Songs like People Will Say We're In Love by Alfred Drake
Based on a tempo of (+/- 10%) and a similar genre
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Alma Kaye
Little Mohee
79 bpm • D# Maj • 03:13 • -14.53db
0% Popularity • 25% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 25% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Alfred Drake
People Will Say We're In Love
79 bpm • C# Maj • 03:10 • -12.69db
6% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Briana Carlson Goodman
Somewhere My Love
79 bpm • G# Maj • 02:23 • -12.67db
12% Popularity • 18% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 18% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Darion
Dulcinea, The Impossible Dream (Reprise)...
79 bpm • G Maj • 05:55 • -17.47db
13% Popularity • 37% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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![Ballroom: Fifty Percent cover art]()
Billy Goldenberg
Ballroom: Fifty Percent
80 bpm • D# Maj • 03:40 • -11.67db
13% Popularity • 26% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 26% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
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Don Francks, Petula Clark, The Ken Darby Singers & Ensemble
That Great Come-And-Get-It Day
80 bpm • C Maj • 03:48 • -11.68db
8% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 38% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Alfred Drake
Were Thine That Special Face - Kiss Me K...
79 bpm • A min • 04:11 • -14.73db
0% Popularity • 27% Danceability • 27% Energy • 12% Liveness
47% Instrumentalness • 35% Positiveness
0% Popularity • 27% Danceability • 27% Energy • 12% Liveness
47% Instrumentalness • 35% Positiveness
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Nellie Forbush
Finale
78 bpm • A# Maj • 02:58 • -10.97db
21% Popularity • 24% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 26% Positiveness
21% Popularity • 24% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 26% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Zero Mostel
Prologue: Tradition
80 bpm • G Maj • 06:54 • -18.45db
24% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Kaye
Life Could Not Better Be - Pop Version
80 bpm • D# Maj • 02:05 • -9.8db
14% Popularity • 65% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 65% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Edith Adams
A Little Bit In Love
80 bpm • D# Maj • 02:47 • -13db
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Alfred Drake
The Olive Tree
79 bpm • C# Maj • 02:37 • -13.43db
4% Popularity • 42% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 42% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Frederick Loewe
Camelot: Fie on Goodness
78 bpm • D# Maj • 03:34 • -13.65db
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 60% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Falling In Love With Love
80 bpm • C Maj • 03:11 • -11.59db
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Zero Mostel
Sabbath Prayer
78 bpm • F Maj • 02:26 • -20.59db
19% Popularity • 26% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 26% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Samuel Matlowsky
The Ballad of Mac the Knife
78 bpm • A min • 03:19 • -12db
4% Popularity • 56% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 56% Danceability • 27% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Ann-Margret
How Lovely to Be a Woman
78 bpm • B Maj • 02:39 • -8.23db
14% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Alfred Drake
People Will Say We're In Love
79 bpm • F# Maj • 03:11 • -6.5db
0% Popularity • 37% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 37% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Stonecutters Cut It On Stone
81 bpm • A# Maj • 02:20 • -14.66db
13% Popularity • 67% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 67% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Danny Kaye
Life Could Not Better Be
81 bpm • D# Maj • 03:00 • -10.51db
24% Popularity • 63% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 63% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Frederick Loewe
Camelot: Finale Ultimo
77 bpm • D# Maj • 02:03 • -17.84db
22% Popularity • 39% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 39% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Guys and Dolls Orchestra (1992)
Runyonland
81 bpm • G# Maj • 02:57 • -17db
27% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
27% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Alfred Drake
Rhymes Have I
80 bpm • C min • 02:45 • -11.47db
5% Popularity • 45% Danceability • 41% Energy • 61% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 45% Danceability • 41% Energy • 61% Liveness
0% Instrumentalness • 53% Positiveness
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Rex Harrison
I've Grown Accustomed To Her Face - Voic...
77 bpm • F Maj • 05:57 • -16db
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Paulo Szot
Some Enchanted Evening
82 bpm • C Maj • 02:57 • -18.14db
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
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Rudolf Friml
Love Me Tonight - Remastered Album Versi...
82 bpm • B Maj • 02:41 • -11.98db
0% Popularity • 23% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
If I Loved You
76 bpm • A# Maj • 02:02 • -23db
23% Popularity • 14% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
23% Popularity • 14% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
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Alfred Drake
The Olive Tree
78 bpm • F min • 02:41 • -10db
0% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Bill Shirley
On The Street Where You Live
81 bpm • C Maj • 02:56 • -17db
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Lt. Cable
My Girl Back Home
82 bpm • E Maj • 01:40 • -17db
26% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Brian Hooker
Only A Rose - Remastered Album Version
82 bpm • F min • 03:19 • -13.95db
0% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Charles Nelson Reilly
Put On Your Sunday Clothes
82 bpm • A Maj • 04:17 • -17.97db
15% Popularity • 43% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
15% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Alfred Drake
The Surrey With The Fringe On Top
81 bpm • A Maj • 03:07 • -12.84db
17% Popularity • 57% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 57% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Doretta Morrow
Baubles, Bangles and Beads
76 bpm • C# Maj • 04:09 • -13db
8% Popularity • 25% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 25% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Fiorello! - Original Broadway Cast
Politics And Poker
82 bpm • G Maj • 03:58 • -12db
11% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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James Cagney & Sally Sweetland
Mary's A Grand Old Name
76 bpm • D# Maj • 01:53 • -22.72db
11% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Roy Brocksmith
Ballad of Mack the Knife
82 bpm • A min • 01:41 • -16db
12% Popularity • 30% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 30% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Alfred Drake
Hammer Ring / Watermelon Cry / Didn't My...
77 bpm • C min • 02:33 • -13.97db
0% Popularity • 56% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 56% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Judy Holliday
It's A Perfect Relationship
75 bpm • G# Maj • 03:07 • -11db
11% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 45% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Jimmy McHugh
Lovely To Look At - Remastered Album Ver...
83 bpm • D# Maj • 03:09 • -15.31db
0% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Colin Donnell
Easy to Love
75 bpm • G# Maj • 03:34 • -16.79db
28% Popularity • 28% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Frederick Loewe
Camelot: Overture
75 bpm • E min • 03:12 • -13db
22% Popularity • 12% Danceability • 28% Energy • 48% Liveness
83% Instrumentalness • 27% Positiveness
22% Popularity • 12% Danceability • 28% Energy • 48% Liveness
83% Instrumentalness • 27% Positiveness
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Robert Preston
Marian The Librarian
83 bpm • C# Maj • 02:40 • -13.34db
32% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Alfred Drake
Fate
81 bpm • A# Maj • 02:28 • -11.07db
5% Popularity • 42% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 42% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Warren Galjour & The Villagers Chorus
Christopher Street
83 bpm • D# Maj • 03:26 • -8.21db
1% Popularity • 50% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 50% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Frederick Loewe
My Fair Lady: On the Street Where You Li...
83 bpm • D Maj • 02:54 • -14db
17% Popularity • 20% Danceability • 26% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 20% Danceability • 26% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Gypsy - Natalie Wood
Let Me Entertain You - Remastered Versio...
75 bpm • F min • 04:02 • -11.35db
13% Popularity • 32% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 32% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Alfred Drake
Gesticulate
81 bpm • D min • 04:20 • -10.26db
0% Popularity • 42% Danceability • 50% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 42% Danceability • 50% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
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Danny Kaye
Where Walks My True Love
84 bpm • A# Maj • 03:24 • -14.83db
9% Popularity • 27% Danceability • 23% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 27% Danceability • 23% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Weill
Almost Daylight
85 bpm • C Maj • 03:45 • -10.32db
0% Popularity • 27% Danceability • 40% Energy • 30% Liveness
1% Instrumentalness • 17% Positiveness
0% Popularity • 27% Danceability • 40% Energy • 30% Liveness
1% Instrumentalness • 17% Positiveness
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Joan Weldon
Swept Away
74 bpm • E min • 02:39 • -14.22db
0% Popularity • 46% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 46% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Robert Morse
I Believe in You
85 bpm • C Maj • 04:00 • -15.75db
15% Popularity • 39% Danceability • 17% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 39% Danceability • 17% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
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Burton Lane
Look to the Rainbow
73 bpm • C# Maj • 02:33 • -14.2db
18% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Alfred Drake
Oh, What A Beautiful Mornin'
81 bpm • D# Maj • 02:32 • -11db
17% Popularity • 40% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 40% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Joseph Darion
The Impossible Dream (The Quest) - Man O...
85 bpm • A# Maj • 02:22 • -11db
26% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Original Broadway Cast of 'Pal Joey'
Bewitched
85 bpm • C# Maj • 03:50 • -10db
12% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Shannon Bolin
Overture: Six Months Out of Every Year
73 bpm • G Maj • 04:43 • -11db
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
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Kathryn Grayson
Time After Time
73 bpm • C Maj • 01:47 • -16db
11% Popularity • 20% Danceability • 25% Energy • 32% Liveness
7% Instrumentalness • 18% Positiveness
11% Popularity • 20% Danceability • 25% Energy • 32% Liveness
7% Instrumentalness • 18% Positiveness
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Jerry Orbach
Finale: 42nd Street (Reprise) / Bows
86 bpm • D# min • 03:13 • -15db
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Alfred Drake
Lonely Room
81 bpm • C min • 02:35 • -11.82db
2% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cy Coleman
Sweet Charity: Baby, Dream Your Dream
73 bpm • B Maj • 03:45 • -16db
16% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 40% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Darion
Dulcinea - Man Of La Mancha/1965 Origina...
86 bpm • C Maj • 02:48 • -14.91db
19% Popularity • 29% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 29% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Elie Siegmeister
As I Was Going Along
86 bpm • A min • 03:20 • -8.31db
0% Popularity • 44% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 44% Danceability • 45% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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The Buffalo Bills
Sincere
86 bpm • A Maj • 01:40 • -12.52db
25% Popularity • 37% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 37% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Main Title: The Carousel Waltz
86 bpm • D Maj • 01:50 • -10.26db
18% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
18% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
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Alfred Drake
I've Come To Wive It Wealthily In Padua ...
82 bpm • A# Maj • 02:08 • -13.67db
0% Popularity • 66% Danceability • 31% Energy • 35% Liveness
29% Instrumentalness • 72% Positiveness
0% Popularity • 66% Danceability • 31% Energy • 35% Liveness
29% Instrumentalness • 72% Positiveness
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Wilfrid Hyde-White
You Did It - Voice
72 bpm • C Maj • 04:36 • -13.67db
18% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Ezio Pinza
Some Enchanted Evening
87 bpm • C Maj • 02:57 • -17.83db
19% Popularity • 19% Danceability • 18% Energy • 14% Liveness
33% Instrumentalness • 25% Positiveness
19% Popularity • 19% Danceability • 18% Energy • 14% Liveness
33% Instrumentalness • 25% Positiveness
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Kurt Weill
All the Folks Are Going Dancing "Hop, Ho...
72 bpm • D Maj • 01:21 • -8.88db
0% Popularity • 73% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 73% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Charles Strouse
It's a Bird, It's a Plane, It's Superman...
87 bpm • G# Maj • 02:36 • -13db
13% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone (Finale)
86 bpm • C Maj • 02:02 • -13.84db
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Alfred Drake
Man and Shadow - Mayfair Affair
86 bpm • G# Maj • 03:25 • -8.92db
0% Popularity • 19% Danceability • 50% Energy • 17% Liveness
7% Instrumentalness • 18% Positiveness
0% Popularity • 19% Danceability • 50% Energy • 17% Liveness
7% Instrumentalness • 18% Positiveness
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Rex Harrison
I'm Just An Ordinary Man - Voice
87 bpm • A# Maj • 04:42 • -15db
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Robert Alda
My Time Of Day
87 bpm • B Maj • 01:55 • -21.39db
10% Popularity • 30% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 30% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kurt Weill
Jennie Meeting Brack
87 bpm • F Maj • 03:47 • -13.62db
0% Popularity • 33% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 33% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Crawford
The Colours of My Life
87 bpm • F# Maj • 01:26 • -21db
22% Popularity • 25% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 25% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Alfred Drake
The Surrey With the Fringe On Top
82 bpm • E Maj • 03:08 • -9.18db
0% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Broadway Cast Recording
Always True To You (In My Fashion)
87 bpm • D Maj • 05:14 • -9.61db
22% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Louis Adrian
Fate
87 bpm • C# Maj • 02:29 • -20.35db
0% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Elie Siegmeister
Where?
87 bpm • D# Maj • 02:31 • -7.24db
0% Popularity • 30% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 21% Positiveness
0% Popularity • 30% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 21% Positiveness
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Danny Kaye
The Maladjusted Jester
87 bpm • C Maj • 03:47 • -10.54db
18% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Maria Alberghetti
Love Makes the World Go 'Round - Remaste...
88 bpm • D Maj • 01:48 • -14.03db
17% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
17% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Alfred Drake
Oh! What a Beautiful Mornin'
82 bpm • D# Maj • 02:34 • -7.25db
0% Popularity • 34% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 34% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
88 bpm • D Maj • 02:53 • -11.94db
20% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 41% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Robert Alda
Luck Be A Lady Tonight
71 bpm • C Maj • 03:01 • -22db
17% Popularity • 62% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 62% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Lt. Cable
Younger Than Springtime
88 bpm • G# Maj • 04:56 • -12db
27% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Arthur Freed
You and I
88 bpm • D Maj • 02:33 • -22.37db
22% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Frederick Loewe
My Fair Lady: I've Grown Accustomed to H...
88 bpm • C Maj • 05:21 • -15db
10% Popularity • 41% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Alfred Drake
Where Is the Life That I Led?
75 bpm • C Maj • 04:26 • -8.41db
0% Popularity • 48% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 48% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness