Songs like Pfeffer und Salz by Die Egerländer Musikanten
Based on a tempo of (+/- 10%) and a similar genre
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Kaiser Musikanten
Ein Leben Lang
140 bpm • F Maj • 03:46 • -9db
36% Popularity • 36% Danceability • 53% Energy • 37% Liveness
94% Instrumentalness • 65% Positiveness
36% Popularity • 36% Danceability • 53% Energy • 37% Liveness
94% Instrumentalness • 65% Positiveness
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Die Mooskirchner
Blechsalat
140 bpm • G# Maj • 02:32 • -11.03db
24% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 97% Positiveness
24% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 97% Positiveness
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Meeblech
Sakvicka
140 bpm • A# Maj • 03:30 • -9db
27% Popularity • 56% Danceability • 42% Energy • 18% Liveness
76% Instrumentalness • 76% Positiveness
27% Popularity • 56% Danceability • 42% Energy • 18% Liveness
76% Instrumentalness • 76% Positiveness
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Die Egerländer Musikanten
Pfeffer und Salz
140 bpm • A# Maj • 02:25 • -10.6db
31% Popularity • 59% Danceability • 34% Energy • 7% Liveness
86% Instrumentalness • 94% Positiveness
31% Popularity • 59% Danceability • 34% Energy • 7% Liveness
86% Instrumentalness • 94% Positiveness
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Berthold Schick Und Seine Allgäu 6
Kaiserin Sissi
139 bpm • A# Maj • 02:40 • -11.58db
23% Popularity • 43% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
23% Popularity • 43% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
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Peter Schad und seine Oberschwäbischen Dorfmusikanten
Laubener Schnellpolka
139 bpm • A# Maj • 03:27 • -11db
34% Popularity • 50% Danceability • 47% Energy • 11% Liveness
81% Instrumentalness • 79% Positiveness
34% Popularity • 50% Danceability • 47% Energy • 11% Liveness
81% Instrumentalness • 79% Positiveness
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Original Alpenoberkrainer
Ãœber den Loibl-Pass
139 bpm • A# Maj • 02:22 • -9.91db
31% Popularity • 68% Danceability • 66% Energy • 7% Liveness
98% Instrumentalness • 97% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 7% Liveness
98% Instrumentalness • 97% Positiveness
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Die Obermüller Musikanten
Astronauten Marsch
142 bpm • D# Maj • 02:20 • -9.7db
24% Popularity • 59% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
24% Popularity • 59% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
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Die kleine Egerländer Besetzung
Pfeffer und Salz (Marsch-Polka)
137 bpm • A# Maj • 02:27 • -12.89db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
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Maablosn
Graslitzer Polka
141 bpm • C min • 02:53 • -9db
32% Popularity • 48% Danceability • 40% Energy • 20% Liveness
85% Instrumentalness • 89% Positiveness
32% Popularity • 48% Danceability • 40% Energy • 20% Liveness
85% Instrumentalness • 89% Positiveness
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"Echt" Bšöhmisch
So schön ist Blasmusik (Neuaufnahme)
137 bpm • A# Maj • 02:26 • -5.85db
33% Popularity • 56% Danceability • 72% Energy • 16% Liveness
90% Instrumentalness • 71% Positiveness
33% Popularity • 56% Danceability • 72% Energy • 16% Liveness
90% Instrumentalness • 71% Positiveness
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Viera Blech
Pochod Textilaku
143 bpm • D# Maj • 03:01 • -12.25db
19% Popularity • 50% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 80% Positiveness
19% Popularity • 50% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 80% Positiveness
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Blaskapelle Tschecháranka
ABBA 4ever: Super Trouper / The Winner T...
143 bpm • C# Maj • 03:51 • -5.07db
20% Popularity • 49% Danceability • 69% Energy • 11% Liveness
80% Instrumentalness • 72% Positiveness
20% Popularity • 49% Danceability • 69% Energy • 11% Liveness
80% Instrumentalness • 72% Positiveness
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Slavko Avsenik und seine Original Oberkrainer
Die Oberkrainer kommen!
143 bpm • F Maj • 02:26 • -13.3db
22% Popularity • 61% Danceability • 31% Energy • 8% Liveness
92% Instrumentalness • 84% Positiveness
22% Popularity • 61% Danceability • 31% Energy • 8% Liveness
92% Instrumentalness • 84% Positiveness
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Erpfenhauser Dorfmusikanten
Lottchen-Polka
137 bpm • F Maj • 02:57 • -10.77db
18% Popularity • 52% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
18% Popularity • 52% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
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Blaskapelle Junger Schwung Tirol
Prerovanka
136 bpm • F Maj • 02:56 • -8db
17% Popularity • 61% Danceability • 40% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 40% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
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Michael Klostermann
Bummel Petrus
144 bpm • A# Maj • 02:31 • -14.36db
14% Popularity • 57% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 63% Positiveness
14% Popularity • 57% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 63% Positiveness
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Vlado Kumpan & Seine Musikanten
Weinende Trompete
144 bpm • D# Maj • 03:16 • -6.61db
21% Popularity • 20% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
21% Popularity • 20% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Guido Henn
Der Tenorhorn-Gott (Bravourpolka für Te...
145 bpm • D# Maj • 03:41 • -10.19db
14% Popularity • 47% Danceability • 27% Energy • 22% Liveness
92% Instrumentalness • 76% Positiveness
14% Popularity • 47% Danceability • 27% Energy • 22% Liveness
92% Instrumentalness • 76% Positiveness
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Blaskapelle Gehörsturz
Mentalübungspolka
145 bpm • D# Maj • 03:03 • -6.07db
22% Popularity • 70% Danceability • 40% Energy • 17% Liveness
87% Instrumentalness • 91% Positiveness
22% Popularity • 70% Danceability • 40% Energy • 17% Liveness
87% Instrumentalness • 91% Positiveness
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Vlado Kumpan und seine Musikanten
The Rose
145 bpm • A# Maj • 03:32 • -7.77db
23% Popularity • 19% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
23% Popularity • 19% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Jörg Bollin und das Mährische Feuer
Arrival
135 bpm • A# Maj • 02:38 • -9db
21% Popularity • 37% Danceability • 33% Energy • 28% Liveness
71% Instrumentalness • 35% Positiveness
21% Popularity • 37% Danceability • 33% Energy • 28% Liveness
71% Instrumentalness • 35% Positiveness
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Slavko Avsenik und seine Original Oberkrainer
Komm mit mir nach Oberkrain
134 bpm • G Maj • 03:08 • -9.9db
24% Popularity • 80% Danceability • 61% Energy • 7% Liveness
97% Instrumentalness • 97% Positiveness
24% Popularity • 80% Danceability • 61% Energy • 7% Liveness
97% Instrumentalness • 97% Positiveness
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GRAZER SPATZEN
Bariton Wolf
134 bpm • A# Maj • 02:51 • -5.05db
21% Popularity • 63% Danceability • 88% Energy • 5% Liveness
92% Instrumentalness • 75% Positiveness
21% Popularity • 63% Danceability • 88% Energy • 5% Liveness
92% Instrumentalness • 75% Positiveness
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Original Alpenoberkrainer
Trachtenfest
134 bpm • G# Maj • 02:40 • -10.66db
30% Popularity • 61% Danceability • 54% Energy • 8% Liveness
97% Instrumentalness • 97% Positiveness
30% Popularity • 61% Danceability • 54% Energy • 8% Liveness
97% Instrumentalness • 97% Positiveness
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"Echt" Bšöhmisch
Textilaku
134 bpm • C# Maj • 03:21 • -9.86db
21% Popularity • 63% Danceability • 50% Energy • 11% Liveness
86% Instrumentalness • 70% Positiveness
21% Popularity • 63% Danceability • 50% Energy • 11% Liveness
86% Instrumentalness • 70% Positiveness
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Brassaranka
Borsická Polka
134 bpm • F Maj • 02:40 • -9.35db
32% Popularity • 45% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 78% Positiveness
32% Popularity • 45% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 78% Positiveness
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Jörg Bollin und das Mährische Feuer
Himmelszauber
146 bpm • F Maj • 02:24 • -7.98db
20% Popularity • 56% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 74% Positiveness
20% Popularity • 56% Danceability • 39% Energy • 8% Liveness
84% Instrumentalness • 74% Positiveness
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Die kleine Egerländer Besetzung
Egerländer Spielereien (Polka)
134 bpm • G# Maj • 02:31 • -12.75db
26% Popularity • 54% Danceability • 40% Energy • 33% Liveness
82% Instrumentalness • 91% Positiveness
26% Popularity • 54% Danceability • 40% Energy • 33% Liveness
82% Instrumentalness • 91% Positiveness
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Die Schwindligen 15
Abel Tasman
134 bpm • D# Maj • 03:57 • -11.59db
17% Popularity • 51% Danceability • 34% Energy • 37% Liveness
94% Instrumentalness • 80% Positiveness
17% Popularity • 51% Danceability • 34% Energy • 37% Liveness
94% Instrumentalness • 80% Positiveness
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Berthold Schick Und Seine Allgäu 6
Mit Pfiff und Schwung
133 bpm • D# Maj • 02:29 • -10.66db
16% Popularity • 43% Danceability • 23% Energy • 6% Liveness
62% Instrumentalness • 75% Positiveness
16% Popularity • 43% Danceability • 23% Energy • 6% Liveness
62% Instrumentalness • 75% Positiveness
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Egerländer Heeresmusikkorps 10
Sakvicka
148 bpm • A# Maj • 03:16 • -12.67db
8% Popularity • 44% Danceability • 33% Energy • 21% Liveness
90% Instrumentalness • 46% Positiveness
8% Popularity • 44% Danceability • 33% Energy • 21% Liveness
90% Instrumentalness • 46% Positiveness
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Michael Klostermann und seine Musikanten
Mährische Geschichten
132 bpm • D# Maj • 02:25 • -10db
23% Popularity • 59% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 87% Positiveness
23% Popularity • 59% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 87% Positiveness
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Jörg Bollin und das Mährische Feuer
Das Mährische Feuer
133 bpm • G# Maj • 02:01 • -8.27db
24% Popularity • 38% Danceability • 54% Energy • 38% Liveness
92% Instrumentalness • 83% Positiveness
24% Popularity • 38% Danceability • 54% Energy • 38% Liveness
92% Instrumentalness • 83% Positiveness
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Viera Blech
Udengg-Polka
132 bpm • G# Maj • 03:30 • -7.02db
15% Popularity • 67% Danceability • 58% Energy • 4% Liveness
95% Instrumentalness • 97% Positiveness
15% Popularity • 67% Danceability • 58% Energy • 4% Liveness
95% Instrumentalness • 97% Positiveness
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Die Egerländer Musikanten
Pfeffer und Salz
132 bpm • A# Maj • 02:33 • -14.76db
4% Popularity • 64% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 94% Positiveness
4% Popularity • 64% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 94% Positiveness
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Die kleine Egerländer Besetzung
Andulka Marsch
132 bpm • G# Maj • 02:37 • -13.16db
16% Popularity • 60% Danceability • 35% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
16% Popularity • 60% Danceability • 35% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
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Bodenseeperlen
Salemonia
132 bpm • G# Maj • 03:46 • -11db
33% Popularity • 45% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 75% Positiveness
33% Popularity • 45% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 75% Positiveness
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Gromboch Musi
SCHNELLPOLKA II
149 bpm • A# Maj • 02:27 • -10db
16% Popularity • 55% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 91% Positiveness
16% Popularity • 55% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 91% Positiveness
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Trachtenkapelle St. Barbara
Sakvicka
131 bpm • A# Maj • 03:46 • -12.01db
13% Popularity • 49% Danceability • 36% Energy • 14% Liveness
92% Instrumentalness • 55% Positiveness
13% Popularity • 49% Danceability • 36% Energy • 14% Liveness
92% Instrumentalness • 55% Positiveness
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Die Fegerländer
Amsel Polka
131 bpm • A# Maj • 02:28 • -13.75db
17% Popularity • 74% Danceability • 22% Energy • 33% Liveness
40% Instrumentalness • 80% Positiveness
17% Popularity • 74% Danceability • 22% Energy • 33% Liveness
40% Instrumentalness • 80% Positiveness
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Die Hopfenmusig
Blaue Augen
131 bpm • A# Maj • 02:37 • -7.82db
17% Popularity • 63% Danceability • 62% Energy • 7% Liveness
91% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 62% Energy • 7% Liveness
91% Instrumentalness • 88% Positiveness
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Die kleine Egerländer Besetzung
Unsere Reise
131 bpm • A# Maj • 03:22 • -10.85db
27% Popularity • 44% Danceability • 37% Energy • 15% Liveness
93% Instrumentalness • 61% Positiveness
27% Popularity • 44% Danceability • 37% Energy • 15% Liveness
93% Instrumentalness • 61% Positiveness
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Die Schwindligen 15
Domi Adventus
130 bpm • D# Maj • 03:53 • -9.05db
20% Popularity • 38% Danceability • 31% Energy • 15% Liveness
79% Instrumentalness • 57% Positiveness
20% Popularity • 38% Danceability • 31% Energy • 15% Liveness
79% Instrumentalness • 57% Positiveness
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Southbrass
Kampideller Polka
130 bpm • A# Maj • 03:47 • -9db
21% Popularity • 63% Danceability • 39% Energy • 6% Liveness
91% Instrumentalness • 70% Positiveness
21% Popularity • 63% Danceability • 39% Energy • 6% Liveness
91% Instrumentalness • 70% Positiveness
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Böhmische 7
Jehlicka - Polka
130 bpm • F Maj • 03:33 • -9.19db
10% Popularity • 60% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
10% Popularity • 60% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Bradlberg Musig
Hanni Polka
151 bpm • D# Maj • 02:12 • -8.96db
32% Popularity • 63% Danceability • 33% Energy • 16% Liveness
85% Instrumentalness • 98% Positiveness
32% Popularity • 63% Danceability • 33% Energy • 16% Liveness
85% Instrumentalness • 98% Positiveness
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5er Blech
Marsch der Titanen
130 bpm • A# Maj • 03:21 • -8.58db
22% Popularity • 61% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 75% Positiveness
22% Popularity • 61% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 75% Positiveness
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Militärmusik Tirol
Military Escort (Marsch)
130 bpm • A# Maj • 02:14 • -9.49db
23% Popularity • 58% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 33% Energy • 7% Liveness
88% Instrumentalness • 74% Positiveness
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Berthold Schick Und Seine Allgäu 6
Böhmische Mädchen sind klasse
129 bpm • D# Maj • 03:01 • -11.34db
21% Popularity • 66% Danceability • 33% Energy • 13% Liveness
93% Instrumentalness • 76% Positiveness
21% Popularity • 66% Danceability • 33% Energy • 13% Liveness
93% Instrumentalness • 76% Positiveness
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Philharmenka - Die Nürnberger Böhmische
Marta Polka
152 bpm • A# Maj • 02:36 • -11.25db
21% Popularity • 44% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
21% Popularity • 44% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
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Brassaranka
Good of Queen, but Not Best
152 bpm • G min • 05:47 • -8db
23% Popularity • 43% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 42% Positiveness
23% Popularity • 43% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 42% Positiveness
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Orchester Holger Mück
Dudelsackpolka - Dudácká
128 bpm • D# Maj • 04:31 • -10.25db
15% Popularity • 64% Danceability • 43% Energy • 19% Liveness
84% Instrumentalness • 63% Positiveness
15% Popularity • 64% Danceability • 43% Energy • 19% Liveness
84% Instrumentalness • 63% Positiveness
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Die Obermüller Musikanten
Amsel Polka
153 bpm • D# Maj • 02:31 • -13.22db
19% Popularity • 63% Danceability • 23% Energy • 6% Liveness
92% Instrumentalness • 95% Positiveness
19% Popularity • 63% Danceability • 23% Energy • 6% Liveness
92% Instrumentalness • 95% Positiveness
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JPT
Mit JPT unterwegs
128 bpm • A# Maj • 03:16 • -7.54db
21% Popularity • 84% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 97% Positiveness
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BLECHVERRÃœCKT
Jenseits des Ural
128 bpm • D# Maj • 03:36 • -9.12db
20% Popularity • 61% Danceability • 30% Energy • 15% Liveness
90% Instrumentalness • 35% Positiveness
20% Popularity • 61% Danceability • 30% Energy • 15% Liveness
90% Instrumentalness • 35% Positiveness
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Die Egerländer Musikanten
Veteranen Marsch
128 bpm • F min • 02:25 • -9.94db
17% Popularity • 46% Danceability • 32% Energy • 14% Liveness
85% Instrumentalness • 87% Positiveness
17% Popularity • 46% Danceability • 32% Energy • 14% Liveness
85% Instrumentalness • 87% Positiveness
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Ursprung Buam
Schnapsbrenner-Marsch
128 bpm • D min • 03:08 • -4db
26% Popularity • 83% Danceability • 66% Energy • 5% Liveness
87% Instrumentalness • 93% Positiveness
26% Popularity • 83% Danceability • 66% Energy • 5% Liveness
87% Instrumentalness • 93% Positiveness
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Neue Böhmische Blasmusik
Amselpolka
127 bpm • A# Maj • 02:32 • -10.35db
19% Popularity • 50% Danceability • 47% Energy • 17% Liveness
78% Instrumentalness • 86% Positiveness
19% Popularity • 50% Danceability • 47% Energy • 17% Liveness
78% Instrumentalness • 86% Positiveness
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Blaskapelle Junger Schwung Tirol (Solo: Josef Hetzenauer)
Polka für Trompete
153 bpm • G# Maj • 03:20 • -8.65db
20% Popularity • 62% Danceability • 50% Energy • 24% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 62% Danceability • 50% Energy • 24% Liveness
91% Instrumentalness • 96% Positiveness
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"Echt" Bšöhmisch
Kaiserin Sissi Marsch
127 bpm • F Maj • 03:44 • -6.36db
25% Popularity • 66% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 79% Positiveness
25% Popularity • 66% Danceability • 42% Energy • 19% Liveness
86% Instrumentalness • 79% Positiveness
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Die Schwindligen 15
Kometenflug
127 bpm • C# Maj • 04:06 • -11.96db
13% Popularity • 53% Danceability • 29% Energy • 6% Liveness
92% Instrumentalness • 79% Positiveness
13% Popularity • 53% Danceability • 29% Energy • 6% Liveness
92% Instrumentalness • 79% Positiveness
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Die Egerländer Musikanten
Für meine Freunde
155 bpm • F Maj • 04:29 • -15.87db
9% Popularity • 33% Danceability • 23% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
9% Popularity • 33% Danceability • 23% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
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Blaskapelle Simmerinka
Maxglaner Zigeunermarsch
155 bpm • A# Maj • 02:08 • -10.06db
21% Popularity • 52% Danceability • 46% Energy • 47% Liveness
50% Instrumentalness • 91% Positiveness
21% Popularity • 52% Danceability • 46% Energy • 47% Liveness
50% Instrumentalness • 91% Positiveness
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Albdorfmusikanten Pfronstetten e.V.
Musikanten mit Herz
127 bpm • D# Maj • 03:08 • -9db
15% Popularity • 44% Danceability • 37% Energy • 19% Liveness
84% Instrumentalness • 83% Positiveness
15% Popularity • 44% Danceability • 37% Energy • 19% Liveness
84% Instrumentalness • 83% Positiveness
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Hattinger Buam
Grüsse aus Tirol
127 bpm • F Maj • 03:11 • -6db
17% Popularity • 70% Danceability • 84% Energy • 6% Liveness
46% Instrumentalness • 96% Positiveness
17% Popularity • 70% Danceability • 84% Energy • 6% Liveness
46% Instrumentalness • 96% Positiveness
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Die kleine Egerländer Besetzung
Blas' Musik in die Welt
126 bpm • A# Maj • 04:01 • -8.63db
31% Popularity • 45% Danceability • 43% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
31% Popularity • 45% Danceability • 43% Energy • 7% Liveness
89% Instrumentalness • 74% Positiveness
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Bradlberg Musig
Vronal Polka
126 bpm • G# Maj • 03:10 • -9.77db
27% Popularity • 78% Danceability • 34% Energy • 20% Liveness
89% Instrumentalness • 97% Positiveness
27% Popularity • 78% Danceability • 34% Energy • 20% Liveness
89% Instrumentalness • 97% Positiveness
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Die Egerländer Musikanten
Gruß an Böhmen
127 bpm • G# Maj • 02:56 • -8.41db
30% Popularity • 60% Danceability • 43% Energy • 23% Liveness
18% Instrumentalness • 56% Positiveness
30% Popularity • 60% Danceability • 43% Energy • 23% Liveness
18% Instrumentalness • 56% Positiveness
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Standerlpartie Puchberg
Tondovi Polka
126 bpm • C# Maj • 04:09 • -8db
10% Popularity • 60% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 55% Positiveness
10% Popularity • 60% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 55% Positiveness
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MaChlast
Auf Der Koralm
126 bpm • D# Maj • 02:57 • -9.22db
32% Popularity • 51% Danceability • 48% Energy • 9% Liveness
67% Instrumentalness • 73% Positiveness
32% Popularity • 51% Danceability • 48% Energy • 9% Liveness
67% Instrumentalness • 73% Positiveness
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Wilfried Rösch und Die Original Böhmischen
Jehlicka
126 bpm • A# Maj • 03:44 • -14.81db
11% Popularity • 50% Danceability • 21% Energy • 14% Liveness
57% Instrumentalness • 71% Positiveness
11% Popularity • 50% Danceability • 21% Energy • 14% Liveness
57% Instrumentalness • 71% Positiveness
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Die Stürmische Böhmische
Nechod k'nám (Es ist schön)
125 bpm • F Maj • 03:36 • -8.1db
22% Popularity • 68% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
22% Popularity • 68% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Bradlberg Musig
Auf Der Autobahn
126 bpm • D# Maj • 02:42 • -10.59db
31% Popularity • 68% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 94% Positiveness
31% Popularity • 68% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 94% Positiveness
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Neue Böhmische Blasmusik
Alte Kameraden
125 bpm • C# Maj • 02:42 • -9.94db
29% Popularity • 67% Danceability • 50% Energy • 9% Liveness
25% Instrumentalness • 93% Positiveness
29% Popularity • 67% Danceability • 50% Energy • 9% Liveness
25% Instrumentalness • 93% Positiveness
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Die Egerländer Musikanten
Venezia-Marsch
126 bpm • C# Maj • 04:11 • -8.68db
12% Popularity • 62% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 69% Positiveness
12% Popularity • 62% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 69% Positiveness
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Blaskapelle Blecharanka
Borsicka
125 bpm • F Maj • 03:08 • -7.68db
27% Popularity • 69% Danceability • 58% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
27% Popularity • 69% Danceability • 58% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
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Southbrass
Southbrass-Polka
125 bpm • A# Maj • 02:56 • -10db
25% Popularity • 51% Danceability • 27% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
25% Popularity • 51% Danceability • 27% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
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Orchester Holger Mück
Egerländer Blut
125 bpm • C# Maj • 03:32 • -7.31db
29% Popularity • 55% Danceability • 40% Energy • 4% Liveness
95% Instrumentalness • 57% Positiveness
29% Popularity • 55% Danceability • 40% Energy • 4% Liveness
95% Instrumentalness • 57% Positiveness
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GRAZER SPATZEN
Stainzer Polka
157 bpm • A# Maj • 02:38 • -12db
26% Popularity • 55% Danceability • 49% Energy • 59% Liveness
94% Instrumentalness • 98% Positiveness
26% Popularity • 55% Danceability • 49% Energy • 59% Liveness
94% Instrumentalness • 98% Positiveness
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Militärmusik Oberösterreich
Furchtlos und treu
125 bpm • A# Maj • 03:20 • -12.18db
14% Popularity • 73% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 62% Positiveness
14% Popularity • 73% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 62% Positiveness
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Die Egerländer Musikanten
Musikantenparade
125 bpm • D# Maj • 02:57 • -12.63db
11% Popularity • 37% Danceability • 22% Energy • 26% Liveness
90% Instrumentalness • 68% Positiveness
11% Popularity • 37% Danceability • 22% Energy • 26% Liveness
90% Instrumentalness • 68% Positiveness
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Guido Henn
Feuer und Eis (Konzertmarsch)
124 bpm • G# Maj • 02:54 • -9db
15% Popularity • 46% Danceability • 32% Energy • 25% Liveness
96% Instrumentalness • 61% Positiveness
15% Popularity • 46% Danceability • 32% Energy • 25% Liveness
96% Instrumentalness • 61% Positiveness
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Blaskapelle Machland
Laubener Schnellpolka
158 bpm • A# Maj • 03:04 • -9.2db
13% Popularity • 65% Danceability • 42% Energy • 19% Liveness
94% Instrumentalness • 70% Positiveness
13% Popularity • 65% Danceability • 42% Energy • 19% Liveness
94% Instrumentalness • 70% Positiveness
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Adi Stahuber und seine Isartaler Blasmusik
Haushamer Plattler
158 bpm • A# Maj • 02:38 • -13.97db
11% Popularity • 68% Danceability • 64% Energy • 7% Liveness
82% Instrumentalness • 97% Positiveness
11% Popularity • 68% Danceability • 64% Energy • 7% Liveness
82% Instrumentalness • 97% Positiveness
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Die Stürmische Böhmische
OHO-Polka
124 bpm • C# Maj • 03:33 • -7.27db
24% Popularity • 69% Danceability • 59% Energy • 14% Liveness
92% Instrumentalness • 88% Positiveness
24% Popularity • 69% Danceability • 59% Energy • 14% Liveness
92% Instrumentalness • 88% Positiveness
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Die Innsbrucker Böhmische
Tiroler Adler Marsch
124 bpm • C# Maj • 02:49 • -4.84db
30% Popularity • 64% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 71% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 8% Liveness
89% Instrumentalness • 71% Positiveness
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Die Egerländer Musikanten
El Picador
124 bpm • A# Maj • 02:08 • -8.69db
12% Popularity • 56% Danceability • 32% Energy • 7% Liveness
90% Instrumentalness • 67% Positiveness
12% Popularity • 56% Danceability • 32% Energy • 7% Liveness
90% Instrumentalness • 67% Positiveness
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Orchester Holger Mück
Carpe Diem
124 bpm • D# Maj • 04:43 • -11.3db
24% Popularity • 36% Danceability • 28% Energy • 16% Liveness
96% Instrumentalness • 45% Positiveness
24% Popularity • 36% Danceability • 28% Energy • 16% Liveness
96% Instrumentalness • 45% Positiveness
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Slavko Avsenik und seine Original Oberkrainer
Sommerabend
124 bpm • D Maj • 02:34 • -12.47db
20% Popularity • 83% Danceability • 51% Energy • 10% Liveness
96% Instrumentalness • 97% Positiveness
20% Popularity • 83% Danceability • 51% Energy • 10% Liveness
96% Instrumentalness • 97% Positiveness
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JPT
Foia Polka
158 bpm • D# Maj • 02:06 • -7.09db
27% Popularity • 56% Danceability • 61% Energy • 20% Liveness
88% Instrumentalness • 98% Positiveness
27% Popularity • 56% Danceability • 61% Energy • 20% Liveness
88% Instrumentalness • 98% Positiveness
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Blaskapelle Junger Schwung Tirol
Wir Musikanten
124 bpm • A# Maj • 02:53 • -9.93db
22% Popularity • 60% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 82% Positiveness
22% Popularity • 60% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 82% Positiveness
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Bradlberg Musig
Ich Und Der Mond
159 bpm • A# Maj • 02:12 • -11db
28% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 97% Positiveness
28% Popularity • 58% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 97% Positiveness
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Kurt Pascher und seine Böhmerwälder Musikanten
Böhmisches Feuer, Schnellpoka
159 bpm • G# Maj • 02:43 • -9db
16% Popularity • 56% Danceability • 39% Energy • 32% Liveness
90% Instrumentalness • 97% Positiveness
16% Popularity • 56% Danceability • 39% Energy • 32% Liveness
90% Instrumentalness • 97% Positiveness
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Die Egerländer Musikanten
Mit vollen Segeln
123 bpm • A# Maj • 03:19 • -8.23db
11% Popularity • 54% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
11% Popularity • 54% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Hergolshäuser Musikanten
Die Sonne geht auf
123 bpm • D# Maj • 04:03 • -8.32db
39% Popularity • 49% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
39% Popularity • 49% Danceability • 45% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
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Fäaschtbänkler
Schueh-Marie Marsch
123 bpm • A# Maj • 02:37 • -4.08db
25% Popularity • 87% Danceability • 55% Energy • 9% Liveness
92% Instrumentalness • 91% Positiveness
25% Popularity • 87% Danceability • 55% Energy • 9% Liveness
92% Instrumentalness • 91% Positiveness
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Die Inntaler
Flügelhornzauber
160 bpm • A# Maj • 02:00 • -11.22db
23% Popularity • 60% Danceability • 42% Energy • 16% Liveness
94% Instrumentalness • 97% Positiveness
23% Popularity • 60% Danceability • 42% Energy • 16% Liveness
94% Instrumentalness • 97% Positiveness
