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Petrichor
Songs like
Petrichor (feat. Ren Ford)
by
Keaton Henson
Based on a tempo of (+/- 10%) and a similar genre
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Joel P West
Wiffle Ball
123 bpm • A min • 03:11 • -16.64db
16% Popularity • 65% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Amber Run
CF (interlude)
123 bpm • G Maj • 01:53 • -13.4db
28% Popularity • 23% Danceability • 23% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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Keaton Henson
Petrichor
123 bpm • C Maj • 03:20 • -18.34db
43% Popularity • 28% Danceability • 16% Energy • 37% Liveness
94% Instrumentalness • 12% Positiveness
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Jónsi
Boy 1904
123 bpm • G Maj • 05:03 • -17.93db
31% Popularity • 18% Danceability • 24% Energy • 42% Liveness
97% Instrumentalness • 4% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Ed Carlsen
Close
122 bpm • D Maj • 04:29 • -19.28db
27% Popularity • 21% Danceability • 14% Energy • 45% Liveness
95% Instrumentalness • 6% Positiveness
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Eluvium
Caroling
124 bpm • C Maj • 03:53 • -17.98db
20% Popularity • 61% Danceability • 31% Energy • 6% Liveness
88% Instrumentalness • 41% Positiveness
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Patrik Berg Almkvisth
II
122 bpm • A Maj • 02:07 • -22.05db
49% Popularity • 47% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
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Chad Lawson
The Broad Sun
122 bpm • D# Maj • 03:28 • -35.34db
34% Popularity • 35% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:01 • -17.76db
36% Popularity • 40% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Maxence Cyrin
No Cars Go
122 bpm • G# Maj • 04:02 • -17.91db
36% Popularity • 38% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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dné
Meeting Points at 2am
124 bpm • E Maj • 02:46 • -10.53db
28% Popularity • 40% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Valgeir Sigurðsson
Erased Duet
121 bpm • A min • 02:08 • -17.19db
43% Popularity • 45% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 39% Positiveness
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Rauelsson
Fluvial
125 bpm • C Maj • 03:21 • -14.98db
22% Popularity • 35% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Peter Broderick
A Snowflake
125 bpm • F# min • 03:26 • -18db
33% Popularity • 32% Danceability • 16% Energy • 65% Liveness
91% Instrumentalness • 12% Positiveness
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Alan Ellis
What Made Us Feel Human
125 bpm • C Maj • 02:12 • -20.45db
34% Popularity • 35% Danceability • 20% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
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Clem Leek
Burleson, TX
125 bpm • C Maj • 02:33 • -14.77db
42% Popularity • 45% Danceability • 25% Energy • 60% Liveness
88% Instrumentalness • 5% Positiveness
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Silver Maple
This Delicate Place (Scaled Down Version...
120 bpm • G Maj • 02:40 • -25.64db
34% Popularity • 60% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Dmitry Evgrafov
Anthem
126 bpm • G Maj • 03:03 • -33.93db
40% Popularity • 27% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 6% Positiveness
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Dan Hyde
Afterthought
126 bpm • F Maj • 07:50 • -15db
21% Popularity • 58% Danceability • 30% Energy • 14% Liveness
82% Instrumentalness • 28% Positiveness
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Peter Broderick
Two Balloons, Pt. 1
121 bpm • F Maj • 01:09 • -20.98db
34% Popularity • 35% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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The American Dollar
Anything You Synthesize - Ambient
120 bpm • C# min • 04:08 • -22.25db
45% Popularity • 50% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Lists
Lallan
120 bpm • B Maj • 03:25 • -21.6db
14% Popularity • 61% Danceability • 16% Energy • 47% Liveness
96% Instrumentalness • 16% Positiveness
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Explosions In The Sky
Hello!
120 bpm • F# Maj • 03:38 • -19.4db
38% Popularity • 46% Danceability • 34% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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August Wilhelmsson
There Is No Me
120 bpm • C Maj • 02:20 • -21.04db
26% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Nil Ciuró
Airam
120 bpm • G# Maj • 03:25 • -18db
29% Popularity • 48% Danceability • 30% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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This Will Destroy You
They Move on Tracks of Never-Ending Ligh...
120 bpm • F# Maj • 06:56 • -19.37db
46% Popularity • 64% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Per Störby Jutbring
Dance Of The Diaper Fairy
120 bpm • D Maj • 05:07 • -13db
20% Popularity • 44% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
40% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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The Tides
Changes
120 bpm • B min • 04:16 • -13.21db
32% Popularity • 22% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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August Wilhelmsson
Dreams Of Another Reality
120 bpm • C min • 03:10 • -20.34db
35% Popularity • 57% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
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Peter Broderick
Begin
120 bpm • D Maj • 02:03 • -26db
36% Popularity • 31% Danceability • 0% Energy • 7% Liveness
80% Instrumentalness • 33% Positiveness
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Phoria
Mass (Re-Imagined)
120 bpm • G min • 03:32 • -23.29db
36% Popularity • 27% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Clem Leek
My Little Boat
120 bpm • E Maj • 02:00 • -19.43db
22% Popularity • 48% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Ave Air
Revealing The Unreal
120 bpm • D min • 03:32 • -24.43db
46% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Analogue Dear
Obrecht
127 bpm • A# Maj • 03:36 • -19.1db
38% Popularity • 31% Danceability • 12% Energy • 35% Liveness
90% Instrumentalness • 4% Positiveness
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Agnes Obel
Parliament Of Owls
119 bpm • B min • 02:29 • -17.04db
51% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Gabriela Parra
The Child Who Talked To The Wind
127 bpm • F Maj • 03:43 • -17.08db
20% Popularity • 32% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Ben Laver
Keeper
127 bpm • C Maj • 04:57 • -24db
35% Popularity • 27% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Levi Patel
As She Passes
119 bpm • G# Maj • 03:43 • -20.43db
31% Popularity • 48% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Keaton Henson
Teach Me
127 bpm • D Maj • 04:25 • -16db
28% Popularity • 32% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Julien Marchal
Insight XXV
127 bpm • F min • 06:04 • -29.51db
18% Popularity • 37% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Library Tapes
Fragment I
119 bpm • C Maj • 01:31 • -28db
39% Popularity • 87% Danceability • 1% Energy • 15% Liveness
97% Instrumentalness • 31% Positiveness
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Clem Leek
Rain Song
127 bpm • G# Maj • 02:31 • -17.17db
11% Popularity • 48% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Chad Lawson
I Should Be Sleeping
127 bpm • F Maj • 03:18 • -25.49db
29% Popularity • 48% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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Levi Patel
And She Translated Into the Sky
119 bpm • D min • 07:22 • -17.95db
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Federico Albanese
Migrants
128 bpm • G# Maj • 03:58 • -21db
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Martin Kohlstedt
OMBLEH
119 bpm • C Maj • 05:40 • -29db
33% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Hopkins
Autumn Hill
128 bpm • F# Maj • 02:40 • -27.02db
29% Popularity • 45% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
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Epic45
The Stars In Spring
118 bpm • F# Maj • 04:16 • -11.24db
35% Popularity • 53% Danceability • 56% Energy • 23% Liveness
28% Instrumentalness • 7% Positiveness
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Pete Kuzma
Celeste
128 bpm • F# Maj • 09:20 • -19db
48% Popularity • 62% Danceability • 16% Energy • 6% Liveness
92% Instrumentalness • 27% Positiveness
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Ben Sollee
On the Atlantic Ocean
128 bpm • D# Maj • 02:52 • -38.25db
32% Popularity • 28% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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The Album Leaf
Maryam
128 bpm • E Maj • 03:32 • -19.83db
13% Popularity • 46% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Zoë Keating
Sun Will Set
118 bpm • G Maj • 07:56 • -16.84db
31% Popularity • 43% Danceability • 13% Energy • 7% Liveness
77% Instrumentalness • 13% Positiveness
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Alex Somers
Campfire
128 bpm • D Maj • 03:56 • -18.81db
17% Popularity • 22% Danceability • 19% Energy • 31% Liveness
91% Instrumentalness • 3% Positiveness
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Keaton Henson
How Could I Have Known
118 bpm • C# Maj • 05:52 • -14.73db
26% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ikotu
IIII
118 bpm • D Maj • 02:30 • -20.2db
37% Popularity • 42% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Model Man
Ross
129 bpm • G Maj • 03:57 • -19.19db
36% Popularity • 53% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
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John Hayes
Some Chords For A Siren
117 bpm • B Maj • 05:08 • -30db
24% Popularity • 60% Danceability • 14% Energy • 24% Liveness
79% Instrumentalness • 7% Positiveness
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Clem Leek
Patience Is A Virtue
117 bpm • E Maj • 01:59 • -16.92db
54% Popularity • 30% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Jonatan Mollberg
Isle Of Water
117 bpm • F Maj • 02:23 • -24db
35% Popularity • 39% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Nico Muhly
Allen & Lucien
117 bpm • A# Maj • 01:56 • -27.23db
24% Popularity • 24% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Phoria
Saving Us a Riot
130 bpm • D# min • 04:17 • -16.24db
42% Popularity • 48% Danceability • 14% Energy • 12% Liveness
13% Instrumentalness • 6% Positiveness
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Alex Kozobolis
The Day She Met Herself
130 bpm • B Maj • 03:59 • -13.69db
24% Popularity • 32% Danceability • 37% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Matthew Bourne
Candela (For Sascha Heeney)
130 bpm • G min • 03:45 • -19.57db
23% Popularity • 30% Danceability • 9% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
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Anna Carter & Ed Hamilton
Trills
130 bpm • B Maj • 02:01 • -23.15db
31% Popularity • 34% Danceability • 41% Energy • 13% Liveness
97% Instrumentalness • 23% Positiveness
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Greg Haines
The Spin
130 bpm • C min • 06:59 • -19db
37% Popularity • 35% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Federico Albanese
Disclosed
130 bpm • G# Maj • 04:48 • -20.75db
25% Popularity • 51% Danceability • 11% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Lambert
Stay In The Dark
130 bpm • D# Maj • 03:58 • -20.94db
33% Popularity • 32% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Hammock
Losing You to You
116 bpm • B Maj • 06:24 • -8.61db
32% Popularity • 37% Danceability • 33% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Clem Leek
Breaking Down
116 bpm • D min • 03:04 • -21db
28% Popularity • 48% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
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Ebb & Flod
Luna
116 bpm • C# min • 02:28 • -19db
36% Popularity • 30% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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On Earth
We Each Take One
116 bpm • B min • 03:45 • -15.63db
33% Popularity • 36% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 10% Positiveness
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Federico Albanese
Carousel #3
116 bpm • G min • 04:22 • -27.11db
38% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Keaton Henson
Earnestly Yours
131 bpm • G# min • 03:40 • -19db
36% Popularity • 32% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Phoria
Robin's Cello
115 bpm • G Maj • 02:06 • -24.48db
41% Popularity • 17% Danceability • 2% Energy • 30% Liveness
76% Instrumentalness • 10% Positiveness
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Jon Hopkins
Small Memory
131 bpm • C# Maj • 01:40 • -23.28db
52% Popularity • 53% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 48% Positiveness
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Olly Alexander
Song for Owls - The Dish and the Spoon B...
115 bpm • F# min • 02:41 • -12.89db
23% Popularity • 43% Danceability • 31% Energy • 13% Liveness
95% Instrumentalness • 30% Positiveness
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Eluvium
Prelude For Time Feelers
115 bpm • D Maj • 05:48 • -13.28db
37% Popularity • 22% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Helios
Halving the Compass (Rhian Sheehan Remix...
115 bpm • D Maj • 06:42 • -14.42db
32% Popularity • 47% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Keaton Henson
Charon
116 bpm • G Maj • 03:48 • -9db
32% Popularity • 40% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Thrupence
Honesty
115 bpm • C# min • 03:11 • -29.43db
36% Popularity • 22% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 16% Positiveness
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Giles Lamb
September
115 bpm • G Maj • 03:19 • -9.59db
25% Popularity • 60% Danceability • 52% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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August Wilhelmsson
Columbia RD
115 bpm • C# Maj • 01:54 • -24.98db
33% Popularity • 31% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Max Richter
Vladimir's Blues
115 bpm • A Maj • 01:18 • -22db
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Lambert
As Ballad
132 bpm • D# Maj • 04:53 • -22db
47% Popularity • 40% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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LUCHS
Twin Tales
115 bpm • C# Maj • 02:28 • -26.33db
33% Popularity • 24% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Maribou State
Varkala
114 bpm • D Maj • 03:24 • -16.47db
50% Popularity • 29% Danceability • 23% Energy • 19% Liveness
92% Instrumentalness • 12% Positiveness
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Alan Ellis
A Rising Sun
114 bpm • C# Maj • 03:28 • -27.7db
36% Popularity • 17% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Keaton Henson
Flesh And Bone
132 bpm • A Maj • 04:32 • -10.4db
36% Popularity • 52% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Liam Singer
The Dance of Cupid and Psyche
133 bpm • F# Maj • 01:43 • -11.47db
17% Popularity • 32% Danceability • 43% Energy • 24% Liveness
94% Instrumentalness • 15% Positiveness
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Aeuria
Norah's Lullaby
114 bpm • B min • 03:11 • -19.74db
25% Popularity • 27% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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LUCHS
Lupine (Scaled Down Version)
132 bpm • D Maj • 02:27 • -26.48db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Henri Bardot
Milk
114 bpm • D Maj • 01:36 • -18.82db
31% Popularity • 42% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Alex Kozobolis
To Move
133 bpm • B Maj • 03:35 • -19.39db
32% Popularity • 36% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Hammock
Gold Star Mothers
133 bpm • C Maj • 07:42 • -15.47db
29% Popularity • 16% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Aaron Krause
Racing in Your Heart
113 bpm • G Maj • 03:35 • -19.57db
25% Popularity • 18% Danceability • 10% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Federico Albanese
Beside You
113 bpm • F Maj • 04:05 • -27.39db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Keaton Henson
No Witnesses
134 bpm • B Maj • 05:22 • -14.62db
29% Popularity • 34% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Petrichor