Songs like Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 by London Symphony Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Pavane pour une infante défunte (Pavane...
74 bpm • G Maj • 06:38 • -26.39db
32% Popularity • 17% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Piano Concerto No. 1 in E Minor, Op. 11:...
74 bpm • E Maj • 09:50 • -29.68db
10% Popularity • 30% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 3, A...
74 bpm • A min • 04:23 • -20.93db
33% Popularity • 33% Danceability • 6% Energy • 42% Liveness
52% Instrumentalness • 25% Positiveness
33% Popularity • 33% Danceability • 6% Energy • 42% Liveness
52% Instrumentalness • 25% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: No. 4, Lent
74 bpm • A min • 02:21 • -31.77db
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Peter Schmalfuss
Deux Arabesques: No. 1 in E major
74 bpm • F# min • 03:55 • -27.62db
30% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
Vaughan Williams & Greaves: Fantasia on ...
74 bpm • C min • 04:32 • -31.54db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: 4. Solvei...
75 bpm • A min • 05:12 • -39.75db
22% Popularity • 10% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
75 bpm • B Maj • 09:52 • -34.95db
10% Popularity • 14% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31: Entracte After Act II (In...
73 bpm • D# Maj • 03:00 • -32.29db
9% Popularity • 18% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
75 bpm • E Maj • 09:03 • -30.91db
33% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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James Horner
The Princess Pleads For Wallace's Life
73 bpm • C Maj • 03:37 • -38.85db
41% Popularity • 17% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
41% Popularity • 17% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Piano Concerto No. 1 in E Minor, Op. 11:...
75 bpm • B Maj • 03:52 • -23.73db
26% Popularity • 19% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
12% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
36% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
36% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
75 bpm • G Maj • 03:50 • -29db
21% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22, No. 3
75 bpm • A min • 09:53 • -28db
23% Popularity • 12% Danceability • 6% Energy • 14% Liveness
43% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 6% Energy • 14% Liveness
43% Instrumentalness • 3% Positiveness
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Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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London Symphony Orchestra
Nessun Dorma
76 bpm • D Maj • 04:10 • -19.17db
27% Popularity • 9% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
76 bpm • G Maj • 07:48 • -35.36db
13% Popularity • 7% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Joe Hisaishi
Oriental Wind
76 bpm • F min • 05:31 • -19db
39% Popularity • 15% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 12% Positiveness
39% Popularity • 15% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 15, Sostenuto
72 bpm • C# Maj • 05:39 • -24db
41% Popularity • 38% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
41% Popularity • 38% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Aaron Copland
Quiet City
72 bpm • F Maj • 09:16 • -22.68db
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 4: N...
76 bpm • G# min • 03:04 • -17db
34% Popularity • 16% Danceability • 22% Energy • 37% Liveness
90% Instrumentalness • 19% Positiveness
34% Popularity • 16% Danceability • 22% Energy • 37% Liveness
90% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Aria
76 bpm • G Maj • 05:21 • -30.94db
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
76 bpm • C# Maj • 02:44 • -23db
46% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
77 bpm • A# Maj • 02:04 • -17db
27% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
27% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
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James Last
The Lonely Shepherd
77 bpm • D min • 03:32 • -10.5db
50% Popularity • 20% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
50% Popularity • 20% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
46% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
43% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
43% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
23% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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London Symphony Orchestra
Daphnis et Chloë: Suite No. 2, M. 57b
77 bpm • G Maj • 17:36 • -25.14db
15% Popularity • 10% Danceability • 7% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Sylvia Capova
Klaviersolo in A Major, WoO 10: Barcarol...
77 bpm • F# min • 03:37 • -28db
28% Popularity • 29% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 29% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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George Butterworth
The Banks of Green Willow
71 bpm • A min • 06:25 • -32db
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
36% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
► Preview
Maurice Ravel
Pavane for Dead Princess
77 bpm • G Maj • 06:40 • -24.49db
19% Popularity • 7% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
19% Popularity • 7% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
La boîte à joujoux, L. 128: III. La be...
77 bpm • G# Maj • 07:08 • -36.69db
12% Popularity • 8% Danceability • 1% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 21% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Cinderella, Op. 87, Act 2: No...
71 bpm • C Maj • 02:45 • -29.41db
11% Popularity • 7% Danceability • 3% Energy • 23% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 3% Energy • 23% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme by Paganini, Op. 43:...
70 bpm • C# Maj • 02:37 • -21.04db
35% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Elgar: Variations on an Original Theme, ...
70 bpm • D# Maj • 03:54 • -18.17db
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 6% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Clair de lune
71 bpm • C# Maj • 05:13 • -24.9db
30% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
70 bpm • E min • 08:25 • -26db
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 3: N...
78 bpm • F min • 01:37 • -18db
34% Popularity • 31% Danceability • 20% Energy • 56% Liveness
87% Instrumentalness • 37% Positiveness
34% Popularity • 31% Danceability • 20% Energy • 56% Liveness
87% Instrumentalness • 37% Positiveness
► Preview
JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 1, Sea ...
78 bpm • C Maj • 05:02 • -24.98db
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov 2nd Piano Concerto
78 bpm • E Maj • 04:48 • -13db
39% Popularity • 10% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
70 bpm • E min • 08:09 • -23.87db
34% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
► Preview
Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo et Eurydice: Mélodie for Piano So...
70 bpm • D min • 04:44 • -35.11db
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Concerto for Oboe and Violin i...
78 bpm • F Maj • 06:01 • -21.48db
25% Popularity • 22% Danceability • 18% Energy • 14% Liveness
17% Instrumentalness • 30% Positiveness
25% Popularity • 22% Danceability • 18% Energy • 14% Liveness
17% Instrumentalness • 30% Positiveness
► Preview
Joe Hisaishi
One Summer's Day
78 bpm • C Maj • 04:03 • -26.93db
47% Popularity • 31% Danceability • 6% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 31% Danceability • 6% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
35% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
70 bpm • C# Maj • 03:06 • -19db
33% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: II. Von...
78 bpm • G# Maj • 03:28 • -22db
32% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
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Craig Ogden
Cavatina
79 bpm • E Maj • 03:59 • -22.87db
34% Popularity • 30% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
34% Popularity • 30% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Fugue No. 7 In A Major
79 bpm • A Maj • 02:43 • -26db
37% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
37% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Finghin Collins
Gymnopédie No. 1
69 bpm • G Maj • 03:40 • -28.38db
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Alexander Borodin
Nocturne
79 bpm • A Maj • 07:08 • -10.83db
35% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
35% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Prokofiev: Cinderella, Op. 87, Act 1: No...
79 bpm • C Maj • 02:36 • -24.66db
15% Popularity • 17% Danceability • 8% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 8% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in C-Sharp Minor: IV. Ada...
80 bpm • F Maj • 12:05 • -23.99db
29% Popularity • 12% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
41% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
69 bpm • E Maj • 09:08 • -30.51db
20% Popularity • 11% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
James Horner
For The Love Of A Princess
69 bpm • A min • 04:07 • -25.77db
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
59% Popularity • 19% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
39% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
69 bpm • C Maj • 01:28 • -21.86db
17% Popularity • 7% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
3 Gymnopedies (orch. Debussy): Gymnopedi...
80 bpm • A min • 02:52 • -32.39db
28% Popularity • 13% Danceability • 3% Energy • 6% Liveness
56% Instrumentalness • 5% Positiveness
28% Popularity • 13% Danceability • 3% Energy • 6% Liveness
56% Instrumentalness • 5% Positiveness
► Preview
Frederick Delius
Florida Suite: IV. At Night
68 bpm • F# min • 09:01 • -27.78db
24% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 6% Danceability • 2% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
