Songs like Perotin: Sederunt Principes, Organum à trois voix by Pérotin
Based on a tempo of (+/- 10%) and a similar genre
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Guillaume de Machaut
Kyrie eleyson
65 bpm • G# min • 07:05 • -22db
10% Popularity • 8% Danceability • 12% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Miserere: Et secundum
65 bpm • F Maj • 02:20 • -29.93db
15% Popularity • 22% Danceability • 1% Energy • 22% Liveness
32% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 1% Energy • 22% Liveness
32% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Officium defunctorum: Parce mihi Domine:...
66 bpm • A# Maj • 05:21 • -36.59db
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 2: ...Dominus...
66 bpm • C# Maj • 00:56 • -23db
32% Popularity • 26% Danceability • 14% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
32% Popularity • 26% Danceability • 14% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
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Guillaume de Machaut
Quant en moy / Amour et biaute / Amara v...
66 bpm • C Maj • 03:39 • -23db
10% Popularity • 19% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
66 bpm • C Maj • 03:11 • -19db
18% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
18% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Holy God (Sviatyï Boje)
66 bpm • D# min • 04:12 • -25.93db
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria
66 bpm • A# Maj • 06:17 • -21db
24% Popularity • 9% Danceability • 13% Energy • 13% Liveness
19% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 13% Energy • 13% Liveness
19% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Lagrime di San Pietro: V. Giovane donna ...
66 bpm • G min • 02:14 • -23.7db
31% Popularity • 17% Danceability • 9% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Покаяния отверзи ми д�...
66 bpm • G Maj • 05:40 • -21.94db
23% Popularity • 10% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
23% Popularity • 10% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Kassia
Ek rizis agathis
63 bpm • A min • 01:27 • -13.71db
11% Popularity • 23% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 23% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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James Whitbourn
Luminosity: V. Castle of Diamonds
67 bpm • A min • 01:21 • -28.74db
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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Stevie Wishart
O Beata Infantia Alio Modo
67 bpm • E min • 03:25 • -15.82db
21% Popularity • 19% Danceability • 26% Energy • 9% Liveness
65% Instrumentalness • 10% Positiveness
21% Popularity • 19% Danceability • 26% Energy • 9% Liveness
65% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: VII....
67 bpm • D min • 06:00 • -30.04db
1% Popularity • 25% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
1% Popularity • 25% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Allegri (Roberts): Miserere (Omitting Ve...
67 bpm • G min • 05:49 • -21db
11% Popularity • 12% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 3% Positiveness
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Pérotin
Beata Viscera I
67 bpm • A min • 02:56 • -27.41db
12% Popularity • 12% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Emily Dickens
Ave Maris Stella: I
63 bpm • D Maj • 01:45 • -29db
11% Popularity • 26% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 10% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 10% Positiveness
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Pierre de la Rue
Requiem: VI. Agnus Dei
63 bpm • D# min • 03:03 • -22db
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Walther von der Vogelweide
Under der linden an der heide
67 bpm • G Maj • 04:44 • -20.65db
13% Popularity • 23% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 23% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Josquin des Prez
Missa Gaudeamus: I. Kyrie eleison I
67 bpm • D min • 01:04 • -21.62db
25% Popularity • 23% Danceability • 18% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 18% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
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Niccolò da Perugia
Dio mi guardi
68 bpm • A min • 03:10 • -26.7db
7% Popularity • 13% Danceability • 2% Energy • 7% Liveness
77% Instrumentalness • 37% Positiveness
7% Popularity • 13% Danceability • 2% Energy • 7% Liveness
77% Instrumentalness • 37% Positiveness
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Pérotin
Dum sigillum summi patris (12-13th c.)
67 bpm • G Maj • 05:10 • -29.96db
4% Popularity • 12% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 12% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
68 bpm • C Maj • 08:06 • -17.49db
1% Popularity • 18% Danceability • 15% Energy • 6% Liveness
6% Instrumentalness • 7% Positiveness
1% Popularity • 18% Danceability • 15% Energy • 6% Liveness
6% Instrumentalness • 7% Positiveness
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Guillaume Dufay
Flos florum
68 bpm • G min • 03:54 • -22.77db
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Gregorio Allegri
Allegri: Miserere - 01. Miserere mei, De...
69 bpm • F Maj • 01:08 • -26.01db
30% Popularity • 18% Danceability • 10% Energy • 16% Liveness
22% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 10% Energy • 16% Liveness
22% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Introit
69 bpm • E min • 01:16 • -24.74db
19% Popularity • 25% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
61 bpm • D# min • 08:55 • -29.9db
21% Popularity • 6% Danceability • 1% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 1% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
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Francesco Landini
Ecco la Primavera
69 bpm • G Maj • 01:14 • -23.26db
19% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Pérotin
Organum Quadruplum: Sederunt
61 bpm • G Maj • 03:18 • -25.5db
1% Popularity • 18% Danceability • 21% Energy • 21% Liveness
87% Instrumentalness • 22% Positiveness
1% Popularity • 18% Danceability • 21% Energy • 21% Liveness
87% Instrumentalness • 22% Positiveness
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Étienne Moulinié
Concert de différents oyseaux
70 bpm • A# Maj • 09:41 • -26db
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Loquebantur Variis Linguis - 2. ...
61 bpm • F min • 01:02 • -26.67db
43% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Léonin
Viderunt omnes No. 2: ...salutare suum a...
70 bpm • C# Maj • 02:08 • -21.6db
20% Popularity • 34% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
20% Popularity • 34% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Ave maris stella
70 bpm • A min • 04:46 • -28.4db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Josquin des Prez
Praeter rerum seriem: I. Prima pars
70 bpm • G min • 03:35 • -22.02db
18% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
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Pérotin
Viderunt omnes: Cantus No. 8
69 bpm • C Maj • 01:06 • -10.6db
0% Popularity • 29% Danceability • 28% Energy • 24% Liveness
90% Instrumentalness • 25% Positiveness
0% Popularity • 29% Danceability • 28% Energy • 24% Liveness
90% Instrumentalness • 25% Positiveness
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Jacob de Senleches
La harpe de mélodie
70 bpm • E min • 04:11 • -25.57db
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Serenity
60 bpm • G Maj • 05:18 • -32db
26% Popularity • 6% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Pérotin
Alleluia Nativitas
71 bpm • B Maj • 08:31 • -16.38db
9% Popularity • 19% Danceability • 23% Energy • 17% Liveness
15% Instrumentalness • 16% Positiveness
9% Popularity • 19% Danceability • 23% Energy • 17% Liveness
15% Instrumentalness • 16% Positiveness
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Pierre de la Rue
O Salutaris Hostia
71 bpm • F Maj • 03:39 • -33.3db
12% Popularity • 20% Danceability • 1% Energy • 7% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 1% Energy • 7% Liveness
16% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Apostolo glorioso - ...
71 bpm • C Maj • 03:02 • -23.43db
17% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Josquin des Prez
Ave Maria, Virgo Serena
71 bpm • C Maj • 05:55 • -19.83db
19% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
19% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Deo gratias
60 bpm • C Maj • 06:02 • -26.32db
26% Popularity • 11% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Luca Marenzio
Solo e pensoso
71 bpm • E min • 06:21 • -25.27db
8% Popularity • 10% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Andreas Scholl
Marco Rosano: Requiem
59 bpm • A# Maj • 05:12 • -14.64db
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
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Pérotin
Leonin-Perotin: Repons Et Valde, Organum...
71 bpm • C Maj • 07:39 • -20.33db
2% Popularity • 18% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
2% Popularity • 18% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Josquin des Prez
Kyrie
71 bpm • A min • 03:06 • -21.43db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: De ore prudentis
71 bpm • D min • 01:52 • -19.5db
32% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Anton Bruckner
Vexilla Regis
71 bpm • F Maj • 08:14 • -29.23db
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
► Preview
John Tavener
Song of the Angel
72 bpm • E Maj • 04:55 • -34.36db
15% Popularity • 7% Danceability • 3% Energy • 15% Liveness
74% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 15% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
Hugi Guðmundsson
Hvíld
72 bpm • A min • 03:34 • -28.38db
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
72 bpm • A# min • 03:52 • -21.4db
12% Popularity • 15% Danceability • 5% Energy • 13% Liveness
48% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 5% Energy • 13% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
James Whitbourn
Requiem canticorum: Alleluia
59 bpm • E min • 02:12 • -22.33db
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 1. Domine Deus noster-...
72 bpm • C Maj • 02:59 • -52db
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Lagrime di San Pietro: I. Il magnanimo P...
72 bpm • A min • 02:12 • -23db
10% Popularity • 20% Danceability • 12% Energy • 9% Liveness
12% Instrumentalness • 10% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 9% Liveness
12% Instrumentalness • 10% Positiveness
► Preview
Josquin des Prez
Missa Pange lingua: I. Kyrie
72 bpm • B min • 03:24 • -21db
18% Popularity • 11% Danceability • 19% Energy • 13% Liveness
72% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 19% Energy • 13% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Pierre de la Rue
O salutaris hostia
72 bpm • F Maj • 03:08 • -31db
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
David Douglass
Tarantella
72 bpm • C Maj • 06:51 • -23db
9% Popularity • 45% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
The Russian State Symphony Cappella
Great Ektenia
72 bpm • A# Maj • 03:48 • -18.52db
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
The Call (Arr. Harry D Bennett)
73 bpm • F min • 02:23 • -22.48db
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
15% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
► Preview
Andreas Scholl
O Quam Tristis
58 bpm • F# min • 02:54 • -14db
38% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
38% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
► Preview
Léonin
Viderunt omnes No. 1: ...salutare suum a...
73 bpm • C# Maj • 03:43 • -22db
19% Popularity • 15% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Requiem: Kyrie
73 bpm • G Maj • 04:33 • -24db
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
27% Popularity • 11% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pérotin
Organum, alleluia
73 bpm • A# min • 01:47 • -20.32db
0% Popularity • 68% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 77% Positiveness
0% Popularity • 68% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 77% Positiveness
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Victor Kalinnikov
Svete tikhii (Gentle light)
74 bpm • F Maj • 02:58 • -25.1db
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Stoltzer
Psalmus quarti toni Beatus vir
74 bpm • F# min • 03:46 • -30.36db
9% Popularity • 14% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
9% Popularity • 14% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Anonymous
Viderunt omnes (plainchant)
74 bpm • F min • 02:15 • -22db
18% Popularity • 21% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 21% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Isorhythmic Motets: O gemma, lux et spec...
75 bpm • D min • 05:08 • -22.22db
8% Popularity • 10% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Before Thy Cross
75 bpm • G min • 05:06 • -31.18db
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Pérotin
Motet For "Hec Dies": Deo confitemini - ...
73 bpm • D# Maj • 00:57 • -15.26db
1% Popularity • 34% Danceability • 3% Energy • 15% Liveness
68% Instrumentalness • 70% Positiveness
1% Popularity • 34% Danceability • 3% Energy • 15% Liveness
68% Instrumentalness • 70% Positiveness
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Jacob Obrecht
Salve Regina
75 bpm • C# min • 07:51 • -25db
11% Popularity • 10% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O Rubor Sanguinis: Antienne
75 bpm • F Maj • 01:32 • -30db
35% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Charles Tessier
Air espagnol: No ay en la tierra
75 bpm • C# Maj • 04:16 • -27.57db
7% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anonyme
In te Domine speravi
75 bpm • F# Maj • 11:17 • -19db
15% Popularity • 10% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Pérotin
Viderunt omnes
57 bpm • C Maj • 11:46 • -21.03db
4% Popularity • 19% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 19% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
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Pérotin
Beata viscera
75 bpm • G Maj • 01:54 • -28.95db
1% Popularity • 18% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 18% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Gregorio Allegri
Miserere: I. Miserere mei, Deus
76 bpm • F min • 02:38 • -25db
32% Popularity • 20% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
