Songs like Perfect Conditions by Sam MacPherson
Based on a tempo of (+/- 10%) and a similar genre
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Jonah Kagen
18
142 bpm • C# Maj • 02:51 • -10.15db
40% Popularity • 62% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 62% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Chris James
The Cool Kid
142 bpm • C# Maj • 02:33 • -5.84db
50% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
45% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
32% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Braden Bales
ROI
142 bpm • C# Maj • 02:00 • -5.12db
43% Popularity • 80% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 80% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Conor Burns
Mansion On A Hill
143 bpm • E Maj • 03:10 • -10.41db
40% Popularity • 63% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 63% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Katherine Li
Like Me, Like Me
141 bpm • B Maj • 02:25 • -7.36db
41% Popularity • 53% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 53% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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MICO
cut my hair
143 bpm • C# Maj • 02:56 • -8.1db
57% Popularity • 70% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 70% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Blake Rose
Magazine
143 bpm • G# Maj • 03:51 • -7.81db
34% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Vincent Lima
Where You're Coming From
141 bpm • B Maj • 03:14 • -10.24db
46% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Reagan Beem
It's Okay
143 bpm • E Maj • 02:37 • -5.49db
32% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Rosie Darling
Lost On You
140 bpm • D Maj • 02:14 • -8.69db
46% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Noah Kahan
Bad Luck
143 bpm • B Maj • 03:11 • -9.72db
61% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Valley
memories - demo
144 bpm • F Maj • 02:40 • -7.05db
46% Popularity • 55% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 55% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
58% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
58% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Dawes
Lose My Mind
144 bpm • G Maj • 02:26 • -7.41db
39% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
60% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Devon Gabriella
afraid of heights
140 bpm • A# Maj • 02:34 • -15.06db
38% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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NERIAH
You Won't Forget About Me, Right?
140 bpm • C Maj • 02:37 • -6db
44% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Turley
I Like That
140 bpm • G# Maj • 02:29 • -8.51db
45% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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gavn!
how are you now
144 bpm • D Maj • 03:00 • -11.12db
48% Popularity • 52% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 52% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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BLÜ EYES
rest in peace
144 bpm • D Maj • 03:11 • -11db
40% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Stephen Dawes
Positive!
140 bpm • C Maj • 02:26 • -6.45db
37% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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sorryethan
Cadillac Dreams
144 bpm • D Maj • 02:30 • -7.73db
2% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jordy Searcy
Only Know How to Love You
140 bpm • E min • 03:01 • -8.05db
33% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Braden Bales
HALF IT
140 bpm • A Maj • 02:36 • -5.82db
28% Popularity • 62% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Katherine Li
We Didn't Even Date
140 bpm • C# Maj • 02:57 • -10db
48% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Alex Warren
Headlights
145 bpm • C# Maj • 02:53 • -7db
55% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Turley
I See You
145 bpm • D Maj • 03:00 • -8db
35% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Braden Bales
CHRONICALLY CAUTIOUS
140 bpm • C# Maj • 01:59 • -4.33db
61% Popularity • 70% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 70% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Alfie Jukes
Traffic Jams
145 bpm • D Maj • 03:11 • -5.95db
43% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Dylan Brady
How Are You?
139 bpm • C# Maj • 02:49 • -6.76db
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Will Linley
Gracie
146 bpm • E Maj • 02:45 • -8.31db
51% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
55% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Grae
Right Person Right Time
138 bpm • F# Maj • 02:58 • -9.46db
57% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 46% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Sam MacPherson
No Bad Memories
146 bpm • A# Maj • 03:40 • -8.56db
21% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan Brady
How Are You? (ROSIE Rewrite)
138 bpm • C# Maj • 03:03 • -7.03db
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Rose
Dizzy
138 bpm • G# Maj • 03:04 • -4db
34% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Cody Lovaas
Make More Sense
138 bpm • A# Maj • 02:53 • -5.83db
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Fly By Midnight
Tragedy
138 bpm • F Maj • 02:29 • -5db
49% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Greyson Chance
Palladium
138 bpm • F Maj • 04:07 • -8.4db
36% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Hansen
dead the day ur gone
147 bpm • E Maj • 03:24 • -8.05db
57% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Braden Bales
20 MISSED CALLS
147 bpm • C Maj • 03:01 • -8.66db
42% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Katherine Li
I Don't Care
137 bpm • B Maj • 03:03 • -8db
40% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 62% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Day
The End
137 bpm • D Maj • 02:58 • -6db
48% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Haley Joelle
Maid of Honor
147 bpm • C Maj • 02:51 • -8.22db
33% Popularity • 52% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 52% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Kays
Bored
148 bpm • A# Maj • 02:46 • -7.33db
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Fenn
Against Your Tide
148 bpm • F Maj • 02:22 • -8.93db
29% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
29% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Devin Kennedy
Hurt U
148 bpm • D Maj • 02:52 • -8.24db
51% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Chris James
Thrill of the Chase
148 bpm • B Maj • 02:18 • -4.6db
40% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Lily Williams
What If I Still Miss You?
148 bpm • F Maj • 03:20 • -8.46db
25% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sam MacPherson
Safe to Say
148 bpm • A# Maj • 03:31 • -5.62db
32% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Kays
Miss Me the Same
136 bpm • C Maj • 03:36 • -8.54db
47% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Clark
worst enemy
136 bpm • G min • 02:57 • -9.23db
33% Popularity • 59% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 59% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Jonah Kagen
barcelona
136 bpm • B min • 02:55 • -7.53db
42% Popularity • 75% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 75% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 84% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
53% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Haley Joelle
Hope You're Well
136 bpm • G Maj • 03:28 • -12db
33% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 40% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Annamarie Rosanio
Color Blind
136 bpm • A Maj • 03:41 • -18.4db
2% Popularity • 45% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 45% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Reagan Beem
Happy
136 bpm • A Maj • 03:15 • -8.13db
32% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Katherine Li
Happening Again
149 bpm • C Maj • 02:53 • -6db
49% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
59% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Caleb Hearn
1 day you will
150 bpm • D# Maj • 02:54 • -11.1db
46% Popularity • 48% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 48% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Braden Bales
CHRONICALLY CAUTIOUS - Stripped
135 bpm • C Maj • 02:41 • -9.14db
37% Popularity • 60% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 60% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Reagan Beem
Heartache Can Be Beautiful
135 bpm • F Maj • 03:07 • -9.84db
36% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Devon Gabriella
older
150 bpm • A Maj • 02:37 • -14.57db
40% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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NERIAH
Love Me Like That
150 bpm • D Maj • 02:19 • -6.42db
47% Popularity • 61% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 61% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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BLÜ EYES
you'd never know
150 bpm • G# Maj • 03:05 • -9.7db
55% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
55% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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gavn!
Emerald City
150 bpm • B Maj • 02:46 • -10.5db
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Munn
this house is not a home
150 bpm • G# Maj • 02:38 • -7.06db
54% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Fly By Midnight
Tomorrow
150 bpm • D Maj • 03:05 • -6db
56% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Charlie Oriain
A Little Time
150 bpm • F# Maj • 02:50 • -7.6db
20% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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BYRNE
Dreams On a 6 Train
150 bpm • A# Maj • 02:54 • -6.35db
31% Popularity • 61% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 61% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Zachary Knowles
eyes closed
134 bpm • D Maj • 02:35 • -6.82db
34% Popularity • 81% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 81% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Thomas Day
Love Me For Another Day
134 bpm • F# Maj • 03:03 • -9.16db
43% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Max Drazen
Not Because I Loved You
134 bpm • F# Maj • 02:59 • -9.85db
29% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Caleb Hearn
We're Getting Older
151 bpm • G Maj • 02:41 • -9.44db
52% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Emily Vaughn
love me from a distance
151 bpm • E Maj • 01:59 • -11.53db
61% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Alex Sampson
Like the Rain
132 bpm • A Maj • 03:10 • -10.18db
47% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 34% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Day
Stranger
133 bpm • A Maj • 02:16 • -11.76db
46% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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New Rules
NOPE!
152 bpm • B min • 02:45 • -5.16db
45% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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ROSIE
Someone You Once Had
153 bpm • C# Maj • 03:12 • -6.15db
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
