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Paul's Antiphony
Songs like
Paul's Antiphony
by
Emile Mosseri
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
We Took To The Skies
114 bpm • G# Maj • 04:49 • -16.51db
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Jon Brion
Lady Bird Kiss
114 bpm • A Maj • 01:45 • -21.88db
35% Popularity • 70% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Carlos Rafael Rivera
Playing Townes
114 bpm • A min • 03:45 • -29db
41% Popularity • 33% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Nico Muhly
Young Sunja
114 bpm • G Maj • 01:39 • -12.18db
15% Popularity • 28% Danceability • 33% Energy • 7% Liveness
64% Instrumentalness • 5% Positiveness
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DeVotchKa
Do You Think There's a Heaven?
114 bpm • A# Maj • 01:23 • -17.48db
33% Popularity • 28% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Emile Mosseri
Paul's Antiphony
114 bpm • C Maj • 01:54 • -14.7db
39% Popularity • 23% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Kaitlyn Aurelia Smith
Standing In Your Light
114 bpm • D# Maj • 01:55 • -18.85db
21% Popularity • 24% Danceability • 31% Energy • 11% Liveness
63% Instrumentalness • 39% Positiveness
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Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
44% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Punch-Drunk Love
Punch Drunk Melody
113 bpm • A min • 01:43 • -20db
33% Popularity • 32% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 7% Positiveness
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Marco Beltrami
Main Title & Yosemite Valley
113 bpm • A# min • 04:41 • -20.94db
19% Popularity • 17% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Christopher Bear
Why Are You Going to New York
115 bpm • F# Maj • 02:54 • -11.46db
40% Popularity • 40% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Emile Mosseri
Rock Fight (Demo)
114 bpm • C# Maj • 01:19 • -18.06db
18% Popularity • 50% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Ludwig Göransson
WINDMILLS
115 bpm • D# min • 05:16 • -21.8db
42% Popularity • 39% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Tóti Guðnason
Searching for Ada
113 bpm • D min • 02:24 • -19.96db
20% Popularity • 22% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Evgueni Galperine
Mira Is Leaving
113 bpm • B min • 02:51 • -19db
16% Popularity • 24% Danceability • 12% Energy • 43% Liveness
16% Instrumentalness • 6% Positiveness
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Hans Zimmer
Waves 1
113 bpm • E min • 01:59 • -17.77db
24% Popularity • 17% Danceability • 15% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Kaitlyn Aurelia Smith
Radio Replacement
113 bpm • C Maj • 03:12 • -16.35db
18% Popularity • 17% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Emile Mosseri
Wind Song
113 bpm • F Maj • 02:41 • -13.32db
38% Popularity • 50% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Jonny Greenwood
Spencer
112 bpm • D min • 01:43 • -25db
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Dario Marianelli
A Letter From Prison
112 bpm • A# Maj • 02:20 • -25db
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
49% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Clint Mansell
Portrait Of Armand Roulin
116 bpm • A# min • 02:58 • -16.71db
24% Popularity • 23% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kaitlyn Aurelia Smith
Amber
116 bpm • D Maj • 02:04 • -16.62db
30% Popularity • 31% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Son Lux
Everything Bagel
116 bpm • B min • 02:18 • -17.59db
26% Popularity • 26% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Emile Mosseri
Old Dolio's Plan
113 bpm • A Maj • 02:52 • -19.9db
31% Popularity • 69% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Yehezkel Raz
Slowly Understanding
112 bpm • C min • 02:07 • -38.12db
47% Popularity • 46% Danceability • 0% Energy • 15% Liveness
85% Instrumentalness • 18% Positiveness
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Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Evgueni Galperine
The House on a Stage
111 bpm • G# min • 02:38 • -23.91db
19% Popularity • 35% Danceability • 3% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
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Kaitlyn Aurelia Smith
Brush
112 bpm • C# Maj • 01:20 • -19.2db
45% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Farnon
Thrinos
118 bpm • C# Maj • 02:07 • -23.37db
23% Popularity • 17% Danceability • 11% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
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Alexandra Harwood
Juliet And Dawsey
117 bpm • C# Maj • 03:09 • -16db
31% Popularity • 23% Danceability • 7% Energy • 29% Liveness
75% Instrumentalness • 4% Positiveness
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Stephen Rennicks
First Day at Trinity
110 bpm • D Maj • 01:31 • -17.94db
36% Popularity • 44% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
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Million Eyes
Des Vagues Sur l'Eau
110 bpm • A# min • 02:17 • -27.06db
32% Popularity • 42% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Ben Sollee
Over The Pines
118 bpm • D Maj • 03:11 • -16.38db
45% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
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Jon Brion
Spotless Mind
119 bpm • C Maj • 01:11 • -24.87db
39% Popularity • 87% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 87% Positiveness
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Clint Mansell
Thatched Roofs In Chaponval
109 bpm • G min • 04:01 • -20.65db
17% Popularity • 20% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Jonathan Grow
A Travers En Ville
120 bpm • C# Maj • 04:39 • -12db
15% Popularity • 26% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Hans Zimmer
Afraid of Time
120 bpm • A min • 02:32 • -38.79db
53% Popularity • 24% Danceability • 0% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Sjors Weijermars
Ik Heb Een Hekel Aan
119 bpm • C min • 01:11 • -23.67db
43% Popularity • 40% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 19% Positiveness
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Carlos Rafael Rivera
Mexico City Invitational 1966
120 bpm • G# Maj • 02:21 • -19.98db
39% Popularity • 49% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Jon Brion
Collecting Things
118 bpm • F min • 01:13 • -14.97db
36% Popularity • 45% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Dan Romer
Searching for a Loved One
120 bpm • D Maj • 01:36 • -19db
27% Popularity • 75% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Walter Time
120 bpm • B min • 00:59 • -24.47db
41% Popularity • 83% Danceability • 11% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Trevor Gureckis
The Goldfinch
120 bpm • C# Maj • 02:41 • -21.58db
23% Popularity • 21% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Kaitlyn Aurelia Smith
Glendora
120 bpm • C# Maj • 02:46 • -16.69db
23% Popularity • 34% Danceability • 26% Energy • 12% Liveness
31% Instrumentalness • 38% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Joep Beving
Klangfall
120 bpm • G# Maj • 06:14 • -18.66db
14% Popularity • 42% Danceability • 9% Energy • 59% Liveness
86% Instrumentalness • 4% Positiveness
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Dan Romer
Lost Without Connection
120 bpm • C min • 01:59 • -19.97db
28% Popularity • 63% Danceability • 16% Energy • 7% Liveness
89% Instrumentalness • 26% Positiveness
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Aska Matsumiya
In the World of My Breath
120 bpm • A min • 02:25 • -20.12db
18% Popularity • 37% Danceability • 21% Energy • 15% Liveness
96% Instrumentalness • 6% Positiveness
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Christopher Bear
In Yun
120 bpm • C min • 02:18 • -12.91db
40% Popularity • 25% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Brad Oberhofer
When You Gain Something, You Have to Sac...
108 bpm • C Maj • 01:28 • -27.8db
51% Popularity • 50% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 9% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
44% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Emile Mosseri
Blue Peach
108 bpm • G# Maj • 01:03 • -16.67db
28% Popularity • 27% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Dan Romer
I Remember Damage
108 bpm • D min • 01:06 • -15.38db
23% Popularity • 42% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Randy Newman
End of Story (Credits)
121 bpm • E Maj • 02:46 • -15.48db
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
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Plïnkï Plønkï
Luck and the Moon
122 bpm • F min • 01:34 • -23.31db
34% Popularity • 34% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Yehezkel Raz
Carousel
122 bpm • D# Maj • 02:41 • -37.64db
46% Popularity • 39% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Kaitlyn Aurelia Smith
I Could Be Your Dog
123 bpm • E Maj • 03:13 • -18.66db
27% Popularity • 17% Danceability • 26% Energy • 16% Liveness
86% Instrumentalness • 7% Positiveness
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Howard Shore
The Globe Newsroom
106 bpm • G Maj • 02:02 • -30.09db
43% Popularity • 36% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Emile Mosseri
Ricky, Get The Truck
106 bpm • G# Maj • 01:07 • -20.98db
21% Popularity • 15% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Joe Pera Talks With You
Nana Theme
123 bpm • F Maj • 01:01 • -19.37db
31% Popularity • 57% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Cornbread Compton
Let's Just Get It Over With
124 bpm • C# min • 01:25 • -28db
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Jon Brion
Theme
104 bpm • D# Maj • 02:23 • -22.91db
52% Popularity • 57% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Evgueni Galperine
Mira
125 bpm • D min • 01:23 • -24.54db
25% Popularity • 73% Danceability • 16% Energy • 17% Liveness
92% Instrumentalness • 17% Positiveness
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Hanan Townshend
Mystics
126 bpm • C Maj • 01:26 • -28.42db
35% Popularity • 31% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Emile Mosseri
Strangers
105 bpm • C Maj • 02:55 • -21.33db
34% Popularity • 21% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Michael Abels
Preparing The Trap
126 bpm • G min • 02:40 • -18.42db
39% Popularity • 73% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Brad Oberhofer
I've Got to Believe in Something - Instr...
126 bpm • C Maj • 03:29 • -20.27db
28% Popularity • 35% Danceability • 6% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Jon Brion
Phone Call
126 bpm • C# Maj • 01:02 • -19.86db
55% Popularity • 50% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 55% Positiveness
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Oliver Coates
DVCAM
126 bpm • D# min • 01:26 • -40.24db
30% Popularity • 17% Danceability • 0% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Valentin Hadjadj
A Close Friendship
103 bpm • F min • 02:18 • -27db
25% Popularity • 15% Danceability • 2% Energy • 8% Liveness
29% Instrumentalness • 3% Positiveness
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Emile Mosseri
Infinite Love
125 bpm • D# Maj • 02:25 • -18db
61% Popularity • 25% Danceability • 22% Energy • 21% Liveness
96% Instrumentalness • 10% Positiveness
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Jay Wadley
Everything is Different
103 bpm • F Maj • 05:18 • -25.28db
10% Popularity • 15% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Lambert
Doug
127 bpm • G# Maj • 01:53 • -29.17db
42% Popularity • 29% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Kaitlyn Aurelia Smith
Moonweed
127 bpm • D# Maj • 02:19 • -19.34db
29% Popularity • 27% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Christopher Bear
Staring at a Ghost
102 bpm • A min • 03:18 • -19.4db
38% Popularity • 18% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Arcade Fire
Milk & Honey #2
127 bpm • G Maj • 03:19 • -21.21db
35% Popularity • 23% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Randy Newman
Mommy Phase
102 bpm • F min • 01:01 • -21.55db
27% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
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Jordan Seigel
The Journey Begins
128 bpm • D Maj • 01:01 • -22db
49% Popularity • 54% Danceability • 6% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Valentin Hadjadj
Sophie
102 bpm • C# Maj • 02:17 • -19.85db
25% Popularity • 14% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Tatiana Lisovskaya
Moving Forward Part III
101 bpm • C Maj • 04:56 • -13.64db
13% Popularity • 42% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Nathan Johnson
The Thrombey Family Theme (Solo Piano)
101 bpm • C min • 01:33 • -26db
38% Popularity • 52% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Arcade Fire
Divorce Papers
129 bpm • A min • 03:14 • -28.38db
39% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
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Emilie Levienaise-Farrouch
County Hall
101 bpm • F# Maj • 01:41 • -16.02db
17% Popularity • 55% Danceability • 40% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Emile Mosseri
After The Quake
101 bpm • B Maj • 03:28 • -18.51db
29% Popularity • 56% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Clint Mansell
The Yellow House
100 bpm • D min • 04:45 • -16db
28% Popularity • 29% Danceability • 25% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Bear
You Gain Something Too
129 bpm • C# Maj • 01:06 • -17.02db
43% Popularity • 25% Danceability • 25% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Stephen Rennicks
Much Prettier Girls in School Reprise
100 bpm • D# Maj • 01:21 • -21.31db
40% Popularity • 33% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 17% Positiveness
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Patrick Jonsson
No Ball Games
100 bpm • C Maj • 02:01 • -18.1db
44% Popularity • 33% Danceability • 23% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Emile Mosseri
Bubbles Inc.
129 bpm • E min • 01:21 • -20db
35% Popularity • 30% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Million Eyes
Up the Winding Stairs
100 bpm • C# Maj • 02:00 • -20.21db
39% Popularity • 76% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 37% Positiveness
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Dan Romer
To the Monsters We're the Monsters
130 bpm • E min • 01:49 • -18db
24% Popularity • 23% Danceability • 15% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Kevin Smuts
Craving The Cold
100 bpm • B min • 01:56 • -30.07db
36% Popularity • 32% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Christopher Bear
Do You Remember me
100 bpm • C Maj • 01:17 • -11.39db
41% Popularity • 73% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
54% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Emile Mosseri
One of the Good Ones
101 bpm • C Maj • 01:43 • -16.3db
21% Popularity • 40% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Paul's Antiphony