Songs like Per una lira - Piano Jazz Trio by Massimo Faraò
Based on a tempo of (+/- 10%) and a similar genre
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Juraj Stanik Trio
I Sing This Song for You
125 bpm • D# Maj • 04:38 • -22.29db
36% Popularity • 41% Danceability • 8% Energy • 26% Liveness
69% Instrumentalness • 10% Positiveness
36% Popularity • 41% Danceability • 8% Energy • 26% Liveness
69% Instrumentalness • 10% Positiveness
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Massimo Faraò
Hotel California
125 bpm • D Maj • 02:45 • -12.43db
2% Popularity • 42% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
2% Popularity • 42% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Mitchell Jackson Quartet
Little Sunflower
125 bpm • A min • 04:23 • -15.21db
24% Popularity • 50% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 34% Positiveness
24% Popularity • 50% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 34% Positiveness
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Tate Jackson Trio
You'd Be So Nice to Come Home To
126 bpm • A min • 02:28 • -22.14db
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
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Gene Hart Trio
Dolphin Dance
126 bpm • C Maj • 04:54 • -16.26db
29% Popularity • 47% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
29% Popularity • 47% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Jon Davis
My Cherie Amour
126 bpm • C Maj • 04:05 • -20.13db
37% Popularity • 55% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
37% Popularity • 55% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
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Mandevilla
Someone to watch over me
124 bpm • G# Maj • 04:18 • -20.4db
38% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Massimo Faraò
It's Easy to Remember
124 bpm • F min • 04:36 • -10.61db
42% Popularity • 49% Danceability • 24% Energy • 20% Liveness
5% Instrumentalness • 26% Positiveness
42% Popularity • 49% Danceability • 24% Energy • 20% Liveness
5% Instrumentalness • 26% Positiveness
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Claudia Zannoni
Look to the sky
126 bpm • F min • 03:15 • -17.86db
28% Popularity • 75% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 75% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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CMC 3
Setembro
126 bpm • C Maj • 05:32 • -17.09db
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
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We Three Trio
Skating
123 bpm • A# min • 03:17 • -17.95db
33% Popularity • 53% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Thomas Fonnesbæk
Where We Belong
127 bpm • A min • 06:11 • -18.87db
39% Popularity • 50% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 57% Positiveness
39% Popularity • 50% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 57% Positiveness
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Bob Berg
Summer Wind
123 bpm • G Maj • 04:37 • -13.08db
31% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Massimo Faraò
Quando - Live
127 bpm • F Maj • 04:58 • -10.41db
2% Popularity • 43% Danceability • 67% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 43% Danceability • 67% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
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Denzel Sachs
I Thought About You
127 bpm • F Maj • 04:31 • -10db
36% Popularity • 64% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
36% Popularity • 64% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Riley Foster
Yesterdays
123 bpm • D min • 04:30 • -17.49db
31% Popularity • 55% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
31% Popularity • 55% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Joonas Tuuri Quartet
At That Moment
123 bpm • F Maj • 04:39 • -13.9db
32% Popularity • 50% Danceability • 24% Energy • 10% Liveness
33% Instrumentalness • 31% Positiveness
32% Popularity • 50% Danceability • 24% Energy • 10% Liveness
33% Instrumentalness • 31% Positiveness
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Reinhardt Winkler
Beatrice
122 bpm • A# min • 04:17 • -26.91db
32% Popularity • 56% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
32% Popularity • 56% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Art Kingsley
Maiden Voyage
122 bpm • C Maj • 05:20 • -20.27db
24% Popularity • 57% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
24% Popularity • 57% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Massimo Faraò
'S Wonderful
123 bpm • C Maj • 03:52 • -14.6db
2% Popularity • 54% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
2% Popularity • 54% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
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Red Mitchell
In the Middle of a Kiss
123 bpm • A# Maj • 04:43 • -25.67db
25% Popularity • 58% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
25% Popularity • 58% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Gene Hart Trio
Love Walked In
122 bpm • D# Maj • 03:40 • -18.57db
40% Popularity • 63% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
40% Popularity • 63% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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The Jazz Cultivators
Speak Low
128 bpm • F Maj • 03:41 • -18.99db
39% Popularity • 47% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
39% Popularity • 47% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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The Blue Green
Lousanne
122 bpm • C min • 03:19 • -19.04db
46% Popularity • 47% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Antonio Zambrini
Alfie
128 bpm • C Maj • 08:19 • -18.2db
40% Popularity • 37% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
40% Popularity • 37% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Massimo Faraò
Fiore di maggio
122 bpm • G Maj • 03:44 • -14.24db
0% Popularity • 49% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
0% Popularity • 49% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Rob Van Bavel
Manhattan
128 bpm • C Maj • 04:23 • -16.99db
32% Popularity • 45% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
32% Popularity • 45% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Tiny Stills Quartet
Stompin' At The Savoy
121 bpm • C# Maj • 03:19 • -15.04db
29% Popularity • 62% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 49% Positiveness
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Mabon Clarke Quartet
French books
121 bpm • F# min • 03:17 • -23.96db
32% Popularity • 31% Danceability • 6% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
32% Popularity • 31% Danceability • 6% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
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Paul Moretti Trio
Someone To Watch Over Me
121 bpm • C Maj • 03:43 • -21.08db
39% Popularity • 51% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
39% Popularity • 51% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Vendla
So They Say
129 bpm • C min • 03:57 • -12.28db
50% Popularity • 52% Danceability • 25% Energy • 38% Liveness
74% Instrumentalness • 24% Positiveness
50% Popularity • 52% Danceability • 25% Energy • 38% Liveness
74% Instrumentalness • 24% Positiveness
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Massimo Faraò
The Nearness of You
122 bpm • D# Maj • 07:45 • -24.04db
40% Popularity • 49% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 28% Positiveness
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ARTEMIS
Nocturno
121 bpm • C Maj • 05:27 • -16.97db
37% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
37% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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Tommy Flanagan Trio
Willow Weep for Me
129 bpm • G Maj • 06:27 • -14.24db
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Annie Berenson
When we danced
121 bpm • C Maj • 04:29 • -14.7db
53% Popularity • 46% Danceability • 26% Energy • 19% Liveness
87% Instrumentalness • 13% Positiveness
53% Popularity • 46% Danceability • 26% Energy • 19% Liveness
87% Instrumentalness • 13% Positiveness
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Faraò/Durham/Zunino
Parlenfischer Tango
129 bpm • G min • 02:29 • -20.25db
14% Popularity • 53% Danceability • 23% Energy • 13% Liveness
72% Instrumentalness • 60% Positiveness
14% Popularity • 53% Danceability • 23% Energy • 13% Liveness
72% Instrumentalness • 60% Positiveness
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CMC 3
I Do It For Your Love
121 bpm • B min • 05:00 • -18.7db
35% Popularity • 50% Danceability • 19% Energy • 37% Liveness
86% Instrumentalness • 8% Positiveness
35% Popularity • 50% Danceability • 19% Energy • 37% Liveness
86% Instrumentalness • 8% Positiveness
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Massimo Faraò
Venus
122 bpm • C Maj • 04:14 • -20.08db
2% Popularity • 76% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 76% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Spiral TRIO
Rubicon
130 bpm • C Maj • 06:10 • -20.07db
27% Popularity • 43% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
27% Popularity • 43% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Renee Rosnes
Evermore
120 bpm • G min • 07:29 • -12.55db
37% Popularity • 46% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
37% Popularity • 46% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
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Carl Bagge Trio
You Must Believe In Spring
130 bpm • G Maj • 03:42 • -20.77db
35% Popularity • 42% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
35% Popularity • 42% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
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James Jackson Jazz Trio
Long Ago (and Far Away)
120 bpm • C Maj • 03:29 • -16.44db
39% Popularity • 67% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
39% Popularity • 67% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Fred Hersch Trio
Rain Waltz
120 bpm • C# Maj • 07:01 • -19.39db
27% Popularity • 43% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 41% Positiveness
27% Popularity • 43% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 41% Positiveness
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Massimo Faraò
Anima mia
129 bpm • C Maj • 03:45 • -12.4db
1% Popularity • 46% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
1% Popularity • 46% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Battista Lena
September Song
130 bpm • C# Maj • 06:08 • -18db
24% Popularity • 55% Danceability • 20% Energy • 9% Liveness
79% Instrumentalness • 37% Positiveness
24% Popularity • 55% Danceability • 20% Energy • 9% Liveness
79% Instrumentalness • 37% Positiveness
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Coleman Hawkins Quartet
Don't Love Me
120 bpm • C Maj • 04:39 • -18.08db
41% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
41% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
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Wynton Kelly Trio
Portrait Of Jenny
120 bpm • D# Maj • 04:35 • -18.3db
42% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
42% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Leonard Peters
Walk The Dog
130 bpm • A# Maj • 02:35 • -18.77db
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Norberg
Sidewalking
120 bpm • A# Maj • 03:13 • -11.52db
38% Popularity • 77% Danceability • 29% Energy • 14% Liveness
34% Instrumentalness • 44% Positiveness
38% Popularity • 77% Danceability • 29% Energy • 14% Liveness
34% Instrumentalness • 44% Positiveness
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Massimo Faraò
Gli uomini non cambiano
121 bpm • C Maj • 04:32 • -14.16db
0% Popularity • 49% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
0% Popularity • 49% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Bleecker Jazz Duo
Here's That Rainy Day
120 bpm • D Maj • 04:49 • -18.74db
41% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
41% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Flatland Park
Lazy Strut
120 bpm • G# Maj • 03:24 • -14.12db
30% Popularity • 77% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 44% Positiveness
30% Popularity • 77% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 44% Positiveness
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Graham Harvey
More Than You Know
119 bpm • A min • 05:31 • -17.24db
12% Popularity • 57% Danceability • 7% Energy • 36% Liveness
79% Instrumentalness • 20% Positiveness
12% Popularity • 57% Danceability • 7% Energy • 36% Liveness
79% Instrumentalness • 20% Positiveness
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Mark Roswell Trio
Tenderly
119 bpm • D# Maj • 03:23 • -18.58db
50% Popularity • 54% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 12% Positiveness
50% Popularity • 54% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 12% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
40% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
40% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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Massimo Faraò
Gone Again
121 bpm • C min • 06:46 • -24.2db
36% Popularity • 53% Danceability • 10% Energy • 9% Liveness
59% Instrumentalness • 24% Positiveness
36% Popularity • 53% Danceability • 10% Energy • 9% Liveness
59% Instrumentalness • 24% Positiveness
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Bladverk Band
Here And Now
119 bpm • A# Maj • 03:24 • -18.9db
39% Popularity • 50% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 50% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Turning Trio
Quite Late
119 bpm • G# Maj • 02:56 • -15.09db
38% Popularity • 57% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
38% Popularity • 57% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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Gottfried Barber Trio
Wichita Lineman
119 bpm • F Maj • 05:07 • -17.39db
45% Popularity • 55% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
45% Popularity • 55% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Jasmine Patterson
Giving thrills
119 bpm • F Maj • 03:11 • -15.97db
56% Popularity • 43% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
56% Popularity • 43% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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CMC 3
Dear Old Stockholm
131 bpm • C Maj • 04:15 • -16.19db
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Massimo Faraò
Eleanor
120 bpm • G min • 06:38 • -20.39db
3% Popularity • 52% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
3% Popularity • 52% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Farnell Newton
A Child Not Yet Born
119 bpm • G# Maj • 05:13 • -12.16db
43% Popularity • 44% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
43% Popularity • 44% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Brad Hatfield
Relaxin' at Sids'
119 bpm • A min • 02:17 • -18.02db
42% Popularity • 63% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
42% Popularity • 63% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Dylan Lytle
How My Heart Sings
131 bpm • E min • 03:05 • -20.41db
41% Popularity • 53% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
41% Popularity • 53% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Ballroom Jazz Collective
The Old Country
132 bpm • C Maj • 03:38 • -14.13db
33% Popularity • 61% Danceability • 26% Energy • 37% Liveness
26% Instrumentalness • 50% Positiveness
33% Popularity • 61% Danceability • 26% Energy • 37% Liveness
26% Instrumentalness • 50% Positiveness
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Blue Shoes Duo
My One And Only Love
132 bpm • A min • 04:10 • -19.74db
40% Popularity • 51% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
40% Popularity • 51% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Massimo Faraò
Abbronzatissima
131 bpm • F Maj • 02:55 • -13.32db
3% Popularity • 51% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
3% Popularity • 51% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
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Leo Krepper
Chelsea Bridge
119 bpm • G# Maj • 05:03 • -16.94db
41% Popularity • 63% Danceability • 11% Energy • 12% Liveness
26% Instrumentalness • 12% Positiveness
41% Popularity • 63% Danceability • 11% Energy • 12% Liveness
26% Instrumentalness • 12% Positiveness
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The Sweetgreens
You Don't Know What Love Is
118 bpm • F min • 02:30 • -25.05db
48% Popularity • 58% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
48% Popularity • 58% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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The Capital Club Trio
Lady Sings the Blues
118 bpm • G Maj • 04:30 • -18.26db
32% Popularity • 42% Danceability • 19% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
32% Popularity • 42% Danceability • 19% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Lorenzo Tucci
Tutto
132 bpm • G# Maj • 05:18 • -17.78db
44% Popularity • 64% Danceability • 29% Energy • 16% Liveness
90% Instrumentalness • 14% Positiveness
44% Popularity • 64% Danceability • 29% Energy • 16% Liveness
90% Instrumentalness • 14% Positiveness
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Billy Hicks Quartet
Leave Your Umbrella at Home
118 bpm • F Maj • 03:22 • -14.86db
34% Popularity • 39% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
34% Popularity • 39% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
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Hara Noda
Lights Ahead
132 bpm • C Maj • 03:53 • -13.46db
41% Popularity • 64% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
41% Popularity • 64% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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The Dox Band
That Beatnik Jive
118 bpm • C min • 03:19 • -15.54db
33% Popularity • 70% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
33% Popularity • 70% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Battista Lena
My One and Only Love
118 bpm • A min • 04:50 • -19.79db
31% Popularity • 44% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
31% Popularity • 44% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
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The Village Quartet
On the Trail
118 bpm • F Maj • 04:17 • -14.16db
33% Popularity • 61% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
33% Popularity • 61% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Hudson Harris & Haim
Blue in Green
118 bpm • A# Maj • 03:49 • -23.74db
41% Popularity • 56% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
41% Popularity • 56% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Charlie Wilder Band
Ev'rytime We Say Goodbye
133 bpm • F min • 04:15 • -15.41db
34% Popularity • 48% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
34% Popularity • 48% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
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Faraò/Durham/Zunino
The Shadow Of Your Smile
133 bpm • G Maj • 04:21 • -18.92db
18% Popularity • 63% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 55% Positiveness
18% Popularity • 63% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 55% Positiveness
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The Modern Jazz Trio
Theme for Ernie
117 bpm • G# Maj • 05:02 • -10.47db
51% Popularity • 55% Danceability • 14% Energy • 30% Liveness
57% Instrumentalness • 36% Positiveness
51% Popularity • 55% Danceability • 14% Energy • 30% Liveness
57% Instrumentalness • 36% Positiveness
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Massimo Faraò
It Could Happen to You
117 bpm • G# Maj • 07:14 • -18.15db
4% Popularity • 49% Danceability • 39% Energy • 15% Liveness
59% Instrumentalness • 75% Positiveness
4% Popularity • 49% Danceability • 39% Energy • 15% Liveness
59% Instrumentalness • 75% Positiveness
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Eddie Harper
God Bless The Child
117 bpm • C min • 04:16 • -14.44db
34% Popularity • 54% Danceability • 20% Energy • 12% Liveness
79% Instrumentalness • 25% Positiveness
34% Popularity • 54% Danceability • 20% Energy • 12% Liveness
79% Instrumentalness • 25% Positiveness
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Gene Hart Trio
The Way You Look Tonight
117 bpm • C Maj • 05:59 • -17.07db
33% Popularity • 42% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
33% Popularity • 42% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Figgy Mold
Skylark
117 bpm • G# Maj • 04:35 • -22.73db
38% Popularity • 60% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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SE-Quartet
Serendipity
117 bpm • C Maj • 07:44 • -16.91db
22% Popularity • 50% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 16% Positiveness
22% Popularity • 50% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 16% Positiveness
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The Modern Jazz Trio
Old Folks
117 bpm • F Maj • 06:26 • -17.14db
13% Popularity • 50% Danceability • 16% Energy • 29% Liveness
61% Instrumentalness • 23% Positiveness
13% Popularity • 50% Danceability • 16% Energy • 29% Liveness
61% Instrumentalness • 23% Positiveness
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The Southern Belle
Fools Rush In
117 bpm • C Maj • 04:33 • -18.69db
54% Popularity • 51% Danceability • 13% Energy • 37% Liveness
90% Instrumentalness • 10% Positiveness
54% Popularity • 51% Danceability • 13% Energy • 37% Liveness
90% Instrumentalness • 10% Positiveness
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The Jazz Cultivators
Out Of Nowhere
117 bpm • G Maj • 03:39 • -18.18db
21% Popularity • 68% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
21% Popularity • 68% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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The Blue Green
Gentle rain
134 bpm • F min • 04:16 • -17.81db
37% Popularity • 51% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
37% Popularity • 51% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
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Larry Goldings
Strays
117 bpm • D# Maj • 05:24 • -24.48db
28% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
28% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Gillian Spencer Trio
Have You Seen Me Lately
117 bpm • D# Maj • 02:11 • -17.34db
48% Popularity • 70% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
48% Popularity • 70% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Hudson Harris & Haim
Before And After You
117 bpm • A# Maj • 03:01 • -16.07db
45% Popularity • 68% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
45% Popularity • 68% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Tim Franks Trio
The Nearness Of You
117 bpm • F Maj • 05:10 • -19.02db
44% Popularity • 50% Danceability • 11% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
44% Popularity • 50% Danceability • 11% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Mornington
Watch What Happens
117 bpm • D# Maj • 02:57 • -15.32db
35% Popularity • 57% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 57% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jakob Dreyer
Seneca Village
117 bpm • F min • 06:10 • -17.76db
45% Popularity • 46% Danceability • 14% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
45% Popularity • 46% Danceability • 14% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Holborns
Fridays
134 bpm • C# Maj • 03:05 • -15.9db
43% Popularity • 40% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
43% Popularity • 40% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
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Norberg
Spring Fling
116 bpm • F Maj • 02:30 • -12.94db
40% Popularity • 79% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
40% Popularity • 79% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
