Songs like Pavane, Op. 50 by Gabriel Fauré
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
3 Mélodies, Op. 7 - Arr. Hazell: 1. Apr...
96 bpm • F min • 03:27 • -26db
12% Popularity • 16% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
25% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
34% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Frédéric Chopin
Berceuse in D Flat Major, Op. 57
95 bpm • C# Maj • 04:52 • -26.42db
40% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
40% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Berceuse, Op. 16 (Arr. by Bergström)
95 bpm • D Maj • 03:50 • -29.73db
16% Popularity • 23% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major: II. Adagio
97 bpm • F# Maj • 04:28 • -18.92db
38% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Variation 9 - Quasi adagio
95 bpm • F# min • 01:15 • -31.77db
22% Popularity • 37% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
22% Popularity • 37% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebestraum
95 bpm • G# Maj • 04:45 • -15.77db
47% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
28% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
46% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
98 bpm • G min • 03:38 • -32.76db
15% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Edward Elgar
Sospiri, Op. 70 (Arr. for Violin and Pia...
93 bpm • D min • 04:10 • -27.26db
29% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
32% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
49% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
48% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
48% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): IV...
92 bpm • D# Maj • 03:00 • -30.62db
11% Popularity • 13% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
11% Popularity • 13% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Gabriel Fauré
3 Songs, Op. 7: I. Après un rêve (Vers...
98 bpm • F min • 03:13 • -15.26db
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C Maj...
100 bpm • F Maj • 04:57 • -30.69db
26% Popularity • 34% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
25% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Impromptu No. 2 in F Minor, Op. 31
99 bpm • C Maj • 03:19 • -22.09db
15% Popularity • 33% Danceability • 16% Energy • 17% Liveness
81% Instrumentalness • 7% Positiveness
15% Popularity • 33% Danceability • 16% Energy • 17% Liveness
81% Instrumentalness • 7% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Sigvaldi Kaldalóns
Ave MarÃa (Arr. VÃkingur Ólafsson) - ...
101 bpm • D# Maj • 03:36 • -33.14db
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
61% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 1 in B Minor. And...
91 bpm • E min • 02:56 • -27.93db
29% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Six Romances, Op. 6, TH 93: VI. None but...
101 bpm • C# Maj • 03:03 • -21.8db
27% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
91 bpm • C# Maj • 02:56 • -20.53db
43% Popularity • 18% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
62% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
► Preview
Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
34% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
34% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Cantique de Jean Racine, Op. 11
91 bpm • C# Maj • 05:46 • -28.09db
1% Popularity • 14% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
38% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
36% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
36% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
► Preview
Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
26% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
48% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Gabriel Fauré
Requiem en ré mineur, Op. 48: "Pie Jesu...
91 bpm • A# Maj • 03:39 • -17.71db
23% Popularity • 24% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 24% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
35% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Moderato
89 bpm • D Maj • 03:14 • -21.21db
39% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
58% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
50% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
50% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
33% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
37% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
37% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 5: I. Aria (Ca...
105 bpm • E min • 05:17 • -19db
42% Popularity • 22% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
43% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
90 bpm • D Maj • 03:26 • -28db
8% Popularity • 22% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Albert Samain
Fauré: Pleurs d'or, Op. 72
105 bpm • B Maj • 02:39 • -19.64db
3% Popularity • 25% Danceability • 11% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 11% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
38% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
38% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
32% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Arr. Ru...
87 bpm • C# Maj • 04:15 • -19db
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
