Songs like Penny Reel-O by Eric Morris
Based on a tempo of (+/- 10%) and a similar genre
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The Techniques
When You Are Wrong
131 bpm • C# Maj • 02:24 • -8.48db
11% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Kingstonians
Complicated Scene
131 bpm • C Maj • 02:34 • -11.28db
6% Popularity • 88% Danceability • 53% Energy • 6% Liveness
15% Instrumentalness • 90% Positiveness
6% Popularity • 88% Danceability • 53% Energy • 6% Liveness
15% Instrumentalness • 90% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
21% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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The Hippy Boys
Moon Walk
131 bpm • C Maj • 03:35 • -15.47db
15% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
15% Popularity • 92% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
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Don Drummond
Melody Jamboree
131 bpm • G# Maj • 03:08 • -8.36db
9% Popularity • 85% Danceability • 61% Energy • 6% Liveness
88% Instrumentalness • 90% Positiveness
9% Popularity • 85% Danceability • 61% Energy • 6% Liveness
88% Instrumentalness • 90% Positiveness
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Desmond Dekker & The Four Aces
Soldering
132 bpm • C# Maj • 02:32 • -8.35db
10% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 89% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Roy & Yvonne
Two Roads
132 bpm • G# Maj • 02:22 • -8.72db
9% Popularity • 88% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd Charmers
Soul Of England
130 bpm • C Maj • 02:32 • -8.83db
11% Popularity • 74% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 74% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Dynamites
John Public (Tom Hark)
130 bpm • G Maj • 02:11 • -8.37db
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 62% Energy • 62% Liveness
18% Instrumentalness • 96% Positiveness
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Eric Morris
Penny Reel
130 bpm • D# Maj • 02:29 • -11db
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 87% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Don Drummond
Lucky Seven
130 bpm • D min • 02:52 • -5.11db
17% Popularity • 74% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
17% Popularity • 74% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Lord Creator
Man To Man
130 bpm • A# Maj • 02:28 • -13db
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Justin Hinds
Rub Up Push Up
129 bpm • D# min • 02:45 • -9db
22% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
22% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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Eric Morris
Black Man Ska
130 bpm • G min • 02:41 • -9.75db
1% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
1% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The Ethiopians
Hong Kong Flu
129 bpm • D Maj • 02:18 • -8.98db
28% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
28% Popularity • 94% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 87% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:10 • -5.6db
17% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Baba Brooks
River Bank, Pt. 2
130 bpm • C Maj • 02:55 • -8.49db
12% Popularity • 88% Danceability • 56% Energy • 26% Liveness
66% Instrumentalness • 82% Positiveness
12% Popularity • 88% Danceability • 56% Energy • 26% Liveness
66% Instrumentalness • 82% Positiveness
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Lord Tanamo
Taller Than You Are
129 bpm • C# Maj • 02:23 • -9.6db
22% Popularity • 77% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
22% Popularity • 77% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Dandy
Raining in My Heart
133 bpm • G min • 03:20 • -8.72db
13% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 63% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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The Kingstonians
Nice Nice
133 bpm • C Maj • 02:45 • -11.06db
16% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
16% Popularity • 88% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 99% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
35% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
Jump Out of the Frying Pan
129 bpm • C Maj • 02:17 • -8.75db
20% Popularity • 79% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 79% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Lyn Taitt
Forty Miles of Bad Road
129 bpm • D# Maj • 02:36 • -7.4db
14% Popularity • 70% Danceability • 82% Energy • 22% Liveness
85% Instrumentalness • 98% Positiveness
14% Popularity • 70% Danceability • 82% Energy • 22% Liveness
85% Instrumentalness • 98% Positiveness
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The Gaylads
You Had Your Chance
133 bpm • D# Maj • 02:48 • -7.97db
13% Popularity • 63% Danceability • 60% Energy • 16% Liveness
12% Instrumentalness • 96% Positiveness
13% Popularity • 63% Danceability • 60% Energy • 16% Liveness
12% Instrumentalness • 96% Positiveness
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The Techniques
I Am In Love
128 bpm • C Maj • 02:28 • -6.75db
7% Popularity • 77% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Lord Tanamo
I'm in the Mood for Love (I'm in the Moo...
129 bpm • D# Maj • 02:31 • -8.29db
42% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
42% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
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Don Drummond
Don De Lion
128 bpm • C min • 02:25 • -10db
32% Popularity • 86% Danceability • 79% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
32% Popularity • 86% Danceability • 79% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
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Eric Morris
There's a Place
128 bpm • G Maj • 02:42 • -4.99db
1% Popularity • 70% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 70% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Lord Creator
I'm Wasting Time
134 bpm • G# Maj • 02:34 • -13db
14% Popularity • 69% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 69% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Kingstonians
The Clip
129 bpm • C Maj • 02:46 • -11.01db
17% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
17% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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Lord Tanamo
You Belong to My Heart
128 bpm • D# Maj • 02:24 • -10.38db
25% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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Rico
Brixton Cat
134 bpm • F Maj • 02:37 • -8.67db
14% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 80% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Harry J Allstars
Spyrone
134 bpm • A# min • 02:12 • -9.61db
15% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
15% Popularity • 67% Danceability • 61% Energy • 35% Liveness
79% Instrumentalness • 91% Positiveness
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Don Drummond
Confucious
128 bpm • D Maj • 02:52 • -5.97db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Pat Kelly
I Am Coming Home
134 bpm • B min • 03:47 • -7.34db
22% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lord Tanamo
If You Were Mine
128 bpm • G Maj • 03:00 • -8.13db
11% Popularity • 66% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 66% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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The Kingstonians
Rumble Rumble
128 bpm • D Maj • 02:51 • -13.33db
6% Popularity • 77% Danceability • 46% Energy • 17% Liveness
29% Instrumentalness • 95% Positiveness
6% Popularity • 77% Danceability • 46% Energy • 17% Liveness
29% Instrumentalness • 95% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
23% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Don Drummond
Don Cosmic
128 bpm • F Maj • 02:32 • -10.66db
22% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
22% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
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The Ethiopians
Hong Kong Flu
128 bpm • D Maj • 02:34 • -11.04db
10% Popularity • 95% Danceability • 60% Energy • 5% Liveness
10% Instrumentalness • 90% Positiveness
10% Popularity • 95% Danceability • 60% Energy • 5% Liveness
10% Instrumentalness • 90% Positiveness
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Lord Creator
Wicked Lady
128 bpm • C Maj • 02:37 • -12.24db
11% Popularity • 85% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 85% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd and Claudette
Queen of the World
135 bpm • A# Maj • 02:16 • -7.16db
28% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
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The Blues Busters
Donna
135 bpm • G Maj • 01:49 • -9.47db
23% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Jackie Opel
You Too Bad
127 bpm • C Maj • 02:34 • -7db
25% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Don Drummond
Alipanga
128 bpm • D Maj • 03:05 • -8.26db
20% Popularity • 67% Danceability • 69% Energy • 28% Liveness
88% Instrumentalness • 68% Positiveness
20% Popularity • 67% Danceability • 69% Energy • 28% Liveness
88% Instrumentalness • 68% Positiveness
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Justin Hinds & The Dominoes
Botheration
135 bpm • G Maj • 02:20 • -6.45db
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Richards
Contact
127 bpm • C Maj • 02:28 • -7.66db
13% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
13% Popularity • 89% Danceability • 81% Energy • 3% Liveness
68% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
19% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
19% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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Baba Brooks
Night Food
127 bpm • C Maj • 02:47 • -8.09db
12% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 92% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
23% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
23% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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Freddie Notes
Shanghai
127 bpm • D# Maj • 02:37 • -7.24db
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
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The Zodiacs
Renegade
127 bpm • F# min • 02:40 • -6.25db
24% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Baba Brooks & His Band
One Eyed Giant
127 bpm • A min • 03:07 • -5.66db
12% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
12% Popularity • 86% Danceability • 75% Energy • 7% Liveness
84% Instrumentalness • 97% Positiveness
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Justin Hinds
Over The River
127 bpm • C Maj • 02:21 • -11.62db
28% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Lord Tanamo
Iron Bar
127 bpm • F Maj • 02:16 • -9.47db
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Val Bennett
Jumping with Val
136 bpm • A# Maj • 02:57 • -11.22db
17% Popularity • 77% Danceability • 49% Energy • 18% Liveness
89% Instrumentalness • 96% Positiveness
17% Popularity • 77% Danceability • 49% Energy • 18% Liveness
89% Instrumentalness • 96% Positiveness
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Millie
Honey Hush
126 bpm • C# Maj • 02:46 • -7.63db
9% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 72% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The Blues Busters
There's Always Sunshine
126 bpm • A Maj • 02:43 • -12db
17% Popularity • 53% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
17% Popularity • 53% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 49% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
16% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
16% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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Gloria & The Dreamlets
Really Now
126 bpm • G Maj • 02:22 • -7.22db
19% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
19% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
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Symarip
Try Me Best
136 bpm • B Maj • 02:51 • -8.05db
24% Popularity • 82% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
24% Popularity • 82% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
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Eric Morris
G.I. Lady (A Love I Must Find)
126 bpm • C# Maj • 02:23 • -10.58db
0% Popularity • 60% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 60% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Clancy Eccles
Sammy No Dead
126 bpm • D Maj • 01:49 • -11.53db
24% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 92% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
26% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Baba Brooks & His Band
Catch a Fire
126 bpm • D# Maj • 02:42 • -9.28db
12% Popularity • 89% Danceability • 53% Energy • 28% Liveness
93% Instrumentalness • 86% Positiveness
12% Popularity • 89% Danceability • 53% Energy • 28% Liveness
93% Instrumentalness • 86% Positiveness
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Lord Creator
Don't Stay Out Late
126 bpm • D# Maj • 02:43 • -10.58db
15% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Desmond Dekker & The Four Aces
This Woman
126 bpm • F Maj • 02:33 • -9.13db
23% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Kingstonians
Your Love
126 bpm • C Maj • 03:02 • -11.76db
14% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
14% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
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Chuck Josephs
I Don't Need Your Love
125 bpm • C# Maj • 02:51 • -10.3db
16% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
16% Popularity • 84% Danceability • 27% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
9% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Roland Alphonso
Rude Boy
126 bpm • C min • 02:48 • -10.1db
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
15% Popularity • 81% Danceability • 44% Energy • 7% Liveness
69% Instrumentalness • 82% Positiveness
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Justin Hinds
King Samuel
125 bpm • A# Maj • 02:34 • -6.29db
16% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Eric Morris
For Your Love
125 bpm • G Maj • 02:52 • -9.77db
0% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Ethiopians
Woman Capture Man
125 bpm • C Maj • 02:24 • -8db
28% Popularity • 89% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 89% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Lord Creator
Evening News
125 bpm • C Maj • 02:31 • -9.75db
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Frank Cosmo
Lollipop I'm in Love (Take 1)
124 bpm • F Maj • 03:05 • -8.19db
2% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
2% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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The Baba Brooks Band
Ska Virginia (Virginia Ska)
126 bpm • F Maj • 02:19 • -10.25db
10% Popularity • 85% Danceability • 76% Energy • 16% Liveness
77% Instrumentalness • 81% Positiveness
10% Popularity • 85% Danceability • 76% Energy • 16% Liveness
77% Instrumentalness • 81% Positiveness
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The Silvertones
True Confession
124 bpm • G Maj • 02:41 • -5.02db
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 78% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Justin Hinds & The Dominoes
Carry Go, Bring Come
124 bpm • C Maj • 02:44 • -7.7db
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds
Carry Go Bring Come
124 bpm • C Maj • 02:44 • -10.94db
36% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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Tommy McCook & The Supersonics
Tribute to Rameses
139 bpm • C# Maj • 02:18 • -6db
9% Popularity • 78% Danceability • 54% Energy • 4% Liveness
70% Instrumentalness • 81% Positiveness
9% Popularity • 78% Danceability • 54% Energy • 4% Liveness
70% Instrumentalness • 81% Positiveness
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Lyn Taitt
Skalarama (The Magnificent Seven Theme)
126 bpm • F Maj • 02:52 • -6.64db
13% Popularity • 87% Danceability • 74% Energy • 7% Liveness
57% Instrumentalness • 99% Positiveness
13% Popularity • 87% Danceability • 74% Energy • 7% Liveness
57% Instrumentalness • 99% Positiveness
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Clancy Eccles
Dance Beat
139 bpm • G# Maj • 03:09 • -12.22db
14% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 79% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Kingstonians
I'll Be Around
139 bpm • E Maj • 02:26 • -10.37db
10% Popularity • 68% Danceability • 55% Energy • 16% Liveness
5% Instrumentalness • 97% Positiveness
10% Popularity • 68% Danceability • 55% Energy • 16% Liveness
5% Instrumentalness • 97% Positiveness
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The Tennors
Baff Boom
123 bpm • C Maj • 03:02 • -11.16db
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Blues Busters
Wings Of A Dove
123 bpm • G# Maj • 02:40 • -11.71db
24% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Dandy
Reggae in Your Jeggae
139 bpm • D min • 02:57 • -7.41db
27% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
28% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Baba Brooks Band
Vitamin A
123 bpm • F min • 02:53 • -4.72db
14% Popularity • 73% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
14% Popularity • 73% Danceability • 94% Energy • 17% Liveness
1% Instrumentalness • 95% Positiveness
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The Kingstonians
Winey Winey (Reggae)
140 bpm • C# Maj • 03:27 • -13.7db
8% Popularity • 76% Danceability • 40% Energy • 9% Liveness
46% Instrumentalness • 96% Positiveness
8% Popularity • 76% Danceability • 40% Energy • 9% Liveness
46% Instrumentalness • 96% Positiveness