Songs like Pavanan - Utthara - Adi by Lalgudi Vijayalakshmi
Based on a tempo of (+/- 10%) and a similar genre
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S. P. Balasubrahmanyam
Dhim Takita
83 bpm • F Maj • 01:25 • -9.11db
9% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Madan Mohan
Mera Paighaam
83 bpm • D Maj • 01:37 • -11.48db
8% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Veeramani Kannan
Annamalayaan
83 bpm • B min • 01:27 • -8.11db
10% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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RAMESH hOSANNA MINISTRIES
Neetho Naa Jeevitham Vaatsalyapoornuda
84 bpm • F min • 08:27 • -7.57db
12% Popularity • 52% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 52% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Soumya Manoj
Raamaya Sakthi Yukthaya Namo Nama
83 bpm • D Maj • 01:57 • -5.02db
30% Popularity • 44% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 44% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mahanadhi Shobana
Pullin Vaai Keendalai - Mahanadhi Shoban...
84 bpm • G min • 01:47 • -10.59db
14% Popularity • 60% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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P. Jayachandran
Moogambike
84 bpm • C# min • 05:03 • -10.09db
17% Popularity • 53% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 53% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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S.Rajeshwari
Ganesha Dhyanam
82 bpm • A# Maj • 01:43 • -7.5db
13% Popularity • 46% Danceability • 30% Energy • 24% Liveness
1% Instrumentalness • 27% Positiveness
13% Popularity • 46% Danceability • 30% Energy • 24% Liveness
1% Instrumentalness • 27% Positiveness
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Veeramani Kannan
Padhalam
83 bpm • E Maj • 01:28 • -7.83db
14% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Suresh Wadkar, Raj Nanini
Shri Durga Mantra
84 bpm • C Maj • 07:54 • -7.6db
18% Popularity • 33% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 33% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Soumya Manoj
Mamaaparadam Kshamikkename
82 bpm • A Maj • 03:52 • -5.1db
10% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bangalore Sisters
Prathah Smarami
84 bpm • G# Maj • 05:05 • -14db
9% Popularity • 70% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 70% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Sikkil Gurucharan
Aadhiyum Andhamum
84 bpm • D Maj • 02:08 • -10.88db
11% Popularity • 61% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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K. S. Chithra
Gayiye Ganapathi
82 bpm • F Maj • 04:37 • -5.95db
14% Popularity • 32% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 32% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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K. J. Yesudas
Deevee Neeyen
84 bpm • F# Maj • 05:11 • -9.66db
13% Popularity • 49% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 49% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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N. Ramani
Srinivasa: Hamsanandi - Papanasam Sivan
82 bpm • G min • 03:47 • -26db
11% Popularity • 37% Danceability • 9% Energy • 11% Liveness
45% Instrumentalness • 32% Positiveness
11% Popularity • 37% Danceability • 9% Energy • 11% Liveness
45% Instrumentalness • 32% Positiveness
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Soumya Manoj
Vandepadam Paramanandamadvayam
84 bpm • D min • 02:03 • -3.66db
26% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Usharaj
Kondagattu Suprabhatam
84 bpm • A Maj • 06:47 • -7.25db
13% Popularity • 61% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 61% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Priya
Mangalam Jaya Mangalam
84 bpm • D Maj • 01:08 • -12.99db
26% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Sikkil Gurucharan
Maane Nee
84 bpm • G Maj • 01:39 • -11.18db
14% Popularity • 51% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 51% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Lalgudi Vijayalakshmi
Muruga Muruga
81 bpm • G# Maj • 07:58 • -6.61db
0% Popularity • 55% Danceability • 54% Energy • 39% Liveness
3% Instrumentalness • 59% Positiveness
0% Popularity • 55% Danceability • 54% Energy • 39% Liveness
3% Instrumentalness • 59% Positiveness
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Sadguru SriSatUpasi
Siddha Mangala Stotra
81 bpm • C# Maj • 05:16 • -5.06db
14% Popularity • 52% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 52% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Chennai Sisters
Mangalashtakam
81 bpm • D Maj • 03:02 • -8.99db
8% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Anitha Krishna
Raghavaney Ramana
85 bpm • F Maj • 05:09 • -3.66db
3% Popularity • 38% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 38% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Lalgudi Swaminathan
Namashivaya Vaazhga
81 bpm • C# Maj • 03:34 • -14.52db
8% Popularity • 41% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 41% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Pon Sundaralingam
Potriyen Vaalmuthal
85 bpm • A# Maj • 01:37 • -12.27db
11% Popularity • 28% Danceability • 20% Energy • 24% Liveness
46% Instrumentalness • 27% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 24% Liveness
46% Instrumentalness • 27% Positiveness
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Anuradha Krishnamurthy
Sri Subramanya Mangalam
85 bpm • B min • 02:35 • -6.3db
0% Popularity • 29% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 29% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Veeramani Kannan
Sri Subramanya Ashtakam
85 bpm • B Maj • 04:29 • -5.56db
18% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Soumya Manoj
Namasthe Paadambujam
86 bpm • B min • 02:39 • -4.8db
16% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Parupalli Ranganadh
Govinda Namalu
86 bpm • F min • 10:09 • -9.8db
13% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 64% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Mahanadhi Shobana
Maaley Manivanna - Mahanadhi Shobana
86 bpm • F Maj • 01:21 • -8.88db
10% Popularity • 53% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 53% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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G Ravi
Sottrunai Vediyan
80 bpm • D min • 03:34 • -16.46db
9% Popularity • 62% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 62% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bhargavi Venkatram
Raghupati Raghava Rajaram (original lyri...
80 bpm • A# Maj • 01:07 • -20.34db
20% Popularity • 48% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 48% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Madhu Balakrishnan
Erikanal Nayanaa
86 bpm • G Maj • 05:30 • -9.14db
7% Popularity • 54% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 54% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Soumya Manoj
Sarvalokathinum Kartha Bhavanallo
86 bpm • A Maj • 02:02 • -3.53db
22% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Parupalli Sri Ranganath
Khailasa Sikharamu Pye
86 bpm • C Maj • 04:58 • -6.71db
8% Popularity • 47% Danceability • 57% Energy • 59% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 47% Danceability • 57% Energy • 59% Liveness
0% Instrumentalness • 91% Positiveness
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Christo Xavier
Sengone
80 bpm • C Maj • 02:01 • -23.08db
16% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Mahanadhi Shobana
Andru Evulagam Alandhai - Mahanadhi Shob...
80 bpm • G# Maj • 01:18 • -10.85db
13% Popularity • 55% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 55% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Sikkil Gurucharan
Vinnagaththevarum
86 bpm • G Maj • 01:11 • -10.94db
14% Popularity • 53% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 53% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Bangalore Sisters
Anjaneya Prarthana Stotram
80 bpm • F Maj • 02:33 • -15.03db
20% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 38% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Swarup Damodar Prabhu
Jaya Radha Madhava
80 bpm • C Maj • 01:30 • -19.58db
15% Popularity • 63% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 63% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Vijaya Lakshmi Sharma
Sri Venkateshwara Sirasasmarami
80 bpm • A# Maj • 03:30 • -10.07db
11% Popularity • 48% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 48% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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M. S. Sheela
Mal Maruga - Vasantha - Adi
86 bpm • C# Maj • 03:33 • -8.73db
10% Popularity • 53% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 53% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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V2S2
Margazhi Thingal
80 bpm • G# Maj • 01:56 • -11.34db
23% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 36% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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B.R. Nagina
Shiv Shlok
80 bpm • G# Maj • 02:55 • -12.69db
16% Popularity • 27% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 27% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Priya Sisters
Anni Mantramulu
80 bpm • D# Maj • 04:38 • -4.24db
13% Popularity • 54% Danceability • 85% Energy • 16% Liveness
11% Instrumentalness • 88% Positiveness
13% Popularity • 54% Danceability • 85% Energy • 16% Liveness
11% Instrumentalness • 88% Positiveness
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Bombay Saradha
Guru Bhagavan
80 bpm • B Maj • 05:20 • -8.37db
7% Popularity • 56% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 56% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Lalgudi G.J.R. Krishnan
Thillana
79 bpm • B Maj • 06:05 • -6.78db
0% Popularity • 44% Danceability • 58% Energy • 18% Liveness
37% Instrumentalness • 73% Positiveness
0% Popularity • 44% Danceability • 58% Energy • 18% Liveness
37% Instrumentalness • 73% Positiveness
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Dr. R. Thiagarajan
Lakshmi Vandana
79 bpm • A Maj • 02:45 • -6.29db
1% Popularity • 52% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 52% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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V2S2
Ongi Ulagalandha
87 bpm • G# Maj • 01:47 • -11.39db
17% Popularity • 48% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Lalgudi Vijayalakshmi
Vandheham
87 bpm • E Maj • 10:35 • -11.69db
0% Popularity • 64% Danceability • 38% Energy • 29% Liveness
78% Instrumentalness • 64% Positiveness
0% Popularity • 64% Danceability • 38% Energy • 29% Liveness
78% Instrumentalness • 64% Positiveness
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Parupalli Sri Ranganath
Guru Raghava
79 bpm • C min • 04:17 • -7.26db
19% Popularity • 54% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 54% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Anuradha Paudwal
Shiv Panchaskhar Stotram
79 bpm • E Maj • 03:07 • -8.18db
14% Popularity • 45% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 45% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Umbayee
Anuragamennu
87 bpm • A Maj • 05:44 • -9.8db
9% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Gayathri
Deepavali
87 bpm • C# min • 03:57 • -5.21db
0% Popularity • 44% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 44% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Kunnakudi Vaidyanathan
Muruga Endra Thum - Instrumental
87 bpm • E Maj • 04:35 • -17.57db
5% Popularity • 64% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
5% Popularity • 64% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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Bombay Sisters
Padikindrilai
87 bpm • F# Maj • 01:48 • -6.29db
10% Popularity • 42% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Parupalli Sri Ranganath
Sri Mahalakshmi Ashtakam
79 bpm • C Maj • 03:19 • -8.86db
20% Popularity • 47% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 47% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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K. S. Chithra
Maha Lakshmi Astakam
79 bpm • C Maj • 04:26 • -9.68db
8% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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V2S2
Vaiyathu Vaazhveergaal
87 bpm • G# Maj • 01:46 • -11.45db
22% Popularity • 26% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 26% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Aravind Venkat
Kamalamba - Kalyani - Tala Adi
87 bpm • G Maj • 04:06 • -7.62db
8% Popularity • 45% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 45% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jaishree Aravind
Aparadha Kshamapana Stotra
87 bpm • A# Maj • 04:59 • -12.38db
6% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Arjun B Krishna
Karuna Chaivaan
79 bpm • G Maj • 06:48 • -11.36db
8% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Pithukuli Murugadas
Vaani Kalai Deivam
79 bpm • E Maj • 01:49 • -9.77db
28% Popularity • 35% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 35% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Uttam Singh
Hummings And Swaras - Version, 2
87 bpm • G Maj • 02:29 • -12.72db
11% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sikkil Gurucharan
Innisai Veenaiyar
87 bpm • D Maj • 01:25 • -10.23db
12% Popularity • 49% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 49% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Pandit Chhannulal Mishra
Ma Kali Stuti (Raga Bhoop Kalyan), Vinay...
79 bpm • D# Maj • 03:48 • -8.67db
12% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ramachandra Murthy
Radha Sametha Krishna - Instrumental
79 bpm • D Maj • 05:46 • -15.53db
9% Popularity • 42% Danceability • 30% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 13% Liveness
8% Instrumentalness • 46% Positiveness
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Jaya Vidyasagar
Shri Vaidyanatha Ashtakam
88 bpm • E Maj • 06:59 • -15db
8% Popularity • 32% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 32% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Chennai Sisters
Sthothram
78 bpm • A Maj • 03:21 • -8.24db
7% Popularity • 58% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 58% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Mysore Ramachandrachar
Dimbadalliruva Jeeva
88 bpm • F# Maj • 08:24 • -7db
8% Popularity • 80% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 80% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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V. Ramakrishna
Kalki Stuthi 2
88 bpm • F min • 01:17 • -12db
21% Popularity • 32% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 32% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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S. P. Ramh
Thanneer Vitto Valarthom
78 bpm • G# min • 04:57 • -7.06db
0% Popularity • 38% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 38% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Mylai S. Rajendran & Party
Paalale
78 bpm • D# min • 03:57 • -15.81db
9% Popularity • 57% Danceability • 47% Energy • 88% Liveness
93% Instrumentalness • 27% Positiveness
9% Popularity • 57% Danceability • 47% Energy • 88% Liveness
93% Instrumentalness • 27% Positiveness
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Pithukuli Murugadas
Thedichoru Nidham Thinru
88 bpm • F# Maj • 01:57 • -8.82db
32% Popularity • 37% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 37% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Deepali Somaiya
Bhuwal Mata Stuti
88 bpm • F# Maj • 02:35 • -7.96db
26% Popularity • 40% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Priya Sisters
Inta Swakhyamani
88 bpm • D Maj • 04:38 • -8.4db
9% Popularity • 36% Danceability • 61% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
9% Popularity • 36% Danceability • 61% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
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T. S. Ranganathan
Sri Mantrarajapada Stotram
88 bpm • C Maj • 02:48 • -12.83db
23% Popularity • 58% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 58% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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N. Ramani
Sarasasamadhana
89 bpm • A# min • 03:16 • -13.58db
15% Popularity • 60% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 80% Positiveness
15% Popularity • 60% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 80% Positiveness
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Manik Varma
Tumhi Bhajare Vitthala
78 bpm • C# Maj • 04:26 • -6.9db
9% Popularity • 38% Danceability • 37% Energy • 31% Liveness
89% Instrumentalness • 63% Positiveness
9% Popularity • 38% Danceability • 37% Energy • 31% Liveness
89% Instrumentalness • 63% Positiveness
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Ramana Balachandhran
Om Namo Bhagavathe Shri Arunachalaya Ram...
77 bpm • F# Maj • 07:18 • -7.49db
10% Popularity • 26% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 26% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Dr. Dipali Bhatt
Yamunashtak
77 bpm • F# min • 08:16 • -11.46db
11% Popularity • 40% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 40% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Pon Sundaralingam
Meithaan Arumpi
89 bpm • F min • 02:04 • -13.16db
9% Popularity • 39% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 39% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Ouseppachan
Annaloonjal - Male Version
77 bpm • G Maj • 04:16 • -12.95db
13% Popularity • 68% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 68% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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N. Ramani
Bagayenayya: Chandra Jyothi - Aadi - Thy...
89 bpm • F min • 04:23 • -20.04db
10% Popularity • 55% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 56% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 56% Positiveness
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S. P. Ramh
Kakkai Chiraginile
77 bpm • G# Maj • 04:52 • -7.62db
0% Popularity • 55% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 55% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Bhargavi Venkatram
Ramanai Bhajithal
90 bpm • F# min • 02:48 • -17.18db
8% Popularity • 43% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 43% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Lalgudi Vijayalakshmi
Poovil Urai
77 bpm • F# Maj • 04:30 • -9.29db
0% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Charulatha Mani
Thillana - Mohana Kalyani - Adi
77 bpm • D Maj • 01:30 • -14.29db
18% Popularity • 47% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 47% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Chengannur Sreekumar
Manjappattumuduthoru Dhivasam
90 bpm • C Maj • 07:02 • -10.28db
26% Popularity • 78% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 78% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Meera Krishna
Aazhi
90 bpm • A min • 01:46 • -7.76db
11% Popularity • 67% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 67% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Vaishali Samant
Datta Bhavani
90 bpm • A# min • 09:44 • -6.78db
11% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Swarup Damodar Prabhu
Raag Shree Hare Krishna Kirtan
90 bpm • C# Maj • 01:35 • -12.07db
15% Popularity • 47% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 47% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Hemlata Lalani
24 tirthankara Stuti
90 bpm • D Maj • 05:10 • -8.42db
8% Popularity • 58% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 58% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Pa. Sargurunathan
Ainthu Karathanai
91 bpm • C# Maj • 02:23 • -12.77db
22% Popularity • 32% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 32% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Puttur Narasimha Nayak
Shanivaara Banthamma
91 bpm • G Maj • 04:23 • -10.72db
8% Popularity • 67% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 67% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Bombay Sisters
Sri Bhuvaneshwari Suprabhatham
75 bpm • B Maj • 03:04 • -0.7db
16% Popularity • 53% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 53% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Bhandhavi
Sri Batuka Bhairava Kavacham
92 bpm • G# Maj • 08:40 • -11.39db
13% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
