Songs like Penki Sapnai Apie Metalinį Rūką. I Sapnas / Five Dreams About Metallic Fog. 1st Dream by Marius Baranauskas
Based on a tempo of (+/- 10%) and a similar genre
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Biosphere
Shenzhou
125 bpm • E min • 05:04 • -37.15db
11% Popularity • 17% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Marius Baranauskas
Penki Sapnai Apie Metalinį Rūką. I Sa...
125 bpm • C# Maj • 02:59 • -25.27db
0% Popularity • 20% Danceability • 3% Energy • 34% Liveness
69% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 3% Energy • 34% Liveness
69% Instrumentalness • 4% Positiveness
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Harold Budd
Emboldened/My Dreams Perish.
125 bpm • A min • 02:21 • -33.41db
14% Popularity • 59% Danceability • 6% Energy • 30% Liveness
11% Instrumentalness • 50% Positiveness
14% Popularity • 59% Danceability • 6% Energy • 30% Liveness
11% Instrumentalness • 50% Positiveness
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Martien van der Knijff
Aeterne Rerum Conditor
124 bpm • B Maj • 01:18 • -11.88db
10% Popularity • 62% Danceability • 9% Energy • 25% Liveness
79% Instrumentalness • 25% Positiveness
10% Popularity • 62% Danceability • 9% Energy • 25% Liveness
79% Instrumentalness • 25% Positiveness
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True Blue
The Birds
126 bpm • C# Maj • 01:19 • -39.45db
9% Popularity • 30% Danceability • 0% Energy • 12% Liveness
16% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 0% Energy • 12% Liveness
16% Instrumentalness • 10% Positiveness
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Set Fire To Flames
Small Steps Against Inertia / Echo of a ...
124 bpm • C# Maj • 03:05 • -26.17db
14% Popularity • 30% Danceability • 16% Energy • 15% Liveness
3% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 16% Energy • 15% Liveness
3% Instrumentalness • 8% Positiveness
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R.Kuhn
use your own words I
127 bpm • D Maj • 01:10 • -18.14db
21% Popularity • 19% Danceability • 27% Energy • 28% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 27% Energy • 28% Liveness
79% Instrumentalness • 4% Positiveness
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Marius Baranauskas
Penki Sapnai Apie Metalinį Rūką. II S...
126 bpm • F min • 03:39 • -23.76db
0% Popularity • 17% Danceability • 20% Energy • 12% Liveness
22% Instrumentalness • 2% Positiveness
0% Popularity • 17% Danceability • 20% Energy • 12% Liveness
22% Instrumentalness • 2% Positiveness
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Klaus Nomi
From Beyond
127 bpm • D min • 02:52 • -32.45db
12% Popularity • 18% Danceability • 7% Energy • 50% Liveness
97% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 50% Liveness
97% Instrumentalness • 4% Positiveness
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Robert Fripp
Urban Landscape - First Edition: Origina...
127 bpm • C Maj • 02:34 • -32.16db
13% Popularity • 17% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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00110100 01010100
0181 000 0001
123 bpm • G Maj • 01:03 • -30.97db
32% Popularity • 24% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 2% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 2% Positiveness
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John Barry
Breakout to Captivity
127 bpm • G# Maj • 04:09 • -17.91db
7% Popularity • 21% Danceability • 51% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
7% Popularity • 21% Danceability • 51% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Takeshi Furukawa
Hanging Gardens - 2023 Remaster
123 bpm • E min • 02:23 • -36.13db
7% Popularity • 17% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Hermanos Ferrando
People of Your Holiness
127 bpm • G Maj • 01:32 • -8.01db
11% Popularity • 18% Danceability • 66% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 66% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Marius Baranauskas
Templum Dei estis - I
128 bpm • D Maj • 02:47 • -26.85db
0% Popularity • 17% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 2% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 2% Positiveness
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Arvo Pärt
Passio: Passio Domini Nostri Jesu Christ...
128 bpm • F Maj • 01:15 • -10.4db
9% Popularity • 16% Danceability • 33% Energy • 34% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 33% Energy • 34% Liveness
90% Instrumentalness • 3% Positiveness
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Aeternia Alchemia
Targeted Anti-Nausea
128 bpm • C# Maj • 05:29 • -50.28db
14% Popularity • 17% Danceability • 0% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 0% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Marvin Miller
Weiße Blusen
129 bpm • E Maj • 01:06 • -23.59db
11% Popularity • 40% Danceability • 0% Energy • 8% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 40% Danceability • 0% Energy • 8% Liveness
61% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Principle of Least Time
128 bpm • G Maj • 01:20 • -23.6db
28% Popularity • 40% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Philip Glass
Akhnaten: Act I, Scene 3: Window of Appe...
129 bpm • A min • 09:01 • -16db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 10% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 10% Positiveness
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HOYO-MiX
Neuropulse
129 bpm • G Maj • 01:26 • -31.59db
24% Popularity • 50% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
24% Popularity • 50% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Sleepytime Gorilla Museum
Sunflower
129 bpm • A Maj • 07:52 • -24.6db
8% Popularity • 46% Danceability • 0% Energy • 12% Liveness
55% Instrumentalness • 5% Positiveness
8% Popularity • 46% Danceability • 0% Energy • 12% Liveness
55% Instrumentalness • 5% Positiveness
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Celestial Sword
Lugubrious Entrance of the Vampyric Enti...
129 bpm • B min • 01:30 • -23.14db
8% Popularity • 17% Danceability • 31% Energy • 59% Liveness
93% Instrumentalness • 49% Positiveness
8% Popularity • 17% Danceability • 31% Energy • 59% Liveness
93% Instrumentalness • 49% Positiveness
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Belle Chen
An Italian Wedding
129 bpm • F# min • 01:05 • -37.25db
10% Popularity • 19% Danceability • 26% Energy • 34% Liveness
63% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 26% Energy • 34% Liveness
63% Instrumentalness • 3% Positiveness
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Hermanos Ferrando
Father
121 bpm • A min • 02:36 • -9.55db
11% Popularity • 19% Danceability • 50% Energy • 23% Liveness
15% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 50% Energy • 23% Liveness
15% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Kanon - 2001 Remastered Version
129 bpm • G# Maj • 09:37 • -23.66db
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Shore
Wilderland
130 bpm • A min • 04:56 • -18.33db
30% Popularity • 17% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Akiyuki Morimoto
Atmosphere -Swamp Encounter-
129 bpm • C Maj • 01:49 • -39.17db
21% Popularity • 20% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
21% Popularity • 20% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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Marius Baranauskas
Penki Sapnai Apie Metalinį Rūką. III ...
121 bpm • C min • 02:56 • -29.14db
0% Popularity • 34% Danceability • 8% Energy • 11% Liveness
19% Instrumentalness • 3% Positiveness
0% Popularity • 34% Danceability • 8% Energy • 11% Liveness
19% Instrumentalness • 3% Positiveness
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Soap&Skin
(This Is) Water
130 bpm • A min • 02:10 • -13.59db
23% Popularity • 20% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 37% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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infernal abomination
satanic altar
130 bpm • A min • 03:58 • -20.2db
11% Popularity • 17% Danceability • 14% Energy • 32% Liveness
40% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 32% Liveness
40% Instrumentalness • 4% Positiveness
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Silencer
Feeble Are You, Sons of Sion
120 bpm • D Maj • 03:02 • -22.23db
21% Popularity • 61% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
21% Popularity • 61% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Rafael Krux
Suspenseful Timpani Solo
120 bpm • E Maj • 03:05 • -33.62db
15% Popularity • 46% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
15% Popularity • 46% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Kenichiro Suehiro
DISTORTION
120 bpm • A# Maj • 02:32 • -17.47db
11% Popularity • 19% Danceability • 47% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 47% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Musica Clasica
Campo de Ourique
130 bpm • G Maj • 03:23 • -20db
10% Popularity • 54% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 55% Positiveness
10% Popularity • 54% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 55% Positiveness
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Aphex Twin
Prep Gwarek 36
130 bpm • D Maj • 01:19 • -19.48db
30% Popularity • 71% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
30% Popularity • 71% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Kazushige Nojima
Final Fantasy X - Hymn of the Fayth
130 bpm • D min • 04:03 • -18.2db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Junichi Matsumoto
Lines for the Sadness
130 bpm • C Maj • 03:47 • -23db
22% Popularity • 16% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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infernal abomination
lucifer's rising
130 bpm • D Maj • 02:36 • -19.06db
11% Popularity • 28% Danceability • 16% Energy • 5% Liveness
71% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 5% Liveness
71% Instrumentalness • 4% Positiveness
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CopacetiCat
Homestuck Chorale for Jaspers
120 bpm • C min • 01:04 • -27.21db
35% Popularity • 58% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 58% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 16% Positiveness
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Kenichiro Suehiro
封印の森
120 bpm • G Maj • 02:21 • -16.13db
10% Popularity • 58% Danceability • 39% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 58% Danceability • 39% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
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Michael Giacchino
World's Worst Beach Party
120 bpm • A Maj • 02:46 • -21.35db
17% Popularity • 48% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
17% Popularity • 48% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Vemod
Fra drømmenes bok I
130 bpm • F Maj • 01:39 • -20.57db
19% Popularity • 16% Danceability • 19% Energy • 6% Liveness
6% Instrumentalness • 2% Positiveness
19% Popularity • 16% Danceability • 19% Energy • 6% Liveness
6% Instrumentalness • 2% Positiveness
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Brad Derrick
Order of the Ancestor Moth
131 bpm • B Maj • 01:05 • -18.07db
23% Popularity • 17% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Newton Brothers
Vannessa's Past
120 bpm • A min • 05:25 • -24.8db
23% Popularity • 20% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 20% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Marius Baranauskas
Templum Dei estis - III
131 bpm • A min • 03:19 • -15.63db
0% Popularity • 20% Danceability • 20% Energy • 9% Liveness
37% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 20% Energy • 9% Liveness
37% Instrumentalness • 3% Positiveness
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Jesper Kyd
Troll Cave
119 bpm • G Maj • 01:15 • -14.95db
13% Popularity • 52% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 15% Positiveness
13% Popularity • 52% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 15% Positiveness
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Irena And Vojtech Havlovi
It Is Coming
131 bpm • A Maj • 01:02 • -26.4db
13% Popularity • 27% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Jack Dalton
A New Spiritual Age
119 bpm • G min • 01:46 • -22.52db
25% Popularity • 26% Danceability • 7% Energy • 54% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 26% Danceability • 7% Energy • 54% Liveness
91% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Science Fiction
131 bpm • F Maj • 04:09 • -33.02db
8% Popularity • 16% Danceability • 1% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Running
131 bpm • A Maj • 02:03 • -14.52db
12% Popularity • 18% Danceability • 11% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 11% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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joseph bishara
void moment suite
132 bpm • F# Maj • 01:40 • -24.83db
7% Popularity • 37% Danceability • 27% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
7% Popularity • 37% Danceability • 27% Energy • 9% Liveness
11% Instrumentalness • 4% Positiveness
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Jordi Savall
Instrumental Lament (Shofars)
119 bpm • F Maj • 01:03 • -35db
9% Popularity • 21% Danceability • 0% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 0% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Gary O'Slide
Swamp
132 bpm • A# min • 02:16 • -30.02db
17% Popularity • 18% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Georgia Hathaway
In / Out
132 bpm • D Maj • 04:43 • -31.08db
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Arvo Pärt
Von Angesicht zu Angesicht
133 bpm • A Maj • 03:57 • -28.46db
13% Popularity • 19% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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John Luther Adams
Three Nocturnes: I. Moonrise
134 bpm • D Maj • 04:40 • -31.99db
7% Popularity • 16% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
7% Popularity • 16% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Marius Baranauskas
Templum Dei estis - II
133 bpm • F Maj • 02:58 • -16.13db
0% Popularity • 23% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Jed Kurzel
Baba Shakti
134 bpm • A min • 01:08 • -21.23db
28% Popularity • 34% Danceability • 17% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 34% Danceability • 17% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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joseph bishara
Soaring phenomena
134 bpm • C Maj • 01:52 • -18.28db
15% Popularity • 16% Danceability • 19% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 19% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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KNOXVILLETRACKZ
HFDBML
117 bpm • E Maj • 01:04 • -49.16db
18% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Aphex Twin
Beskhu3epnm
134 bpm • C Maj • 02:10 • -22.64db
30% Popularity • 72% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
30% Popularity • 72% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Lucas King
Sociopath Detuned
134 bpm • F# Maj • 06:12 • -27.42db
23% Popularity • 53% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 53% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Awastra
Light Well
135 bpm • D min • 01:00 • -21.75db
19% Popularity • 19% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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SIE Sound Team
Fool's Idol
135 bpm • E Maj • 02:59 • -15.65db
21% Popularity • 19% Danceability • 24% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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R.Kuhn
synth & choir : SPACEFIELDS
116 bpm • F# Maj • 01:20 • -21.96db
21% Popularity • 26% Danceability • 28% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 28% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Matthew Herbert
Collapse
135 bpm • C min • 01:47 • -21.48db
10% Popularity • 16% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Adagio for Glass Harmonica, K. 617a
135 bpm • C Maj • 03:53 • -28.2db
11% Popularity • 16% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 8% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 8% Positiveness
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Giacinto Scelsi
Ohoi
116 bpm • A# Maj • 08:33 • -21.71db
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 15% Liveness
95% Instrumentalness • 2% Positiveness
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Garry Schyman
The Mansion
135 bpm • C min • 02:06 • -20.45db
27% Popularity • 19% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Markéta Mazourová
El Baile De Los Canibales
115 bpm • D# min • 02:38 • -15.92db
10% Popularity • 38% Danceability • 59% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
10% Popularity • 38% Danceability • 59% Energy • 11% Liveness
74% Instrumentalness • 12% Positiveness
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Blackhorn Lynx
New Patterns
115 bpm • C# min • 01:57 • -25.52db
16% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Silver Maple
Av Jord, Till Jord
136 bpm • C# Maj • 03:14 • -19.43db
9% Popularity • 15% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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D. Silverstone
Preparation Tension - Taiko & Violins
136 bpm • C Maj • 02:54 • -11.25db
8% Popularity • 79% Danceability • 79% Energy • 64% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 79% Danceability • 79% Energy • 64% Liveness
90% Instrumentalness • 10% Positiveness
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Michael Abels
It's In The Cloud
115 bpm • D# Maj • 02:36 • -14.09db
10% Popularity • 36% Danceability • 71% Energy • 8% Liveness
70% Instrumentalness • 10% Positiveness
10% Popularity • 36% Danceability • 71% Energy • 8% Liveness
70% Instrumentalness • 10% Positiveness
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Martien van der Knijff
Everywhere
115 bpm • D# Maj • 03:44 • -15.6db
10% Popularity • 34% Danceability • 44% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 34% Danceability • 44% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Florens Pikantona
Hello Old Friend
136 bpm • A# min • 01:01 • -33.02db
27% Popularity • 40% Danceability • 5% Energy • 21% Liveness
97% Instrumentalness • 45% Positiveness
27% Popularity • 40% Danceability • 5% Energy • 21% Liveness
97% Instrumentalness • 45% Positiveness
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Blackhorn Lynx
Nolan Peele, Pt. 2
115 bpm • C# min • 01:57 • -25.52db
15% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Chris Benstead
Father Passes
115 bpm • F Maj • 02:43 • -25.84db
36% Popularity • 28% Danceability • 1% Energy • 9% Liveness
34% Instrumentalness • 4% Positiveness
36% Popularity • 28% Danceability • 1% Energy • 9% Liveness
34% Instrumentalness • 4% Positiveness
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Wulfsige
Jewels For Her Hair
114 bpm • C Maj • 02:08 • -20.56db
9% Popularity • 18% Danceability • 15% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Paul Gorman
Cocytus
114 bpm • G Maj • 02:03 • -19.16db
14% Popularity • 29% Danceability • 48% Energy • 14% Liveness
97% Instrumentalness • 2% Positiveness
14% Popularity • 29% Danceability • 48% Energy • 14% Liveness
97% Instrumentalness • 2% Positiveness
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Martien van der Knijff
Heart of gold
137 bpm • C# Maj • 05:28 • -23db
12% Popularity • 23% Danceability • 12% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Christian Wallumrød Ensemble
Detach A
137 bpm • A Maj • 01:32 • -35.52db
11% Popularity • 17% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
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Basia Bulat
Windflowers - The Garden Version
137 bpm • B Maj • 01:48 • -26.58db
12% Popularity • 16% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ennio Morricone
For a Few Dollars More: Indio & Nino
137 bpm • A Maj • 01:58 • -36.98db
17% Popularity • 15% Danceability • 0% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 0% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Paradox Interactive
Chilling Breeze
137 bpm • C# Maj • 02:36 • -18.73db
14% Popularity • 15% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Sleepytime Gorilla Museum
Bells for Kith and Kin
114 bpm • A# Maj • 01:25 • -25.63db
22% Popularity • 26% Danceability • 7% Energy • 10% Liveness
39% Instrumentalness • 3% Positiveness
22% Popularity • 26% Danceability • 7% Energy • 10% Liveness
39% Instrumentalness • 3% Positiveness
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Arvo Pärt
Pärt: Cantus in memoriam Benjamin Britt...
114 bpm • F Maj • 06:48 • -20db
11% Popularity • 17% Danceability • 14% Energy • 30% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 30% Liveness
84% Instrumentalness • 3% Positiveness
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Christopher Young
Clear Sensing
114 bpm • G# min • 01:56 • -40.74db
9% Popularity • 17% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 3% Positiveness
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joseph bishara
birds pulled in
114 bpm • B min • 01:15 • -15.42db
7% Popularity • 18% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Bernard Herrmann
Broken Glass / Miss T. / The Ice
113 bpm • D min • 01:11 • -18.2db
11% Popularity • 16% Danceability • 0% Energy • 14% Liveness
12% Instrumentalness • 0% Positiveness
11% Popularity • 16% Danceability • 0% Energy • 14% Liveness
12% Instrumentalness • 0% Positiveness
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Harold Budd
Mars and the Artist (after Cy Twombly)
138 bpm • F# min • 01:46 • -31.92db
21% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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The Klezmatics
Doyna
113 bpm • G Maj • 02:18 • -18db
13% Popularity • 35% Danceability • 19% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 35% Danceability • 19% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
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Emiliano Albani
Charon
138 bpm • E Maj • 01:37 • -27.78db
12% Popularity • 16% Danceability • 0% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 0% Energy • 16% Liveness
98% Instrumentalness • 7% Positiveness
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Austin Wintory
Into the Mountains
138 bpm • E min • 05:40 • -22.1db
8% Popularity • 15% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Aine O'dwyer
Underlight
138 bpm • F min • 02:53 • -24.59db
7% Popularity • 30% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 10% Positiveness
7% Popularity • 30% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 10% Positiveness
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Martien van der Knijff
Take me home
139 bpm • A# Maj • 05:02 • -25db
13% Popularity • 27% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Alan Williams
Karen and Hand
112 bpm • A# min • 04:00 • -18.83db
8% Popularity • 19% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
