Songs like Philemon et Baucis (Sung in Italian): Act II: Alto la! (Vulcano, Chorus, Giove) by Charles Gounod
Based on a tempo of (+/- 10%) and a similar genre
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
L'heure exquise
80 bpm • D Maj • 02:19 • -31.71db
25% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Tchaïkovsky
Op. 66 - Panorama - Remastered 2024
80 bpm • G Maj • 03:00 • -33.58db
18% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
L'Inverno (Winter) Op. 8 No. 4 in F mino...
80 bpm • F min • 01:54 • -16.06db
36% Popularity • 33% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 33% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 16% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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John Field
Piano Concerto No. 6: II. Larghetto
79 bpm • E Maj • 06:08 • -32.07db
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
79 bpm • C# Maj • 02:38 • -19.45db
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Mikhail Glinka
Nocturne in E-Flat Major
81 bpm • D# Maj • 04:21 • -27.67db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia On Greensleeves
81 bpm • C min • 04:44 • -24db
10% Popularity • 8% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 8% Positiveness
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Donald Sosin
Salut d'Amour, Op. 12
79 bpm • F Maj • 03:27 • -23.31db
23% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
23% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Offe...
80 bpm • G# Maj • 03:33 • -39.81db
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Anatoly Lyadov
8 Russian Folk Songs: 6. Cradle Song
82 bpm • A min • 02:22 • -47.4db
35% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 0% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Charles Gounod
Faust, Act V: Alerte, alerte
79 bpm • E Maj • 03:07 • -14db
2% Popularity • 29% Danceability • 30% Energy • 34% Liveness
1% Instrumentalness • 23% Positiveness
2% Popularity • 29% Danceability • 30% Energy • 34% Liveness
1% Instrumentalness • 23% Positiveness
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César Franck
Franck / Arr. Kenner: Mass, Op. 12, FWV ...
82 bpm • G Maj • 04:22 • -26.84db
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
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Peter Dvorsky
Faust: Salut! Demeure Chaste Et Pure
82 bpm • G# Maj • 05:40 • -17.3db
3% Popularity • 13% Danceability • 21% Energy • 68% Liveness
14% Instrumentalness • 10% Positiveness
3% Popularity • 13% Danceability • 21% Energy • 68% Liveness
14% Instrumentalness • 10% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
59% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue for Three Vio...
82 bpm • D Maj • 07:24 • -16.13db
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 20% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
64% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Charles Gounod
Funeral march of a marionette CG 583
81 bpm • A Maj • 05:20 • -27.53db
11% Popularity • 47% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 47% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
Chansons grises: V. L'heure exquise
83 bpm • D Maj • 03:32 • -37db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Charles Gounod
Gounod : Faust : Act 2 Entr'acte
82 bpm • F min • 01:34 • -39.73db
9% Popularity • 12% Danceability • 0% Energy • 23% Liveness
9% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 0% Energy • 23% Liveness
9% Instrumentalness • 3% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Cellos in G Mi...
83 bpm • G min • 03:07 • -27.5db
24% Popularity • 10% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 8% Positiveness
24% Popularity • 10% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 8% Positiveness
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Erik Satie
Première Gymnopédie
76 bpm • G Maj • 03:24 • -35.42db
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
84 bpm • D Maj • 01:42 • -28.22db
41% Popularity • 36% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 39% Positiveness
41% Popularity • 36% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 39% Positiveness
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Caffee Concerto
Ellens Gesang III ("Ave Maria"), Op. 52,...
76 bpm • A# Maj • 05:26 • -16.53db
29% Popularity • 12% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Edward Elgar
Salut d'Amour, Op. 12: Salut d'amour, Op...
84 bpm • D Maj • 03:10 • -21.76db
26% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
84 bpm • C# Maj • 03:49 • -36.72db
24% Popularity • 26% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
24% Popularity • 26% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
36% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
36% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
► Preview
Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
84 bpm • A# Maj • 03:24 • -32db
59% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
59% Popularity • 12% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Charles Gounod
Messe solennelle de Sainte Cécile: Glor...
78 bpm • D Maj • 08:50 • -24.19db
12% Popularity • 11% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 6% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
84 bpm • E Maj • 02:51 • -23db
26% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 19% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Charles Gounod
Gounod: St. Cecilia Mass in G Major: IV....
83 bpm • F Maj • 05:29 • -24.78db
13% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
38% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
38% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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![Concierto de Aranjuez: II. Adagio [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
JoaquÃn Rodrigo
Concierto de Aranjuez: II. Adagio [Excer...
76 bpm • B min • 02:47 • -27.3db
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: Valse...
77 bpm • F Maj • 03:35 • -22db
10% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
55% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
55% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Piano Concerto in G Major, M. 83:...
75 bpm • C# min • 09:23 • -28.27db
25% Popularity • 13% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Jean Sibelius
Karelia, JS 115: Tableau 4 - Karl Knutss...
75 bpm • A min • 09:13 • -32.14db
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
4% Popularity • 9% Danceability • 1% Energy • 7% Liveness
21% Instrumentalness • 6% Positiveness
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Charles Gounod
Faust, Act II: Nous nous retrouverons
84 bpm • D Maj • 01:55 • -19.07db
2% Popularity • 32% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 32% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Endres Quartet
Quintet in A Major for Clarinet and Stri...
74 bpm • D Maj • 07:01 • -23db
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Cats: Memory
86 bpm • D Maj • 03:57 • -27db
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
40% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
35% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Dance of the Blessed Spirits
74 bpm • F Maj • 07:15 • -22.94db
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
27% Popularity • 18% Danceability • 7% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Edward Elgar
Elgar: Salut d' Amour, Op. 12
86 bpm • E Maj • 03:21 • -25.05db
33% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
33% Popularity • 17% Danceability • 7% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
