03:21 • -7.41db
8% Popularity • 80% Danceability • 78% Energy • 9% Liveness
67% Instrumentalness • 85% Positiveness
8% Popularity • 80% Danceability • 78% Energy • 9% Liveness
67% Instrumentalness • 85% Positiveness
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Gernot Schoedl
I Am Your A.I.
140 bpm • A Maj • 03:48 • -4.41db
22% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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L.A.S.
ODDALONY
131 bpm • E min • 01:55 • -28.48db
0% Popularity • 34% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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BOKKA
How… It All Ends
140 bpm • C Maj • 06:05 • -8.01db
14% Popularity • 55% Danceability • 52% Energy • 19% Liveness
86% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 52% Energy • 19% Liveness
86% Instrumentalness • 26% Positiveness
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SchizoFranic
Silent Wars
140 bpm • F min • 04:46 • -13.95db
12% Popularity • 62% Danceability • 53% Energy • 11% Liveness
25% Instrumentalness • 14% Positiveness
12% Popularity • 62% Danceability • 53% Energy • 11% Liveness
25% Instrumentalness • 14% Positiveness
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Hyperfield
Therapy
140 bpm • E min • 03:46 • -6.26db
7% Popularity • 54% Danceability • 80% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
7% Popularity • 54% Danceability • 80% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
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A Number From the Ghost
In a Plaza Darkly
140 bpm • C min • 04:34 • -10.13db
8% Popularity • 46% Danceability • 48% Energy • 13% Liveness
41% Instrumentalness • 9% Positiveness
8% Popularity • 46% Danceability • 48% Energy • 13% Liveness
41% Instrumentalness • 9% Positiveness
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Flint Wave Synth Club
Power
140 bpm • E min • 03:25 • -9.72db
12% Popularity • 67% Danceability • 58% Energy • 22% Liveness
67% Instrumentalness • 76% Positiveness
12% Popularity • 67% Danceability • 58% Energy • 22% Liveness
67% Instrumentalness • 76% Positiveness
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L.A.S.
To Teraz
140 bpm • C Maj • 03:31 • -10.73db
0% Popularity • 59% Danceability • 67% Energy • 11% Liveness
68% Instrumentalness • 80% Positiveness
0% Popularity • 59% Danceability • 67% Energy • 11% Liveness
68% Instrumentalness • 80% Positiveness
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Codeine X
Absolute
140 bpm • D Maj • 01:09 • -11.46db
15% Popularity • 61% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
15% Popularity • 61% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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Vonnie Knows
Dreamer of Dreams
140 bpm • A min • 03:25 • -6.14db
21% Popularity • 45% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 45% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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FUGUE.
Microscopic Point of View
130 bpm • F# Maj • 03:58 • -12.66db
7% Popularity • 63% Danceability • 57% Energy • 8% Liveness
44% Instrumentalness • 18% Positiveness
7% Popularity • 63% Danceability • 57% Energy • 8% Liveness
44% Instrumentalness • 18% Positiveness
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Arpen
For How Long, How Long
130 bpm • A Maj • 03:01 • -8.38db
11% Popularity • 73% Danceability • 75% Energy • 11% Liveness
84% Instrumentalness • 45% Positiveness
11% Popularity • 73% Danceability • 75% Energy • 11% Liveness
84% Instrumentalness • 45% Positiveness
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KIWI
Ruszaj (Kuba Karaś Remix)
130 bpm • C min • 03:28 • -13db
16% Popularity • 54% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
16% Popularity • 54% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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L.A.S.
Sam-jeden
140 bpm • C Maj • 03:03 • -9.28db
0% Popularity • 52% Danceability • 65% Energy • 12% Liveness
78% Instrumentalness • 43% Positiveness
0% Popularity • 52% Danceability • 65% Energy • 12% Liveness
78% Instrumentalness • 43% Positiveness
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Kobieta z Wydm
Wyblakniesz
130 bpm • A Maj • 03:03 • -11.87db
10% Popularity • 76% Danceability • 55% Energy • 5% Liveness
70% Instrumentalness • 37% Positiveness
10% Popularity • 76% Danceability • 55% Energy • 5% Liveness
70% Instrumentalness • 37% Positiveness
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Acidtrain
Away I Go
130 bpm • D Maj • 05:29 • -5.84db
16% Popularity • 65% Danceability • 65% Energy • 17% Liveness
82% Instrumentalness • 90% Positiveness
16% Popularity • 65% Danceability • 65% Energy • 17% Liveness
82% Instrumentalness • 90% Positiveness
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Lake Lustre
Frankie
130 bpm • C Maj • 03:09 • -6.23db
24% Popularity • 59% Danceability • 89% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
24% Popularity • 59% Danceability • 89% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
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NANGA
Scottie Pippen
130 bpm • C Maj • 03:47 • -8.08db
15% Popularity • 74% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 74% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Jordan
Kill Me Slowly
130 bpm • A# Maj • 01:59 • -14.63db
8% Popularity • 82% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 82% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Rouson
Take Tonight
130 bpm • A min • 02:42 • -6.6db
25% Popularity • 55% Danceability • 85% Energy • 9% Liveness
39% Instrumentalness • 61% Positiveness
25% Popularity • 55% Danceability • 85% Energy • 9% Liveness
39% Instrumentalness • 61% Positiveness
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BOKKA
Strange Spaces
130 bpm • C min • 05:13 • -9db
16% Popularity • 65% Danceability • 67% Energy • 14% Liveness
68% Instrumentalness • 62% Positiveness
16% Popularity • 65% Danceability • 67% Energy • 14% Liveness
68% Instrumentalness • 62% Positiveness
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Fair Weather Friends
Bloodstream
130 bpm • C# min • 05:42 • -10.65db
9% Popularity • 58% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 58% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Zigy Iva
Forever
130 bpm • F# min • 04:33 • -13.47db
18% Popularity • 61% Danceability • 42% Energy • 9% Liveness
68% Instrumentalness • 26% Positiveness
18% Popularity • 61% Danceability • 42% Energy • 9% Liveness
68% Instrumentalness • 26% Positiveness
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Mike Fryz
No Gravity
130 bpm • F min • 04:11 • -6.53db
30% Popularity • 74% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
30% Popularity • 74% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Cat's cheek.
Work Your Magic
130 bpm • G# Maj • 02:47 • -5.05db
0% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Bass Astral
Zimna noc
130 bpm • C Maj • 08:32 • -11.3db
7% Popularity • 60% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
7% Popularity • 60% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Yvonnis
Leave Me All Alone
129 bpm • F# Maj • 03:20 • -7.19db
18% Popularity • 50% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 50% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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AUS!Funkt
Interception
142 bpm • D Maj • 03:39 • -8.11db
10% Popularity • 63% Danceability • 67% Energy • 18% Liveness
78% Instrumentalness • 73% Positiveness
10% Popularity • 63% Danceability • 67% Energy • 18% Liveness
78% Instrumentalness • 73% Positiveness
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Dance Like Dynamite
Litania kłamstw
142 bpm • D Maj • 04:00 • -9.62db
12% Popularity • 62% Danceability • 55% Energy • 34% Liveness
10% Instrumentalness • 28% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 34% Liveness
10% Instrumentalness • 28% Positiveness
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SoulKing
Wonderful Things (SHAM002)
128 bpm • B Maj • 03:11 • -7.65db
18% Popularity • 76% Danceability • 67% Energy • 18% Liveness
87% Instrumentalness • 92% Positiveness
18% Popularity • 76% Danceability • 67% Energy • 18% Liveness
87% Instrumentalness • 92% Positiveness
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Kamp!
Dorian
128 bpm • F Maj • 04:42 • -7.67db
8% Popularity • 57% Danceability • 82% Energy • 12% Liveness
68% Instrumentalness • 48% Positiveness
8% Popularity • 57% Danceability • 82% Energy • 12% Liveness
68% Instrumentalness • 48% Positiveness
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Gooral
432 Love
128 bpm • B min • 05:33 • -10.98db
9% Popularity • 49% Danceability • 67% Energy • 26% Liveness
94% Instrumentalness • 18% Positiveness
9% Popularity • 49% Danceability • 67% Energy • 26% Liveness
94% Instrumentalness • 18% Positiveness
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Martin Peitz
How To Breathe
128 bpm • G# Maj • 05:06 • -10.18db
29% Popularity • 85% Danceability • 63% Energy • 12% Liveness
46% Instrumentalness • 75% Positiveness
29% Popularity • 85% Danceability • 63% Energy • 12% Liveness
46% Instrumentalness • 75% Positiveness
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Skyline
The Past
128 bpm • F# min • 04:27 • -7.15db
17% Popularity • 77% Danceability • 64% Energy • 10% Liveness
7% Instrumentalness • 47% Positiveness
17% Popularity • 77% Danceability • 64% Energy • 10% Liveness
7% Instrumentalness • 47% Positiveness
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Lessless
Moon Ferry
128 bpm • A min • 05:12 • -9.48db
9% Popularity • 56% Danceability • 65% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
9% Popularity • 56% Danceability • 65% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Sophie Bickerdike
The Waiting Game
128 bpm • D Maj • 02:50 • -9.99db
11% Popularity • 67% Danceability • 56% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
11% Popularity • 67% Danceability • 56% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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International Hoods
A Shadow on the Way
128 bpm • C min • 04:14 • -8.69db
8% Popularity • 66% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 39% Positiveness
8% Popularity • 66% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 39% Positiveness
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Tony E$
Us In One Thing
128 bpm • D Maj • 01:12 • -8.7db
19% Popularity • 65% Danceability • 55% Energy • 36% Liveness
82% Instrumentalness • 23% Positiveness
19% Popularity • 65% Danceability • 55% Energy • 36% Liveness
82% Instrumentalness • 23% Positiveness
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Herbst In Peking
All Along the Watchtower
128 bpm • F min • 03:55 • -13.14db
8% Popularity • 69% Danceability • 52% Energy • 9% Liveness
79% Instrumentalness • 46% Positiveness
8% Popularity • 69% Danceability • 52% Energy • 9% Liveness
79% Instrumentalness • 46% Positiveness
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L.A.S.
Zapowiadam
128 bpm • G min • 03:41 • -9.91db
1% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 63% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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NANGA
steinway
128 bpm • C Maj • 06:59 • -10.61db
8% Popularity • 64% Danceability • 64% Energy • 12% Liveness
33% Instrumentalness • 4% Positiveness
8% Popularity • 64% Danceability • 64% Energy • 12% Liveness
33% Instrumentalness • 4% Positiveness
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Kobieta z Wydm
A Co Jeśli
127 bpm • E min • 03:44 • -9.59db
12% Popularity • 70% Danceability • 52% Energy • 46% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 70% Danceability • 52% Energy • 46% Liveness
91% Instrumentalness • 19% Positiveness
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Two Words in Japanese
Mindset Gap
143 bpm • A min • 03:37 • -6.05db
5% Popularity • 82% Danceability • 70% Energy • 9% Liveness
45% Instrumentalness • 94% Positiveness
5% Popularity • 82% Danceability • 70% Energy • 9% Liveness
45% Instrumentalness • 94% Positiveness
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Streamer
Don't Run Away from Love
127 bpm • C Maj • 06:10 • -3.71db
22% Popularity • 49% Danceability • 92% Energy • 10% Liveness
67% Instrumentalness • 38% Positiveness
22% Popularity • 49% Danceability • 92% Energy • 10% Liveness
67% Instrumentalness • 38% Positiveness
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Moimir Papalescu & The Nihilists
Call Me Hank
127 bpm • D Maj • 04:22 • -6.82db
15% Popularity • 72% Danceability • 78% Energy • 9% Liveness
23% Instrumentalness • 89% Positiveness
15% Popularity • 72% Danceability • 78% Energy • 9% Liveness
23% Instrumentalness • 89% Positiveness
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L.A.S.
ZAPATRZONY
143 bpm • D# Maj • 05:46 • -25.88db
0% Popularity • 24% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Doppelhandel
Care
127 bpm • F min • 03:34 • -9.93db
32% Popularity • 58% Danceability • 73% Energy • 10% Liveness
60% Instrumentalness • 40% Positiveness
32% Popularity • 58% Danceability • 73% Energy • 10% Liveness
60% Instrumentalness • 40% Positiveness
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Pati Yang
Near to God
127 bpm • C Maj • 04:16 • -7.57db
8% Popularity • 51% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 51% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 18% Positiveness
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Błażej Król
Zaklęcie
127 bpm • C min • 03:32 • -6.13db
18% Popularity • 64% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 64% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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AT NIGHT
Empire
127 bpm • G min • 03:46 • -10.49db
11% Popularity • 67% Danceability • 65% Energy • 9% Liveness
14% Instrumentalness • 39% Positiveness
11% Popularity • 67% Danceability • 65% Energy • 9% Liveness
14% Instrumentalness • 39% Positiveness
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HAMMERBUSTARD
来てくれるから
144 bpm • G Maj • 01:31 • -5.78db
11% Popularity • 64% Danceability • 71% Energy • 17% Liveness
12% Instrumentalness • 60% Positiveness
11% Popularity • 64% Danceability • 71% Energy • 17% Liveness
12% Instrumentalness • 60% Positiveness
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L.A.S.
ODCHODZĄCY
127 bpm • C# Maj • 03:59 • -32.94db
0% Popularity • 42% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
0% Popularity • 42% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Moimir Papalescu & The Nihilists
Too Late
144 bpm • A# Maj • 05:13 • -9.29db
14% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Theobald Boswell
Grunt
127 bpm • G# Maj • 05:16 • -10.02db
28% Popularity • 66% Danceability • 48% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
28% Popularity • 66% Danceability • 48% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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Jeszcze
Nocny deszcz
126 bpm • C# min • 03:37 • -6.41db
9% Popularity • 62% Danceability • 70% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
9% Popularity • 62% Danceability • 70% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Administratorr Electro
Dynie
126 bpm • C Maj • 03:49 • -7.77db
9% Popularity • 59% Danceability • 70% Energy • 31% Liveness
7% Instrumentalness • 41% Positiveness
9% Popularity • 59% Danceability • 70% Energy • 31% Liveness
7% Instrumentalness • 41% Positiveness
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Cult Baby
I Can't Quit U
126 bpm • F# Maj • 04:03 • -9.59db
13% Popularity • 88% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
13% Popularity • 88% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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Błażej Król
żar
126 bpm • B min • 03:16 • -9.27db
8% Popularity • 53% Danceability • 60% Energy • 13% Liveness
83% Instrumentalness • 44% Positiveness
8% Popularity • 53% Danceability • 60% Energy • 13% Liveness
83% Instrumentalness • 44% Positiveness
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Andrew Barber
Damage
126 bpm • C# min • 01:32 • -8.02db
46% Popularity • 47% Danceability • 62% Energy • 15% Liveness
59% Instrumentalness • 28% Positiveness
46% Popularity • 47% Danceability • 62% Energy • 15% Liveness
59% Instrumentalness • 28% Positiveness
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Leonardo Piva
To Be Nowhere
126 bpm • F min • 03:33 • -9.44db
23% Popularity • 60% Danceability • 92% Energy • 13% Liveness
71% Instrumentalness • 85% Positiveness
23% Popularity • 60% Danceability • 92% Energy • 13% Liveness
71% Instrumentalness • 85% Positiveness
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Off Night
Deeps Down - Lopezhouse Rework
126 bpm • C# Maj • 07:06 • -13.36db
8% Popularity • 70% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 70% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Q Funktion
Howler
126 bpm • C Maj • 02:52 • -9.5db
8% Popularity • 81% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 62% Positiveness
8% Popularity • 81% Danceability • 51% Energy • 8% Liveness
92% Instrumentalness • 62% Positiveness
