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Pavan
Songs like
Pavan
by
Orlando Gibbons
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Phineas Fletcher
Drop, Drop Slow Tears
79 bpm • F# Maj • 01:21 • -32.74db
3% Popularity • 23% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Josquin des Prez
Missa l'homme armé super voces musicale...
79 bpm • A min • 08:07 • -22.17db
28% Popularity • 8% Danceability • 15% Energy • 9% Liveness
47% Instrumentalness • 5% Positiveness
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Giulio Caccini
L'Euridice, prologo: Aria di Romanesca
79 bpm • G min • 01:17 • -33db
19% Popularity • 24% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Paolo Pandolfo
sopra Canaryo
79 bpm • G Maj • 06:04 • -25db
16% Popularity • 22% Danceability • 11% Energy • 55% Liveness
50% Instrumentalness • 11% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Nicola Matteis
Diverse bizzarrie sopra la Vecchia Sarab...
79 bpm • B Maj • 04:14 • -14db
31% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Joachim van den Hove
Fantasia Resonans
79 bpm • F# min • 03:50 • -40.83db
11% Popularity • 25% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
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Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
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Jean-Baptiste Lully
Trios pour le coucher du roi, LWV 35: Ch...
79 bpm • A# Maj • 03:35 • -19.81db
10% Popularity • 20% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Johann Pachelbel
Ciaccona
80 bpm • A min • 06:36 • -21db
13% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
80 bpm • A# min • 01:56 • -18.97db
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
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Orlande de Lassus
O Sacrum Convivium
80 bpm • C Maj • 02:44 • -24.65db
3% Popularity • 13% Danceability • 2% Energy • 11% Liveness
55% Instrumentalness • 16% Positiveness
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Orlando Gibbons
In Nomine in 5 parts (MB 48 No. 28)
78 bpm • F min • 04:57 • -16.14db
1% Popularity • 9% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 17% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Gilles Binchois
Binchois: Triste plaisir et douleureuse ...
80 bpm • F# Maj • 04:38 • -28db
12% Popularity • 28% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
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Rolf Lislevand
Gallardas
78 bpm • C# min • 03:29 • -28.74db
14% Popularity • 36% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Monsieur de Sainte-Colombe
Tombeau Les Regrets
80 bpm • F# Maj • 08:51 • -33.74db
8% Popularity • 9% Danceability • 1% Energy • 32% Liveness
87% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
An Wasserflüssen Babylon, BWV 653b
78 bpm • F# Maj • 03:11 • -27.08db
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Orlando Gibbons
7 Fantasias 'For Ye Great Dooble Bass': ...
78 bpm • B Maj • 04:56 • -27.94db
2% Popularity • 14% Danceability • 2% Energy • 16% Liveness
39% Instrumentalness • 17% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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William Byrd
My Ladye Nevels Grownde
78 bpm • C# Maj • 06:40 • -15.28db
10% Popularity • 19% Danceability • 43% Energy • 30% Liveness
43% Instrumentalness • 52% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: III. Ad...
78 bpm • A Maj • 01:12 • -16.83db
26% Popularity • 23% Danceability • 14% Energy • 40% Liveness
96% Instrumentalness • 22% Positiveness
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Christopher Tye
In Nomine - "Beleeve me": In Nomine - "B...
78 bpm • C# min • 02:50 • -27.73db
2% Popularity • 14% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Richard Farrant
O Jove, from stately throne
78 bpm • C# min • 02:14 • -22.6db
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Orlando Gibbons
Fantasias a 3: No. 8
78 bpm • C# min • 02:55 • -18.81db
4% Popularity • 14% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 28% Positiveness
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Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
30% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Le Bourgeois gentilhomme, LWV 43, Act IV...
77 bpm • A Maj • 01:24 • -20.7db
15% Popularity • 51% Danceability • 25% Energy • 17% Liveness
93% Instrumentalness • 22% Positiveness
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Carl Friedrich Abel
27 Pieces for Viola da Gamba, WKO 186-21...
77 bpm • C# min • 02:16 • -25db
18% Popularity • 18% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Orlande de Lassus
Al dolce soun
81 bpm • G# Maj • 03:05 • -24.45db
20% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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William Byrd
Plorans ploravit: Plorans ploravit
77 bpm • F# min • 04:36 • -15.92db
2% Popularity • 11% Danceability • 14% Energy • 12% Liveness
39% Instrumentalness • 6% Positiveness
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Baltimore Consort
Kemp’s Jig
77 bpm • A# Maj • 01:15 • -24db
24% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
25% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Johann Jakob Froberger
Partita in A Minor, FbWV 628: I. Alleman...
81 bpm • D# min • 03:19 • -25db
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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Robert de Visée
Passacaille en si mineur
81 bpm • A# min • 02:51 • -26.34db
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Orlando Gibbons
Fantasia in 6 parts (MB 48 No. 31)
77 bpm • F min • 03:39 • -18.66db
1% Popularity • 19% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 19% Positiveness
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Antoine Forqueray
Deuxième Suite in G Major: IV. La Lecla...
77 bpm • F# Maj • 03:39 • -20.91db
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Henricus Isaac
La My La Sol
77 bpm • A min • 02:55 • -24.45db
3% Popularity • 11% Danceability • 5% Energy • 10% Liveness
54% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
37% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Christopher Tye
I Lift My Heart to Thee: I Lift My Heart...
82 bpm • G# min • 03:24 • -16.91db
2% Popularity • 13% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Giovanni Battista Pergolesi
Flute Concerto in G Major, P. 33: II. Ad...
82 bpm • D# min • 03:23 • -25db
12% Popularity • 20% Danceability • 3% Energy • 16% Liveness
2% Instrumentalness • 24% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
39% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
46% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
17% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Benedetto Marcello
Sonata in D Minor, Op. 2, No. 2: III. La...
76 bpm • E Maj • 01:21 • -23.48db
26% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Henry Purcell
9 Fantasia a 4: VIII. Fantazia in D Mino...
76 bpm • F# min • 03:41 • -23.09db
2% Popularity • 7% Danceability • 3% Energy • 11% Liveness
35% Instrumentalness • 6% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Paolo Pandolfo
Improvised Prelude
76 bpm • G# min • 01:36 • -30.43db
36% Popularity • 11% Danceability • 4% Energy • 19% Liveness
97% Instrumentalness • 23% Positiveness
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Michael Praetorius
Terpsichore, Musarum Aoniarum: Ballet, T...
82 bpm • G Maj • 03:13 • -18.61db
24% Popularity • 38% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Claude Le Jeune
Première Fantasie
83 bpm • D min • 06:41 • -24.06db
2% Popularity • 8% Danceability • 4% Energy • 8% Liveness
44% Instrumentalness • 14% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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William Byrd
Ave verum corpus - (Motet)
83 bpm • G min • 04:24 • -26.53db
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Canzona prima a 2 bassi
75 bpm • D Maj • 03:11 • -21db
11% Popularity • 28% Danceability • 16% Energy • 12% Liveness
21% Instrumentalness • 49% Positiveness
► Preview
Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
► Preview
Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
18% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Jacob Obrecht
Salve Regina
75 bpm • C# min • 07:51 • -25db
11% Popularity • 10% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
Sonata No. 1 in F Major: 1. Adagio ma no...
83 bpm • C Maj • 03:03 • -15db
13% Popularity • 19% Danceability • 26% Energy • 16% Liveness
89% Instrumentalness • 14% Positiveness
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William Byrd
In Nomine No. 3 a 5: In Nomine No. 3 a 5
83 bpm • C# min • 02:53 • -25.74db
2% Popularity • 19% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Orlando Gibbons
Fantasias a 3: No. 6
75 bpm • G# min • 02:37 • -18.74db
8% Popularity • 13% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
William Lawes
Royal Consort in D Minor for 2 theorbos:...
84 bpm • C# min • 01:01 • -22.59db
23% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
John Jenkins
Pavan in F-Major
75 bpm • A Maj • 04:02 • -22db
8% Popularity • 7% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
► Preview
Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
16% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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William Byrd
In Nomine No. 2
75 bpm • C# min • 03:07 • -28.64db
14% Popularity • 15% Danceability • 1% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Orlando Gibbons
Prelude in G Major
75 bpm • F# Maj • 01:50 • -29.2db
3% Popularity • 7% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 25% Positiveness
► Preview
Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
► Preview
Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Tobias Hume
The First Part of Ayres: Captaine Humes ...
74 bpm • F# min • 07:09 • -23.43db
9% Popularity • 23% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Pavan