Songs like Pavane pour une infante défunte, M. 19 (Arr. M. Daisuke for Flute, Harp & Electronics) by Maurice Ravel
Based on a tempo of (+/- 10%) and a similar genre
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
46% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
46% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, Prelu...
72 bpm • C Maj • 01:57 • -40.4db
37% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
37% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
48% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
48% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Cyprien Katsaris
Goodbye, Mr. Rachmaninov - World Premier...
72 bpm • C min • 04:43 • -21db
23% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Gaspard de la nuit, M. 55: I. Ondine
72 bpm • C# Maj • 06:24 • -30.25db
26% Popularity • 16% Danceability • 2% Energy • 20% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 20% Liveness
85% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Franz Liszt
Sonetto del Petrarca 104
72 bpm • E Maj • 07:22 • -27.21db
17% Popularity • 28% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Luke Faulkner
Polovtsian Dances from Prince Igor (pian...
72 bpm • A Maj • 02:52 • -21.35db
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Laurent Naouri
Sur L'herbe
72 bpm • F# min • 02:18 • -26.19db
29% Popularity • 38% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 38% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
62% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
62% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 1 in E-Flat Maj...
73 bpm • D# Maj • 05:43 • -36.94db
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
41% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
41% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
41% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Mily Balakirev
Balakirev : Islamey
73 bpm • D Maj • 07:57 • -19db
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
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Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
46% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
46% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
56% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
56% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
46% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
46% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Maurice Ravel
Sonatine: I. Modere
71 bpm • A Maj • 03:47 • -30.25db
30% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
53% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Maurice Ravel
Gaspard de la nuit, M. 55: II. Le Gibet
71 bpm • G# min • 05:31 • -36.68db
20% Popularity • 32% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Francis Poulenc
Mélancolie
70 bpm • D Maj • 05:25 • -25db
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Franz Liszt
Au bord d'une source
70 bpm • G# Maj • 04:01 • -25db
12% Popularity • 32% Danceability • 15% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Joaquín Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Maurice Ravel
Introduction And Allegro For Harp, Strin...
70 bpm • D# min • 10:37 • -25db
22% Popularity • 16% Danceability • 6% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 6% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade. Mo...
74 bpm • G# Maj • 01:02 • -35.84db
43% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
43% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
43% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
43% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
33% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Maurice Ravel
À La Manière De Chabrier
70 bpm • C Maj • 02:11 • -33db
27% Popularity • 35% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 35% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
46% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
46% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: No. 2. Inni...
70 bpm • B Maj • 01:26 • -40.72db
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Maurice Ravel
Jeux d'eau
70 bpm • C# min • 04:56 • -25.75db
28% Popularity • 23% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
42% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
42% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
► Preview
Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
43% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
51% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Maurice Ravel
Menuet Sur Le Nom De Haydn
69 bpm • G Maj • 01:52 • -38.83db
32% Popularity • 29% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 29% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Frederick Delius
Three Piano Preludes: No. 2
75 bpm • A Maj • 01:08 • -35.57db
39% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
39% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
75 bpm • E Maj • 09:03 • -30.91db
33% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux: Saint-Saens - C...
75 bpm • F# Maj • 02:48 • -36.73db
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Maurice Ravel
Ravel: Piano Concerto in G Major, M. 83:...
75 bpm • C# min • 09:23 • -28.27db
25% Popularity • 13% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Miroirs: II. Oiseaux tristes
69 bpm • A# min • 04:29 • -40db
26% Popularity • 14% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
