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Philosophy
Songs like
Philosophy
by
Ben Folds Five
Based on a tempo of (+/- 10%) and a similar genre
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Ben Folds Five
Philosophy
97 bpm • C Maj • 04:36 • -7.17db
37% Popularity • 37% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Folds
Not the Same
97 bpm • C Maj • 04:17 • -4.94db
23% Popularity • 58% Danceability • 81% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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The Decemberists
Oceanside
97 bpm • E Maj • 03:29 • -8.25db
25% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Semisonic
Completely Pleased
97 bpm • A min • 03:19 • -7.87db
25% Popularity • 70% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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The Weakerthans
Benediction
98 bpm • F Maj • 03:28 • -7.95db
27% Popularity • 49% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Phantom Planet
Something Is Wrong
98 bpm • D Maj • 02:02 • -18.55db
15% Popularity • 56% Danceability • 13% Energy • 51% Liveness
31% Instrumentalness • 22% Positiveness
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Ben Folds Five
Brick
97 bpm • D Maj • 04:31 • -10.25db
53% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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They Might Be Giants
Till My Head Falls Off
95 bpm • C Maj • 02:53 • -5.68db
27% Popularity • 56% Danceability • 78% Energy • 27% Liveness
3% Instrumentalness • 75% Positiveness
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The Decemberists
The Engine Driver
97 bpm • E min • 04:15 • -6.52db
44% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Semisonic
Gone To The Movies
98 bpm • C Maj • 03:52 • -9.98db
25% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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OK Go
Needing/Getting
95 bpm • D Maj • 05:13 • -4.28db
31% Popularity • 46% Danceability • 91% Energy • 30% Liveness
4% Instrumentalness • 24% Positiveness
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Jonathan Coulton
A Talk With George
95 bpm • C Maj • 03:05 • -13.45db
11% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Folds Five
Battle of Who Could Care Less
98 bpm • A# Maj • 03:16 • -5.4db
38% Popularity • 47% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Folds
Rockin' the Suburbs
95 bpm • C Maj • 04:58 • -5db
40% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Brendan Benson
Alternative To Love
99 bpm • D Maj • 04:33 • -6.24db
10% Popularity • 58% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Falkner
Author Unknown
94 bpm • B min • 03:34 • -8.49db
14% Popularity • 31% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 29% Positiveness
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Fastball
Charlie, The Methadone Man
99 bpm • F Maj • 03:17 • -4.91db
18% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jonathan Coulton
The Future Soon
100 bpm • D Maj • 03:50 • -6.57db
33% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Folds Five
Lullabye
98 bpm • C Maj • 03:52 • -10.82db
24% Popularity • 46% Danceability • 35% Energy • 34% Liveness
1% Instrumentalness • 40% Positiveness
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OK Go
Bye Bye Baby
100 bpm • B min • 02:14 • -5db
29% Popularity • 55% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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The Boy Least Likely To
I'm Glad I Hitched My Apple Wagon to You...
100 bpm • D Maj • 04:17 • -5.98db
13% Popularity • 78% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Ted Leo and the Pharmacists
Counting Down the Hours
100 bpm • E min • 03:07 • -4.27db
29% Popularity • 35% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jim's Big Ego
Prince Charming
94 bpm • F# Maj • 03:49 • -8.53db
11% Popularity • 31% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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They Might Be Giants
Your Racist Friend
94 bpm • D Maj • 02:55 • -7.07db
37% Popularity • 57% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Dawes
Time Spent in Los Angeles
100 bpm • G# Maj • 04:35 • -19db
37% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Ben Folds Five
Video
100 bpm • D Maj • 04:07 • -7.24db
23% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Bishop Allen
Things Are What You Make Of Them
101 bpm • C Maj • 03:57 • -7.76db
17% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Conor Oberst
Nikorette
94 bpm • D Maj • 04:11 • -4.74db
2% Popularity • 55% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Mates of State
10 Years Later
93 bpm • C Maj • 03:08 • -8.68db
9% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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They Might Be Giants
Another First Kiss
93 bpm • C Maj • 03:06 • -7db
24% Popularity • 66% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Phantom Planet
I Was Better Off
101 bpm • G# Maj • 02:43 • -8.75db
12% Popularity • 31% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Folds Five
The Last Polka
101 bpm • D min • 04:34 • -7.65db
26% Popularity • 44% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Everclear
AM Radio
93 bpm • C# Maj • 03:56 • -4db
43% Popularity • 62% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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The Shins
Saint Simon - 2023 Remaster
93 bpm • D# Maj • 04:24 • -5.76db
44% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Aimee Mann
That's Just What You Are
93 bpm • A# Maj • 04:25 • -8db
35% Popularity • 65% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Splitsville
Ponce De Leon
102 bpm • A Maj • 02:23 • -7.66db
19% Popularity • 67% Danceability • 58% Energy • 68% Liveness
0% Instrumentalness • 90% Positiveness
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Phantom Planet
Lisa (Does It Hurt You?)
102 bpm • G# Maj • 03:16 • -7.95db
8% Popularity • 72% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Matthew Sweet
Looking at the Sun
92 bpm • B min • 04:17 • -7.79db
25% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Ben Folds
Zak and Sara
92 bpm • F Maj • 03:11 • -3.47db
26% Popularity • 50% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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Soul Coughing
Circles
102 bpm • C Maj • 03:06 • -7db
46% Popularity • 70% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Matt Pond PA
The Trees And The Wild
92 bpm • E Maj • 02:48 • -5.1db
11% Popularity • 90% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Semisonic
California
92 bpm • A Maj • 05:29 • -7db
23% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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John Linnell
Montana
103 bpm • B Maj • 03:17 • -3.56db
15% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Brendan Benson
Me Just Purely
91 bpm • E min • 02:44 • -9.05db
12% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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OK Go
There's A Fire
91 bpm • B Maj • 03:50 • -6.08db
23% Popularity • 72% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Eels
Dirty Girl
104 bpm • C Maj • 02:41 • -4.5db
19% Popularity • 51% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Folds Five
Tom & Mary
104 bpm • A Maj • 02:35 • -7.42db
21% Popularity • 46% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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The Apples In Stereo
Stream Running Over
104 bpm • C Maj • 03:44 • -5.12db
13% Popularity • 64% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
The New Amsterdams
The Spoils of the Spoiled
104 bpm • G# min • 02:32 • -4.21db
16% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Decemberists
Valerie Plame
90 bpm • D Maj • 04:55 • -6.65db
19% Popularity • 33% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Fastball
Whatever Gets You On
90 bpm • A Maj • 04:06 • -6.87db
8% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Eels
Last Stop: This Town
104 bpm • E Maj • 03:27 • -8.64db
42% Popularity • 65% Danceability • 73% Energy • 32% Liveness
54% Instrumentalness • 75% Positiveness
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Ben Folds Five
Underground
104 bpm • E Maj • 04:11 • -7.3db
38% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Apples In Stereo
The Bird That You Can't See
104 bpm • A Maj • 03:56 • -3.21db
12% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Merrymakers
April’s Fool
104 bpm • G Maj • 03:43 • -6.14db
17% Popularity • 63% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Jellyfish
I Wanna Stay Home
105 bpm • C# Maj • 04:06 • -11db
26% Popularity • 71% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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The Grays
Both Belong
90 bpm • D Maj • 04:25 • -8db
14% Popularity • 39% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Shins
Red Rabbits
105 bpm • G# Maj • 04:29 • -8.47db
37% Popularity • 57% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Folds Five
Alice Childress
90 bpm • B Maj • 04:34 • -10.65db
28% Popularity • 46% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hot Hot Heat
This Town
105 bpm • D# Maj • 03:09 • -6.14db
17% Popularity • 63% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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The Decemberists
Apology Song
105 bpm • E Maj • 03:11 • -10.02db
21% Popularity • 60% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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They Might Be Giants
New York City
105 bpm • E Maj • 03:03 • -7.04db
30% Popularity • 53% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Glen Phillips
Thankful
105 bpm • G Maj • 02:56 • -4.09db
10% Popularity • 62% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Self
Meg Ryan - Single Version
105 bpm • C# Maj • 03:59 • -4.89db
16% Popularity • 70% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Ben Folds Five
Song for the Dumped
105 bpm • G Maj • 03:51 • -6.62db
37% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Sloan
I'm Not Through with You Yet
105 bpm • B min • 03:15 • -9.79db
13% Popularity • 57% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Falkner
Follow Me
106 bpm • E Maj • 04:07 • -8.34db
9% Popularity • 46% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Decemberists
The Sporting Life
106 bpm • G Maj • 04:38 • -6.61db
38% Popularity • 65% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Ryan Adams
New York, New York
106 bpm • A Maj • 03:46 • -8.25db
41% Popularity • 52% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Fastball
Slow Drag
106 bpm • D min • 03:36 • -5.16db
22% Popularity • 65% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Folds Five
Song for the Dumped
105 bpm • C Maj • 03:39 • -7.74db
20% Popularity • 53% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Superdrag
I'm Expanding My Mind
106 bpm • C# min • 04:33 • -8db
21% Popularity • 59% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Bright Eyes
Bowl of Oranges
106 bpm • C Maj • 04:48 • -11db
37% Popularity • 38% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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David Byrne
Like Humans Do
107 bpm • G Maj • 03:32 • -6.3db
37% Popularity • 61% Danceability • 88% Energy • 16% Liveness
5% Instrumentalness • 88% Positiveness
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OK Go
C-C-C-Cinnamon Lips
107 bpm • C# Maj • 03:26 • -6.31db
25% Popularity • 73% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Koufax
Out of Your Element
88 bpm • C Maj • 04:08 • -8.38db
7% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Folds Five
Song For The Dumped - Japanese Version
105 bpm • G Maj • 05:03 • -8.08db
18% Popularity • 55% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
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The Format
Dog Problems
108 bpm • C Maj • 04:11 • -8db
35% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Moxy Früvous
I Will Hold On
87 bpm • G Maj • 04:24 • -7.71db
9% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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The Lemonheads
Become The Enemy
108 bpm • E Maj • 03:54 • -4.61db
11% Popularity • 39% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Better Than Ezra
This Time of Year
87 bpm • G Maj • 04:04 • -14.26db
28% Popularity • 50% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Folds Five
Fair
107 bpm • D Maj • 05:55 • -8db
31% Popularity • 40% Danceability • 79% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Burt Bacharach
Raindrops Keep Fallin' On My Head
108 bpm • B Maj • 03:18 • -10.36db
22% Popularity • 38% Danceability • 75% Energy • 96% Liveness
0% Instrumentalness • 62% Positiveness
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The New Pornographers
The End Of Medicine
108 bpm • C Maj • 02:37 • -3.72db
19% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Flaming Lips
The Yeah Yeah Yeah Song
108 bpm • E Maj • 03:52 • -4db
34% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Cracker
Get Off This
108 bpm • C Maj • 04:26 • -8.11db
41% Popularity • 52% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Matthew Sweet
Where You Get Love
108 bpm • E Maj • 03:35 • -8db
22% Popularity • 54% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Ben Folds Five
House
88 bpm • C Maj • 03:42 • -5.66db
8% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Sloan
The N.S.
108 bpm • G Maj • 04:37 • -6.1db
9% Popularity • 33% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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They Might Be Giants
Lucky Ball and Chain
108 bpm • G Maj • 02:46 • -10.2db
36% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Jason Falkner
Don't Show Me Heaven
108 bpm • C# min • 04:15 • -10.04db
12% Popularity • 56% Danceability • 71% Energy • 59% Liveness
0% Instrumentalness • 20% Positiveness
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Blitzen Trapper
God & Suicide
109 bpm • C Maj • 02:21 • -7.61db
40% Popularity • 70% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Brendan Benson
Sittin' Pretty
110 bpm • C Maj • 02:53 • -8db
23% Popularity • 58% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Folds Five
Your Redneck Past
107 bpm • F# Maj • 03:42 • -8db
24% Popularity • 66% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 95% Positiveness
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The Push Stars
Minnesota
110 bpm • G Maj • 03:25 • -5.27db
8% Popularity • 61% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Lazlo Bane
Hold Me
110 bpm • F Maj • 02:53 • -7.34db
9% Popularity • 80% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Ben Lee
Away With The Pixies
110 bpm • E Maj • 03:02 • -7.18db
10% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Mates of State
Starman
110 bpm • F Maj • 03:51 • -5.08db
7% Popularity • 48% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Falkner
Hectified
111 bpm • A Maj • 02:44 • -8db
13% Popularity • 56% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Philosophy