Songs like Pavan No. 2 in F Minor by Robert Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Jacob Druckman
Divertimento: IV. Andante - studio
79 bpm • C Maj • 03:32 • -28.41db
0% Popularity • 11% Danceability • 2% Energy • 29% Liveness
48% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 29% Liveness
48% Instrumentalness • 3% Positiveness
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Robert Johnson
Cymbeline / Act II, Scene I: Hark, Hark ...
79 bpm • D# Maj • 01:27 • -20.34db
0% Popularity • 49% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 49% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Tomás Luis de Victoria
Responsories for Maundy Thursday Nocturn...
79 bpm • G min • 03:00 • -22.11db
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Edward Martin
Basse dance :La Roque: (Attaingnant)
79 bpm • C Maj • 01:40 • -25.99db
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
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Robert Johnson
Almand
79 bpm • C Maj • 03:58 • -16.36db
0% Popularity • 48% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 38% Positiveness
0% Popularity • 48% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 38% Positiveness
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Unicorn Ensemble
Parlamento
79 bpm • D min • 04:51 • -31db
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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John Taverner
Kyrie, "Leroy": Kyrie Leroy
79 bpm • A# min • 06:37 • -27.51db
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Robert Johnson
Pavan No. 2 in F Minor
79 bpm • A# min • 07:28 • -29.59db
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Anthonello de Caserta
Amour m'a le cuer mis en tel martire (ba...
80 bpm • A# min • 07:53 • -23.35db
8% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Gilles Binchois
Binchois: Triste plaisir et douleureuse ...
80 bpm • F# Maj • 04:38 • -28db
11% Popularity • 28% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
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Heringman
Gintzler : Part II: Ave Maria
80 bpm • D min • 05:12 • -30.16db
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
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Robert Johnson
The Witches' Dance
80 bpm • D# Maj • 01:48 • -25.9db
0% Popularity • 28% Danceability • 5% Energy • 13% Liveness
68% Instrumentalness • 48% Positiveness
0% Popularity • 28% Danceability • 5% Energy • 13% Liveness
68% Instrumentalness • 48% Positiveness
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Turlough O'Carolan
Edward Corcoran
78 bpm • D# min • 02:36 • -16.2db
15% Popularity • 32% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 61% Positiveness
15% Popularity • 32% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 61% Positiveness
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![Lute Sonata in F Minor [Augsburg manuscript]: I. Affettuoso cover art](https://i.scdn.co/image/ab67616d00001e021c17a2fd1992f38fa11ce544)
Bernhard Joachim Hagen
Lute Sonata in F Minor [Augsburg manuscr...
80 bpm • E min • 03:32 • -20db
33% Popularity • 47% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
33% Popularity • 47% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Richard I of England
Ja nus hons pris
80 bpm • D min • 02:27 • -29db
13% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Robert Johnson
Have you seen but a white lily grow?
78 bpm • F Maj • 02:04 • -27.24db
3% Popularity • 23% Danceability • 1% Energy • 8% Liveness
44% Instrumentalness • 15% Positiveness
3% Popularity • 23% Danceability • 1% Energy • 8% Liveness
44% Instrumentalness • 15% Positiveness
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Gautier De Coincy
Chanson à la vierge
78 bpm • A min • 01:41 • -28.62db
20% Popularity • 22% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 71% Positiveness
20% Popularity • 22% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 71% Positiveness
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Walter Frye
So ys emprentid
77 bpm • A min • 03:16 • -26.31db
13% Popularity • 19% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Giorgio Mainerio
Gagliarda
77 bpm • G Maj • 01:17 • -21.57db
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Bellerofonte Castaldi
Cecchina (Corrente)
81 bpm • G Maj • 01:19 • -32db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
81 bpm • G min • 03:37 • -28.32db
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Robert Johnson
Have you seen but a bright lily grow (Ar...
81 bpm • F Maj • 03:03 • -32.11db
4% Popularity • 24% Danceability • 1% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
4% Popularity • 24% Danceability • 1% Energy • 11% Liveness
15% Instrumentalness • 18% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Andrea da Firenze
Dolce speranza d'amoroso foco
81 bpm • A min • 03:13 • -24.7db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Bouree
76 bpm • A Maj • 02:03 • -22db
15% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
15% Popularity • 56% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Robert Johnson
Have You Seen But A Whyte Lillie Grow
81 bpm • E Maj • 02:09 • -22.71db
0% Popularity • 40% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 40% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
28% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
28% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Michael Praetorius
Spagnoletta
76 bpm • G min • 05:40 • -25.12db
7% Popularity • 25% Danceability • 12% Energy • 30% Liveness
98% Instrumentalness • 44% Positiveness
7% Popularity • 25% Danceability • 12% Energy • 30% Liveness
98% Instrumentalness • 44% Positiveness
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Jacqueline Cronin
Little Boy Blue (Arr. Andrew Ford)
82 bpm • E Maj • 01:53 • -17.04db
0% Popularity • 22% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 22% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Guillaume de Machaut
Dame, ne regardes pas (Medieval Fiddles)
82 bpm • D# min • 01:51 • -29.03db
13% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
13% Popularity • 19% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 28% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
18% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
18% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Edward Martin
Il me souffit (Sermisy)
76 bpm • G min • 01:17 • -27db
18% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
18% Popularity • 38% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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Robert Johnson
Away Delights
76 bpm • E min • 03:22 • -19.25db
2% Popularity • 34% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 34% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Johann Daniel Mylius
Courante I
76 bpm • B min • 01:29 • -27db
17% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
17% Popularity • 30% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
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Bellerofonte Castaldi
Cappricci a 2 stromenti cioe Tiorba et T...
76 bpm • G Maj • 02:11 • -27.21db
9% Popularity • 31% Danceability • 7% Energy • 15% Liveness
91% Instrumentalness • 61% Positiveness
9% Popularity • 31% Danceability • 7% Energy • 15% Liveness
91% Instrumentalness • 61% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Edward Martin
Haulberroys (Attaignant)
82 bpm • G min • 01:29 • -23.5db
19% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
19% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Vincenzo Galilei
Liete e felici spiriti
76 bpm • C# min • 01:49 • -20.97db
10% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
10% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Charles Mouton
Prélude
83 bpm • G# min • 01:01 • -23db
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Luis de Narváez
La Canción del Emperador
83 bpm • F# min • 02:34 • -34db
17% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
17% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
► Preview
Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
29% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
29% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Jacob Druckman
Divertimento: II. Adagio - studio
83 bpm • F Maj • 05:55 • -31.6db
0% Popularity • 10% Danceability • 0% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 0% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Anonymous
Cancionero musical de palacio: No. 277, ...
75 bpm • C Maj • 01:48 • -27.54db
10% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Jacob Obrecht
Salve Regina
75 bpm • C# min • 07:51 • -25db
9% Popularity • 10% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
René Mesangeau
Panmure 5: Courante - Sarabande - Couran...
75 bpm • B Maj • 04:18 • -19.14db
12% Popularity • 44% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
12% Popularity • 44% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
► Preview
Tobias Hume
The Lady of Sussex Delight
83 bpm • D# min • 01:58 • -18.09db
17% Popularity • 40% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
17% Popularity • 40% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
► Preview
John Johnson
Greensleeves
83 bpm • F Maj • 03:58 • -23db
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
► Preview
Bernhard Joachim Hagen
Sonata in C Minor: II. Allegro
83 bpm • F# Maj • 04:04 • -25db
9% Popularity • 25% Danceability • 20% Energy • 7% Liveness
82% Instrumentalness • 30% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 7% Liveness
82% Instrumentalness • 30% Positiveness
► Preview
Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
14% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
15% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Carlo Farina
Correnta quarta
74 bpm • G min • 01:05 • -20.88db
17% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
13% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Michael Praetorius
Terpsichore*: Spagnoletta
84 bpm • A# Maj • 00:56 • -26.39db
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
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Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Francisco de Peñalosa
Missa Nunca Fue Pena Major: V. Agnus Dei
74 bpm • G# min • 03:26 • -22.83db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Gaspar Sanz
Maricapalos
84 bpm • A min • 03:48 • -25db
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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Piffaro
Alta Trinita Beata
84 bpm • G Maj • 03:29 • -18db
8% Popularity • 9% Danceability • 23% Energy • 34% Liveness
60% Instrumentalness • 18% Positiveness
8% Popularity • 9% Danceability • 23% Energy • 34% Liveness
60% Instrumentalness • 18% Positiveness
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Robert Johnson
Pavan No. 2 in F Minor
85 bpm • D# min • 07:22 • -27.4db
0% Popularity • 32% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
0% Popularity • 32% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Giorgio Mainerio
Tedesca - Saltarello
85 bpm • E min • 01:15 • -20.99db
22% Popularity • 28% Danceability • 5% Energy • 14% Liveness
26% Instrumentalness • 50% Positiveness
22% Popularity • 28% Danceability • 5% Energy • 14% Liveness
26% Instrumentalness • 50% Positiveness
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Nicolas Vallet
Pavanne en forme de complainte
85 bpm • G# min • 04:49 • -25db
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Nigel North
Pavan No. 4 (reconstructed by N. North)
85 bpm • D# min • 03:44 • -28.35db
2% Popularity • 38% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
2% Popularity • 38% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Luis de Narváez
La cancion del emperador. Mille Regres (...
85 bpm • G min • 02:07 • -30.28db
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
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Robert Johnson
Have You Seen the Bright Lily Grow?
85 bpm • F Maj • 02:02 • -25.04db
1% Popularity • 24% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 24% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Anon
Pavana and Gallyard
86 bpm • G min • 02:27 • -17.47db
7% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
7% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Johannes Ockeghem
Requiem: Kyrie
73 bpm • G Maj • 04:33 • -24db
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
18% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
