Songs like Per quella strada lactea del cielo by Johannes Ciconia
Based on a tempo of (+/- 10%) and a similar genre
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Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ensemble Project Ars Nova
J'ai maintes fois
137 bpm • C Maj • 01:36 • -33.23db
7% Popularity • 52% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 45% Positiveness
7% Popularity • 52% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 45% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Petit Rinense (A...
136 bpm • A# Maj • 01:40 • -27.47db
12% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
12% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Guillaume de Machaut
Joie, plaisance (Medieval Fiddle & Ensem...
135 bpm • A# min • 01:23 • -22.19db
9% Popularity • 33% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Paschal de l'Estocart
Octonaires de la vanité du monde, Livre...
135 bpm • C# min • 01:00 • -21.57db
10% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Josquin des Prez
La Déploration de Johan Okeghem
135 bpm • D min • 04:54 • -25.27db
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 4% Positiveness
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Gloriae Dei Cantores
Feria quarta: Alleluia. Surrexit Dominus
135 bpm • A min • 01:23 • -27.57db
9% Popularity • 28% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Johannes Ciconia
Musique profane: I. Una panthera in comp...
137 bpm • E min • 05:30 • -26db
3% Popularity • 20% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
3% Popularity • 20% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Berenguier de Palou
Tan m'abelis
137 bpm • C# Maj • 05:26 • -24db
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Johannes Ockeghem
Missa L'homme arme: Kyrie (Missa L' homm...
134 bpm • B Maj • 02:20 • -27.64db
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Anónimo
Joam Rodriguiz foi desmar a Balteira
134 bpm • D Maj • 03:36 • -23db
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Giovanni Pierluigi da Palestrina
Lamentations for Holy Saturday (3-8 Voic...
138 bpm • D# min • 07:44 • -31.52db
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Ciconia
Motets et mouvements de messe: IX. O bea...
135 bpm • C Maj • 02:33 • -33.43db
0% Popularity • 20% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 30% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 30% Positiveness
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François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
9% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Guillaume de Machaut
Gloria in excelsis Deo
134 bpm • B Maj • 04:59 • -23db
7% Popularity • 22% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Rosa d...
134 bpm • C Maj • 04:46 • -22.47db
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Josquin des Prez
Ut Phebi radiis / Ut re mi fa sol la à ...
138 bpm • D min • 04:26 • -15.77db
8% Popularity • 21% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 21% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Guillaume Dufay
Chansons (arr. for voice and chamber ens...
134 bpm • A min • 02:26 • -19.26db
12% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
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Johannes Ciconia
Ut te per Omnes Celitus (Ingens Alumnus ...
138 bpm • A min • 03:05 • -22db
1% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Andreas De Silva
Nigra sum sed formosa
138 bpm • E Maj • 02:37 • -22.76db
7% Popularity • 18% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
134 bpm • C# min • 02:12 • -29.3db
11% Popularity • 16% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Diego Ortiz
Trattado de glosas: Recercadas primera y...
133 bpm • G Maj • 01:13 • -19.37db
7% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
7% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
23% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Lamentations II for Good Friday "In Para...
133 bpm • F# min • 01:18 • -20.23db
9% Popularity • 16% Danceability • 14% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Johannes Ciconia
Motets et mouvements de messe: XI. Glori...
138 bpm • F Maj • 04:32 • -23.76db
0% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Henry VIII
Tandernaken: The Kynge Henry VIII
139 bpm • F Maj • 01:52 • -23db
7% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
7% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Claudio Monteverdi
Il primo libro de' madrigali: Amor, per ...
133 bpm • D Maj • 01:53 • -24.53db
8% Popularity • 25% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Stabat mater / Comme femme desconfortée...
139 bpm • F Maj • 06:18 • -14.75db
8% Popularity • 17% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Philippe de Vitry
Tuba sacre fidei - In arboris (Arr. Harr...
139 bpm • G Maj • 02:17 • -19.88db
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
139 bpm • A min • 10:27 • -17db
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Dixit dominus I
133 bpm • C Maj • 07:41 • -22.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
8% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Josquin des Prez
Missa "Mater Patris": Mater Patris et fi...
133 bpm • C# Maj • 03:43 • -24.2db
8% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ciconia
Ciconia: O virum omnimoda - O lux et dec...
140 bpm • A# Maj • 02:46 • -17db
1% Popularity • 21% Danceability • 13% Energy • 29% Liveness
43% Instrumentalness • 8% Positiveness
1% Popularity • 21% Danceability • 13% Energy • 29% Liveness
43% Instrumentalness • 8% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Thoinot Arbeau
Basse-danse Jouissance vous donneray (Ar...
140 bpm • F min • 01:47 • -31.37db
9% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
9% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Samuel Scheidt
Cantiones sacrae: Surrexit Christus hodi...
140 bpm • C# min • 01:26 • -19.32db
9% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Vincenzo Ruffo
Missa Quarti Toni: Agnus Dei
132 bpm • D min • 02:52 • -17.73db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Adam de Saint Victor
Jubilemus salvatori
141 bpm • A# Maj • 03:35 • -22db
7% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Johannes Ciconia
Motets et mouvements de messe: XIII. Glo...
131 bpm • D# Maj • 03:48 • -23.23db
0% Popularity • 23% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 23% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Girolamo Frescobaldi
Ricercare terzo
131 bpm • D min • 03:43 • -30db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Leonel Power
Ave regina celorum
141 bpm • F Maj • 01:42 • -22.57db
7% Popularity • 18% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Pierre Moulu
Mater floreat
141 bpm • F Maj • 05:31 • -17.7db
8% Popularity • 18% Danceability • 29% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 29% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Johannes Ciconia
Per quella strada lactea del cielo
132 bpm • D Maj • 05:14 • -20.53db
3% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Diego Pisador
La mananna de San Juan
131 bpm • A min • 04:44 • -20.68db
8% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jan Wanning
Vox clamantis in Deserto
142 bpm • A min • 01:54 • -17.28db
10% Popularity • 20% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 20% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Anónimo
Se eu no mundo fiz algum cantar
130 bpm • G Maj • 03:17 • -24.52db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
11% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
11% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Jacobus Gallus
Omnes de Saba venient
142 bpm • A# Maj • 01:48 • -16.78db
12% Popularity • 14% Danceability • 28% Energy • 14% Liveness
82% Instrumentalness • 18% Positiveness
12% Popularity • 14% Danceability • 28% Energy • 14% Liveness
82% Instrumentalness • 18% Positiveness
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Johannes Ciconia
Motets et mouvements de messe: II. O vir...
143 bpm • D# Maj • 02:25 • -20.04db
0% Popularity • 15% Danceability • 25% Energy • 9% Liveness
36% Instrumentalness • 24% Positiveness
0% Popularity • 15% Danceability • 25% Energy • 9% Liveness
36% Instrumentalness • 24% Positiveness
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The Mulliner Book
La Shymyze
143 bpm • A min • 01:19 • -23.24db
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
19% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
19% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Philippe Verdelot
Madonna qual certezza
129 bpm • F# min • 02:20 • -16.12db
9% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 28% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Josquin des Prez
Missa "Mater Patris": Introitus. Vultum ...
129 bpm • B Maj • 02:41 • -35.63db
13% Popularity • 17% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Orazio Vecchi
Saltarello detto Trivella
129 bpm • A min • 02:36 • -27db
8% Popularity • 34% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 34% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Claudin de Sermisy
Lamentations de Jérémie pour le samedi...
129 bpm • F Maj • 05:23 • -16.63db
10% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 17% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Graduel De Bakócz
Spiritus sanctus
129 bpm • C# Maj • 02:32 • -23.71db
8% Popularity • 33% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Piffaro
Alla Caccia
129 bpm • D Maj • 01:22 • -17db
9% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
9% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Alma mirad vuestro Dios
128 bpm • G# min • 02:48 • -18.74db
9% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Johannes Ciconia
Contrafacta / Canon: I. Regina gloriosa
144 bpm • G min • 01:54 • -32.31db
0% Popularity • 19% Danceability • 1% Energy • 5% Liveness
99% Instrumentalness • 32% Positiveness
0% Popularity • 19% Danceability • 1% Energy • 5% Liveness
99% Instrumentalness • 32% Positiveness
► Preview
Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
15% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
15% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
► Preview
Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Claudio Monteverdi
Lauda Jerusalem I
128 bpm • G min • 06:34 • -19.18db
7% Popularity • 28% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
7% Popularity • 28% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Josquin des Prez
Ave Maria…virgo serena à 4
127 bpm • B Maj • 04:10 • -15.2db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Lamentations II for Holy Saturday "Sabba...
146 bpm • C# min • 00:58 • -23.99db
7% Popularity • 13% Danceability • 13% Energy • 18% Liveness
5% Instrumentalness • 10% Positiveness
7% Popularity • 13% Danceability • 13% Energy • 18% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Johannes Ciconia
Motets et mouvements de messe: XVI. Glor...
128 bpm • D# Maj • 04:39 • -21.9db
0% Popularity • 23% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Anónimo
Laudes deo devotas
126 bpm • C Maj • 01:47 • -20.07db
12% Popularity • 29% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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A5 Vocal Ensemble
Guerrero: Dixit Dominus Petro
147 bpm • E Maj • 03:23 • -18.54db
11% Popularity • 16% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 13% Positiveness
11% Popularity • 16% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 13% Positiveness
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Guglielmo Ebreo da Pesaro
Bassadanza cupido
126 bpm • A Maj • 02:02 • -21.12db
8% Popularity • 46% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Philippe de Vitry
Cum statua Nabucodonasor - Hugo, Hugo, p...
125 bpm • C Maj • 01:34 • -24db
12% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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William Byrd
Byrd: Sermone blando a 3 & a 4
125 bpm • A# Maj • 04:18 • -23.79db
7% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Johannes Ciconia
Credo
125 bpm • C Maj • 05:08 • -25.46db
0% Popularity • 23% Danceability • 11% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 23% Danceability • 11% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
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Domenico da Piacenza
Bassadanze Zoglioxa (Arr. for Wind Ensem...
124 bpm • D# Maj • 02:20 • -31.13db
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Gilles Binchois
Chansons: Filles a marier ne vous mariez...
149 bpm • C# Maj • 01:23 • -16.01db
12% Popularity • 35% Danceability • 26% Energy • 24% Liveness
8% Instrumentalness • 59% Positiveness
12% Popularity • 35% Danceability • 26% Energy • 24% Liveness
8% Instrumentalness • 59% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Johannes Ciconia
Musique profane: V. Caçando un giorno
123 bpm • E min • 02:42 • -29.89db
1% Popularity • 26% Danceability • 10% Energy • 4% Liveness
97% Instrumentalness • 60% Positiveness
1% Popularity • 26% Danceability • 10% Energy • 4% Liveness
97% Instrumentalness • 60% Positiveness
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Jacob Obrecht
Den haghel ende
151 bpm • A# Maj • 01:48 • -24.61db
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
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Anónimo
Maria Balteira que se queria
121 bpm • G Maj • 05:09 • -22db
11% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Ambrosio
Voltate in Ça Rosina (Arr. for Wind Ens...
122 bpm • G# Maj • 01:28 • -17.61db
10% Popularity • 60% Danceability • 26% Energy • 19% Liveness
39% Instrumentalness • 34% Positiveness
10% Popularity • 60% Danceability • 26% Energy • 19% Liveness
39% Instrumentalness • 34% Positiveness
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École de Notre-Dame
Pucelette
153 bpm • C Maj • 01:20 • -27.1db
11% Popularity • 48% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
11% Popularity • 48% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Anonymous Anonymous
Messe de Barcelone (Barcelone-Bbc, ms. 9...
153 bpm • A min • 02:20 • -21.49db
20% Popularity • 12% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 12% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Marcabru
Lo vers comens
120 bpm • D# Maj • 06:11 • -26db
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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John Sheppard
Sheppard: Beata nobis gaudia - 7. Sit la...
120 bpm • A Maj • 00:52 • -34.74db
11% Popularity • 26% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Syntagma Musicum
Basse Danse (Moderne)
120 bpm • D Maj • 01:21 • -25db
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Johannes Ciconia
Motets et mouvements de messe: X. O feli...
120 bpm • A min • 03:33 • -24.94db
0% Popularity • 25% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
0% Popularity • 25% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
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John Playford
Confesse
155 bpm • E Maj • 02:10 • -17.6db
15% Popularity • 44% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 41% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 41% Positiveness
