Songs like Per Morire: Lyrics by Francesco Paolo Tosti
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Ma...
83 bpm • D Maj • 05:48 • -25.77db
7% Popularity • 27% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
7% Popularity • 27% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: Come un bel dì...
83 bpm • F# min • 03:03 • -19.68db
11% Popularity • 20% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Federico Chueca
Chueca & Valverde: La gran vía: Tango d...
83 bpm • E min • 03:26 • -19.44db
9% Popularity • 39% Danceability • 4% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 39% Danceability • 4% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Come per me seren...
83 bpm • D# Maj • 03:09 • -21.73db
15% Popularity • 26% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore / Act 2 - "U...
83 bpm • A# min • 04:13 • -17db
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Francesco Paolo Tosti
Ideale (Arr. Mercurio)
83 bpm • A Maj • 03:56 • -21db
5% Popularity • 14% Danceability • 5% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
83 bpm • D Maj • 10:00 • -28db
18% Popularity • 17% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Francesco Paolo Tosti
Ideale
84 bpm • F# Maj • 03:56 • -18.33db
3% Popularity • 19% Danceability • 6% Energy • 7% Liveness
12% Instrumentalness • 6% Positiveness
3% Popularity • 19% Danceability • 6% Energy • 7% Liveness
12% Instrumentalness • 6% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Teresa Berganza
La Chulapona: "Ese Pañuelito Blanco"
82 bpm • C# Maj • 03:56 • -11.62db
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "La cloche a sonn�...
82 bpm • E Maj • 04:33 • -25.91db
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Samson et Dalila / Act II: "Mon coeur s'...
84 bpm • C# Maj • 06:15 • -21.46db
11% Popularity • 15% Danceability • 17% Energy • 70% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 17% Energy • 70% Liveness
1% Instrumentalness • 3% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Leo Nucci
Il tango delle capinere
82 bpm • D Maj • 02:37 • -11.21db
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 33% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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Francesco Paolo Tosti
Ideale (Arr. Arvinte)
84 bpm • A Maj • 03:31 • -22.89db
3% Popularity • 36% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 36% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Cesare Andrea Bixio
La canzone dell’amore
84 bpm • A# Maj • 03:21 • -17.29db
8% Popularity • 36% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 36% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Vincenzo Bellini
La Sonnanbula - Prendi, l'anel ti dono
82 bpm • G# Maj • 05:17 • -20.14db
7% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 21% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Tosca
84 bpm • D# Maj • 03:24 • -10.85db
23% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Cilea
L'Arlesiana: È la solita storia del pas...
84 bpm • C Maj • 04:54 • -29db
9% Popularity • 14% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Francesco Paolo Tosti
Luna d'estate!
84 bpm • D Maj • 02:10 • -16.5db
1% Popularity • 38% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 38% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Jules Massenet
Manon / Act 2: "En fermant les yeux"
82 bpm • D Maj • 02:46 • -22.42db
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Alfredo Catalani
La Wally / Act I: "Ebben? Ne andrò lont...
84 bpm • E Maj • 03:54 • -18db
28% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Ruperto Chapí
Las Hijas del Zebedeo: Carceleras
82 bpm • D min • 04:56 • -20db
7% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
Tristezza
84 bpm • F Maj • 04:13 • -20.71db
3% Popularity • 19% Danceability • 11% Energy • 72% Liveness
1% Instrumentalness • 5% Positiveness
3% Popularity • 19% Danceability • 11% Energy • 72% Liveness
1% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
'T was Not the Wind
81 bpm • F Maj • 02:09 • -22db
14% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Vincent Scotto
Scotto / Arr. Schifrin: Around the World...
85 bpm • C min • 02:00 • -19.37db
33% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
33% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor / Act 3: Ardon gl’...
81 bpm • D# Maj • 06:08 • -27db
4% Popularity • 28% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 28% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
85 bpm • F Maj • 09:31 • -18.7db
19% Popularity • 19% Danceability • 13% Energy • 72% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 13% Energy • 72% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
L'ultimo bacio
85 bpm • F Maj • 02:06 • -18.36db
2% Popularity • 26% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 26% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame, Op. 68, TH. 10: Akh, istomil...
85 bpm • A min • 03:40 • -13.66db
12% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Tito Schipa
Sento nel core
85 bpm • G min • 04:18 • -19.03db
8% Popularity • 27% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 27% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Paolo Tosti
L'alba sepàra dalla luce l'ombra (Trans...
81 bpm • D# Maj • 02:30 • -13.62db
9% Popularity • 22% Danceability • 28% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
9% Popularity • 22% Danceability • 28% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Franz Lehár
Lehár: Giuditta, Act 3: "Meine Lippen s...
81 bpm • E Maj • 05:16 • -8.28db
12% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 25% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: "Una furtiva l...
85 bpm • A# Maj • 04:12 • -13db
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Tosca
85 bpm • D# Maj • 03:16 • -18.48db
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Carlos Guastavino
La rosa y el sauce
81 bpm • F# min • 02:24 • -20db
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Cilea
Cilea: L'Arlesiana - Lamento di Federico
81 bpm • F Maj • 04:39 • -13.93db
18% Popularity • 15% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Mirella Freni
La Traviata (Oper in 3 Akten)
81 bpm • C# Maj • 09:31 • -16.06db
8% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Ti voglio tanto bene - in D
85 bpm • D Maj • 03:02 • -15db
9% Popularity • 24% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Guy d'Hardelot
D'Hardelot / Arr. Schifrin: A Tribute to...
86 bpm • D Maj • 02:23 • -16.2db
22% Popularity • 32% Danceability • 26% Energy • 69% Liveness
3% Instrumentalness • 13% Positiveness
22% Popularity • 32% Danceability • 26% Energy • 69% Liveness
3% Instrumentalness • 13% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
31% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? ... N...
86 bpm • E Maj • 04:25 • -19.11db
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 25% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Cesare Siepi
Vi ravviso, luoghi ameni (La Sonnambula)
86 bpm • G# Maj • 03:02 • -13db
11% Popularity • 22% Danceability • 36% Energy • 12% Liveness
38% Instrumentalness • 24% Positiveness
11% Popularity • 22% Danceability • 36% Energy • 12% Liveness
38% Instrumentalness • 24% Positiveness
► Preview
Francesco Cimmino
La mia canzone
86 bpm • F Maj • 02:45 • -11.13db
1% Popularity • 33% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
1% Popularity • 33% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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Eugene Raskin
Raksin / Arr. Schifrin: Around the World...
80 bpm • C min • 02:21 • -18.94db
22% Popularity • 31% Danceability • 29% Energy • 75% Liveness
1% Instrumentalness • 30% Positiveness
22% Popularity • 31% Danceability • 29% Energy • 75% Liveness
1% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Antônio Carlos Gomes
Mia piccirella
86 bpm • C# Maj • 03:43 • -13db
10% Popularity • 35% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 35% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
12% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Ciganské melodie (Gypsy Melodies), Op. ...
80 bpm • B Maj • 02:41 • -21.56db
15% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Ebben? Ne andro lontano
86 bpm • E min • 03:41 • -22db
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 28% Liveness
24% Instrumentalness • 4% Positiveness
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Fritz Wunderlich
Ach so fromm
86 bpm • F Maj • 02:52 • -19db
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Giovanni Paisiello
Chi vuol la zingarella
80 bpm • G Maj • 02:20 • -22db
18% Popularity • 49% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 49% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Inessa Galante
La Forza Del Destino 1862: La Vergine de...
80 bpm • G Maj • 03:14 • -23db
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
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Georges Bizet
Les pêcheurs de perles, WD 13 / Act 1: ...
80 bpm • A min • 03:48 • -18.84db
18% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Patricia Janečková
Kdyz mne stará matka - Zigeunerlieder, ...
86 bpm • D Maj • 02:29 • -12db
17% Popularity • 15% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act 2: "Don Giova...
80 bpm • A# Maj • 07:12 • -13db
3% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
3% Popularity • 23% Danceability • 30% Energy • 19% Liveness
4% Instrumentalness • 8% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Jules Massenet
Werther / Act 3: Massenet: Werther: Va !...
80 bpm • D min • 02:35 • -23.26db
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act I - Scene ...
80 bpm • G min • 04:12 • -30.32db
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
De Curtis: Tu,'ca nun chiagne!
87 bpm • D min • 03:34 • -11db
14% Popularity • 21% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 21% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
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Francesco Paolo Tosti
Quattro canzoni d'Amaranta: In van pregh...
80 bpm • F# Maj • 02:10 • -20.71db
1% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 32% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fiordiligi, Dorabella and Don Alfonso's ...
87 bpm • E Maj • 03:33 • -26.71db
18% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Leo Nucci
Parlami d'amore Mariù
87 bpm • F Maj • 04:28 • -14.26db
27% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Ernesto de Curtis
De Curtis/ Arr. Schifrin: Around the Wor...
80 bpm • D# min • 03:51 • -18db
22% Popularity • 24% Danceability • 29% Energy • 95% Liveness
22% Instrumentalness • 22% Positiveness
22% Popularity • 24% Danceability • 29% Energy • 95% Liveness
22% Instrumentalness • 22% Positiveness
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Francesco Paolo Tosti
La Serenata
79 bpm • D# Maj • 03:35 • -20.04db
3% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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The Young Pavarotti
La Mia Letizia Infondere
87 bpm • A Maj • 02:02 • -15db
27% Popularity • 30% Danceability • 33% Energy • 75% Liveness
1% Instrumentalness • 57% Positiveness
27% Popularity • 30% Danceability • 33% Energy • 75% Liveness
1% Instrumentalness • 57% Positiveness
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Franz Lehár
Zigeunerliebe (Gipsy Love) / Act II: Hö...
79 bpm • F min • 04:33 • -20db
10% Popularity • 26% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 26% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
