Songs like Pera Eka Dawasaka by Milton Mallawarachchi
Based on a tempo of (+/- 10%) and a similar genre
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Kasun Kalhara
Sulaga Obada
94 bpm • C Maj • 04:14 • -8.54db
22% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Udara Samaraweera
Ahasin Eha
94 bpm • F# Maj • 03:14 • -8.1db
40% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Somathilaka Jayamaha
Sanda Andura
94 bpm • C min • 03:46 • -14.33db
17% Popularity • 69% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 69% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Milton Mallawarachchi
Pera Eka Dawasaka
94 bpm • E min • 02:44 • -8.61db
28% Popularity • 59% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 59% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Clarence Wijewardene
Muwa Hasarali Sagare
94 bpm • A Maj • 01:44 • -5.59db
19% Popularity • 62% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 62% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Latha Walpola
Ron Soya Piyabana - Radio Version
95 bpm • D Maj • 04:50 • -8.3db
9% Popularity • 64% Danceability • 61% Energy • 9% Liveness
79% Instrumentalness • 83% Positiveness
9% Popularity • 64% Danceability • 61% Energy • 9% Liveness
79% Instrumentalness • 83% Positiveness
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Victor Rathnayake
Mohen Mula Wela
95 bpm • F Maj • 03:48 • -15.45db
16% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 61% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Chamara Weerasinghe
Sithin witharak
95 bpm • C min • 05:04 • -10db
35% Popularity • 69% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 69% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Dushan Jayathilake
Mathakayan
93 bpm • G Maj • 04:29 • -6.55db
24% Popularity • 73% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 73% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Milton Mallawarachchi
Ranmasu Ne Kiya
95 bpm • C Maj • 02:52 • -7.72db
21% Popularity • 53% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 53% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Clarence Wijewardene
Sihin Sinnawai
95 bpm • D Maj • 01:49 • -7.3db
18% Popularity • 65% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 65% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 97% Positiveness
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Sunil Edirisinghe
Duwe Numba Mage Pranayayai
95 bpm • F Maj • 04:28 • -11.86db
27% Popularity • 57% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 57% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Victor Rathnayake
Mohen Mulawela
95 bpm • F Maj • 03:48 • -12.02db
11% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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H.R. Jothipala
Ran Tikiri Sina
95 bpm • F Maj • 03:22 • -11.41db
19% Popularity • 56% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 92% Positiveness
19% Popularity • 56% Danceability • 40% Energy • 29% Liveness
5% Instrumentalness • 92% Positiveness
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Gunadasa Kapuge
Ruwak Adenawa
93 bpm • D min • 03:47 • -15.64db
27% Popularity • 68% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 68% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Milton Mallawarachchi
Madu Mala Lesa
93 bpm • E min • 03:08 • -16.25db
15% Popularity • 56% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Rookantha Goonatillake
Sudu Mudu Velle
95 bpm • D Maj • 03:50 • -8db
23% Popularity • 73% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 73% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Amarasiri Peiris
Sonduriye
96 bpm • A min • 04:04 • -17db
23% Popularity • 54% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
23% Popularity • 54% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
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Athula adikari
Surya Nagare
92 bpm • C# Maj • 03:52 • -13.66db
20% Popularity • 72% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 72% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Centigradz
Ranwan Maldam
96 bpm • D Maj • 03:28 • -8db
49% Popularity • 76% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 76% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Chanuka Mora
Sobani
92 bpm • F min • 03:54 • -7.12db
33% Popularity • 61% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 61% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Milton Mallawarachchi
Obe Nil Nuwan
95 bpm • F# min • 02:58 • -11db
29% Popularity • 49% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 49% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Sangeeth Wijesuriya
Sihine
92 bpm • F min • 04:04 • -9.16db
37% Popularity • 70% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 70% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Samitha Mudunkotuwa
Sara Sadisi
96 bpm • F min • 03:41 • -8.21db
31% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence Wijewardene
Gon Wassa
96 bpm • E Maj • 01:49 • -6.12db
24% Popularity • 61% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
24% Popularity • 61% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Centigradz
Pahasara Obe Adare
96 bpm • F Maj • 03:26 • -9.24db
43% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Priyantha Fernando
Piyumehi Peniboti
96 bpm • D# Maj • 04:28 • -5.98db
16% Popularity • 44% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 44% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Milton Mallawarachchi
Paaya Aa Sanda
93 bpm • F min • 03:16 • -10.89db
11% Popularity • 48% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 48% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Amarasiri Peiris
Sonduriya
96 bpm • A min • 04:07 • -15.95db
14% Popularity • 54% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Priya Sooriyasena
Mage Samarum Pothe
96 bpm • A Maj • 02:51 • -17.5db
19% Popularity • 74% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 74% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Deepika Priyadarshani
Rathriya Wee
97 bpm • G Maj • 03:40 • -4.65db
15% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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M S Fernando
Dili Dili Dilisena
97 bpm • C Maj • 03:12 • -8.17db
17% Popularity • 50% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 50% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Karunarathna Divulgane
PEM KAWAK LIYU OBA
97 bpm • C min • 03:16 • -9.43db
29% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Milton Mallawarachchi
Mee Amba Atthe
92 bpm • C Maj • 03:43 • -6.73db
25% Popularity • 45% Danceability • 79% Energy • 15% Liveness
7% Instrumentalness • 74% Positiveness
25% Popularity • 45% Danceability • 79% Energy • 15% Liveness
7% Instrumentalness • 74% Positiveness
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Mervin Perera
Pabasara Ran
91 bpm • D Maj • 03:00 • -8.3db
18% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Priya Sooriyasena
Mata Wasana
91 bpm • A# Maj • 02:47 • -9.17db
19% Popularity • 53% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 53% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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T M Jayarathna
Sanasum Susuman
97 bpm • C Maj • 04:09 • -9.39db
20% Popularity • 29% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 29% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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W. D. Amaradeva
Kumariyaka Pa
91 bpm • G# Maj • 03:33 • -9.76db
26% Popularity • 51% Danceability • 43% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
26% Popularity • 51% Danceability • 43% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
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Neela Wickramasinghe
Paramee Dam
97 bpm • D min • 04:10 • -7.71db
10% Popularity • 60% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Milton Mallawarachchi
Oruwaka Pawena
91 bpm • A Maj • 03:06 • -9.86db
22% Popularity • 55% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 55% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Thilina Ruhunage
Liyu Kavi Pada
97 bpm • G min • 03:35 • -6.98db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Sanath Nandasiri
Eda Meda Thura
91 bpm • F Maj • 05:00 • -7.93db
20% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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T M Jayarathna
Oba Ha Mema
91 bpm • C Maj • 03:15 • -10.41db
23% Popularity • 41% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 41% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Gunadasa Kapuge
Tharumal Yaayama - Radio Version
97 bpm • G# Maj • 03:54 • -12.16db
21% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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T.M Jayaratne
Me Ayurin Api
97 bpm • D Maj • 04:12 • -19.27db
20% Popularity • 41% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 49% Positiveness
20% Popularity • 41% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 49% Positiveness
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Wasthi
Labendiye - Unplugged
98 bpm • A Maj • 04:08 • -10.57db
31% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Athma Liyanage
Rae Ahase
91 bpm • G Maj • 03:19 • -11.65db
19% Popularity • 58% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 58% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Neela Wickramasinghe
Pem Sililare - Radio Version
91 bpm • D Maj • 02:38 • -14.54db
17% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nanda Malini
Pipunu Male Ruwa - Radio Version
91 bpm • E min • 03:47 • -13.53db
19% Popularity • 45% Danceability • 36% Energy • 36% Liveness
3% Instrumentalness • 80% Positiveness
19% Popularity • 45% Danceability • 36% Energy • 36% Liveness
3% Instrumentalness • 80% Positiveness
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Priya Sooriyasena
Heta Dawase
98 bpm • B min • 02:53 • -12.1db
22% Popularity • 65% Danceability • 67% Energy • 35% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 65% Danceability • 67% Energy • 35% Liveness
2% Instrumentalness • 87% Positiveness
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Chandralekha Perera
Neela Nuwan
98 bpm • G Maj • 04:03 • -7.09db
21% Popularity • 68% Danceability • 55% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 68% Danceability • 55% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
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Clarence Wijewardene
Sandaa Walavan
98 bpm • E Maj • 01:29 • -6.12db
26% Popularity • 64% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 64% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Milton Mallawarachchi
Oba Wenuwin
98 bpm • G Maj • 03:01 • -7.42db
15% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Neela Wickramasinghe
Mage Lovata
98 bpm • D# Maj • 02:33 • -17.33db
25% Popularity • 50% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 50% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jagath Wickramasinghe
Sagara Tharanga
98 bpm • G Maj • 04:18 • -8.14db
20% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Thilina Ruhunage
Ayemath Adaren
90 bpm • C Maj • 03:57 • -7.68db
49% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Chandralekha Perera
Paalu Seetha Rathriye
98 bpm • E min • 04:16 • -12.57db
16% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sangeeth Wijesuriya
Lamathani
98 bpm • G Maj • 04:00 • -9.45db
35% Popularity • 51% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 51% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Nirosha Virajini
Himi Nathi Pemakata (Remake)
90 bpm • F Maj • 03:55 • -6.61db
24% Popularity • 66% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 66% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Raini Charuka,Gayan Perera
Neela Kadukate
90 bpm • C Maj • 03:36 • -6.78db
23% Popularity • 77% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 77% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Iraj
Ran Ran Ran
90 bpm • G Maj • 03:09 • -7.25db
39% Popularity • 76% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 76% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Romesh Sugathapala
Raata Mang
90 bpm • D Maj • 03:20 • -4.44db
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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W. D. Amaradeva
Ma Dan Mahalu Viye
98 bpm • A min • 02:55 • -7.05db
15% Popularity • 56% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 56% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Bathiya & Santhush
Gum Nade
90 bpm • G Maj • 05:01 • -7db
30% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Kasun Kalhara
Eka Wasanthayaka
90 bpm • B Maj • 04:05 • -7.51db
30% Popularity • 46% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 46% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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M S Fernando
Lassana Ambagasak Soyala
98 bpm • C Maj • 04:15 • -8.92db
13% Popularity • 60% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 60% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Chandralekha Perera
Gathin Innata
90 bpm • A# Maj • 03:12 • -8.96db
17% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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La Signore
Desin Pe
90 bpm • E min • 02:49 • -6.39db
44% Popularity • 43% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 43% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Amarasiri Peiris
Vihanga Geethaya
99 bpm • G min • 04:34 • -7.71db
17% Popularity • 55% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 47% Positiveness
17% Popularity • 55% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 47% Positiveness
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H.R. Jothipala
Hanga Gal Lene
99 bpm • C# Maj • 03:34 • -7.98db
28% Popularity • 55% Danceability • 95% Energy • 25% Liveness
3% Instrumentalness • 95% Positiveness
28% Popularity • 55% Danceability • 95% Energy • 25% Liveness
3% Instrumentalness • 95% Positiveness
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Somathilaka Jayamaha
Piya Man Keruwemi
99 bpm • B min • 03:40 • -13.23db
18% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Rookantha Goonatillake
Ukulata Nawath
89 bpm • D# Maj • 04:00 • -19.57db
17% Popularity • 56% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Neela Wickramasinghe
Chamara Salunawe
99 bpm • F Maj • 03:20 • -9.96db
13% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Malani Bulathsinhala
Dam Patin La - Radio Version
99 bpm • G Maj • 04:38 • -14.41db
30% Popularity • 36% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 36% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Rookantha Gunathilake
Taj Mahalak
100 bpm • C min • 04:30 • -15.07db
15% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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H.R. Jothipala
Kothanaka Hitiyath Oba Melowe
99 bpm • A Maj • 03:20 • -10.01db
30% Popularity • 74% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 74% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Surendra Perera
Diya Kinduriya Se
100 bpm • A# min • 04:46 • -15.52db
17% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Milton Mallawarachchi
Oba Dan Keewath
100 bpm • D Maj • 02:41 • -8.62db
27% Popularity • 61% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 61% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Neela Wickramasinghe
Keena Dam Mitak
100 bpm • A Maj • 04:38 • -15.63db
27% Popularity • 47% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 47% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 63% Positiveness
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Thilina Ruhunage
Man Nubemada
100 bpm • A min • 03:38 • -8.5db
40% Popularity • 59% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 59% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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6th LANE
Amma
100 bpm • F min • 03:59 • -12.44db
34% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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W. D. Amaradeva
Wakkada Langa
100 bpm • F Maj • 02:40 • -8.8db
24% Popularity • 55% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 55% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Chandana Liyanarachchi
Sihina Asapuwe
100 bpm • G min • 04:02 • -14.03db
18% Popularity • 73% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 73% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Ruwan Hettiarachchi
Alen Weli
100 bpm • D Maj • 03:24 • -8.49db
25% Popularity • 74% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 74% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Jayasri
Sheela
100 bpm • A min • 03:46 • -7.92db
39% Popularity • 73% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 73% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Thilina Ruhunage
Ahasama Ridawa
100 bpm • E min • 02:41 • -6.13db
42% Popularity • 55% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 55% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Gayan Udawatta
Man Italiye Thani Una
100 bpm • E min • 04:16 • -10.27db
42% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Randhir
Namal mitak
100 bpm • G Maj • 03:44 • -7.48db
38% Popularity • 74% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 74% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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La Signore
Sudu Gawuma
100 bpm • F min • 03:22 • -6.62db
39% Popularity • 72% Danceability • 69% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
39% Popularity • 72% Danceability • 69% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
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Chandana Liyanarachchi
Liyathambara Mala
100 bpm • F min • 03:51 • -17.06db
21% Popularity • 80% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 80% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
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Chamara Weerasinghe
Sandata sanda eliyata
100 bpm • F min • 02:51 • -12db
33% Popularity • 59% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 59% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Jagath Wickramasinghe
Ran Thaarakawan
100 bpm • F min • 04:18 • -8.4db
20% Popularity • 59% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 59% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Vijaya Kumaratunga
Sarayatiyen Api
100 bpm • A min • 06:02 • -11.61db
20% Popularity • 61% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 61% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Karunarathna Divulgane
Adaraya Sundara Waradaki
100 bpm • F min • 03:43 • -12db
28% Popularity • 61% Danceability • 36% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 61% Danceability • 36% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
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Bathiya & Santhush
Ran Kurahan Mala
88 bpm • A# Maj • 04:26 • -7.53db
34% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 63% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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H.R. Jothipala
Paya Ai Hinahenne
101 bpm • D min • 03:13 • -8.55db
22% Popularity • 70% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 70% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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J A Milton Perera
Pem Apsarawo
101 bpm • F# Maj • 03:30 • -22.06db
17% Popularity • 57% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 57% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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W. D. Amaradeva
Vikasitha Pem
87 bpm • A# min • 03:22 • -14.96db
30% Popularity • 51% Danceability • 25% Energy • 18% Liveness
6% Instrumentalness • 47% Positiveness
30% Popularity • 51% Danceability • 25% Energy • 18% Liveness
6% Instrumentalness • 47% Positiveness
