Songs like Phaedra, Op. 93: My Lost and Dazzled Eyes Saw Only Night by Benjamin Britten
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Brandenburg Concerto No. 2 in F, BWV 104...
89 bpm • F Maj • 05:24 • -12.65db
22% Popularity • 69% Danceability • 40% Energy • 15% Liveness
63% Instrumentalness • 79% Positiveness
22% Popularity • 69% Danceability • 40% Energy • 15% Liveness
63% Instrumentalness • 79% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
89 bpm • F# min • 06:11 • -37.72db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
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Benjamin Britten
Peter Grimes, Op. 13: Act III Scene I: E...
89 bpm • B min • 04:48 • -23.9db
3% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
89 bpm • G min • 07:35 • -20.1db
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Benjamin Britten
A Midsummer Night's Dream / Act 1: "Over...
89 bpm • G Maj • 04:04 • -21.69db
10% Popularity • 21% Danceability • 21% Energy • 72% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 21% Energy • 72% Liveness
1% Instrumentalness • 8% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
31% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
31% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Claude Debussy
Nocturnes, L.91: I. Nuages
90 bpm • C Maj • 06:15 • -38db
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
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Benjamin Britten
Britten: Young Apollo, Op. 16
88 bpm • A Maj • 07:37 • -20.69db
1% Popularity • 22% Danceability • 18% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 18% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Herbert Howells
Elegy for Solo Viola, String Quartet and...
90 bpm • C min • 10:44 • -23.39db
12% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: 4. Nicht...
90 bpm • D Maj • 02:31 • -18.32db
1% Popularity • 29% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
1% Popularity • 29% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Seattle Symphony Orchestra
Symphony in C Major, Op. 46: II. Sehr la...
90 bpm • F Maj • 04:02 • -32.93db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: The Dri...
88 bpm • F min • 01:59 • -23db
14% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Frederick Delius
Two Aquarelles: Lento, ma non troppo
88 bpm • D min • 02:46 • -25.51db
21% Popularity • 9% Danceability • 8% Energy • 21% Liveness
83% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 8% Energy • 21% Liveness
83% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 1, Sea Slumber...
88 bpm • C Maj • 05:18 • -30db
12% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Robert Schumann
5 Stücke im Volkston, Op. 102: 2. Langs...
90 bpm • F Maj • 03:32 • -24.16db
1% Popularity • 12% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 11% Positiveness
1% Popularity • 12% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G, BWV 104...
87 bpm • G Maj • 06:47 • -18db
25% Popularity • 53% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
25% Popularity • 53% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: II. ...
87 bpm • G Maj • 08:42 • -19db
0% Popularity • 13% Danceability • 13% Energy • 21% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 13% Energy • 21% Liveness
10% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Benjamin Britten
Suite No. 2, Op. 80: V. Ciaccona. Allegr...
87 bpm • G Maj • 07:02 • -21.65db
6% Popularity • 27% Danceability • 7% Energy • 10% Liveness
39% Instrumentalness • 14% Positiveness
6% Popularity • 27% Danceability • 7% Energy • 10% Liveness
39% Instrumentalness • 14% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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RTE Concert Orchestra
3 Portraits From England Of Elizabeth: P...
87 bpm • A min • 06:45 • -25db
18% Popularity • 18% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Benjamin Britten
Mont Juic, Op.12: I. Lament andante mode...
91 bpm • C min • 04:44 • -23.21db
6% Popularity • 12% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
6% Popularity • 12% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: II. ...
86 bpm • E min • 01:29 • -15.62db
16% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
16% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 13. Roma...
87 bpm • G# Maj • 03:24 • -31db
32% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Benjamin Britten
War Requiem, Op. 66: xiii. Dies Irae - "...
87 bpm • D Maj • 04:10 • -34db
9% Popularity • 17% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Appalachian Spring: V. Subito allegro
92 bpm • C Maj • 03:43 • -15.28db
28% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Benjamin Britten
Tom Bowling and Other Song Arrangements:...
86 bpm • G min • 01:57 • -29.84db
9% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 27% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Traditional
O Waly Waly
86 bpm • A Maj • 03:31 • -23.15db
8% Popularity • 25% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
25% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
86 bpm • G min • 02:02 • -17.07db
38% Popularity • 30% Danceability • 20% Energy • 26% Liveness
54% Instrumentalness • 21% Positiveness
38% Popularity • 30% Danceability • 20% Energy • 26% Liveness
54% Instrumentalness • 21% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: X. Nacht
86 bpm • A# min • 02:22 • -45db
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Ode for Saint Cecilia's Day, HWV 76: The...
93 bpm • D Maj • 03:48 • -12.99db
0% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 54% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
85 bpm • G min • 03:14 • -45.37db
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Symphony No. 1 In C Minor, Op. 68: 2. An...
85 bpm • E Maj • 08:22 • -21db
31% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
War Requiem, Op. 66: xxii. Libera Me - L...
86 bpm • C min • 08:02 • -21.74db
9% Popularity • 15% Danceability • 22% Energy • 10% Liveness
61% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 22% Energy • 10% Liveness
61% Instrumentalness • 6% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
85 bpm • C Maj • 03:19 • -19.03db
11% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
11% Popularity • 25% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
► Preview
Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
33% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 5 in D, BWV 105...
85 bpm • D Maj • 10:36 • -19db
44% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Béla Bartók
Concerto for Orchestra, Sz. 116: II. Giu...
85 bpm • G Maj • 06:26 • -30.29db
21% Popularity • 38% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 38% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Benjamin Britten
Suite for Violin and Piano, Op. 6: IV. L...
92 bpm • F min • 05:23 • -30.83db
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: IV. The Nightingale (...
85 bpm • C Maj • 03:53 • -33.31db
12% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
12% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Beni Mora, Op. 29, No. 1: I. First Dance
84 bpm • E Maj • 06:18 • -25.07db
9% Popularity • 9% Danceability • 2% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 2% Energy • 7% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
21% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Shylock, Op. 57: V. Nocturne
84 bpm • G Maj • 02:50 • -36db
23% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
84 bpm • G Maj • 08:20 • -15.29db
14% Popularity • 52% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 23% Positiveness
14% Popularity • 52% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
Symphony No. 5: IV. Passacaglia. Moderat...
84 bpm • G Maj • 10:11 • -18.95db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Benjamin Britten
Albert Herring, Op. 39: Act III: Threnod...
85 bpm • F Maj • 04:49 • -19db
5% Popularity • 23% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 23% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
94 bpm • A Maj • 09:59 • -18.08db
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: II. Al...
84 bpm • G Maj • 02:13 • -19.11db
13% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 27% Danceability • 14% Energy • 58% Liveness
92% Instrumentalness • 11% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Benjamin Britten
Britten: Simple Symphony, Op. 4: III. Se...
93 bpm • G min • 07:08 • -21.88db
1% Popularity • 11% Danceability • 6% Energy • 32% Liveness
92% Instrumentalness • 5% Positiveness
1% Popularity • 11% Danceability • 6% Energy • 32% Liveness
92% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Yo...
83 bpm • F Maj • 03:19 • -29.5db
27% Popularity • 25% Danceability • 5% Energy • 12% Liveness
70% Instrumentalness • 11% Positiveness
27% Popularity • 25% Danceability • 5% Energy • 12% Liveness
70% Instrumentalness • 11% Positiveness
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Benjamin Britten
Songs and Proverbs of William Blake, Op....
85 bpm • A# Maj • 02:56 • -23.13db
4% Popularity • 21% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
4% Popularity • 21% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Igor Stravinsky
Symphony of Psalms: II. Expectans expect...
83 bpm • A# min • 06:07 • -20.99db
17% Popularity • 9% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Benjamin Britten
Variations on a theme of Frank Bridge, O...
84 bpm • F Maj • 02:01 • -19db
13% Popularity • 12% Danceability • 4% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
