Songs like Peer Gynt-Suite Nr. 1, Op. 46: I. Morgenstemning (Morning Mood) by Edvard Grieg
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
51% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Anton Rubinstein
Melody in F Major, Op. 3, No. 1
74 bpm • F Maj • 04:32 • -29db
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
47% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
55% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
73 bpm • G Maj • 02:32 • -18.75db
71% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
71% Popularity • 28% Danceability • 16% Energy • 19% Liveness
84% Instrumentalness • 30% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
45% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
45% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40 (Version for Piano...
75 bpm • G Maj • 02:40 • -25.96db
34% Popularity • 24% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
34% Popularity • 24% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces Book IV, Op. 47: No. 3 Melo...
73 bpm • D min • 04:00 • -30db
27% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
62% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
62% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Bedřich Smetana
CharakterstĂĽcke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Christian Sinding
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. ...
76 bpm • F min • 02:55 • -27db
33% Popularity • 15% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Symphony in C Minor, EG 119: II. Adagio ...
72 bpm • G# Maj • 07:20 • -26.06db
19% Popularity • 7% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Aria
76 bpm • G Maj • 05:21 • -30.94db
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 27% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
63% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
63% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
► Preview
Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Germaine Tailleferre
Romance
71 bpm • C# min • 03:28 • -25.85db
42% Popularity • 29% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 29% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Florence Beatrice Price
Piano Concerto in One Movement: Adagio c...
77 bpm • D Maj • 06:11 • -27.02db
21% Popularity • 15% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
42% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
42% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: IV. In th...
76 bpm • G Maj • 02:10 • -17.24db
38% Popularity • 28% Danceability • 25% Energy • 32% Liveness
95% Instrumentalness • 52% Positiveness
38% Popularity • 28% Danceability • 25% Energy • 32% Liveness
95% Instrumentalness • 52% Positiveness
► Preview
Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
► Preview
Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyrical Pieces, Op. 12: No. 1, Arietta
76 bpm • D# Maj • 01:10 • -35.49db
44% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
54% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
54% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Edvard Grieg
Landkjenning
78 bpm • B Maj • 05:17 • -24.28db
6% Popularity • 22% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 22% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
JoaquĂn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
78 bpm • A# Maj • 04:18 • -31db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
28% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
35% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
AntonĂn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
