Songs like Piano Concerto D-minor KV 466 - Romance by Ricci Ferra
Based on a tempo of (+/- 10%) and a similar genre
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Discovey Light Orchestra
Concierto para una Sola Voz
75 bpm • A# Maj • 02:36 • -13.23db
50% Popularity • 41% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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The Richard Romance Orchestra
Woman in Love
75 bpm • C# Maj • 04:11 • -9.78db
12% Popularity • 34% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 34% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Golden Strings Orchestra
Zorba El Griego
75 bpm • G Maj • 02:55 • -16.8db
41% Popularity • 34% Danceability • 36% Energy • 5% Liveness
1% Instrumentalness • 70% Positiveness
41% Popularity • 34% Danceability • 36% Energy • 5% Liveness
1% Instrumentalness • 70% Positiveness
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Pierre Charlon
Verano Del 42
75 bpm • E min • 02:39 • -12.83db
45% Popularity • 30% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 34% Positiveness
45% Popularity • 30% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 34% Positiveness
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Nikos Ignatiadis
Jasmijn
75 bpm • D# Maj • 02:33 • -9.36db
28% Popularity • 20% Danceability • 33% Energy • 10% Liveness
40% Instrumentalness • 23% Positiveness
28% Popularity • 20% Danceability • 33% Energy • 10% Liveness
40% Instrumentalness • 23% Positiveness
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Orquesta Filarmonica de Rumania
Vals de la Juventud
75 bpm • C Maj • 02:10 • -8db
32% Popularity • 25% Danceability • 34% Energy • 23% Liveness
83% Instrumentalness • 32% Positiveness
32% Popularity • 25% Danceability • 34% Energy • 23% Liveness
83% Instrumentalness • 32% Positiveness
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Jorge Espinoza Y Su Violin
Romeo Y Julieta
75 bpm • B min • 03:01 • -14.47db
44% Popularity • 35% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 35% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Ricci Ferra
Meditation Aus Thais
74 bpm • D Maj • 03:38 • -15db
24% Popularity • 19% Danceability • 28% Energy • 17% Liveness
35% Instrumentalness • 8% Positiveness
24% Popularity • 19% Danceability • 28% Energy • 17% Liveness
35% Instrumentalness • 8% Positiveness
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The Famous String Orchestra
Piano Concerto No.1 B Minor - 1.Movement
76 bpm • C# Maj • 03:53 • -13.39db
5% Popularity • 17% Danceability • 26% Energy • 9% Liveness
85% Instrumentalness • 21% Positiveness
5% Popularity • 17% Danceability • 26% Energy • 9% Liveness
85% Instrumentalness • 21% Positiveness
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Pierre Charlon
Yesterday
75 bpm • C Maj • 03:10 • -15.97db
48% Popularity • 48% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
48% Popularity • 48% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Alessio Busanel And His Orchestra
Nabucco
74 bpm • G Maj • 03:06 • -22db
39% Popularity • 21% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Alfred Hause
Fantasie Impromptu Op. 66
74 bpm • D Maj • 03:11 • -15.36db
31% Popularity • 22% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 20% Positiveness
31% Popularity • 22% Danceability • 29% Energy • 17% Liveness
86% Instrumentalness • 20% Positiveness
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Zantalino y su Orquesta
El Valsa Lara's Theme - Doutor Jivago
77 bpm • G# Maj • 02:42 • -8.89db
17% Popularity • 47% Danceability • 45% Energy • 13% Liveness
8% Instrumentalness • 49% Positiveness
17% Popularity • 47% Danceability • 45% Energy • 13% Liveness
8% Instrumentalness • 49% Positiveness
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Ronnie Aldrich and his 2 pianos
Georgy Girl
73 bpm • G min • 03:08 • -12.57db
38% Popularity • 48% Danceability • 41% Energy • 14% Liveness
80% Instrumentalness • 72% Positiveness
38% Popularity • 48% Danceability • 41% Energy • 14% Liveness
80% Instrumentalness • 72% Positiveness
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Versaillesstation
La chanson de Lara
77 bpm • G Maj • 02:42 • -9.15db
24% Popularity • 48% Danceability • 44% Energy • 21% Liveness
6% Instrumentalness • 44% Positiveness
24% Popularity • 48% Danceability • 44% Energy • 21% Liveness
6% Instrumentalness • 44% Positiveness
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Bebu Silvetti
El Color de Le Tristeza
77 bpm • C min • 03:36 • -14.44db
34% Popularity • 25% Danceability • 29% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 25% Danceability • 29% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Franz Lambert
Der Pate (The Godfather)
77 bpm • G min • 03:11 • -7.73db
11% Popularity • 38% Danceability • 51% Energy • 37% Liveness
42% Instrumentalness • 41% Positiveness
11% Popularity • 38% Danceability • 51% Energy • 37% Liveness
42% Instrumentalness • 41% Positiveness
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Nikos Ignatiadis
In Classic Mood
77 bpm • D Maj • 02:21 • -19.1db
30% Popularity • 25% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 25% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Ricci Ferra
Berceuse From Jocelin
77 bpm • F Maj • 03:28 • -15.05db
4% Popularity • 22% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
4% Popularity • 22% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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MelodÃas Mágicas
Nostalgia
72 bpm • D Maj • 02:21 • -14.97db
52% Popularity • 63% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
52% Popularity • 63% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 45% Positiveness
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Jorge Espinoza Y Su Violin
Bajo El Arcoiris
78 bpm • D Maj • 03:27 • -11.83db
38% Popularity • 8% Danceability • 26% Energy • 7% Liveness
5% Instrumentalness • 14% Positiveness
38% Popularity • 8% Danceability • 26% Energy • 7% Liveness
5% Instrumentalness • 14% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
42% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
42% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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Jorge Espinoza Carrizales
Danza Hungaran No. 5
78 bpm • G Maj • 02:40 • -12db
44% Popularity • 21% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 21% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Gary Freeman
Just A Gigolo
78 bpm • F Maj • 02:18 • -10.59db
27% Popularity • 41% Danceability • 36% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
27% Popularity • 41% Danceability • 36% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
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Ricci Ferra
Sonata No.8 - Adagio
78 bpm • G# Maj • 03:07 • -15.14db
3% Popularity • 14% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
3% Popularity • 14% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Golden Strings Orchestra
Tritsch Tratsch
79 bpm • A Maj • 02:41 • -12.78db
38% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
38% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Jorge Espinoza Y Su Violin
Serenata ( Toselli)
78 bpm • F Maj • 02:42 • -11.91db
47% Popularity • 39% Danceability • 29% Energy • 23% Liveness
37% Instrumentalness • 32% Positiveness
47% Popularity • 39% Danceability • 29% Energy • 23% Liveness
37% Instrumentalness • 32% Positiveness
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Francis Dupont
Amour Eternel
79 bpm • C Maj • 03:16 • -13.27db
12% Popularity • 7% Danceability • 35% Energy • 25% Liveness
79% Instrumentalness • 25% Positiveness
12% Popularity • 7% Danceability • 35% Energy • 25% Liveness
79% Instrumentalness • 25% Positiveness
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Discovey Light Orchestra
Soleado
80 bpm • A# min • 02:55 • -12.87db
55% Popularity • 59% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
55% Popularity • 59% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Jack Jezzro
Al Di La
80 bpm • C min • 03:20 • -16.24db
47% Popularity • 39% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 33% Positiveness
47% Popularity • 39% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 33% Positiveness
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Ronald Valentino
Sobre el Arcoiris
80 bpm • D# Maj • 03:50 • -10.9db
42% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
42% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
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Joaquin Borges
GreenSleeves
80 bpm • E min • 03:09 • -21.14db
29% Popularity • 16% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Sweet People
Perce
80 bpm • F# Maj • 04:09 • -14.1db
18% Popularity • 42% Danceability • 44% Energy • 39% Liveness
33% Instrumentalness • 38% Positiveness
18% Popularity • 42% Danceability • 44% Energy • 39% Liveness
33% Instrumentalness • 38% Positiveness
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Henry Dubois
Chariots Of Fire
70 bpm • C# Maj • 03:13 • -10.68db
46% Popularity • 47% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
46% Popularity • 47% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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The Fantasy Strings
No More Lonely Nights
80 bpm • F Maj • 03:59 • -8db
27% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
27% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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50 Guitars of Tommy Garrett
Maria Elena
80 bpm • C Maj • 03:20 • -9.24db
30% Popularity • 62% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 50% Positiveness
30% Popularity • 62% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 50% Positiveness
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Italian Mandolin Torna A Surriento
Toselli Serenade
81 bpm • C Maj • 01:46 • -10db
45% Popularity • 56% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 56% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Larry Elam
Serenada Espanola
81 bpm • A min • 03:56 • -8.86db
2% Popularity • 28% Danceability • 52% Energy • 36% Liveness
90% Instrumentalness • 20% Positiveness
2% Popularity • 28% Danceability • 52% Energy • 36% Liveness
90% Instrumentalness • 20% Positiveness
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Alessio Busanel And His Orchestra
O Sole Mio
81 bpm • A Maj • 04:15 • -23db
34% Popularity • 47% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
34% Popularity • 47% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 41% Positiveness
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Ricci Ferra
Aranjuez "Mon Amour" Adagio From The Con...
81 bpm • B min • 04:16 • -15.24db
30% Popularity • 37% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
30% Popularity • 37% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Tol & Tol
Late Night Serenade
81 bpm • E Maj • 03:08 • -18db
35% Popularity • 38% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
35% Popularity • 38% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Percy Faith & His Orchestra
Love Theme from Romeo & Juliet
69 bpm • F Maj • 03:07 • -12.88db
30% Popularity • 16% Danceability • 22% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
30% Popularity • 16% Danceability • 22% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
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Nikos Ignatiadis
Melody For Lovers
81 bpm • A Maj • 03:29 • -13db
36% Popularity • 12% Danceability • 37% Energy • 7% Liveness
48% Instrumentalness • 17% Positiveness
36% Popularity • 12% Danceability • 37% Energy • 7% Liveness
48% Instrumentalness • 17% Positiveness
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Joaquin Borges
Candilejas
81 bpm • F Maj • 03:20 • -24db
33% Popularity • 15% Danceability • 7% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
33% Popularity • 15% Danceability • 7% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
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Pierre Charlon
Dolannes Melodie
82 bpm • E Maj • 03:33 • -13.3db
47% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
47% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
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Ricci Ferra
Champagne After Midnight
81 bpm • D min • 02:41 • -16db
15% Popularity • 52% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
15% Popularity • 52% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
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Diego De Cossio
Tema del Padrino
82 bpm • A min • 03:36 • -10.23db
46% Popularity • 46% Danceability • 40% Energy • 8% Liveness
71% Instrumentalness • 15% Positiveness
46% Popularity • 46% Danceability • 40% Energy • 8% Liveness
71% Instrumentalness • 15% Positiveness
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Jorge Espinoza Carrizales
Rapsodia Sobre Un tema De Paganini (Paga...
82 bpm • D Maj • 03:22 • -9.66db
39% Popularity • 23% Danceability • 40% Energy • 20% Liveness
93% Instrumentalness • 13% Positiveness
39% Popularity • 23% Danceability • 40% Energy • 20% Liveness
93% Instrumentalness • 13% Positiveness
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C. F. Orchester Richards
Toselli-Serenade
82 bpm • E Maj • 02:21 • -14.43db
31% Popularity • 24% Danceability • 26% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
31% Popularity • 24% Danceability • 26% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
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Sweet People
Lake Como
82 bpm • A Maj • 02:56 • -17.15db
37% Popularity • 23% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
37% Popularity • 23% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Maria Saldo
Feelings
82 bpm • E min • 03:31 • -10.31db
15% Popularity • 56% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
15% Popularity • 56% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Ricci Ferra
Anitra´s Dance From Peer Gynt
82 bpm • E min • 03:30 • -16.7db
4% Popularity • 60% Danceability • 30% Energy • 25% Liveness
2% Instrumentalness • 69% Positiveness
4% Popularity • 60% Danceability • 30% Energy • 25% Liveness
2% Instrumentalness • 69% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Arranged & Adapted By
Mozart Piano Concerto No. 21 In C Major ...
82 bpm • C Maj • 03:25 • -13db
24% Popularity • 44% Danceability • 21% Energy • 16% Liveness
26% Instrumentalness • 24% Positiveness
24% Popularity • 44% Danceability • 21% Energy • 16% Liveness
26% Instrumentalness • 24% Positiveness
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Sergio Ortiz
Classic Moment - Para Elisa, Sueño De A...
82 bpm • G Maj • 02:20 • -12.75db
54% Popularity • 23% Danceability • 39% Energy • 14% Liveness
92% Instrumentalness • 34% Positiveness
54% Popularity • 23% Danceability • 39% Energy • 14% Liveness
92% Instrumentalness • 34% Positiveness
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Orquesta de Concierto
Los Patinadores
83 bpm • C# Maj • 03:16 • -15.85db
18% Popularity • 40% Danceability • 22% Energy • 9% Liveness
75% Instrumentalness • 44% Positiveness
18% Popularity • 40% Danceability • 22% Energy • 9% Liveness
75% Instrumentalness • 44% Positiveness
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Philippe Dubois
Love Story
83 bpm • G min • 03:33 • -16.45db
33% Popularity • 36% Danceability • 26% Energy • 14% Liveness
79% Instrumentalness • 21% Positiveness
33% Popularity • 36% Danceability • 26% Energy • 14% Liveness
79% Instrumentalness • 21% Positiveness
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Ballroom Dance Orchestra
That's Amore - Vienna Waltz
82 bpm • A Maj • 02:43 • -11.78db
39% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Pierre Charlon
Feelings
83 bpm • E min • 03:36 • -15.12db
44% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
44% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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The Gino Marinello Orchestra
The Impossible Dream
68 bpm • G Maj • 01:56 • -13.89db
38% Popularity • 48% Danceability • 24% Energy • 12% Liveness
11% Instrumentalness • 23% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 12% Liveness
11% Instrumentalness • 23% Positiveness
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50 Guitars of Tommy Garrett
Somewhere My Love (Lara's Theme From "Dr...
83 bpm • G Maj • 03:02 • -15.44db
36% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
36% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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The Richard Romance Orchestra
Che Sera
67 bpm • D Maj • 02:43 • -10.42db
23% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Norman Candler
Deep in the Night
84 bpm • A Maj • 03:24 • -6db
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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The Romantic Sound Orchestra
Eine Melodie geht um die Welt
84 bpm • G Maj • 03:43 • -8db
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
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Gil Ventura
Je t'aime... moi non plus
84 bpm • A# Maj • 03:10 • -9db
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
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The Percy Faith Strings
The Song from "Moulin Rose"
66 bpm • G Maj • 03:48 • -14.2db
36% Popularity • 21% Danceability • 30% Energy • 31% Liveness
86% Instrumentalness • 8% Positiveness
36% Popularity • 21% Danceability • 30% Energy • 31% Liveness
86% Instrumentalness • 8% Positiveness
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World Sound Orchestra
Game That Lovers Play
84 bpm • A Maj • 04:01 • -9.74db
16% Popularity • 27% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
16% Popularity • 27% Danceability • 46% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Nikos Ignatiadis
Ema
66 bpm • A Maj • 03:32 • -10.32db
23% Popularity • 25% Danceability • 50% Energy • 32% Liveness
94% Instrumentalness • 45% Positiveness
23% Popularity • 25% Danceability • 50% Energy • 32% Liveness
94% Instrumentalness • 45% Positiveness
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Ronald Valentino
El Amor Es una Cosa Esplendorosa
85 bpm • C Maj • 02:51 • -8.46db
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
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Zantalino and his Orchestra
A Time for Us (Love Theme from Romeo and...
66 bpm • C min • 02:30 • -13.09db
39% Popularity • 14% Danceability • 20% Energy • 15% Liveness
52% Instrumentalness • 11% Positiveness
39% Popularity • 14% Danceability • 20% Energy • 15% Liveness
52% Instrumentalness • 11% Positiveness
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Norman Candler
Theme from Love Story - Remastered
86 bpm • E min • 02:52 • -7db
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
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The Romantic Sound Orchestra
Fascination
86 bpm • C Maj • 03:56 • -16.28db
17% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
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Ricci Ferra
Jeux Interdits
86 bpm • E min • 03:26 • -18.2db
27% Popularity • 35% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
27% Popularity • 35% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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Orquesta Romántica de La Habana
Bilitis
65 bpm • C# Maj • 03:22 • -16.78db
38% Popularity • 36% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 10% Positiveness
38% Popularity • 36% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 10% Positiveness
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Jean Claude Borelly
Il silenzio
65 bpm • A# Maj • 03:06 • -6.32db
23% Popularity • 30% Danceability • 51% Energy • 38% Liveness
93% Instrumentalness • 40% Positiveness
23% Popularity • 30% Danceability • 51% Energy • 38% Liveness
93% Instrumentalness • 40% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Discovey Light Orchestra
La Primera Vez Que VI Tu Cara
65 bpm • F Maj • 02:57 • -16db
50% Popularity • 40% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Jorge Espinoza Y Su Violin
Estudio Anonimo
87 bpm • D# Maj • 02:36 • -8.98db
45% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
45% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
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Ricci Ferra
Rosamunde - Interlude No.3
65 bpm • F Maj • 03:15 • -10.68db
2% Popularity • 20% Danceability • 35% Energy • 9% Liveness
16% Instrumentalness • 15% Positiveness
2% Popularity • 20% Danceability • 35% Energy • 9% Liveness
16% Instrumentalness • 15% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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50 Guitars of Tommy Garrett
Guadalajara
65 bpm • F Maj • 02:05 • -13.55db
29% Popularity • 50% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
27% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Ross Mitchell, His Band & Singers
Come Back to Sorrento
87 bpm • A# min • 02:30 • -16db
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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Henri Seroka
Waltz
87 bpm • F# min • 02:25 • -16db
53% Popularity • 37% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
53% Popularity • 37% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
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Ricci Ferra
Waltz As-major Op.39 No.15
87 bpm • A Maj • 03:02 • -12.24db
2% Popularity • 30% Danceability • 34% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
2% Popularity • 30% Danceability • 34% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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Botticelli
Don't Cry for Me Argentina
87 bpm • C# Maj • 03:50 • -19.07db
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
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Horst Jankowski
Charming Vienna
88 bpm • G Maj • 02:31 • -12db
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
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Zantalino and his Orchestra
Greensleeves
88 bpm • F min • 02:58 • -10db
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Angel Roque
Momentos
88 bpm • G Maj • 03:59 • -11.67db
32% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
32% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
21% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
21% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
39% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Tol & Tol
Recuerdos De La Alhambra
88 bpm • A Maj • 03:18 • -15.57db
37% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Alessio Busanel And His Orchestra
L'Incontro
88 bpm • A# Maj • 05:44 • -19.19db
17% Popularity • 10% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Orchestra
I Can´t Stop Loving You
88 bpm • F Maj • 02:39 • -9.93db
13% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
13% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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Ronald Valentino
Nocturno en Mi Bemol
88 bpm • D# Maj • 04:47 • -7db
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
