Songs like Phil's Island by Alan Menken
Based on a tempo of (+/- 10%) and a similar genre
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Alan Menken
Phil's Island
76 bpm • A Maj • 02:25 • -19.11db
31% Popularity • 16% Danceability • 8% Energy • 21% Liveness
39% Instrumentalness • 7% Positiveness
31% Popularity • 16% Danceability • 8% Energy • 21% Liveness
39% Instrumentalness • 7% Positiveness
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John Debney
Cold Lair Chase
76 bpm • F min • 04:00 • -15.53db
16% Popularity • 31% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
16% Popularity • 31% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Mark Watters
Genie And Jasmine/Cassim Leaves
76 bpm • D min • 01:49 • -27.97db
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Patrick Doyle
Show Us The Way
76 bpm • G# Maj • 03:46 • -13.64db
28% Popularity • 16% Danceability • 18% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 14% Liveness
74% Instrumentalness • 19% Positiveness
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Oliver Wallace
In The Doghouse / The Rat Returns / Fals...
76 bpm • G Maj • 06:05 • -15.86db
11% Popularity • 34% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
11% Popularity • 34% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Mark Mancina
Tala's Deathbed
76 bpm • G# Maj • 02:00 • -18db
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Alan Menken
John Smith Sneaks Out
76 bpm • E min • 01:14 • -31.22db
26% Popularity • 10% Danceability • 2% Energy • 26% Liveness
97% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 2% Energy • 26% Liveness
97% Instrumentalness • 4% Positiveness
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Samuel E. Wright
The Morning Report
76 bpm • G# Maj • 02:31 • -10db
38% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 52% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Jodi Benson
Part of Your World (Reprise)
76 bpm • F Maj • 02:17 • -14.95db
48% Popularity • 27% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
48% Popularity • 27% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Paul J. Smith
A Perfect Fit
77 bpm • G min • 01:30 • -17.31db
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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Germaine Franco
Tenacious Mirabel
77 bpm • A min • 01:35 • -20.02db
44% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 3% Positiveness
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Alan Menken
Street Urchins - Remastered 2022
76 bpm • B Maj • 01:52 • -22.68db
33% Popularity • 29% Danceability • 3% Energy • 25% Liveness
54% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 25% Liveness
54% Instrumentalness • 4% Positiveness
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Disney Peaceful Piano
Step in Time
75 bpm • C Maj • 02:42 • -24.32db
42% Popularity • 52% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
42% Popularity • 52% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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The Cast of Peter Pan
Rumor Has It/Hangman's Tree - Original
77 bpm • G Maj • 02:37 • -21.07db
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Jodi Benson
Part of Your World (Reprise)/ Ursula Plo...
75 bpm • F Maj • 03:03 • -19db
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 7% Positiveness
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Oliver Wallace
The Palace at Evening / A Dress For The ...
75 bpm • C# min • 02:56 • -17.2db
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Germaine Franco
The Cracks Emerge
77 bpm • C# Maj • 01:22 • -14.55db
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
45% Popularity • 20% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Jonathan Freeman
Why Me? (Outtake) - Remastered 2022
77 bpm • F# min • 03:22 • -15.79db
10% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Frank Churchill
Fire / Reunion / Finale
75 bpm • G# Maj • 05:36 • -17.31db
20% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
20% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
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Roger Bart
Go The Distance (Reprise)
77 bpm • C Maj • 00:57 • -9.59db
46% Popularity • 25% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 25% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Disney Peaceful Piano
I Just Can't Wait to Be King
78 bpm • F# Maj • 02:44 • -21.93db
43% Popularity • 59% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 50% Positiveness
43% Popularity • 59% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 50% Positiveness
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Disney Studio Chorus
Happy Ending
74 bpm • G Maj • 03:11 • -16.29db
43% Popularity • 16% Danceability • 15% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
43% Popularity • 16% Danceability • 15% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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Germaine Franco
I Need You
75 bpm • G Maj • 02:27 • -28db
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
48% Popularity • 17% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Disney Peaceful Strings
Do You Want to Build a Snowman?
78 bpm • D Maj • 03:35 • -12.55db
38% Popularity • 20% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
38% Popularity • 20% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 20% Positiveness
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The Cast of Peter Pan
The Last Night in the Nursery - Original
77 bpm • E min • 03:00 • -20.73db
15% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
15% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
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Mark Watters
Aladdin And Cassim Escape
78 bpm • G Maj • 02:38 • -22.52db
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
What's All The Hurry/A Perfect Situation...
74 bpm • F Maj • 03:18 • -13db
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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Robert Elhai
Simba Confronts Scar
78 bpm • D# Maj • 02:25 • -8.51db
34% Popularity • 56% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
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Oliver Wallace
Midnight Chase
78 bpm • A min • 01:36 • -12.33db
32% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
32% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
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Pat Carroll
Poor Unfortunate Souls
74 bpm • C Maj • 04:51 • -17.28db
61% Popularity • 38% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 38% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Mark Watters
The Hand Of Midas
78 bpm • C Maj • 02:07 • -21.46db
21% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 18% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Alan Menken
The Beast Lets Belle Go
79 bpm • D# Maj • 02:22 • -18.88db
33% Popularity • 17% Danceability • 11% Energy • 28% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 17% Danceability • 11% Energy • 28% Liveness
86% Instrumentalness • 7% Positiveness
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Walt Disney
Walt Disney Interview
74 bpm • B Maj • 03:18 • -21.39db
15% Popularity • 62% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 62% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Marc Shaiman
Goodbye Old Friend
73 bpm • F Maj • 02:32 • -20.66db
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Disney Peaceful Piano
How Far I'll Go
73 bpm • E Maj • 03:09 • -24.11db
55% Popularity • 49% Danceability • 10% Energy • 7% Liveness
96% Instrumentalness • 9% Positiveness
55% Popularity • 49% Danceability • 10% Energy • 7% Liveness
96% Instrumentalness • 9% Positiveness
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Ned Washington
Loading the Train / Casey Junior / Stork...
79 bpm • F Maj • 04:59 • -6.56db
22% Popularity • 36% Danceability • 46% Energy • 10% Liveness
49% Instrumentalness • 66% Positiveness
22% Popularity • 36% Danceability • 46% Energy • 10% Liveness
49% Instrumentalness • 66% Positiveness
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Carter Burwell
Hi Dad Soup
74 bpm • D Maj • 01:31 • -28.67db
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Daniel Hart
No Clocks
79 bpm • G# Maj • 02:53 • -19.39db
10% Popularity • 18% Danceability • 3% Energy • 34% Liveness
49% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 34% Liveness
49% Instrumentalness • 5% Positiveness
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Larry Morey
Sleepy Morning In The Woods/The Young Pr...
79 bpm • C Maj • 05:13 • -20.25db
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Leigh Harline
Lesson in Lies
79 bpm • G Maj • 02:30 • -15.97db
21% Popularity • 30% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
21% Popularity • 30% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 7% Positiveness
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Alexandre Desplat
Jamie's Bedroom
79 bpm • D min • 02:33 • -15.73db
12% Popularity • 38% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 38% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Alan Menken
The Ends Of The Earth
73 bpm • G min • 01:35 • -18.86db
20% Popularity • 15% Danceability • 22% Energy • 11% Liveness
62% Instrumentalness • 32% Positiveness
20% Popularity • 15% Danceability • 22% Energy • 11% Liveness
62% Instrumentalness • 32% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Daughters of Triton
Daughters of Triton
80 bpm • C Maj • 00:40 • -14.8db
44% Popularity • 72% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 72% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Alan Silvestri
Famous!
80 bpm • D Maj • 03:09 • -16.12db
7% Popularity • 27% Danceability • 15% Energy • 22% Liveness
67% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 15% Energy • 22% Liveness
67% Instrumentalness • 7% Positiveness
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David Ogden Stiers
Mine, Mine, Mine
72 bpm • C Maj • 03:05 • -13.95db
45% Popularity • 50% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 50% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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J.A.C. Redford
Escape from Snyder
80 bpm • A Maj • 02:07 • -19.25db
25% Popularity • 30% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
25% Popularity • 30% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Uninvited Guests
72 bpm • G Maj • 02:09 • -19.67db
22% Popularity • 22% Danceability • 17% Energy • 30% Liveness
64% Instrumentalness • 10% Positiveness
22% Popularity • 22% Danceability • 17% Energy • 30% Liveness
64% Instrumentalness • 10% Positiveness
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Alan Menken
West Wing
80 bpm • F Maj • 04:25 • -14.66db
27% Popularity • 37% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
27% Popularity • 37% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Patrick Doyle
Through The Castle
72 bpm • C min • 04:34 • -18.45db
29% Popularity • 32% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
29% Popularity • 32% Danceability • 9% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
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Larry Morey
The Meadow / Bambi Sees Faline / Bambi G...
80 bpm • A Maj • 04:55 • -21db
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
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Oliver Wallace
Good-Bye Peter - Shanghaied
80 bpm • C Maj • 00:55 • -23.33db
35% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
35% Popularity • 37% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 20% Positiveness
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Germaine Franco
El RÃo
80 bpm • C min • 01:27 • -31.02db
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
52% Popularity • 38% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Harry Gregson-Williams
Ogre Hunters / Fairytale Deathcamp
72 bpm • F min • 01:35 • -17.71db
25% Popularity • 21% Danceability • 23% Energy • 13% Liveness
69% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 23% Energy • 13% Liveness
69% Instrumentalness • 7% Positiveness
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Kevin Kliesch
Rocks Point the Way
81 bpm • A min • 03:05 • -15.06db
15% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 15% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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Lea Salonga
Reflection
81 bpm • A Maj • 02:26 • -19db
64% Popularity • 26% Danceability • 17% Energy • 34% Liveness
1% Instrumentalness • 8% Positiveness
64% Popularity • 26% Danceability • 17% Energy • 34% Liveness
1% Instrumentalness • 8% Positiveness
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Chorus - Pocahontas
Savages - Pt. 2
72 bpm • A min • 02:15 • -16db
42% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
42% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
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Otesla
Almost There
81 bpm • G Maj • 02:08 • -9.7db
41% Popularity • 79% Danceability • 29% Energy • 33% Liveness
82% Instrumentalness • 63% Positiveness
41% Popularity • 79% Danceability • 29% Energy • 33% Liveness
82% Instrumentalness • 63% Positiveness
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Carl Johnson
Losing the Scrapbook - Score
81 bpm • G# Maj • 01:39 • -13.35db
18% Popularity • 19% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 18% Energy • 25% Liveness
1% Instrumentalness • 4% Positiveness
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Roz Ryan
The Gospel Truth II
81 bpm • C# min • 00:59 • -14.24db
49% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alan Menken
Never Called a Master Friend
81 bpm • E min • 02:25 • -23.88db
29% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Oliver Wallace
Through The Zoo / A Long Puller
81 bpm • G Maj • 02:01 • -17.72db
16% Popularity • 45% Danceability • 4% Energy • 20% Liveness
64% Instrumentalness • 44% Positiveness
16% Popularity • 45% Danceability • 4% Energy • 20% Liveness
64% Instrumentalness • 44% Positiveness
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MGM Studio Chorus
The Spell - Extended Version
71 bpm • A Maj • 03:19 • -17db
21% Popularity • 19% Danceability • 31% Energy • 67% Liveness
42% Instrumentalness • 24% Positiveness
21% Popularity • 19% Danceability • 31% Energy • 67% Liveness
42% Instrumentalness • 24% Positiveness
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George Bruns
Prince Phillip Arrives / How to Tell Ste...
71 bpm • G# Maj • 02:26 • -18.89db
26% Popularity • 22% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
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Donna Murphy
Prologue
81 bpm • C Maj • 02:02 • -16.53db
43% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
43% Popularity • 17% Danceability • 18% Energy • 24% Liveness
3% Instrumentalness • 17% Positiveness
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Chris Pine
Any Moment
71 bpm • D# Maj • 01:41 • -20.49db
36% Popularity • 44% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 44% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Alan Menken
Eric to the Rescue
81 bpm • G min • 03:43 • -16.41db
26% Popularity • 39% Danceability • 20% Energy • 36% Liveness
73% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 20% Energy • 36% Liveness
73% Instrumentalness • 19% Positiveness
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Oliver Wallace
A New Collar / Jock & Trusty / It's Jim ...
81 bpm • G Maj • 03:17 • -17db
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
25% Popularity • 25% Danceability • 12% Energy • 18% Liveness
79% Instrumentalness • 28% Positiveness
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The Cast of 101 Dalmatians
I'm Hungry/Get Some Rest/Back on the Roa...
82 bpm • A# Maj • 03:13 • -14.6db
10% Popularity • 14% Danceability • 20% Energy • 21% Liveness
55% Instrumentalness • 9% Positiveness
10% Popularity • 14% Danceability • 20% Energy • 21% Liveness
55% Instrumentalness • 9% Positiveness
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George Bruns
Poor Bear
82 bpm • G min • 01:08 • -19.12db
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Mark Watters
Wedding/Attack Of The Forty Thieves
82 bpm • C Maj • 06:40 • -18db
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
14% Popularity • 20% Danceability • 23% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
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Patrick Doyle
Get The Key
82 bpm • D min • 03:15 • -12db
27% Popularity • 38% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
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Alan Menken
Interrupting the Wedding / Ursula's Defe...
81 bpm • G min • 06:42 • -15.22db
25% Popularity • 21% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Oliver Wallace
Cat and Mice / The King's Plans
82 bpm • G Maj • 03:50 • -20.83db
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Henry Jackman
Cupcake Breakout
82 bpm • C min • 01:12 • -13.59db
26% Popularity • 29% Danceability • 18% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
26% Popularity • 29% Danceability • 18% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
24% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
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Lillias White
The Gospel Truth III
70 bpm • D Maj • 01:05 • -14.21db
49% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Disney Peaceful Piano
All Is Found
70 bpm • F Maj • 02:38 • -27db
57% Popularity • 43% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
57% Popularity • 43% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Alan Menken
To Be Free
71 bpm • C Maj • 01:39 • -22.75db
23% Popularity • 26% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Kevin Kliesch
Onward to the Dark Kingdom
83 bpm • G min • 03:12 • -12.03db
13% Popularity • 10% Danceability • 29% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 29% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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J.A.C. Redford
Rooftop
83 bpm • D Maj • 03:13 • -21.13db
25% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
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Joel McNeely
The Journey Begins
83 bpm • C Maj • 02:59 • -17.5db
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Mark Watters
The Oracle
83 bpm • C# Maj • 02:11 • -23db
18% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 11% Energy • 34% Liveness
52% Instrumentalness • 5% Positiveness
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Carl Johnson
Pooh and Piglet Corner - Score
70 bpm • D# min • 03:12 • -16db
18% Popularity • 12% Danceability • 22% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 22% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Alan Menken
On A Dark Night
82 bpm • D min • 02:55 • -18.31db
19% Popularity • 11% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
19% Popularity • 11% Danceability • 6% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
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Patrick Doyle
Foreign Visitors Arrive
83 bpm • G Maj • 01:29 • -12.91db
42% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
42% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
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Disney Peaceful Piano
Kiss the Girl
70 bpm • C Maj • 02:53 • -26db
52% Popularity • 37% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 37% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Michael Giacchino
Cave Dwelling on the Past
69 bpm • C min • 02:22 • -19.52db
26% Popularity • 26% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Larry Morey
Exploring / Say Bird / Flower
83 bpm • C min • 06:01 • -23.35db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
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John Debney
The Great Battle/Friends Forever
83 bpm • G# Maj • 06:17 • -16db
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 35% Liveness
73% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Mulan's Decision
83 bpm • A# min • 03:23 • -19.27db
42% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
42% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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J.A.C. Redford
Fightin' Irish: Strike Action
84 bpm • G Maj • 01:50 • -16.79db
26% Popularity • 42% Danceability • 46% Energy • 31% Liveness
97% Instrumentalness • 52% Positiveness
26% Popularity • 42% Danceability • 46% Energy • 31% Liveness
97% Instrumentalness • 52% Positiveness
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Disney Peaceful Guitar
Love
84 bpm • A Maj • 03:25 • -15.46db
48% Popularity • 50% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 19% Positiveness
48% Popularity • 50% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 19% Positiveness
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Alan Silvestri
He's Alive
69 bpm • G Maj • 03:01 • -24.51db
10% Popularity • 11% Danceability • 7% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
Dognapped!/Anita Darling/What'll We Do? ...
84 bpm • G Maj • 03:06 • -15.67db
11% Popularity • 23% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
