Songs like Perdona (Ahora Sí Que Sí) by Carolina Durante
Based on a tempo of (+/- 10%) and a similar genre
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Second
2502
135 bpm • A Maj • 04:25 • -6.16db
38% Popularity • 58% Danceability • 83% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
38% Popularity • 58% Danceability • 83% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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ZOO
Tobogan
135 bpm • C Maj • 04:53 • -6.99db
54% Popularity • 76% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 76% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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shego
oh boi
135 bpm • D Maj • 02:40 • -6db
46% Popularity • 67% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 67% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Sexy Zebras
Tonterías
135 bpm • F# Maj • 03:45 • -5.24db
49% Popularity • 59% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 59% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Delaporte
Clap Clap
135 bpm • G Maj • 03:45 • -10.15db
37% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 72% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carolina Durante
Moreno de contrabando
135 bpm • C Maj • 01:51 • -4.56db
36% Popularity • 58% Danceability • 86% Energy • 12% Liveness
56% Instrumentalness • 66% Positiveness
36% Popularity • 58% Danceability • 86% Energy • 12% Liveness
56% Instrumentalness • 66% Positiveness
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Los Punsetes
Vas Hablando Mal de Mi
135 bpm • C Maj • 03:24 • -2db
26% Popularity • 44% Danceability • 94% Energy • 73% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 44% Danceability • 94% Energy • 73% Liveness
0% Instrumentalness • 46% Positiveness
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Malmö 040
La Última Canción
135 bpm • E Maj • 03:05 • -8.71db
61% Popularity • 69% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 69% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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La Maravillosa Orquesta del Alcohol
1932
135 bpm • C Maj • 03:00 • -16db
62% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
62% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Aitana
Con Las Ganas
135 bpm • E Maj • 02:48 • -8.35db
39% Popularity • 50% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 50% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Los Hermanos Cubero
Efímera
135 bpm • D# Maj • 02:43 • -12.2db
22% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Carolina Durante
Perdona (Ahora Sí Que Sí)
135 bpm • A# Maj • 02:46 • -3.75db
52% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Manolo Garcia
A San Fernando un Ratito a Pie y Otro Ca...
135 bpm • F# min • 03:47 • -4db
33% Popularity • 56% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 56% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
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Extremoduro
Cuarto movimiento: la realidad
136 bpm • E min • 05:49 • -7.01db
53% Popularity • 39% Danceability • 66% Energy • 22% Liveness
16% Instrumentalness • 34% Positiveness
53% Popularity • 39% Danceability • 66% Energy • 22% Liveness
16% Instrumentalness • 34% Positiveness
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La Maravillosa Orquesta del Alcohol
Los Lobos
135 bpm • B min • 03:12 • -5db
49% Popularity • 48% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Ginebras
Chico Pum
136 bpm • B Maj • 03:06 • -4.68db
38% Popularity • 54% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 54% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Viva Suecia
Lo Que Te Mereces
136 bpm • C Maj • 04:17 • -2.92db
57% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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IZAL
Qué Bien
134 bpm • A# Maj • 04:33 • -8db
60% Popularity • 63% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
60% Popularity • 63% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Sidecars
Fan de Ti
134 bpm • C Maj • 03:33 • -3db
50% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lori Meyers
¿Aha Han Vuelto?
134 bpm • C Maj • 04:07 • -6.17db
44% Popularity • 56% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 56% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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La Maravillosa Orquesta del Alcohol
Héroes del Sábado
136 bpm • A# Maj • 04:04 • -6.31db
60% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Carolina Durante
Cayetano
134 bpm • E Maj • 02:26 • -3.24db
43% Popularity • 53% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 53% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Varry Brava
No Gires
136 bpm • A min • 02:23 • -6db
43% Popularity • 66% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 66% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
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Extremoduro
Si te vas...
133 bpm • F Maj • 08:36 • -8.53db
61% Popularity • 57% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
61% Popularity • 57% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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LOS NIKIS
El imperio contraataca
133 bpm • E Maj • 03:12 • -5.73db
51% Popularity • 49% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 49% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Sienna
Épico y Mortal
137 bpm • E min • 03:34 • -4.54db
44% Popularity • 65% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 65% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Venturi
Mi Estúpida Opinión
137 bpm • F Maj • 04:31 • -7.2db
24% Popularity • 69% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 69% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Carolina Durante
No es tu día
134 bpm • E Maj • 03:00 • -3.25db
31% Popularity • 50% Danceability • 91% Energy • 38% Liveness
1% Instrumentalness • 84% Positiveness
31% Popularity • 50% Danceability • 91% Energy • 38% Liveness
1% Instrumentalness • 84% Positiveness
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Carlos Sadness
Te Quiero un Poco
133 bpm • G Maj • 03:26 • -6.56db
53% Popularity • 78% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 78% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Morgan
Sargento de Hierro
133 bpm • A# Maj • 03:59 • -8.36db
48% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Niña Polaca
Mucho tiempo contigo
133 bpm • A Maj • 03:36 • -4.34db
49% Popularity • 51% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 51% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
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Viva Suecia
Algunos Tenemos Fe
133 bpm • F# min • 03:01 • -2db
49% Popularity • 58% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 58% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Ginebras
La Típica Canción
133 bpm • A Maj • 02:57 • -4.92db
50% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Carolina Durante
Famoso en tres calles
137 bpm • B Maj • 03:25 • -3.02db
37% Popularity • 43% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 43% Danceability • 90% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
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Extremoduro
Stand By
133 bpm • G Maj • 03:27 • -4.68db
62% Popularity • 47% Danceability • 63% Energy • 14% Liveness
44% Instrumentalness • 40% Positiveness
62% Popularity • 47% Danceability • 63% Energy • 14% Liveness
44% Instrumentalness • 40% Positiveness
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Sidecars
Mundo imperfecto
137 bpm • D Maj • 03:08 • -4.42db
47% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Los Planetas
Pesadilla En El Parque De Atracciones
133 bpm • D Maj • 02:22 • -4.7db
43% Popularity • 37% Danceability • 86% Energy • 40% Liveness
2% Instrumentalness • 84% Positiveness
43% Popularity • 37% Danceability • 86% Energy • 40% Liveness
2% Instrumentalness • 84% Positiveness
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Niña Polaca
Los días malos
132 bpm • C Maj • 04:28 • -5.47db
46% Popularity • 46% Danceability • 87% Energy • 15% Liveness
59% Instrumentalness • 46% Positiveness
46% Popularity • 46% Danceability • 87% Energy • 15% Liveness
59% Instrumentalness • 46% Positiveness
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La Maravillosa Orquesta del Alcohol
Mil Demonios
138 bpm • B min • 02:48 • -5.92db
46% Popularity • 55% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 55% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Carolina Durante
La Noche de los Muertos Vivientes
133 bpm • C Maj • 03:39 • -3db
27% Popularity • 54% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 54% Danceability • 97% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
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Vetusta Morla
Sálvese Quien Pueda
132 bpm • F# min • 03:22 • -2.63db
49% Popularity • 59% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 59% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Love of Lesbian
Club de fans de John Boy
132 bpm • B min • 03:51 • -8db
56% Popularity • 64% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 64% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Sidonie
Estáis Aquí
132 bpm • C Maj • 04:19 • -7.63db
39% Popularity • 73% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 74% Positiveness
39% Popularity • 73% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 74% Positiveness
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Niña Polaca
Ivona (Voy a Decirle a Mi Madre Que la Q...
132 bpm • A Maj • 03:22 • -3.81db
41% Popularity • 46% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 46% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Arnau Griso
Es Gratis
132 bpm • C# min • 03:10 • -5db
50% Popularity • 74% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
50% Popularity • 74% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Carolina Durante
Minuto 93
133 bpm • D Maj • 03:13 • -4.08db
28% Popularity • 47% Danceability • 94% Energy • 24% Liveness
8% Instrumentalness • 29% Positiveness
28% Popularity • 47% Danceability • 94% Energy • 24% Liveness
8% Instrumentalness • 29% Positiveness
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Sidecars
Amasijo de huesos
132 bpm • B Maj • 04:35 • -4.88db
48% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Pereza
Princesas
132 bpm • G Maj • 03:37 • -3.55db
68% Popularity • 68% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 68% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Biela
El Encuentro
132 bpm • A Maj • 02:05 • -4.09db
30% Popularity • 65% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 65% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Extremoduro
Dulce introducción al caos
139 bpm • G Maj • 07:42 • -6.49db
58% Popularity • 33% Danceability • 68% Energy • 16% Liveness
26% Instrumentalness • 25% Positiveness
58% Popularity • 33% Danceability • 68% Energy • 16% Liveness
26% Instrumentalness • 25% Positiveness
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La Maravillosa Orquesta del Alcohol
La Inmensidad
131 bpm • F# min • 03:27 • -7.72db
52% Popularity • 60% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 60% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Carolina Durante
Urbanitas
132 bpm • G Maj • 02:22 • -3.96db
33% Popularity • 52% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 52% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Fito y Fitipaldis
Soldadito marinero
140 bpm • D Maj • 04:14 • -8.74db
69% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ana Guerra
Todas Las Flores
140 bpm • B Maj • 02:52 • -7.31db
26% Popularity • 54% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 54% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Sidonie
Me Llamo Abba
140 bpm • A# Maj • 03:12 • -4.44db
40% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 55% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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M-Clan
Miedo
140 bpm • C Maj • 04:57 • -5db
53% Popularity • 54% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 54% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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Fangoria
Dramas y comedias
140 bpm • C# Maj • 04:03 • -7db
52% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Carolina Durante
Falta Sentimiento
131 bpm • B Maj • 03:50 • -2.16db
26% Popularity • 55% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 55% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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El Columpio Asesino
Toro
140 bpm • F# Maj • 04:36 • -9db
50% Popularity • 55% Danceability • 69% Energy • 12% Liveness
69% Instrumentalness • 25% Positiveness
50% Popularity • 55% Danceability • 69% Energy • 12% Liveness
69% Instrumentalness • 25% Positiveness
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Malmö 040
Un Día Más (de Septiembre)
140 bpm • C# Maj • 03:00 • -6.76db
59% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
59% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Amaia
La Canción Que No Quiero Cantarte
140 bpm • G Maj • 02:48 • -5db
50% Popularity • 78% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 78% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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La Bien Querida
¿Qué?
140 bpm • G# Maj • 03:36 • -7.55db
50% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Pole.
Amor De Verbena
140 bpm • A# Maj • 03:05 • -4.52db
47% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Carolina Durante
No Tan Jóvenes
140 bpm • D Maj • 03:34 • -4.35db
21% Popularity • 40% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 40% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Love of Lesbian
La Niña Imantada
140 bpm • D Maj • 03:16 • -9.22db
47% Popularity • 64% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
47% Popularity • 64% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Vetusta Morla
Valiente
140 bpm • E min • 03:28 • -4db
59% Popularity • 55% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 55% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Supersubmarina
LN Granada
140 bpm • A Maj • 03:11 • -3.62db
57% Popularity • 55% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 55% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Carlos Sadness
Que Electricidad
140 bpm • C Maj • 03:55 • -6.47db
51% Popularity • 52% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 52% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 70% Positiveness
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La La Love You
Laponia
140 bpm • D Maj • 03:12 • -3.55db
56% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Niña Polaca
Pinta Malasaña
130 bpm • F# Maj • 02:37 • -4db
39% Popularity • 53% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 53% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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Love of Lesbian
Bajo el volcán
140 bpm • E Maj • 05:47 • -5.33db
48% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Amaia
Quedará En Nuestra Mente
130 bpm • D Maj • 03:51 • -5db
41% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Cariño
Excusas
130 bpm • A# Maj • 03:59 • -7.08db
34% Popularity • 67% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 67% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Niños Mutantes
Palabras para Julio (LA VEGA)
130 bpm • A min • 03:28 • -7.86db
32% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 71% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Alizzz
El Encuentro
130 bpm • G min • 02:58 • -7db
53% Popularity • 85% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 85% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Niña Polaca
Lo que yo te he querido (pretérito perf...
130 bpm • G Maj • 03:04 • -6.16db
44% Popularity • 58% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 58% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Arde Bogotá
Antiaéreo
130 bpm • D Maj • 03:04 • -4.89db
64% Popularity • 54% Danceability • 94% Energy • 41% Liveness
21% Instrumentalness • 74% Positiveness
64% Popularity • 54% Danceability • 94% Energy • 41% Liveness
21% Instrumentalness • 74% Positiveness
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Love of Lesbian
Incendios de nieve
130 bpm • G Maj • 05:58 • -8db
44% Popularity • 58% Danceability • 56% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
44% Popularity • 58% Danceability • 56% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
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Supersubmarina
Viento de Cara
130 bpm • A Maj • 04:17 • -4.83db
58% Popularity • 52% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 52% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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ELYELLA
Todo Lo Que Importa
130 bpm • G Maj • 03:59 • -5.95db
52% Popularity • 57% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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Alfred García
De La Tierra Hasta Marte
130 bpm • C Maj • 03:16 • -7db
39% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 62% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Samuraï
Tirando Balas
130 bpm • C# min • 02:53 • -6.13db
59% Popularity • 78% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 78% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Viva Suecia
Amar el Conflicto (todo Lo Que Importa)
130 bpm • E min • 03:18 • -5db
56% Popularity • 42% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
56% Popularity • 42% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Love of Lesbian
Sesenta memorias perdidas
130 bpm • F# min • 04:45 • -6.23db
50% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Rigoberta Bandini
A ver qué pasa - Estrella Damm 2021
130 bpm • G min • 03:52 • -9.21db
55% Popularity • 56% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
55% Popularity • 56% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Amaia
Nuevo Verano
130 bpm • E Maj • 04:05 • -5db
37% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Miss Caffeina
Reina
130 bpm • C# min • 03:21 • -8.92db
31% Popularity • 57% Danceability • 55% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
31% Popularity • 57% Danceability • 55% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
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Carolina Durante
El Perro De Tu Señorío
130 bpm • F# Maj • 04:01 • -4.12db
25% Popularity • 38% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 38% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Loquillo
Cadillac solitario
130 bpm • B min • 03:34 • -4.15db
54% Popularity • 39% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 39% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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La La Love You
El Principio de algo
141 bpm • F# Maj • 02:27 • -3.79db
68% Popularity • 62% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 62% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Extremoduro
La vereda de la puerta de atrás
141 bpm • A min • 04:03 • -2.74db
65% Popularity • 40% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 40% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Amaia
Miedo
130 bpm • F Maj • 03:29 • -5.73db
41% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 54% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lori Meyers
No Hay Excusa
129 bpm • C# min • 04:08 • -3.13db
42% Popularity • 45% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
42% Popularity • 45% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 54% Positiveness
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Carolina Durante
Lo Segundo, Ya No Tanto
130 bpm • E Maj • 02:42 • -4.19db
22% Popularity • 42% Danceability • 90% Energy • 10% Liveness
55% Instrumentalness • 24% Positiveness
22% Popularity • 42% Danceability • 90% Energy • 10% Liveness
55% Instrumentalness • 24% Positiveness
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Vetusta Morla
La Deriva
129 bpm • A Maj • 03:39 • -7.25db
49% Popularity • 59% Danceability • 66% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
49% Popularity • 59% Danceability • 66% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
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Sidecars
Tu mejor pesadilla
129 bpm • G Maj • 03:55 • -4.97db
41% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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León Benavente
Ánimo, Valiente
129 bpm • A# Maj • 03:44 • -4.64db
40% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
40% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
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La La Love You
Tenía Tanto Que Darte
129 bpm • C# Maj • 03:27 • -3.34db
46% Popularity • 54% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 54% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
