Songs like Pennies From Heaven by Steve Amirault
Based on a tempo of (+/- 10%) and a similar genre
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Joe Locascio
Rain Window
80 bpm • E min • 03:03 • -13.95db
14% Popularity • 38% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
14% Popularity • 38% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Monty Alexander
Aggression
80 bpm • G Maj • 06:03 • -12.06db
19% Popularity • 51% Danceability • 58% Energy • 10% Liveness
67% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 58% Energy • 10% Liveness
67% Instrumentalness • 51% Positiveness
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Charlie Pyne Quartet
Am I Doing It Right?
80 bpm • F min • 07:28 • -12.6db
9% Popularity • 66% Danceability • 33% Energy • 11% Liveness
19% Instrumentalness • 37% Positiveness
9% Popularity • 66% Danceability • 33% Energy • 11% Liveness
19% Instrumentalness • 37% Positiveness
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Ole Amund Gjersvik
Se
80 bpm • D# Maj • 01:40 • -33.01db
18% Popularity • 41% Danceability • 5% Energy • 36% Liveness
97% Instrumentalness • 20% Positiveness
18% Popularity • 41% Danceability • 5% Energy • 36% Liveness
97% Instrumentalness • 20% Positiveness
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Steve Amirault
Pennies From Heaven
80 bpm • A# Maj • 05:18 • -12.82db
0% Popularity • 54% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
0% Popularity • 54% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Giuseppe Millaci
Where Everything Began
80 bpm • G min • 05:29 • -16.48db
8% Popularity • 36% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
8% Popularity • 36% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Fabrice Tarel
Suite For Freedom - , Pt. III
80 bpm • A Maj • 04:58 • -14.81db
10% Popularity • 32% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Rudyck Vidal
Decodificado
81 bpm • B min • 05:59 • -19.25db
19% Popularity • 47% Danceability • 29% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
19% Popularity • 47% Danceability • 29% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
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Alan Pasqua
Sha' la Ko' - Short Cut - theme
80 bpm • G Maj • 01:09 • -9.65db
17% Popularity • 42% Danceability • 45% Energy • 33% Liveness
96% Instrumentalness • 41% Positiveness
17% Popularity • 42% Danceability • 45% Energy • 33% Liveness
96% Instrumentalness • 41% Positiveness
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Irina Zubareva
Olena
81 bpm • E Maj • 06:08 • -14db
11% Popularity • 33% Danceability • 17% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 33% Danceability • 17% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Steve Amirault
If we believe in Love
81 bpm • G Maj • 09:39 • -16.08db
0% Popularity • 42% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
0% Popularity • 42% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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Trio Del Norte
Last Dance
81 bpm • F# min • 03:38 • -12.76db
8% Popularity • 54% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 21% Positiveness
8% Popularity • 54% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 21% Positiveness
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Niels Lan Doky
Just Do It
81 bpm • C# Maj • 08:22 • -18.04db
13% Popularity • 56% Danceability • 29% Energy • 38% Liveness
92% Instrumentalness • 41% Positiveness
13% Popularity • 56% Danceability • 29% Energy • 38% Liveness
92% Instrumentalness • 41% Positiveness
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Antonio Zambrini
Heyoke
81 bpm • C# Maj • 04:20 • -13.84db
15% Popularity • 33% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
15% Popularity • 33% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Antonio Rocco Grillo
While you go away
79 bpm • C# Maj • 05:43 • -17.87db
6% Popularity • 40% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
6% Popularity • 40% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Reinier Baas
Squalor II
81 bpm • E min • 06:56 • -11.95db
17% Popularity • 40% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 21% Positiveness
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Vladimir Torres
M r
79 bpm • D Maj • 04:39 • -15.16db
10% Popularity • 43% Danceability • 13% Energy • 10% Liveness
54% Instrumentalness • 23% Positiveness
10% Popularity • 43% Danceability • 13% Energy • 10% Liveness
54% Instrumentalness • 23% Positiveness
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Douglas Brown
Big Bang - Journey to the Outer Galaxies
79 bpm • A Maj • 04:35 • -10.57db
12% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Peter Nylander Quartet
Eyes Open
81 bpm • G min • 03:05 • -10.17db
12% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Dave Douglas
Third Dream
78 bpm • D min • 03:51 • -16.72db
13% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jasper Somsen
Crossroads
82 bpm • D min • 03:43 • -15.48db
8% Popularity • 47% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
8% Popularity • 47% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
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Piero Delle Monache
La risacca
82 bpm • G min • 06:11 • -16.99db
10% Popularity • 37% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
10% Popularity • 37% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 10% Positiveness
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Franck Amsallem
Years Gone By
78 bpm • B min • 04:31 • -18.03db
16% Popularity • 38% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
16% Popularity • 38% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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ピアノジャズ
思い出-リラックス
78 bpm • D min • 01:50 • -21.78db
20% Popularity • 73% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 27% Positiveness
20% Popularity • 73% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 27% Positiveness
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Marco Mezquida
Tornado
78 bpm • D min • 03:42 • -11.86db
7% Popularity • 23% Danceability • 56% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
7% Popularity • 23% Danceability • 56% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
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Trio Del Norte
Can't Wait to See You Again
82 bpm • A# Maj • 07:09 • -24.41db
15% Popularity • 38% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
15% Popularity • 38% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Sonic Skin
Slowhand
78 bpm • C min • 06:02 • -13.84db
4% Popularity • 36% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
4% Popularity • 36% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Horvat Trio
My Passion
82 bpm • B Maj • 04:23 • -19.16db
17% Popularity • 57% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
17% Popularity • 57% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 7% Positiveness
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Steve Amirault
Bye Bye Blackbird
83 bpm • D# Maj • 04:18 • -12.43db
0% Popularity • 56% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
0% Popularity • 56% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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ピアノジャズ
カフェ(雰囲気)
78 bpm • E min • 01:51 • -22.42db
11% Popularity • 70% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 70% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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The Groove Trio
Soul Dancer
83 bpm • F min • 03:53 • -17.12db
8% Popularity • 42% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Maurizio Minardi
Au Bord De L'Eau
83 bpm • A# Maj • 05:26 • -17.39db
4% Popularity • 53% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
4% Popularity • 53% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Monty Alexander
June 6
77 bpm • E min • 06:15 • -13.02db
19% Popularity • 47% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
19% Popularity • 47% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Silenzioso Lavoro da Casa
Negozio Allegro
77 bpm • E min • 01:51 • -21db
10% Popularity • 75% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
10% Popularity • 75% Danceability • 25% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
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Tom Berkmann
Torn
83 bpm • A# min • 06:21 • -12.97db
9% Popularity • 52% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
9% Popularity • 52% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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Ken Stubbs
Hidden Variations for Harold Danko, Pt. ...
83 bpm • D min • 07:59 • -16.81db
14% Popularity • 34% Danceability • 16% Energy • 9% Liveness
64% Instrumentalness • 14% Positiveness
14% Popularity • 34% Danceability • 16% Energy • 9% Liveness
64% Instrumentalness • 14% Positiveness
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The Groove Trio
Fire Inside
83 bpm • F# Maj • 03:08 • -21.57db
28% Popularity • 57% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 54% Positiveness
28% Popularity • 57% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 54% Positiveness
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Wonder Eve
Tears
84 bpm • F Maj • 03:32 • -16.13db
43% Popularity • 43% Danceability • 15% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
43% Popularity • 43% Danceability • 15% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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Vladimir Torres
Extrañando
84 bpm • G min • 06:19 • -17.34db
15% Popularity • 36% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 36% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Petter Bergander Trio
Get Out Of Here
84 bpm • A# min • 04:11 • -16.13db
13% Popularity • 42% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
13% Popularity • 42% Danceability • 43% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
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Trio Del Norte
Follow Your Dreams
84 bpm • G min • 06:12 • -23.56db
43% Popularity • 46% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
43% Popularity • 46% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Markus Schieferdecker
Sky Dive
84 bpm • G min • 05:41 • -14.06db
8% Popularity • 42% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 20% Positiveness
8% Popularity • 42% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 20% Positiveness
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The Groove Trio
Lonesome Flower
84 bpm • F min • 02:44 • -15.69db
10% Popularity • 29% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
10% Popularity • 29% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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ピアノジャズ 贅沢
器楽-喫茶店
76 bpm • B min • 01:53 • -21.26db
19% Popularity • 76% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
19% Popularity • 76% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Douglas Brown
Swatin
84 bpm • B Maj • 05:51 • -14.05db
12% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
12% Popularity • 41% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Steve Amirault
My One and Only Love
76 bpm • C Maj • 08:10 • -14.35db
0% Popularity • 32% Danceability • 50% Energy • 26% Liveness
89% Instrumentalness • 59% Positiveness
0% Popularity • 32% Danceability • 50% Energy • 26% Liveness
89% Instrumentalness • 59% Positiveness
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Berliner Luft Quartet
You're Too Good to Me
85 bpm • B min • 05:35 • -19.14db
38% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
38% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Kerem Görsev
Gardenin
85 bpm • C# Maj • 05:42 • -13.52db
15% Popularity • 37% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 25% Positiveness
15% Popularity • 37% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 25% Positiveness
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The Groove Trio
She Stole My Heart While I Was Asleep
76 bpm • B Maj • 03:16 • -17.21db
19% Popularity • 46% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
19% Popularity • 46% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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Sebastián Chames
Dwayne Deserves
75 bpm • G Maj • 07:51 • -15.5db
8% Popularity • 37% Danceability • 29% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
8% Popularity • 37% Danceability • 29% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
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Outside World
Breathing Wish
85 bpm • C Maj • 08:16 • -15.53db
30% Popularity • 36% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Steve Amirault
Je vois Clémente danser
85 bpm • C Maj • 08:20 • -18.21db
0% Popularity • 42% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
0% Popularity • 42% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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ピアノジャズ 贅沢
シック-BGM
75 bpm • C Maj • 01:54 • -21.65db
15% Popularity • 68% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
15% Popularity • 68% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Ewan Svensson
Looking Forward
85 bpm • D Maj • 04:28 • -18.98db
9% Popularity • 44% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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AGE
Valse Bancale
85 bpm • C# min • 04:39 • -14.1db
10% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
10% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
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Perico Sambeat
- PERICO & KENNY WHEELER TEMA 2. Sea Lad...
75 bpm • E Maj • 09:28 • -14.49db
18% Popularity • 27% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 12% Positiveness
18% Popularity • 27% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 12% Positiveness
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Monty Alexander
River Of Piece
86 bpm • E Maj • 05:49 • -14.42db
18% Popularity • 47% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
18% Popularity • 47% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Steve Amirault
All Of Me
75 bpm • F min • 05:06 • -12.67db
0% Popularity • 56% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 56% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tomasz Dąbrowski
Bataty
75 bpm • G min • 07:22 • -14.03db
22% Popularity • 22% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
22% Popularity • 22% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
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Lluis Capdevila
Another Day
86 bpm • F# min • 04:34 • -15.37db
8% Popularity • 37% Danceability • 52% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
8% Popularity • 37% Danceability • 52% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Gianluca Vigliar
Satellite's Highway - Studio
86 bpm • E min • 08:13 • -10.37db
13% Popularity • 46% Danceability • 51% Energy • 30% Liveness
84% Instrumentalness • 37% Positiveness
13% Popularity • 46% Danceability • 51% Energy • 30% Liveness
84% Instrumentalness • 37% Positiveness
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Triód
Ack Värmeland, Du Sköna (Dear Old Stoc...
74 bpm • D min • 06:07 • -18.58db
8% Popularity • 49% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
8% Popularity • 49% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Jazz radio collective
Blue Bossa
86 bpm • F min • 05:23 • -13.14db
16% Popularity • 54% Danceability • 35% Energy • 9% Liveness
63% Instrumentalness • 79% Positiveness
16% Popularity • 54% Danceability • 35% Energy • 9% Liveness
63% Instrumentalness • 79% Positiveness
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Steve Amirault
It'll be Ok
75 bpm • F Maj • 05:26 • -17.08db
0% Popularity • 29% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
0% Popularity • 29% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Salomão Soares
Ponto de Luz (Intro)
74 bpm • C min • 01:05 • -18.11db
17% Popularity • 39% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
17% Popularity • 39% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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André Murraças
Ice Cream Boy
86 bpm • F Maj • 06:46 • -13.98db
12% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Easy Camel Trio
春の歌
87 bpm • C Maj • 03:48 • -16.26db
15% Popularity • 40% Danceability • 36% Energy • 9% Liveness
67% Instrumentalness • 62% Positiveness
15% Popularity • 40% Danceability • 36% Energy • 9% Liveness
67% Instrumentalness • 62% Positiveness
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Francesco Scaramuzzino
All You Images
87 bpm • G Maj • 06:21 • -15db
8% Popularity • 37% Danceability • 30% Energy • 9% Liveness
73% Instrumentalness • 8% Positiveness
8% Popularity • 37% Danceability • 30% Energy • 9% Liveness
73% Instrumentalness • 8% Positiveness
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Simio
A Beautiful Thing
74 bpm • G min • 05:53 • -20.4db
15% Popularity • 49% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
15% Popularity • 49% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Steve Amirault
Breath
74 bpm • G# Maj • 01:33 • -15.95db
0% Popularity • 37% Danceability • 24% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
0% Popularity • 37% Danceability • 24% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
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Jacob Schwarz Trio
Tree Path
87 bpm • C min • 03:09 • -30.29db
10% Popularity • 61% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
10% Popularity • 61% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Edson Ensemble
Future Underground
88 bpm • A# min • 09:00 • -15.25db
9% Popularity • 34% Danceability • 29% Energy • 20% Liveness
91% Instrumentalness • 35% Positiveness
9% Popularity • 34% Danceability • 29% Energy • 20% Liveness
91% Instrumentalness • 35% Positiveness
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Nello Toscano
Tell Me About Yourself
88 bpm • A min • 04:30 • -19.24db
12% Popularity • 37% Danceability • 6% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
12% Popularity • 37% Danceability • 6% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
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Hayden Powell
Improvisation #6
88 bpm • D Maj • 01:04 • -12.99db
28% Popularity • 72% Danceability • 30% Energy • 36% Liveness
88% Instrumentalness • 60% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 36% Liveness
88% Instrumentalness • 60% Positiveness
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Xylo Vortex
Saxophone day
88 bpm • A# min • 01:53 • -14.38db
24% Popularity • 49% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
24% Popularity • 49% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Steve Amirault
Moon River
88 bpm • G# Maj • 05:47 • -15.27db
0% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Nefeli Fasouli
The Worst Is yet to Come
88 bpm • C# Maj • 07:45 • -12.09db
13% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Reinier Baas
Pivot & Swivel
88 bpm • C# Maj • 04:22 • -13.42db
18% Popularity • 60% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
18% Popularity • 60% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
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Jamie Baum
In Those Years
88 bpm • A min • 09:34 • -11.73db
7% Popularity • 35% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
7% Popularity • 35% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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David Whitman
With Love
73 bpm • G min • 05:21 • -8.43db
13% Popularity • 47% Danceability • 37% Energy • 11% Liveness
68% Instrumentalness • 36% Positiveness
13% Popularity • 47% Danceability • 37% Energy • 11% Liveness
68% Instrumentalness • 36% Positiveness
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Carl Bagge
Silverträsk
88 bpm • F min • 06:09 • -16.72db
13% Popularity • 33% Danceability • 27% Energy • 12% Liveness
6% Instrumentalness • 28% Positiveness
13% Popularity • 33% Danceability • 27% Energy • 12% Liveness
6% Instrumentalness • 28% Positiveness
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Lukmil Perez
ABC
88 bpm • G# Maj • 05:35 • -16.84db
8% Popularity • 51% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 51% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Roque Martinez
Embrujado
88 bpm • G Maj • 01:51 • -12.04db
8% Popularity • 33% Danceability • 10% Energy • 10% Liveness
35% Instrumentalness • 21% Positiveness
8% Popularity • 33% Danceability • 10% Energy • 10% Liveness
35% Instrumentalness • 21% Positiveness
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Alexis Valet
What's Next
88 bpm • F min • 04:53 • -14.83db
13% Popularity • 62% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 50% Positiveness
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Nypan
Starfall
88 bpm • D# Maj • 04:49 • -20db
8% Popularity • 41% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
8% Popularity • 41% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Tobin Mueller
Oasis on the Rocks
72 bpm • C# Maj • 03:21 • -9.05db
28% Popularity • 53% Danceability • 60% Energy • 13% Liveness
63% Instrumentalness • 36% Positiveness
28% Popularity • 53% Danceability • 60% Energy • 13% Liveness
63% Instrumentalness • 36% Positiveness
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Wajdi Riahi
Inel Blues
72 bpm • C Maj • 08:27 • -21.59db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Erlend Skomsvoll Trio
Måkkebøkke
89 bpm • A# min • 05:22 • -16.64db
13% Popularity • 72% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
13% Popularity • 72% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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ピアノジャズ 贅沢
思い出-カフェ
72 bpm • C min • 01:58 • -22.65db
18% Popularity • 64% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
18% Popularity • 64% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
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Xylo Vortex
Smooth jazz twilight
89 bpm • A# min • 01:37 • -21.79db
9% Popularity • 56% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
9% Popularity • 56% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
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Lynne Arriale Trio
Curiosity
89 bpm • F# Maj • 02:43 • -16.32db
14% Popularity • 34% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
14% Popularity • 34% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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Steve Amirault
All Those Lovely Things
89 bpm • G# Maj • 05:32 • -16.41db
0% Popularity • 38% Danceability • 45% Energy • 9% Liveness
81% Instrumentalness • 42% Positiveness
0% Popularity • 38% Danceability • 45% Energy • 9% Liveness
81% Instrumentalness • 42% Positiveness
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Conception In Blue
So Tender
89 bpm • F Maj • 05:58 • -26.41db
20% Popularity • 37% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
20% Popularity • 37% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Petter Bergander Trio
Kierkegaard’s Waltz
89 bpm • F# min • 04:34 • -15.91db
9% Popularity • 30% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
9% Popularity • 30% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
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Jo-Yu Chen
Spooky Ooky
89 bpm • C Maj • 04:38 • -18.47db
9% Popularity • 54% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
9% Popularity • 54% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Xylo Vortex
Midnight blue reveries
72 bpm • D min • 01:29 • -24.81db
13% Popularity • 62% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
13% Popularity • 62% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Jiří Slavík
Same Old S
90 bpm • G Maj • 03:03 • -18.35db
11% Popularity • 57% Danceability • 27% Energy • 10% Liveness
69% Instrumentalness • 48% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 10% Liveness
69% Instrumentalness • 48% Positiveness
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Adam Birnbaum
Prelude in C Major
90 bpm • C Maj • 05:29 • -21.12db
8% Popularity • 46% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 36% Positiveness
