Songs like Perpetuum Prairie by Edwin Berg
Based on a tempo of (+/- 10%) and a similar genre
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Edouard Ferlet
Chi
140 bpm • A# min • 04:41 • -13.06db
17% Popularity • 44% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 44% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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The Modern Jazz Quartet
Don't Stop This Train
140 bpm • A min • 01:48 • -20.51db
30% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Julio Remersaro
Principe En La Colina - Instrumental
140 bpm • F min • 01:46 • -15.74db
12% Popularity • 40% Danceability • 13% Energy • 12% Liveness
58% Instrumentalness • 11% Positiveness
12% Popularity • 40% Danceability • 13% Energy • 12% Liveness
58% Instrumentalness • 11% Positiveness
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Philippe Sarde
Grosse déprime
140 bpm • C min • 03:19 • -21.96db
10% Popularity • 50% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
10% Popularity • 50% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
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Anat Fort
Morning: Good
140 bpm • D min • 07:22 • -22.55db
8% Popularity • 45% Danceability • 16% Energy • 9% Liveness
61% Instrumentalness • 25% Positiveness
8% Popularity • 45% Danceability • 16% Energy • 9% Liveness
61% Instrumentalness • 25% Positiveness
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Jimmy Giuffre
Jesus Maria
140 bpm • A Maj • 06:16 • -24.26db
15% Popularity • 37% Danceability • 2% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 17% Liveness
78% Instrumentalness • 12% Positiveness
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Edwin Berg
Perpetuum Prairie
140 bpm • C Maj • 07:19 • -21.39db
2% Popularity • 24% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
2% Popularity • 24% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ron Carter
Bye Bye Blackbird
140 bpm • G min • 05:27 • -18.58db
34% Popularity • 56% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 33% Positiveness
34% Popularity • 56% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 33% Positiveness
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Dorothy Ashby
Lonely Melody
141 bpm • D min • 03:49 • -12.19db
21% Popularity • 50% Danceability • 35% Energy • 22% Liveness
30% Instrumentalness • 54% Positiveness
21% Popularity • 50% Danceability • 35% Energy • 22% Liveness
30% Instrumentalness • 54% Positiveness
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Gerry Mulligan Sextet
Prelude In E Minor
139 bpm • E min • 04:16 • -21.52db
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Pat Metheny
James
141 bpm • D Maj • 02:24 • -15.57db
8% Popularity • 33% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
8% Popularity • 33% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Louis Sclavis
La dame de Martigues
139 bpm • D min • 06:21 • -19.71db
8% Popularity • 34% Danceability • 13% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
8% Popularity • 34% Danceability • 13% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
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Elie Massias
I'll Never Come Here Again
141 bpm • B min • 03:53 • -10.47db
0% Popularity • 56% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 56% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Krzysztof Komeda
Nim Wstanie Dzień
139 bpm • D min • 05:01 • -17.01db
13% Popularity • 36% Danceability • 19% Energy • 65% Liveness
89% Instrumentalness • 6% Positiveness
13% Popularity • 36% Danceability • 19% Energy • 65% Liveness
89% Instrumentalness • 6% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
16% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
16% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Wayne Shorter
Infant Eyes - Remastered1998/Rudy Van Ge...
139 bpm • D# Maj • 06:54 • -12.07db
48% Popularity • 34% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
48% Popularity • 34% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Sophie Alour
Duo oud, saxophone (Improvisation)
139 bpm • C min • 01:23 • -14.43db
42% Popularity • 48% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
42% Popularity • 48% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
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Gabriele Mirabassi
Gli amori sospesi
142 bpm • A# Maj • 07:06 • -12db
15% Popularity • 47% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
15% Popularity • 47% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Eric Legnini
Doo We Doo
142 bpm • G Maj • 05:16 • -12.76db
8% Popularity • 46% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
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Sonny Clark Memorial Quartet
Voodoo
138 bpm • G min • 11:00 • -20.86db
11% Popularity • 53% Danceability • 15% Energy • 7% Liveness
62% Instrumentalness • 22% Positiveness
11% Popularity • 53% Danceability • 15% Energy • 7% Liveness
62% Instrumentalness • 22% Positiveness
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Glen Moore
Pepé Linque
138 bpm • A min • 04:24 • -17.99db
17% Popularity • 64% Danceability • 21% Energy • 10% Liveness
65% Instrumentalness • 29% Positiveness
17% Popularity • 64% Danceability • 21% Energy • 10% Liveness
65% Instrumentalness • 29% Positiveness
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Jacques Loussier
Prélude No.1 en ut majeur, BWV 846
138 bpm • C Maj • 05:23 • -17.64db
30% Popularity • 33% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
30% Popularity • 33% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
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Rahsaan Roland Kirk
Theme for the Eulipions
137 bpm • F min • 09:30 • -13db
21% Popularity • 38% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 38% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Ron Carter
Little Waltz
143 bpm • F Maj • 09:14 • -27.22db
20% Popularity • 32% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
20% Popularity • 32% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Shirley Horn
Summer (Estate)
137 bpm • F min • 08:44 • -24.74db
10% Popularity • 47% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
10% Popularity • 47% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Tomasz Stanko Quartet
Soul of Things, Var. 1
137 bpm • G Maj • 05:39 • -23.05db
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
72% Instrumentalness • 5% Positiveness
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Jakob Bro
Strands
136 bpm • C min • 04:44 • -28db
43% Popularity • 32% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
43% Popularity • 32% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Jacques Loussier
Prelude No. 1
137 bpm • C Maj • 05:25 • -24.91db
12% Popularity • 36% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 62% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 62% Positiveness
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Rita Marcotulli
Tuareg
137 bpm • E min • 04:48 • -17db
11% Popularity • 33% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
11% Popularity • 33% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Airelle Besson
Résonance
144 bpm • C# Maj • 06:29 • -13.05db
13% Popularity • 41% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 41% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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Antonio Faraò
I Could Have Done More
136 bpm • E min • 04:44 • -14db
20% Popularity • 35% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Oscar Peterson
Eleanor Rigby - Remastered
144 bpm • F min • 03:05 • -17.59db
42% Popularity • 39% Danceability • 19% Energy • 12% Liveness
17% Instrumentalness • 41% Positiveness
42% Popularity • 39% Danceability • 19% Energy • 12% Liveness
17% Instrumentalness • 41% Positiveness
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Avishai Cohen
Below
144 bpm • C# Maj • 04:30 • -20.84db
28% Popularity • 41% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 39% Positiveness
28% Popularity • 41% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 39% Positiveness
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Edwin Berg
F Kiem
136 bpm • C Maj • 02:31 • -21.45db
0% Popularity • 47% Danceability • 26% Energy • 5% Liveness
88% Instrumentalness • 41% Positiveness
0% Popularity • 47% Danceability • 26% Energy • 5% Liveness
88% Instrumentalness • 41% Positiveness
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Peter Beets
Nocturnes, Op 55: No. 1 in F Minor - Jaz...
144 bpm • F min • 10:19 • -13.52db
14% Popularity • 36% Danceability • 60% Energy • 74% Liveness
91% Instrumentalness • 56% Positiveness
14% Popularity • 36% Danceability • 60% Energy • 74% Liveness
91% Instrumentalness • 56% Positiveness
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Eddie Daniels
The Ninth Step
135 bpm • C Maj • 05:35 • -16.21db
16% Popularity • 65% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
16% Popularity • 65% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
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Michel Portal
Portrait de l'artiste en clown
136 bpm • A min • 01:16 • -19.35db
36% Popularity • 53% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
36% Popularity • 53% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
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Eugen Cicero
"Erbarme dich mein Gott" (Aus Matthäus-...
135 bpm • E min • 05:53 • -15.94db
9% Popularity • 44% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
9% Popularity • 44% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Tomasz Stanko Quartet
Song For Sarah
135 bpm • E min • 05:30 • -17.57db
12% Popularity • 43% Danceability • 13% Energy • 28% Liveness
89% Instrumentalness • 7% Positiveness
12% Popularity • 43% Danceability • 13% Energy • 28% Liveness
89% Instrumentalness • 7% Positiveness
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Sonny Clark Memorial Quartet
Cool Struttin'
135 bpm • C min • 05:30 • -20.1db
12% Popularity • 63% Danceability • 26% Energy • 11% Liveness
47% Instrumentalness • 34% Positiveness
12% Popularity • 63% Danceability • 26% Energy • 11% Liveness
47% Instrumentalness • 34% Positiveness
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Sokratis Sinopoulos Quartet
Walking
134 bpm • D Maj • 06:30 • -21.95db
10% Popularity • 36% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
10% Popularity • 36% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Hess/ AC/ Hess Spacelab
Jamil
134 bpm • D min • 05:46 • -21.09db
9% Popularity • 59% Danceability • 21% Energy • 9% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 59% Danceability • 21% Energy • 9% Liveness
73% Instrumentalness • 6% Positiveness
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Kyle Eastwood
Unforgiven
134 bpm • G Maj • 03:53 • -15.88db
11% Popularity • 49% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 49% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Joshua Redman
Chicago Blues
134 bpm • D# Maj • 04:53 • -11.63db
37% Popularity • 63% Danceability • 30% Energy • 18% Liveness
22% Instrumentalness • 27% Positiveness
37% Popularity • 63% Danceability • 30% Energy • 18% Liveness
22% Instrumentalness • 27% Positiveness
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Myra Melford
Night of Sorrow
133 bpm • E min • 06:43 • -24.43db
9% Popularity • 38% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
9% Popularity • 38% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Sweet Jazz Trio
Sonny Boy
133 bpm • A# Maj • 01:45 • -20.35db
15% Popularity • 54% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 63% Positiveness
15% Popularity • 54% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 63% Positiveness
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Airelle Besson
Ma ion
147 bpm • A min • 07:03 • -16.39db
19% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
19% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
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Duke Jordan
No problem
147 bpm • G min • 06:47 • -13db
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
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Charles Mingus
Myself When I Am Real
133 bpm • A# min • 07:35 • -17db
34% Popularity • 44% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
34% Popularity • 44% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Nikolaj Hess
Make You Feel My Love
133 bpm • C Maj • 05:02 • -29.87db
8% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Alfredo Rodriguez
Silver Rain
148 bpm • F min • 04:04 • -13.93db
10% Popularity • 60% Danceability • 49% Energy • 37% Liveness
14% Instrumentalness • 55% Positiveness
10% Popularity • 60% Danceability • 49% Energy • 37% Liveness
14% Instrumentalness • 55% Positiveness
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Carla Bley
Death Of Superman / Dream Sequence#1 - F...
132 bpm • A# Maj • 07:50 • -20.69db
8% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Mette Henriette
Passé
148 bpm • D Maj • 05:00 • -20.64db
9% Popularity • 23% Danceability • 5% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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David Enhco
Waltz #1
132 bpm • C# Maj • 03:21 • -14.4db
14% Popularity • 37% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 30% Positiveness
14% Popularity • 37% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 30% Positiveness
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Regina Carter
Healing In Foreign Lands
149 bpm • C min • 03:09 • -14.72db
9% Popularity • 24% Danceability • 13% Energy • 12% Liveness
38% Instrumentalness • 27% Positiveness
9% Popularity • 24% Danceability • 13% Energy • 12% Liveness
38% Instrumentalness • 27% Positiveness
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Edwin Berg
Les Trois Soeurs De Salamanca
132 bpm • F min • 06:54 • -17.55db
0% Popularity • 42% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
0% Popularity • 42% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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John Stowell
Petite Fleur
132 bpm • G min • 02:35 • -14db
9% Popularity • 43% Danceability • 3% Energy • 12% Liveness
20% Instrumentalness • 27% Positiveness
9% Popularity • 43% Danceability • 3% Energy • 12% Liveness
20% Instrumentalness • 27% Positiveness
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Myriam Alter
In Sicily
149 bpm • C# Maj • 06:55 • -12db
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Frédéric Chopin
Waltz in D-Flat Major, Op. 64: No. 1
131 bpm • G# Maj • 01:45 • -12.04db
15% Popularity • 42% Danceability • 42% Energy • 20% Liveness
82% Instrumentalness • 68% Positiveness
15% Popularity • 42% Danceability • 42% Energy • 20% Liveness
82% Instrumentalness • 68% Positiveness
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Adam Forkelid
The Old House
131 bpm • F min • 03:44 • -19.38db
23% Popularity • 57% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
23% Popularity • 57% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
18% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
18% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Edwin Berg
Alien Olaf
131 bpm • D Maj • 06:23 • -20.18db
0% Popularity • 48% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
0% Popularity • 48% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Eugen Cicero
Solfeggio in C Minor
150 bpm • C min • 05:39 • -13.32db
36% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
36% Popularity • 33% Danceability • 61% Energy • 25% Liveness
94% Instrumentalness • 54% Positiveness
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Oded Tzur
Tzurkauns
150 bpm • F# Maj • 09:30 • -19.15db
14% Popularity • 39% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 36% Positiveness
14% Popularity • 39% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 36% Positiveness
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Erroll Garner
Eldorado - Remastered 2020
130 bpm • G min • 05:54 • -12.97db
12% Popularity • 71% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
12% Popularity • 71% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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John Coltrane Quartet
Wise One
130 bpm • E min • 09:03 • -12.77db
34% Popularity • 44% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
22% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
22% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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Denis Beganovic
Il Suo Ultimo Silenzio
130 bpm • C min • 03:12 • -16.67db
23% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
23% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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David Helbock
Theme from Schindler's List
130 bpm • G min • 05:04 • -22.23db
25% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Eldar Djangirov
Variations on a Bach Prelude
152 bpm • C# Maj • 04:36 • -15.42db
11% Popularity • 29% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
11% Popularity • 29% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 76% Positiveness
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Jacques Loussier
Air on a G String
129 bpm • C Maj • 03:35 • -28.12db
29% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
29% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Frédéric Chopin
Le Père Lachaise - 24 Preludes, Op. 28:...
152 bpm • E min • 04:36 • -28db
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 21% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Yacine Boularès
Dar Shems - The House of The Sun
152 bpm • C Maj • 02:24 • -15.54db
19% Popularity • 34% Danceability • 20% Energy • 35% Liveness
71% Instrumentalness • 33% Positiveness
19% Popularity • 34% Danceability • 20% Energy • 35% Liveness
71% Instrumentalness • 33% Positiveness
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Tomasz Stanko Quartet
Cyrhla
129 bpm • C min • 07:04 • -19.23db
10% Popularity • 36% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
10% Popularity • 36% Danceability • 14% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Oregon
Duende
152 bpm • D min • 05:58 • -13.28db
14% Popularity • 51% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
14% Popularity • 51% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Mal Waldron
All Alone
128 bpm • A min • 05:10 • -8.49db
47% Popularity • 49% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
47% Popularity • 49% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Gianluigi Trovesi
Moonlight Serenade - Var.
128 bpm • F Maj • 01:11 • -21.96db
32% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Mário Laginha Trio
Tanto Espaço
127 bpm • F Maj • 05:51 • -25.8db
9% Popularity • 42% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
9% Popularity • 42% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Jo Kaiat
Avishai
127 bpm • D Maj • 03:52 • -11.88db
16% Popularity • 55% Danceability • 53% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
16% Popularity • 55% Danceability • 53% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Paul Desmond
A Taste of Honey
128 bpm • F min • 04:25 • -23.98db
42% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
42% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
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Elie Massias
Truth
126 bpm • D Maj • 04:44 • -13.33db
0% Popularity • 61% Danceability • 37% Energy • 19% Liveness
50% Instrumentalness • 33% Positiveness
0% Popularity • 61% Danceability • 37% Energy • 19% Liveness
50% Instrumentalness • 33% Positiveness
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Fred Hersch
When I'm Sixty Four
126 bpm • G min • 05:02 • -21.98db
10% Popularity • 56% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
10% Popularity • 56% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Shai Maestro
Mystery and Illusions
155 bpm • C Maj • 08:32 • -17.05db
19% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
19% Popularity • 30% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Joe Zawinul
Sharon's Waltz
126 bpm • A min • 05:06 • -22.64db
12% Popularity • 54% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
12% Popularity • 54% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
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Avishai Cohen
Smile
156 bpm • C# Maj • 03:25 • -23.64db
22% Popularity • 36% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
22% Popularity • 36% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Don Byron
Charley's Prelude
126 bpm • F min • 02:48 • -16db
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Mary Lou Williams
It Ain’t Necessarily So
126 bpm • E min • 04:45 • -22db
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Anat Cohen
Bachiao
126 bpm • A min • 03:35 • -15.94db
9% Popularity • 52% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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Jesper Skogsrund
Delibes
126 bpm • G Maj • 02:53 • -18.99db
16% Popularity • 40% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
16% Popularity • 40% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Steve Dobrogosz
Ecnamor
157 bpm • A# min • 03:28 • -20.58db
17% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
