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Perfect Order
Songs like
Perfect Order
by
Markus Schmidt
Based on a tempo of (+/- 10%) and a similar genre
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P.T. Adamczyk
Just Punishment
93 bpm • A# min • 02:15 • -20.2db
32% Popularity • 53% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
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Markus Schmidt
The Old World Order
93 bpm • F min • 02:20 • -14.7db
7% Popularity • 43% Danceability • 57% Energy • 26% Liveness
97% Instrumentalness • 34% Positiveness
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Scorewizard
Duel
93 bpm • D# Maj • 01:06 • -12.33db
23% Popularity • 53% Danceability • 53% Energy • 18% Liveness
86% Instrumentalness • 35% Positiveness
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Bill Brown
Counter Attack
93 bpm • C# Maj • 02:13 • -9.54db
12% Popularity • 54% Danceability • 57% Energy • 18% Liveness
97% Instrumentalness • 23% Positiveness
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Gaute Storaas
Sleðrenna
92 bpm • G Maj • 01:22 • -14.63db
10% Popularity • 46% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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Inon Zur
Charge Towards Enemy
93 bpm • E min • 01:50 • -7.49db
12% Popularity • 18% Danceability • 65% Energy • 20% Liveness
98% Instrumentalness • 28% Positiveness
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Michael Sciabbarrasi
Labyrinth
92 bpm • E min • 01:51 • -12.06db
9% Popularity • 35% Danceability • 90% Energy • 18% Liveness
72% Instrumentalness • 56% Positiveness
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Markus Schmidt
Perfect Order
93 bpm • G min • 01:07 • -15.57db
9% Popularity • 46% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
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Paradox Interactive
You Maniacs! You Built It up!
92 bpm • C Maj • 05:06 • -10.74db
8% Popularity • 56% Danceability • 54% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Maclaine Diemer
Alpine Marches
92 bpm • C Maj • 01:47 • -13.89db
11% Popularity • 50% Danceability • 63% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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Jeff van Dyck
Hero's Battle
94 bpm • B Maj • 02:58 • -11.35db
19% Popularity • 55% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 94% Positiveness
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Christopher Lennertz
Surkesh
94 bpm • C Maj • 02:28 • -11.05db
25% Popularity • 12% Danceability • 55% Energy • 7% Liveness
54% Instrumentalness • 8% Positiveness
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Paul Romero
Songs of Innocence and Experience (Kiril...
94 bpm • G Maj • 02:06 • -15.16db
9% Popularity • 37% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Markus Schmidt
Industrial Landscapes
93 bpm • C min • 03:03 • -10.25db
11% Popularity • 33% Danceability • 49% Energy • 21% Liveness
93% Instrumentalness • 32% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
42% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Gergely Buttinger
The Landing Site (Action)
92 bpm • E Maj • 02:52 • -15.95db
10% Popularity • 73% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Jeff van Dyck
Doomhammer
94 bpm • G Maj • 02:24 • -14.93db
10% Popularity • 64% Danceability • 79% Energy • 8% Liveness
60% Instrumentalness • 14% Positiveness
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Everrune
Dragon Slayer
91 bpm • A Maj • 01:55 • -11.18db
18% Popularity • 39% Danceability • 67% Energy • 35% Liveness
86% Instrumentalness • 11% Positiveness
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Jon Everist
Umbra
92 bpm • D min • 04:30 • -19.13db
11% Popularity • 10% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Markus Schmidt
Skylar's Master Plan
93 bpm • C Maj • 01:09 • -23.65db
6% Popularity • 29% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Bill Brown
The Necropolis
95 bpm • C Maj • 03:17 • -14.16db
15% Popularity • 15% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Henry Jackman
Avery's Descent
91 bpm • D# min • 02:27 • -18.47db
22% Popularity • 15% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Richard Beddow
Troy - Behold a Terrible Beauty
95 bpm • D min • 02:36 • -18.23db
16% Popularity • 27% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitry V. Silantyev
Crusade Victory Theme
95 bpm • F min • 01:34 • -15.96db
17% Popularity • 33% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Gareth Coker
Typhon's Lair
95 bpm • G# Maj • 04:19 • -12.98db
8% Popularity • 45% Danceability • 50% Energy • 25% Liveness
94% Instrumentalness • 28% Positiveness
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Markus Schmidt
Desolation Waltz
93 bpm • C Maj • 02:16 • -16.85db
7% Popularity • 44% Danceability • 36% Energy • 16% Liveness
77% Instrumentalness • 14% Positiveness
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Daniel Licht
Escape Medley
95 bpm • C# Maj • 01:38 • -12.05db
22% Popularity • 63% Danceability • 54% Energy • 16% Liveness
79% Instrumentalness • 32% Positiveness
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Bill Brown
The Evil's Creatures
95 bpm • E min • 02:15 • -10db
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Jack Wall
Spectre Induction
95 bpm • A min • 01:52 • -12.35db
31% Popularity • 44% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Jamie Christopherson
Fury of The Victims
91 bpm • A Maj • 02:03 • -9.98db
12% Popularity • 35% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Inon Zur
Greatest Challenge
95 bpm • E min • 01:44 • -8.31db
12% Popularity • 26% Danceability • 74% Energy • 12% Liveness
86% Instrumentalness • 29% Positiveness
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Alexander Roeder
Where Are My Sleeping Pills?
95 bpm • G Maj • 02:16 • -21.9db
6% Popularity • 44% Danceability • 41% Energy • 16% Liveness
81% Instrumentalness • 15% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
37% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Arnaud Roy
War of the Sundered (Gravity Well Remix)
90 bpm • D min • 03:26 • -15.26db
10% Popularity • 14% Danceability • 35% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
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Jack Wall
The Lazarus Project
95 bpm • A# Maj • 01:10 • -11.59db
25% Popularity • 17% Danceability • 44% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Honor
90 bpm • C Maj • 04:45 • -17.88db
19% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Inon Zur
Turning the Tide
96 bpm • D min • 02:13 • -10.92db
20% Popularity • 40% Danceability • 55% Energy • 16% Liveness
82% Instrumentalness • 50% Positiveness
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Alexander Roeder
Forces of Nature
90 bpm • A# Maj • 02:08 • -16.69db
11% Popularity • 27% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Grant Kirkhope
Solar Collector
90 bpm • E Maj • 04:42 • -19.51db
8% Popularity • 14% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Tabletop Rpg Music
The Countdown (suspense, combat)
96 bpm • G# Maj • 05:10 • -14.39db
9% Popularity • 59% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Kevin Riepl
Lawgiver
90 bpm • D Maj • 02:06 • -21db
23% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
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Sergey Eybog
Searching for Answers
90 bpm • C Maj • 01:51 • -17db
22% Popularity • 36% Danceability • 17% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Jeff van Dyck
Dark Sword
90 bpm • E Maj • 03:00 • -12.57db
10% Popularity • 54% Danceability • 85% Energy • 13% Liveness
71% Instrumentalness • 24% Positiveness
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Tilman Sillescu
Confidence
96 bpm • A min • 02:00 • -19.59db
7% Popularity • 53% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Andreas Waldetoft
The Last Stand
90 bpm • D min • 02:49 • -17.58db
25% Popularity • 39% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Will Savino
Hordebreaker
90 bpm • E min • 03:06 • -10.88db
19% Popularity • 62% Danceability • 91% Energy • 6% Liveness
92% Instrumentalness • 50% Positiveness
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Maclaine Diemer
Path of Fire
96 bpm • A Maj • 02:42 • -19.04db
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Marcin Przybyłowicz
The Chase
90 bpm • D Maj • 02:46 • -18.04db
24% Popularity • 51% Danceability • 75% Energy • 66% Liveness
95% Instrumentalness • 28% Positiveness
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Jeff van Dyck
Surly Towers
90 bpm • C Maj • 02:13 • -13.11db
10% Popularity • 56% Danceability • 68% Energy • 36% Liveness
97% Instrumentalness • 53% Positiveness
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Breakdown Epiphanies
Laying Siege to Hammerburg (Noble Houses...
90 bpm • E min • 04:34 • -11.24db
14% Popularity • 16% Danceability • 65% Energy • 13% Liveness
87% Instrumentalness • 26% Positiveness
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Tilman Sillescu
A Future Named Hope
90 bpm • D min • 02:43 • -13.82db
10% Popularity • 55% Danceability • 32% Energy • 14% Liveness
10% Instrumentalness • 32% Positiveness
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Aakaash Rao
Pandora's Heart
90 bpm • C# Maj • 02:16 • -13.55db
23% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness
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Michael Curran
Xenomancer
90 bpm • D Maj • 03:11 • -12.08db
13% Popularity • 40% Danceability • 64% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Scorewizard
Counterstrike
90 bpm • C# min • 01:39 • -13.13db
19% Popularity • 49% Danceability • 63% Energy • 32% Liveness
92% Instrumentalness • 24% Positiveness
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Ramin Djawadi
The Angry Earth
90 bpm • A min • 02:18 • -10.93db
12% Popularity • 18% Danceability • 53% Energy • 7% Liveness
64% Instrumentalness • 10% Positiveness
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Brad Derrick
A Desert Born in Twilight
89 bpm • C Maj • 05:33 • -14db
20% Popularity • 10% Danceability • 26% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Markus Schmidt
Dominion
90 bpm • G Maj • 02:21 • -15.59db
8% Popularity • 13% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Geoff Knorr
Upon the Expanse
90 bpm • E min • 04:05 • -12.51db
13% Popularity • 15% Danceability • 35% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Jason Graves
The Covenant
89 bpm • F# min • 02:18 • -20.09db
17% Popularity • 10% Danceability • 27% Energy • 11% Liveness
76% Instrumentalness • 6% Positiveness
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Hunter Rogerson
Lorenzo
97 bpm • E min • 01:50 • -13db
16% Popularity • 49% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Borough Bound
Guts Match
97 bpm • G# Maj • 02:21 • -10.87db
23% Popularity • 61% Danceability • 76% Energy • 19% Liveness
72% Instrumentalness • 88% Positiveness
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Marcin Przybyłowicz
The Hunt Is Coming
97 bpm • G Maj • 02:05 • -6.89db
43% Popularity • 43% Danceability • 72% Energy • 7% Liveness
16% Instrumentalness • 17% Positiveness
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Markus Schmidt
Barracudas
89 bpm • D min • 02:04 • -9.45db
10% Popularity • 68% Danceability • 61% Energy • 11% Liveness
77% Instrumentalness • 50% Positiveness
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The Flight
Death and Rebirth - Part 4 - Secrets of ...
89 bpm • C# min • 01:13 • -21.85db
17% Popularity • 13% Danceability • 38% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Funcom Soundtrack
The Shattered Springs
98 bpm • B min • 02:59 • -15.32db
16% Popularity • 13% Danceability • 13% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Geoff Knorr
The Abyss
98 bpm • D min • 03:10 • -21.51db
9% Popularity • 13% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Matthias Wolf
Will They Ever Find Us? (The Passage DLC...
98 bpm • G Maj • 01:31 • -20db
10% Popularity • 23% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jason Graves
Infiltrating the Bunker
88 bpm • G# Maj • 02:38 • -20.93db
19% Popularity • 39% Danceability • 25% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
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Adam Skorupa
A Wolf's Demise
98 bpm • F# min • 02:11 • -16.95db
24% Popularity • 22% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Pawel Perepelica
Devoured by Darkness
88 bpm • E min • 02:01 • -18.18db
18% Popularity • 15% Danceability • 34% Energy • 12% Liveness
98% Instrumentalness • 9% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Alexander Roeder
Inside the Womb
99 bpm • C min • 02:12 • -24.9db
9% Popularity • 28% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Daniel Licht
Epilogue: Dead
87 bpm • E min • 01:07 • -21.33db
26% Popularity • 9% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Grant Kirkhope
The Plains of Erathell
88 bpm • F Maj • 03:59 • -21.29db
22% Popularity • 9% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Hunter Rogerson
The Eastern Wastes
87 bpm • A min • 03:01 • -16.06db
9% Popularity • 12% Danceability • 35% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Scorewizard
Push Through
99 bpm • D Maj • 01:52 • -8.46db
15% Popularity • 27% Danceability • 85% Energy • 18% Liveness
78% Instrumentalness • 68% Positiveness
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Dmitry V. Silantyev
Templars of the Ivory Labyrinth
87 bpm • F Maj • 01:48 • -16.29db
15% Popularity • 31% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Sam Hulick
The Fate Of The Galaxy
87 bpm • A# min • 01:21 • -16.77db
32% Popularity • 12% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Inon Zur
The Fury of Dawn (Main Theme)
100 bpm • A min • 03:02 • -15.38db
25% Popularity • 24% Danceability • 46% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Jason Graves
Isles of Judgement
87 bpm • D# Maj • 03:04 • -14.96db
7% Popularity • 15% Danceability • 41% Energy • 20% Liveness
82% Instrumentalness • 9% Positiveness
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Michael Curran
O Muse
100 bpm • A# Maj • 03:11 • -12.19db
12% Popularity • 28% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Possesion Of Jarl Udalryk
100 bpm • A# Maj • 03:22 • -12.86db
36% Popularity • 29% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Dmitry V. Silantyev
Crusade Battle Theme
100 bpm • D min • 01:51 • -13.45db
15% Popularity • 47% Danceability • 55% Energy • 20% Liveness
94% Instrumentalness • 29% Positiveness
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Tilman Sillescu
The Diva Performs Tonight
100 bpm • F min • 03:09 • -15db
10% Popularity • 50% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Jeff van Dyck
Gremlins
86 bpm • G# Maj • 02:32 • -10.63db
10% Popularity • 60% Danceability • 62% Energy • 29% Liveness
80% Instrumentalness • 63% Positiveness
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Stephen Barton
Demeter
100 bpm • C# Maj • 04:18 • -12.07db
19% Popularity • 44% Danceability • 64% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
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Markus Schmidt
Evidence
100 bpm • C Maj • 02:41 • -18.69db
0% Popularity • 63% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jason Graves
The Rebellion
100 bpm • C# Maj • 03:56 • -17.42db
16% Popularity • 66% Danceability • 66% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
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Adam Skorupa
Howl Of The White Wolf
100 bpm • F min • 01:54 • -11.16db
33% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
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Jochen Flach
A New Beginning
100 bpm • D Maj • 01:55 • -17.04db
11% Popularity • 50% Danceability • 44% Energy • 19% Liveness
93% Instrumentalness • 32% Positiveness
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Scorewizard
Gauntlet
100 bpm • D# min • 01:54 • -6.85db
15% Popularity • 48% Danceability • 78% Energy • 8% Liveness
97% Instrumentalness • 34% Positiveness
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Olivier Deriviere
Transnature
100 bpm • E min • 02:03 • -16.71db
14% Popularity • 62% Danceability • 84% Energy • 8% Liveness
97% Instrumentalness • 32% Positiveness
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Stephen Cromwell
Castle of Titans (Fields)
100 bpm • E min • 01:45 • -6.62db
16% Popularity • 43% Danceability • 54% Energy • 33% Liveness
96% Instrumentalness • 47% Positiveness
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Jon Everist
Good Hunting
100 bpm • F# min • 04:28 • -17.34db
10% Popularity • 56% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Jason Graves
The Scavenger's Den
86 bpm • F Maj • 03:47 • -15.79db
17% Popularity • 22% Danceability • 15% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
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Tilman Sillescu
A First Bridgehead
100 bpm • C Maj • 01:55 • -17.9db
14% Popularity • 56% Danceability • 38% Energy • 14% Liveness
76% Instrumentalness • 31% Positiveness
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Luc St-Pierre
Entering the City
101 bpm • F# min • 02:46 • -22.4db
8% Popularity • 14% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Sam Hulick
The Fleets Arrive
101 bpm • C Maj • 01:43 • -10db
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Dmitry V. Silantyev
Demon's Heresy
85 bpm • E min • 01:31 • -15.27db
15% Popularity • 20% Danceability • 30% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Bill Brown
Reincarnation of Tragedy
85 bpm • G# Maj • 02:12 • -8.36db
14% Popularity • 31% Danceability • 40% Energy • 13% Liveness
48% Instrumentalness • 6% Positiveness
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Perfect Order