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Penelope Halfpenny
Songs like
Penelope Halfpenny
by
Elvis Costello
Based on a tempo of (+/- 10%) and a similar genre
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Elvis Costello
Magnificent Hurt
135 bpm • B min • 03:13 • -5.19db
23% Popularity • 61% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Bevis Frond
And Away We Go
135 bpm • A min • 04:12 • -3.79db
9% Popularity • 38% Danceability • 53% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
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Rosali
Bones
134 bpm • C Maj • 04:45 • -6.6db
20% Popularity • 32% Danceability • 73% Energy • 66% Liveness
44% Instrumentalness • 56% Positiveness
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Calexico
Rambler
136 bpm • G Maj • 02:33 • -7.69db
3% Popularity • 47% Danceability • 85% Energy • 26% Liveness
93% Instrumentalness • 51% Positiveness
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The Hanging Stars
I Don't Want to Feel so Bad Anymore
136 bpm • D Maj • 02:58 • -7.4db
12% Popularity • 36% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Turin Brakes
When You're Around
136 bpm • E Maj • 03:31 • -12.56db
18% Popularity • 64% Danceability • 53% Energy • 9% Liveness
24% Instrumentalness • 59% Positiveness
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Elvis Costello
Mistook Me For A Friend
135 bpm • G min • 04:13 • -5.32db
11% Popularity • 55% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Midlake
Exile
136 bpm • F Maj • 03:33 • -7.69db
16% Popularity • 51% Danceability • 85% Energy • 8% Liveness
45% Instrumentalness • 36% Positiveness
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Bret McKenzie
Crazy Times
136 bpm • E Maj • 04:28 • -8.73db
9% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Bell
World Of Echo
134 bpm • F Maj • 03:37 • -5.21db
10% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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The Coral
Take Me Back To The Summertime
134 bpm • B min • 03:10 • -6.7db
14% Popularity • 79% Danceability • 96% Energy • 25% Liveness
8% Instrumentalness • 98% Positiveness
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Hamish Hawk
Bakerloo, Unbecoming
134 bpm • E Maj • 04:02 • -8.98db
20% Popularity • 51% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 46% Positiveness
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Elvis Costello
Penelope Halfpenny
135 bpm • A# Maj • 02:57 • -5.64db
13% Popularity • 56% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Paul McCartney
Playboy To A Man - Original Demo
134 bpm • C Maj • 02:58 • -11.88db
10% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Daniel Romano
Joys Too Often Hollow
134 bpm • G Maj • 03:39 • -5.91db
13% Popularity • 56% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The Bad Ends
All Your Friends Are Dying
133 bpm • B min • 04:25 • -3.88db
8% Popularity • 46% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Calexico
El Paso
137 bpm • D Maj • 02:33 • -8.08db
6% Popularity • 56% Danceability • 78% Energy • 12% Liveness
25% Instrumentalness • 80% Positiveness
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Jesse Malin
State of the Art
137 bpm • E Maj • 03:45 • -5.55db
16% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Elvis Costello
So You Want To Be A Rock ‘N’ Roll St...
136 bpm • C Maj • 02:16 • -5.66db
9% Popularity • 51% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Guided By Voices
Eye City
137 bpm • A Maj • 04:09 • -6.83db
7% Popularity • 23% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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William The Conqueror
Fiction
137 bpm • E min • 03:14 • -5.95db
9% Popularity • 62% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Cass McCombs
Karaoke
133 bpm • G Maj • 03:41 • -7.69db
23% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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The Long Ryders
Elmer Gantry Is Alive And Well
133 bpm • A Maj • 05:10 • -6.6db
7% Popularity • 61% Danceability • 74% Energy • 19% Liveness
2% Instrumentalness • 62% Positiveness
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The Jayhawks
Ruby
138 bpm • D Maj • 03:39 • -8.78db
11% Popularity • 29% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Elvis Costello
Surrender To The Rhythm
136 bpm • G Maj • 03:41 • -4.43db
13% Popularity • 62% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Neil Young
Human Race
132 bpm • A Maj • 04:14 • -11.25db
20% Popularity • 21% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Nervous Eaters
Wild Eyes
132 bpm • C# min • 03:25 • -3.7db
8% Popularity • 61% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Superchunk
Endless Summer
132 bpm • A Maj • 04:14 • -6.38db
19% Popularity • 48% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Craig Finn
Never Any Horses
132 bpm • C Maj • 04:48 • -7.53db
15% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Belle and Sebastian
A World Without You
132 bpm • D Maj • 03:03 • -6.25db
19% Popularity • 64% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Elvis Costello
Daddy Can I Turn This?
134 bpm • E min • 03:41 • -4.17db
7% Popularity • 40% Danceability • 88% Energy • 44% Liveness
2% Instrumentalness • 34% Positiveness
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Kim Gordon
Abstract Blues
132 bpm • A Maj • 02:41 • -5.29db
19% Popularity • 17% Danceability • 75% Energy • 40% Liveness
1% Instrumentalness • 45% Positiveness
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Half Man Half Biscuit
Oblong of Dreams
131 bpm • F# Maj • 05:43 • -6.06db
15% Popularity • 47% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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The Wild Things
Lay on Take Off
139 bpm • F Maj • 04:10 • -5.41db
10% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Daniel Romano
Nocturne Child
139 bpm • B Maj • 03:56 • -11.8db
18% Popularity • 57% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Belle and Sebastian
Come On Home
138 bpm • F Maj • 03:54 • -5.3db
20% Popularity • 72% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Finn
Messing with the Settings
131 bpm • A Maj • 05:42 • -10db
23% Popularity • 52% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Elvis Costello
Truth Drug - Memphis Magnetic Version
136 bpm • B min • 01:40 • -5.04db
9% Popularity • 48% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Marianne Faithfull
Drifting
139 bpm • D min • 05:08 • -10.05db
7% Popularity • 40% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Grant-Lee Phillips
Cruel Trick
131 bpm • B min • 04:26 • -12.31db
7% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cass McCombs
Unproud Warrior
140 bpm • D Maj • 06:33 • -11.13db
17% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Belle and Sebastian
Sea of Sorrow
131 bpm • G Maj • 04:58 • -9.01db
18% Popularity • 44% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Dexys Midnight Runners
Plan B - As It Should Have Sounded 2022
131 bpm • C# min • 05:07 • -6.48db
12% Popularity • 60% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Elvis Costello
Magnificent Hurt - Memphis Magnetic Vers...
134 bpm • A Maj • 03:18 • -4.73db
10% Popularity • 43% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
James Yorkston
Peter Paulo Van Der Heyden
140 bpm • C Maj • 03:19 • -13.29db
12% Popularity • 61% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Jayhawks
Society Pages
130 bpm • G Maj • 04:36 • -7.55db
11% Popularity • 57% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Urge Overkill
Freedom!
140 bpm • F# min • 03:04 • -4.94db
9% Popularity • 53% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Curse of Lono
Let Your Love Rain Down On Me
140 bpm • G Maj • 04:26 • -12.04db
16% Popularity • 62% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Joan Armatrading
Natural Rhythm
130 bpm • G# Maj • 03:34 • -11.42db
12% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Elvis Costello
Penelope Halfpenny - Memphis Magnetic Ve...
138 bpm • F Maj • 03:24 • -4.38db
8% Popularity • 45% Danceability • 92% Energy • 82% Liveness
0% Instrumentalness • 54% Positiveness
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Courtney Marie Andrews
Me & Jerry
130 bpm • G Maj • 03:04 • -5.77db
17% Popularity • 50% Danceability • 54% Energy • 18% Liveness
1% Instrumentalness • 39% Positiveness
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John Mellencamp
I Am A Man That Worries
130 bpm • B min • 04:33 • -7.57db
17% Popularity • 58% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Superchunk
This Night
130 bpm • F# Maj • 04:35 • -5.69db
16% Popularity • 56% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Mould
Baby Needs a Cookie
130 bpm • A Maj • 02:57 • -4.31db
9% Popularity • 40% Danceability • 81% Energy • 13% Liveness
32% Instrumentalness • 64% Positiveness
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Guided By Voices
Unproductive Funk
130 bpm • A Maj • 03:28 • -6.04db
8% Popularity • 60% Danceability • 92% Energy • 14% Liveness
74% Instrumentalness • 50% Positiveness
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Elvis Costello
The Big Light
140 bpm • C# min • 02:33 • -7.74db
16% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Nell Smith
The Kindness Of Strangers
140 bpm • C Maj • 03:16 • -8.65db
16% Popularity • 42% Danceability • 60% Energy • 23% Liveness
3% Instrumentalness • 43% Positiveness
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Daniel Romano
Still Dreaming
141 bpm • B Maj • 03:03 • -12.07db
12% Popularity • 41% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Craig Finn
The Amarillo Kid
129 bpm • C# Maj • 04:36 • -7.65db
23% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Reigning Sound
A Little More Time
129 bpm • E Maj • 03:07 • -4.94db
10% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Michael Head & The Red Elastic Band
Pretty Child
142 bpm • D Maj • 04:10 • -6.92db
10% Popularity • 23% Danceability • 78% Energy • 18% Liveness
1% Instrumentalness • 40% Positiveness
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Elvis Costello
Farewell, OK
140 bpm • G min • 02:54 • -4.39db
15% Popularity • 44% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Josh Rouse
Hollow Moon
128 bpm • A Maj • 03:55 • -12.21db
18% Popularity • 60% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Daniel Romano
Animals Above Our Town
129 bpm • C# min • 02:36 • -9.11db
18% Popularity • 51% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Superchunk
Highly Suspect
128 bpm • E Maj • 04:38 • -5.38db
11% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Jackson Browne
Until Justice Is Real
128 bpm • D Maj • 04:33 • -6.66db
19% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Hurray For The Riff Raff
SAGA
128 bpm • C Maj • 04:35 • -6.33db
25% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Elvis Costello
Georgie and Her Rival
140 bpm • C Maj • 03:38 • -10.47db
11% Popularity • 58% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Spoon
On The Radio
128 bpm • D min • 03:19 • -4.48db
35% Popularity • 68% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Marian McPartland
Almost Blue
128 bpm • F Maj • 02:48 • -15.21db
10% Popularity • 48% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tim Heidecker
Get Back Down To Me
128 bpm • E Maj • 04:21 • -5.54db
14% Popularity • 83% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Nick Cave & The Bad Seeds
Hey Little Firing Squad
143 bpm • D min • 04:00 • -9.93db
15% Popularity • 57% Danceability • 58% Energy • 37% Liveness
2% Instrumentalness • 76% Positiveness
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Reigning Sound
Let’s Do It Again
128 bpm • A Maj • 02:52 • -4.59db
9% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Elvis Costello
Everybody Knows This Is Nowhere / Dance ...
130 bpm • G Maj • 03:52 • -4.72db
10% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Half Man Half Biscuit
I'm Getting Buried in the Morning
143 bpm • D Maj • 02:30 • -4.7db
20% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Belle and Sebastian
A Bit of Previous
143 bpm • C Maj • 03:49 • -6.23db
23% Popularity • 46% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Guided By Voices
Focus on the Flock
143 bpm • C Maj • 03:13 • -4.65db
7% Popularity • 37% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Phosphorescent
I'm a Mess
143 bpm • G Maj • 02:59 • -10.85db
28% Popularity • 51% Danceability • 45% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Paul McCartney
The Lovers That Never Were - Original De...
143 bpm • A Maj • 03:58 • -11.97db
16% Popularity • 56% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Elvis Costello
American Without Tears
141 bpm • D Maj • 04:34 • -10.59db
24% Popularity • 57% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Craig Finn
Jessamine
143 bpm • C Maj • 03:25 • -10.81db
15% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Strand of Oaks
Carbon
127 bpm • E min • 03:56 • -4.32db
14% Popularity • 45% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Guided By Voices
Free Agents
143 bpm • E Maj • 02:00 • -6.67db
7% Popularity • 46% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Drive-By Truckers
Every Single Storied Flameout
127 bpm • F Maj • 03:55 • -4.45db
16% Popularity • 49% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Wilco
Hints
127 bpm • A Maj • 03:38 • -8.21db
33% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Elvis Costello
45
127 bpm • D Maj • 03:32 • -7.35db
18% Popularity • 83% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Hurray For The Riff Raff
PIERCED ARROWS
127 bpm • A# Maj • 04:02 • -6.01db
34% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jesse Malin
Before You Go
144 bpm • A Maj • 03:25 • -7.37db
13% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Bret McKenzie
America Goodbye
144 bpm • F Maj • 04:00 • -5.2db
11% Popularity • 57% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Belle and Sebastian
Unnecessary Drama
144 bpm • A# Maj • 04:16 • -4.59db
26% Popularity • 46% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
The Coral
Watch You Disappear
144 bpm • G min • 02:38 • -7.22db
16% Popularity • 42% Danceability • 86% Energy • 35% Liveness
56% Instrumentalness • 77% Positiveness
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Josh Rouse
City Dog
126 bpm • C# min • 03:16 • -11.57db
18% Popularity • 67% Danceability • 68% Energy • 27% Liveness
5% Instrumentalness • 91% Positiveness
► Preview
R.E.M.
Be Mine - Mike On Bus Version
126 bpm • E Maj • 04:56 • -7.64db
16% Popularity • 45% Danceability • 46% Energy • 19% Liveness
94% Instrumentalness • 49% Positiveness
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The Hold Steady
Parade Days - Bonus Track
126 bpm • C Maj • 03:16 • -9.33db
13% Popularity • 45% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Elvis Costello
The Whirlwind
126 bpm • F Maj • 03:17 • -12.86db
9% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sheryl Crow
Live With Me
126 bpm • A# Maj • 03:23 • -1.94db
11% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Pugwash
Take Me Away
126 bpm • E min • 03:34 • -4.99db
11% Popularity • 47% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Belle and Sebastian
Young and Stupid
126 bpm • D# Maj • 02:54 • -6.5db
28% Popularity • 63% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Sleater-Kinney
One More Hour
145 bpm • A Maj • 03:18 • -4db
19% Popularity • 53% Danceability • 90% Energy • 9% Liveness
26% Instrumentalness • 66% Positiveness
► Preview
Calexico
Rancho Azul
126 bpm • D min • 02:57 • -6.87db
5% Popularity • 53% Danceability • 74% Energy • 22% Liveness
74% Instrumentalness • 76% Positiveness
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Penelope Halfpenny