Songs like People Like You by Johnny Reid
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Reid
This Is Not Goodbye
140 bpm • E Maj • 04:21 • -5.36db
20% Popularity • 60% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 60% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Sammy Kershaw
Love of My Life
140 bpm • A# Maj • 04:26 • -9.64db
40% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Brad Paisley
My Miracle
140 bpm • E Maj • 04:10 • -6db
37% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Danny Gokey
I Will Not Say Goodbye
140 bpm • D# Maj • 03:52 • -5db
36% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Oak Ridge Boys
Love, Light, and Healing
140 bpm • E Maj • 02:53 • -10.88db
9% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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rory feek
Gentleman
140 bpm • F# Maj • 04:01 • -8.99db
16% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Reid
People Like You
140 bpm • F Maj • 03:57 • -11.9db
27% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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David Nail
In The Ghetto
140 bpm • G Maj • 03:15 • -9db
33% Popularity • 51% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Kroeze
Burning House
140 bpm • A# Maj • 03:57 • -6.75db
21% Popularity • 61% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Craig Morgan
The Father, My Son, And The Holy Ghost
140 bpm • C Maj • 04:08 • -5.62db
44% Popularity • 60% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 60% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Brett James
Lonely Ain't So Lonely
140 bpm • A# Maj • 03:32 • -5.26db
24% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone - wit...
140 bpm • G Maj • 04:18 • -8db
40% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Diamond Rio
God Only Cries
140 bpm • A# Maj • 03:57 • -11db
21% Popularity • 53% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 53% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Portia Clark
Ready To Fall
140 bpm • C# min • 04:31 • -4.73db
12% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Pete Muller
Let You in
139 bpm • F Maj • 04:37 • -10.68db
10% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zac Brown Band
Sweet Annie (Live)
141 bpm • F# Maj • 04:38 • -8.11db
22% Popularity • 40% Danceability • 37% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 40% Danceability • 37% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Townes
When I Meet My Maker
141 bpm • D# Maj • 03:32 • -10db
37% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Highway Women
God Made Me Right
141 bpm • G Maj • 03:28 • -6.43db
9% Popularity • 62% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 62% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Hillary Scott & The Scott Family
Love Remains
139 bpm • D Maj • 03:56 • -9.8db
34% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Reid
Pinstripe Suit
139 bpm • G Maj • 04:35 • -9.22db
14% Popularity • 46% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 46% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kellie Coffey
When You Lie Next To Me
138 bpm • F Maj • 03:59 • -10db
30% Popularity • 31% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 31% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Lauren Mascitti
All the Words He Never Said
142 bpm • G Maj • 03:41 • -5.76db
9% Popularity • 52% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 52% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Zac Brown
Leader Of The Band
138 bpm • D Maj • 05:07 • -10.51db
34% Popularity • 52% Danceability • 35% Energy • 86% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 52% Danceability • 35% Energy • 86% Liveness
0% Instrumentalness • 45% Positiveness
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Tim McGraw
Sleeping in the Stars
138 bpm • G Maj • 04:00 • -7.29db
27% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Martina McBride
Girls Like Me
142 bpm • D Maj • 03:15 • -4.83db
26% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Emerson Drive
Moments
142 bpm • A Maj • 04:58 • -8db
42% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jim Cuddy
Everybody Cries
138 bpm • D Maj • 03:45 • -7.44db
13% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tenille Townes
Jersey on the Wall - I'm Just Asking
142 bpm • C Maj • 04:05 • -7db
47% Popularity • 65% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
47% Popularity • 65% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Taylor Hicks
Six Strings and Diamond Rings
142 bpm • B Maj • 03:41 • -7db
11% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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John Berry
What a Woman Wants
138 bpm • A Maj • 03:32 • -7.81db
7% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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ADLEY
What If I Stay
138 bpm • F Maj • 03:47 • -3.39db
20% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Chrissy Metz
Actress
138 bpm • D Maj • 03:35 • -6.33db
21% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Brennley Brown
Keep Coming Back
138 bpm • C# min • 03:41 • -8.57db
11% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ronnie Milsap
Smokey Mountain Rain
142 bpm • F Maj • 03:45 • -7db
27% Popularity • 52% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Reid
Is It Lonely Where Your Heart Is
138 bpm • G Maj • 03:47 • -6.85db
20% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Mitch Rossell
The Rain
138 bpm • G Maj • 04:03 • -6.97db
24% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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JJS Allstars
It's Your Song
138 bpm • G# Maj • 03:45 • -9.49db
12% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jay Allen
Blank Stares
138 bpm • G Maj • 04:08 • -9.49db
32% Popularity • 42% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 42% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Heartland
Built To Last
138 bpm • D Maj • 04:14 • -8.73db
21% Popularity • 45% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 45% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Martina McBride
I'm Gonna Love You Through It
143 bpm • F Maj • 03:47 • -5db
43% Popularity • 43% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 43% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Reid
Dedicated To You
137 bpm • C Maj • 04:02 • -8.78db
12% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Mitch Rossell
2020
142 bpm • B Maj • 03:00 • -7.3db
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Matthews
That's What Mamas Do
143 bpm • D# Maj • 04:02 • -7.15db
27% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Donna Taggart
When the Right One Comes Along
137 bpm • C Maj • 03:44 • -9.2db
27% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Heartland
I Loved Her First
138 bpm • E Maj • 03:36 • -7.41db
36% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Martina McBride
Anyway
137 bpm • F Maj • 04:40 • -6.77db
35% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John Rich
Earth to God
137 bpm • C Maj • 02:59 • -8.07db
28% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Hal Ketchum
Stay Forever
137 bpm • G# Maj • 02:56 • -8.22db
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Jo Dee Messina
Heaven Was Needing A Hero
143 bpm • C Maj • 04:24 • -12.4db
42% Popularity • 38% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 38% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Brett James
True Believer
143 bpm • C min • 03:15 • -6.73db
26% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Heartland
When Love Comes Around
137 bpm • A Maj • 03:27 • -5.97db
10% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Patricia Maguire
You Can Let Go Now Daddy
144 bpm • G Maj • 03:24 • -9.04db
35% Popularity • 52% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 52% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Lee Brice
Hey World
144 bpm • G Maj • 03:14 • -11db
27% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jillian Cardarelli
Strong
144 bpm • E Maj • 03:31 • -6.94db
18% Popularity • 55% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 55% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Jessi Alexander
The Climb
144 bpm • D# Maj • 04:12 • -7.63db
33% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Folks Like Them
Fog On The Mountain
144 bpm • A Maj • 03:40 • -9.31db
16% Popularity • 58% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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The Swon Brothers
Mommas
144 bpm • G# Maj • 03:29 • -6.18db
26% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Claudia Hoyser
Red Light's Turning Green
144 bpm • G# Maj • 03:56 • -6.11db
13% Popularity • 50% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 50% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lee Brice
Hey World
144 bpm • G Maj • 03:17 • -10db
32% Popularity • 48% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 48% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Shenandoah
If Only
144 bpm • A Maj • 03:20 • -9.08db
15% Popularity • 66% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 66% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Jessi Alexander
I Should Probably Go Now
144 bpm • G# Maj • 03:38 • -10.15db
7% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jennifer Nettles
I Can Do Hard Things - Full Length Versi...
144 bpm • A Maj • 04:26 • -9.44db
12% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Sherrié Austin
Streets Of Heaven - Re-recorded 2011
136 bpm • D# Maj • 04:24 • -5.36db
23% Popularity • 51% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 51% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Jimmy Rankin
Walk That Way
136 bpm • C# Maj • 03:38 • -5.65db
15% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 54% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Johnny Reid
Love Someone
136 bpm • G Maj • 04:29 • -16.01db
17% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Billy Dean
Let Them Be Little
136 bpm • C# Maj • 03:45 • -5db
39% Popularity • 54% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 54% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Clint Black
Spend My Time
136 bpm • C Maj • 04:06 • -9.45db
30% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jennifer Nettles
I Can Do Hard Things
144 bpm • A Maj • 03:45 • -7db
31% Popularity • 37% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 37% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Charles Kelley
As Far As You Could
136 bpm • G Maj • 03:46 • -7.28db
28% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jessi Alexander
I Drive Your Truck
136 bpm • C Maj • 04:16 • -9.71db
13% Popularity • 54% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 54% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Reid
People Like You - Acoustic Version
136 bpm • G Maj • 04:17 • -10.89db
14% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cover Queens
I'll Stand By You
136 bpm • G Maj • 03:15 • -8db
23% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Hal Ketchum
On The Wings Of A Dove
145 bpm • G Maj • 03:45 • -11.63db
31% Popularity • 58% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 58% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Jessica Andrews
Never Be Forgotten
136 bpm • G Maj • 03:47 • -5.17db
28% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Travis Tritt
Set In Stone - Acoustic
135 bpm • D Maj • 03:07 • -6.84db
17% Popularity • 66% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 66% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Sawyer Brown
All These Years
145 bpm • F# Maj • 03:21 • -11db
42% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Johnny Reid
What Love Is All About
136 bpm • C# Maj • 03:55 • -6.52db
33% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Andy Griggs
If Heaven
145 bpm • E Maj • 03:30 • -9db
36% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Brooks Jefferson
Mom
145 bpm • D Maj • 04:00 • -7.93db
31% Popularity • 52% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Reba McEntire
Sweet Music Man
145 bpm • E Maj • 03:27 • -10.77db
22% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Kroeze
Four Letter Words
145 bpm • A Maj • 03:35 • -8.46db
12% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Donna Taggart
Thorn Upon the Rose
135 bpm • D# Maj • 04:52 • -7.61db
22% Popularity • 40% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Avalon Kali
Kitchen Dance Floor
145 bpm • F Maj • 04:20 • -11.05db
16% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jack & Tim
STAND
135 bpm • E Maj • 03:32 • -14.72db
13% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Brooks Jefferson
The Dance
135 bpm • G Maj • 03:39 • -7.43db
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Johnny Reid
A Woman Like You
135 bpm • C Maj • 03:41 • -5.31db
40% Popularity • 49% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 49% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 48% Positiveness
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Jo Dee Messina
Because You Love Me
145 bpm • A Maj • 03:51 • -9.41db
36% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Reba McEntire
You Never Gave Up On Me
135 bpm • A# Maj • 03:59 • -11.53db
23% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Rick Hale
Remember When / Then (Mashup)
146 bpm • D# Maj • 03:46 • -9db
37% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Brad Paisley
Alive Right Now
146 bpm • C Maj • 03:10 • -3.98db
24% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The McClymonts
Forever Begins Tonight
146 bpm • E Maj • 04:03 • -4.83db
29% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Reid
Feelin' Alright Today
146 bpm • G Maj • 04:34 • -10.97db
16% Popularity • 70% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 70% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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James Barker
Right in Front of You
146 bpm • B Maj • 04:07 • -9db
21% Popularity • 58% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 58% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Chrissy Metz
Girl Go
146 bpm • D Maj • 03:11 • -5.33db
24% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Joey Feek
Nothing To Remember
146 bpm • G Maj • 03:41 • -7.95db
18% Popularity • 52% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 52% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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The Country Gentlemen
When You Come Back to Me Again
134 bpm • C Maj • 04:41 • -2.23db
29% Popularity • 44% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 44% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Clay Walker
I'd Love To Be Your Last
134 bpm • C# Maj • 03:24 • -10.4db
37% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Reid
Old Black Mercury
146 bpm • G Maj • 03:58 • -7.71db
21% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
