Songs like Petrushka: First Scene: I. The Shrovetide Fair (Introduction) (1911 original version) by Igor Stravinsky
Based on a tempo of (+/- 10%) and a similar genre
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Alexander Borodin
Symphony No. 2 in B Minor: I. Allegro
137 bpm • G Maj • 06:52 • -15db
16% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
16% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): VI...
136 bpm • E Maj • 04:48 • -24.41db
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
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Samuel Dushkin
The Firebird: Berceuse (arr. S. Dushkin ...
138 bpm • G# min • 02:09 • -18.3db
10% Popularity • 21% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
10% Popularity • 21% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
136 bpm • A# min • 08:46 • -16.89db
18% Popularity • 38% Danceability • 38% Energy • 68% Liveness
84% Instrumentalness • 35% Positiveness
18% Popularity • 38% Danceability • 38% Energy • 68% Liveness
84% Instrumentalness • 35% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Sergei Prokofiev
Violin Concerto No. 2 In G Minor, Op. 63...
139 bpm • D min • 10:26 • -21.31db
19% Popularity • 29% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
19% Popularity • 29% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: III....
139 bpm • A Maj • 07:28 • -16db
0% Popularity • 43% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 37% Positiveness
0% Popularity • 43% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 37% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Sergei Rachmaninoff
Francesca da Rimini, Op. 25: Scene II: M...
135 bpm • G# Maj • 02:34 • -28.37db
31% Popularity • 16% Danceability • 4% Energy • 19% Liveness
56% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 4% Energy • 19% Liveness
56% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • A Maj • 01:35 • -12.19db
25% Popularity • 49% Danceability • 58% Energy • 18% Liveness
81% Instrumentalness • 25% Positiveness
25% Popularity • 49% Danceability • 58% Energy • 18% Liveness
81% Instrumentalness • 25% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: I. The Ab...
135 bpm • G min • 05:01 • -18.19db
24% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 4: II. In gemächlicher Bew...
135 bpm • C Maj • 09:55 • -27.36db
23% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Samuel Dushkin
Mavra (arr. S. Dushkin): Mavra: Russian ...
140 bpm • G min • 03:19 • -30.5db
13% Popularity • 35% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 35% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron Copland
Letter from Home
140 bpm • C Maj • 05:44 • -26db
12% Popularity • 14% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
135 bpm • G# min • 03:47 • -39.15db
24% Popularity • 15% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 2. Tocca...
134 bpm • D Maj • 04:25 • -15db
19% Popularity • 46% Danceability • 46% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
19% Popularity • 46% Danceability • 46% Energy • 13% Liveness
79% Instrumentalness • 48% Positiveness
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Gustav Mahler
Das Lied von der Erde: Der Einsame im He...
134 bpm • A# Maj • 08:35 • -29.06db
16% Popularity • 20% Danceability • 3% Energy • 33% Liveness
11% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 3% Energy • 33% Liveness
11% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: II. A...
134 bpm • A# min • 10:07 • -20.89db
22% Popularity • 18% Danceability • 5% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 5% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Francis Poulenc
Sextet, FP 100: Allegro vivace
140 bpm • A min • 07:46 • -19db
12% Popularity • 31% Danceability • 15% Energy • 19% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 15% Energy • 19% Liveness
91% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VII. Fouil...
134 bpm • E Maj • 07:28 • -17db
15% Popularity • 27% Danceability • 21% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
15% Popularity • 27% Danceability • 21% Energy • 4% Liveness
30% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
140 bpm • C Maj • 10:01 • -16.14db
12% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Maurice Ravel
String Quartet in F Major: IV. Vif et ag...
140 bpm • D min • 05:40 • -20.88db
19% Popularity • 30% Danceability • 12% Energy • 8% Liveness
69% Instrumentalness • 17% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 8% Liveness
69% Instrumentalness • 17% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
141 bpm • D min • 04:36 • -39db
25% Popularity • 14% Danceability • 0% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 0% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
133 bpm • F Maj • 03:47 • -26db
13% Popularity • 27% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Eteri Andjaparidze
Visions Fugitives, Op. 22: XIV. Feroce
133 bpm • C Maj • 01:01 • -27db
45% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
45% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Richard Strauss
Concerto for Oboe and Small Orchestra in...
133 bpm • D Maj • 08:29 • -17db
21% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
21% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
36% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
36% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Johannes Brahms
Symphony No. 1 in C Minor, Op. 68: III. ...
133 bpm • G# Maj • 04:52 • -24db
36% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": IV. Asp...
141 bpm • F# Maj • 08:36 • -21.71db
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Symphonies of Wind Instruments, K. 036 -...
142 bpm • A min • 09:02 • -26.18db
12% Popularity • 27% Danceability • 2% Energy • 15% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 2% Energy • 15% Liveness
93% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: IV. Scherzo. ...
132 bpm • C min • 05:04 • -16db
15% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
15% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
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Edward Elgar
Pomp and Circumstance March No. 2 in A M...
132 bpm • B min • 05:12 • -21.45db
24% Popularity • 31% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
24% Popularity • 31% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
37% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
142 bpm • G Maj • 09:01 • -29db
22% Popularity • 19% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
142 bpm • C# Maj • 07:21 • -23.16db
15% Popularity • 37% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
15% Popularity • 37% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 2 "T...
132 bpm • G min • 04:44 • -12db
7% Popularity • 49% Danceability • 52% Energy • 56% Liveness
94% Instrumentalness • 12% Positiveness
7% Popularity • 49% Danceability • 52% Energy • 56% Liveness
94% Instrumentalness • 12% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: III. In...
132 bpm • E min • 03:55 • -18.89db
24% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 13% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
132 bpm • F Maj • 04:11 • -16db
19% Popularity • 34% Danceability • 30% Energy • 36% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 34% Danceability • 30% Energy • 36% Liveness
86% Instrumentalness • 38% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Symphony No. 2 in E Minor, ...
142 bpm • F Maj • 09:51 • -26.97db
5% Popularity • 30% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
5% Popularity • 30% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: III. Abîm...
131 bpm • G Maj • 08:09 • -22db
19% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
19% Popularity • 29% Danceability • 0% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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Arthur Honegger
Symphony No. 3 - "Liturgique": 1. "Dies ...
143 bpm • C Maj • 07:03 • -13db
11% Popularity • 29% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
11% Popularity • 29% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Pierrot Lunaire, Op. 21 (1912) / Part 1:...
130 bpm • F# min • 01:39 • -28.21db
24% Popularity • 42% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 42% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Igor Stravinsky
Scherzo a la russe (original Jazz band v...
130 bpm • G Maj • 03:37 • -16.76db
23% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
23% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
► Preview
Samuel Dushkin
Le baiser de la fee: Divertimento (arr. ...
129 bpm • D Maj • 03:03 • -25db
2% Popularity • 47% Danceability • 8% Energy • 30% Liveness
16% Instrumentalness • 36% Positiveness
2% Popularity • 47% Danceability • 8% Energy • 30% Liveness
16% Instrumentalness • 36% Positiveness
► Preview
Sergei Prokofiev
Violin Concerto No. 1 In D Major, Op. 19...
145 bpm • A min • 03:52 • -24.68db
19% Popularity • 49% Danceability • 23% Energy • 6% Liveness
77% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 23% Energy • 6% Liveness
77% Instrumentalness • 52% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
► Preview
Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Igor Stravinsky
Stravinsky: Petrouchka, Tableau I "La fo...
145 bpm • D min • 05:08 • -14.19db
20% Popularity • 38% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 40% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Gustav Mahler
Symphony No. 4 in G Major: II. In gemäc...
129 bpm • C Maj • 09:31 • -31.26db
12% Popularity • 30% Danceability • 2% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
12% Popularity • 30% Danceability • 2% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 5 in E Minor, ...
146 bpm • A Maj • 05:52 • -26.99db
14% Popularity • 20% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
14% Popularity • 20% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 9 in E-Flat Major, Op. 70: ...
128 bpm • G# Maj • 05:27 • -18.71db
9% Popularity • 55% Danceability • 31% Energy • 20% Liveness
86% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 31% Energy • 20% Liveness
86% Instrumentalness • 41% Positiveness
► Preview
Witold Lutosławski
Lutoslawski : Concerto for Orchestra : I...
128 bpm • F# min • 07:17 • -26db
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
► Preview
Igor Stravinsky
Violin Concerto in D Major: IV. Capricci...
129 bpm • G Maj • 06:16 • -21db
18% Popularity • 58% Danceability • 21% Energy • 30% Liveness
45% Instrumentalness • 74% Positiveness
18% Popularity • 58% Danceability • 21% Energy • 30% Liveness
45% Instrumentalness • 74% Positiveness
► Preview
Richard Wagner
Die Walküre, Act I Scene 1: Prelude
127 bpm • A# Maj • 03:27 • -17.06db
26% Popularity • 19% Danceability • 25% Energy • 37% Liveness
98% Instrumentalness • 22% Positiveness
26% Popularity • 19% Danceability • 25% Energy • 37% Liveness
98% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
Symphony No. 1 in A-Flat Major, Op. 55: ...
128 bpm • D Maj • 07:52 • -24.15db
13% Popularity • 27% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
► Preview
Béla Bartók
Concerto for Orchestra, Sz. 116: V. Fina...
127 bpm • G# Maj • 09:24 • -17db
21% Popularity • 29% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Igor Stravinsky
Stravinsky: Symphony in C: I. Moderato a...
147 bpm • C Maj • 10:16 • -25.25db
27% Popularity • 36% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 30% Positiveness
27% Popularity • 36% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 30% Positiveness
► Preview
Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
149 bpm • G# Maj • 01:54 • -26db
33% Popularity • 21% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
33% Popularity • 21% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: IV. Int...
126 bpm • B Maj • 04:02 • -28db
20% Popularity • 22% Danceability • 4% Energy • 38% Liveness
78% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 4% Energy • 38% Liveness
78% Instrumentalness • 6% Positiveness
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Claude Debussy
Nocturnes, L. 91: II. Fêtes (Arr. by De...
126 bpm • C# Maj • 07:10 • -21.52db
12% Popularity • 30% Danceability • 17% Energy • 7% Liveness
72% Instrumentalness • 7% Positiveness
12% Popularity • 30% Danceability • 17% Energy • 7% Liveness
72% Instrumentalness • 7% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Rite of Spring, K15, Pt. 2: XIV. Sac...
127 bpm • A min • 04:46 • -12.99db
24% Popularity • 59% Danceability • 46% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
24% Popularity • 59% Danceability • 46% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
126 bpm • C Maj • 08:12 • -13.11db
8% Popularity • 35% Danceability • 21% Energy • 31% Liveness
59% Instrumentalness • 16% Positiveness
8% Popularity • 35% Danceability • 21% Energy • 31% Liveness
59% Instrumentalness • 16% Positiveness
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Gustav Holst
Walt Whitman, Op. 7
126 bpm • A Maj • 07:20 • -20db
16% Popularity • 28% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: IV. Von...
150 bpm • C min • 01:59 • -10.51db
28% Popularity • 12% Danceability • 52% Energy • 59% Liveness
90% Instrumentalness • 12% Positiveness
28% Popularity • 12% Danceability • 52% Energy • 59% Liveness
90% Instrumentalness • 12% Positiveness
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Jean Sibelius
Sibelius: Finlandia, Op. 26
150 bpm • G# Maj • 08:05 • -19.17db
42% Popularity • 18% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 18% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Béla Bartók
The Miraculous Mandarin, BB 82, Sz. 73 (...
125 bpm • C# Maj • 02:29 • -14.1db
19% Popularity • 32% Danceability • 51% Energy • 90% Liveness
85% Instrumentalness • 14% Positiveness
19% Popularity • 32% Danceability • 51% Energy • 90% Liveness
85% Instrumentalness • 14% Positiveness
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Igor Stravinsky
Feu d'artifice, K007
127 bpm • E Maj • 03:54 • -19.44db
3% Popularity • 31% Danceability • 27% Energy • 22% Liveness
76% Instrumentalness • 8% Positiveness
3% Popularity • 31% Danceability • 27% Energy • 22% Liveness
76% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: V. ...
125 bpm • E min • 04:53 • -23db
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
150 bpm • C Maj • 05:36 • -16db
20% Popularity • 40% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 42% Positiveness
20% Popularity • 40% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 42% Positiveness
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César Franck
Symphony In D Minor: 3. Allegro non trop...
125 bpm • G Maj • 09:15 • -15db
2% Popularity • 18% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
2% Popularity • 18% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Lili Boulanger
D'un matin de printemps
151 bpm • C Maj • 04:49 • -24db
19% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
19% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
124 bpm • D Maj • 09:48 • -21db
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird, KC 10: VII. Danse infernal...
149 bpm • E Maj • 04:36 • -21db
21% Popularity • 32% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
21% Popularity • 32% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 15% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Dmitri Shostakovich
Bolt, Op. 27a (Ballet Suite No. 5): I. O...
124 bpm • F min • 05:05 • -18db
22% Popularity • 35% Danceability • 19% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 35% Danceability • 19% Energy • 30% Liveness
91% Instrumentalness • 14% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
123 bpm • D# Maj • 01:18 • -18.76db
38% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
38% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
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Igor Stravinsky
Three Movements from Petrushka: I. Russi...
125 bpm • G Maj • 02:28 • -21.26db
22% Popularity • 45% Danceability • 28% Energy • 29% Liveness
90% Instrumentalness • 36% Positiveness
22% Popularity • 45% Danceability • 28% Energy • 29% Liveness
90% Instrumentalness • 36% Positiveness
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Jean Sibelius
Symphony No. 1 in E Minor, Op. 39: II. A...
122 bpm • G# Maj • 09:45 • -19.01db
15% Popularity • 22% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
25% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
