Songs like Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture by Jean-Baptiste Lully
Based on a tempo of (+/- 10%) and a similar genre
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
37% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
37% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 4 in G Major, B...
128 bpm • D min • 03:39 • -27.89db
40% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
20% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
20% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in F minor: 2. Ad te clamam...
126 bpm • E min • 04:39 • -22.8db
11% Popularity • 22% Danceability • 9% Energy • 24% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 9% Energy • 24% Liveness
4% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Triumphe de L'Amour (1681): Prélude pou...
127 bpm • C# min • 04:58 • -23.96db
16% Popularity • 17% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
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Christophe Rousset
Rinaldo, HWV 7a: Ouverture
126 bpm • C# min • 03:54 • -25db
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
18% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
L'Orfeo: Toccata
129 bpm • F# min • 01:40 • -15.03db
26% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
26% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Concerto for Strings in G Major, RV 151 ...
127 bpm • C# Maj • 03:51 • -19db
27% Popularity • 37% Danceability • 22% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
27% Popularity • 37% Danceability • 22% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Flute Sonata in C Major, BWV 1033: II. A...
126 bpm • C Maj • 02:24 • -24db
44% Popularity • 60% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 90% Positiveness
44% Popularity • 60% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 90% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Antonio Vivaldi
Vivaldi - Concerto in D Major "Grosso Mo...
126 bpm • C# Maj • 05:40 • -18db
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
126 bpm • A# Maj • 00:50 • -9.85db
2% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ein Musikalischer Spass, "A Musical Joke...
131 bpm • E Maj • 04:09 • -24db
23% Popularity • 40% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 40% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
12% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
12% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
125 bpm • A# min • 03:33 • -22.65db
42% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
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Antonio Vivaldi
Concerto con 2 violini e viola da gamba,...
125 bpm • F# min • 03:50 • -13.23db
15% Popularity • 51% Danceability • 28% Energy • 12% Liveness
66% Instrumentalness • 20% Positiveness
15% Popularity • 51% Danceability • 28% Energy • 12% Liveness
66% Instrumentalness • 20% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Jean-Baptiste Lully
Les Amants magnifiques: Entrée d'Apollo...
132 bpm • C# min • 01:02 • -16.06db
18% Popularity • 31% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 46% Positiveness
18% Popularity • 31% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 46% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
20% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
20% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
28% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
28% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Christophe Rousset
Artaserse: Se al labbro mio non credi - ...
133 bpm • E min • 05:00 • -32db
24% Popularity • 21% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
24% Popularity • 21% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
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Louis-Claude Daquin
Premier livre de pieces de clavecin / Tr...
124 bpm • D# min • 01:57 • -22.28db
20% Popularity • 40% Danceability • 48% Energy • 16% Liveness
84% Instrumentalness • 98% Positiveness
20% Popularity • 40% Danceability • 48% Energy • 16% Liveness
84% Instrumentalness • 98% Positiveness
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Jean-Baptiste Lully
Amadis, Prologue: Ouverture
124 bpm • F min • 02:07 • -14db
8% Popularity • 46% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 46% Danceability • 24% Energy • 61% Liveness
0% Instrumentalness • 52% Positiveness
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Riccardo Broschi
Artasere, Act III Scene 1: Aria "Son qua...
133 bpm • C# Maj • 07:34 • -15.87db
9% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
9% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
133 bpm • D# Maj • 01:39 • -15.08db
17% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
18% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
123 bpm • B min • 03:17 • -18db
48% Popularity • 46% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 56% Positiveness
48% Popularity • 46% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 56% Positiveness
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Modo Antiquo
Concerto In Do maggiore: Allegro Molto
123 bpm • F# Maj • 02:26 • -20.13db
22% Popularity • 58% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 58% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Antonio Vivaldi
Concerto grosso in D Major, Op. 3/1, RV....
123 bpm • C# Maj • 02:52 • -21db
23% Popularity • 47% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 47% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
133 bpm • C# min • 03:44 • -21db
37% Popularity • 16% Danceability • 9% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 9% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492: Overture
134 bpm • D Maj • 04:28 • -24db
27% Popularity • 35% Danceability • 4% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 4% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: I. Lar...
134 bpm • C# min • 03:01 • -15db
28% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
28% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Flute Concerto In G Minor, Op.10, No.2, ...
123 bpm • E Maj • 01:09 • -26.52db
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
L'Orfeo - Prologo: Toccata
134 bpm • D Maj • 01:27 • -11.35db
16% Popularity • 65% Danceability • 35% Energy • 20% Liveness
8% Instrumentalness • 36% Positiveness
16% Popularity • 65% Danceability • 35% Energy • 20% Liveness
8% Instrumentalness • 36% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Europa Galante
Sinfonia (Improvvisata) in C major: I Al...
134 bpm • C Maj • 02:41 • -16.65db
10% Popularity • 44% Danceability • 30% Energy • 24% Liveness
70% Instrumentalness • 10% Positiveness
10% Popularity • 44% Danceability • 30% Energy • 24% Liveness
70% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
6 Concerts transcrits en sextuor / 2e Co...
134 bpm • F min • 03:45 • -23.31db
18% Popularity • 16% Danceability • 8% Energy • 13% Liveness
9% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 8% Energy • 13% Liveness
9% Instrumentalness • 7% Positiveness
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Christophe Rousset
Artaserse: Ouverture
134 bpm • C# Maj • 06:02 • -24db
24% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
24% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
► Preview
Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
17% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
► Preview
William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
44% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
► Preview
Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater: 6. Vidit suum
121 bpm • E min • 03:00 • -24.75db
14% Popularity • 25% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Concerto con violino e viola da gamba, A...
121 bpm • G# Maj • 03:12 • -13.87db
10% Popularity • 53% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
10% Popularity • 53% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Johann Friedrich Fasch
Concerto in G Minor: III. Allegro
136 bpm • G min • 03:21 • -20.08db
9% Popularity • 48% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 35% Positiveness
9% Popularity • 48% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
136 bpm • C Maj • 03:40 • -21db
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
► Preview
Carl Philipp Emanuel Bach
Cello Concerto in A major, Wq. 172: Cell...
120 bpm • G# Maj • 06:26 • -23.35db
18% Popularity • 39% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 64% Positiveness
18% Popularity • 39% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 64% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Trumpets in C Major, RV 5...
120 bpm • C Maj • 02:46 • -16.59db
23% Popularity • 59% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso No. 4 in D Major, Op. 6:...
136 bpm • C# Maj • 03:17 • -13.43db
32% Popularity • 42% Danceability • 33% Energy • 48% Liveness
51% Instrumentalness • 52% Positiveness
32% Popularity • 42% Danceability • 33% Energy • 48% Liveness
51% Instrumentalness • 52% Positiveness
► Preview
Jean-Baptiste Lully
Ballet de l'impatience, LWV 14: 1e Entr�...
122 bpm • A Maj • 01:04 • -20.21db
9% Popularity • 33% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 33% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Giuseppe Torelli
Concerto No 2 in E minor - Allegro
120 bpm • D# min • 01:38 • -13db
27% Popularity • 53% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
27% Popularity • 53% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Francesco Geminiani
Concerto Grosso in D Major, Op. 3, No. 1...
136 bpm • C# Maj • 02:19 • -19.39db
9% Popularity • 36% Danceability • 8% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
9% Popularity • 36% Danceability • 8% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
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Johann Gottlieb Graun
Concerto a violono e viola da gamba in C...
120 bpm • B min • 07:53 • -18.2db
22% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
22% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
41% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
41% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Bourree pour les Coutisans
121 bpm • B min • 00:48 • -26db
27% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
27% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
16% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
16% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Joseph Haydn
Cello Concerto No. 2 in D Major, Hob. VI...
137 bpm • D Maj • 05:07 • -18.8db
26% Popularity • 40% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 50% Positiveness
26% Popularity • 40% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 50% Positiveness
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Marin Marais
La Sonnerie de Sainte-Geneviève du mont...
119 bpm • G# min • 07:48 • -17.22db
12% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
51% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
51% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
44% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
44% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
119 bpm • B Maj • 02:35 • -23db
27% Popularity • 57% Danceability • 18% Energy • 19% Liveness
92% Instrumentalness • 56% Positiveness
27% Popularity • 57% Danceability • 18% Energy • 19% Liveness
92% Instrumentalness • 56% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
61% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
61% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
139 bpm • D Maj • 03:40 • -17db
39% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
39% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
22% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
22% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Jean-Philippe Rameau
6 Concerts transcrits en sextuor / 3e Co...
139 bpm • G Maj • 04:02 • -21db
18% Popularity • 28% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 41% Positiveness
18% Popularity • 28% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 41% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
22% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
22% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
46% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
46% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Antonio Vivaldi
Vivaldi: Giustino, RV 717: Sinfonia, 1. ...
139 bpm • F# Maj • 02:18 • -24db
39% Popularity • 43% Danceability • 13% Energy • 15% Liveness
3% Instrumentalness • 50% Positiveness
39% Popularity • 43% Danceability • 13% Energy • 15% Liveness
3% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Passion selon Saint-Matthieu, BWV 244: "...
118 bpm • E min • 06:09 • -17db
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
33% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
33% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Jean-Baptiste Lully
Armide, LWV 71, Prologue: Ouverture - Li...
119 bpm • A# Maj • 02:12 • -16db
8% Popularity • 51% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
8% Popularity • 51% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Giovanni Battista Sammartini
Sinfonia in A Major: I. Presto
117 bpm • A Maj • 02:28 • -16db
37% Popularity • 61% Danceability • 32% Energy • 9% Liveness
54% Instrumentalness • 68% Positiveness
37% Popularity • 61% Danceability • 32% Energy • 9% Liveness
54% Instrumentalness • 68% Positiveness