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Pavane La Bataille
Songs like
Pavane La Bataille
by
Hespèrion XX
Based on a tempo of (+/- 10%) and a similar genre
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
15% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
34% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Bartolino da Padova
Qual Lege Move
141 bpm • E Maj • 04:10 • -23.06db
9% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Jan Garbarek
Beata viscera
138 bpm • G Maj • 06:34 • -26db
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
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Juan del Encina
Oy comamos y bebamos: Hoy comamos y beba...
142 bpm • D Maj • 04:07 • -17.66db
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Francesco Spinacino
Jay pris amours
137 bpm • A# Maj • 03:33 • -30db
23% Popularity • 41% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Silvius Leopold Weiss
Sonata for Lute No. 8 in A Major: V. Cia...
144 bpm • G# Maj • 03:18 • -25.3db
34% Popularity • 41% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
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Unicorn Ensemble
Lamento Di Tristano - La Rotta
136 bpm • G Maj • 06:19 • -19db
21% Popularity • 33% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Come dolce oggi l'auretta, SV 173
144 bpm • G Maj • 02:41 • -19.51db
13% Popularity • 24% Danceability • 14% Energy • 20% Liveness
2% Instrumentalness • 32% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
145 bpm • A Maj • 04:33 • -29.86db
14% Popularity • 16% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Rolf Lislevand
Otros Canarios
145 bpm • C# Maj • 01:53 • -22.26db
17% Popularity • 49% Danceability • 13% Energy • 15% Liveness
88% Instrumentalness • 65% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
20% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Joan Ambrosio Dalza
Pavana alla venetiana
147 bpm • D Maj • 03:26 • -27.48db
24% Popularity • 42% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
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Antoine Busnois
Amours amours amours
134 bpm • G Maj • 02:19 • -26.9db
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Joan Ambrosio Dalza
Tastar de corde, Recercar dietro
134 bpm • G min • 02:13 • -32.85db
21% Popularity • 40% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Juan de Araujo
Tleycantimo choquiliya
133 bpm • E Maj • 01:47 • -22.2db
6% Popularity • 33% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Claudio Monteverdi
Anima dolorosa
133 bpm • C Maj • 03:49 • -22.99db
16% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ordo Virtutum, Prolog: "Audite "o lucis ...
133 bpm • F Maj • 04:19 • -20.52db
8% Popularity • 20% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
32% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
24% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
18% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Rolf Lislevand
Fandango
131 bpm • C# min • 06:03 • -26.91db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
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John Dowland
Mistresse Nichols Almand from Lachrimae,...
150 bpm • A# Maj • 01:23 • -24.25db
15% Popularity • 31% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 74% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Rolf Lislevand
Folias Gallegas
152 bpm • C# Maj • 05:24 • -24.99db
15% Popularity • 35% Danceability • 30% Energy • 15% Liveness
92% Instrumentalness • 77% Positiveness
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John Dowland
The Shoemaker's Wife. A Toy, P 58
151 bpm • D# Maj • 01:06 • -27.47db
34% Popularity • 29% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
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Antonio de Cabezón
Diferencias Sobre el Canto de "La Dama l...
152 bpm • D# min • 02:40 • -30.54db
16% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
152 bpm • C min • 01:48 • -21.19db
14% Popularity • 66% Danceability • 8% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Marco Dall'Aquila
Saltarello, "La traditora"
153 bpm • B Maj • 01:12 • -24db
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave Maria: Ave, Maria, o auctrix vitae (...
128 bpm • F# min • 08:15 • -23db
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
14% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Francesco Spinacino
Rececar
127 bpm • A# Maj • 01:36 • -31.37db
23% Popularity • 42% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
► Preview
Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Mirko Böttcher
Rezitation 18: "Brief von Erasmus an den...
125 bpm • C Maj • 01:46 • -26.04db
0% Popularity • 52% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
22% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Capella de Ministrers
La verdelete
124 bpm • A min • 03:04 • -22db
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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John Dowland
Unquiet Thoughts
124 bpm • G min • 03:24 • -20db
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
► Preview
Anthony Holborne
Dances: Galliard [12]
158 bpm • C Maj • 01:02 • -18db
11% Popularity • 64% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
► Preview
Paul O'Dette
Daniell Batchelar: Mounsier's Almaine (1...
124 bpm • F# Maj • 05:40 • -39.18db
16% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
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Pavane La Bataille