Songs like Piano Concerto in C minor, No. 2 : Andante non troppo lento by Henryk Melcer
Based on a tempo of (+/- 10%) and a similar genre
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Nikos Skalkottas
Five Greek Dances for Strings: I. Epirot...
100 bpm • D# min • 01:56 • -17.64db
8% Popularity • 58% Danceability • 18% Energy • 33% Liveness
82% Instrumentalness • 19% Positiveness
8% Popularity • 58% Danceability • 18% Energy • 33% Liveness
82% Instrumentalness • 19% Positiveness
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Tangolicious Ya
Evening Tambo Beats
100 bpm • G Maj • 01:26 • -24.28db
25% Popularity • 68% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
25% Popularity • 68% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Misya
Distant
100 bpm • B min • 02:47 • -24.73db
19% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Henryk Melcer
Piano Concerto in C minor, No. 2 : Andan...
100 bpm • C Maj • 09:36 • -19.72db
0% Popularity • 28% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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balsimo rolon
sabe que soltera ese bajo
100 bpm • C min • 01:59 • -26.76db
7% Popularity • 60% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
7% Popularity • 60% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
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Robert Schumann
Symphonie No. 3 in E-Flat Major, Op. 97:...
100 bpm • G# Maj • 04:53 • -27.53db
32% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Guy Braunstein
Abbey Road concerto for Violin and Orche...
99 bpm • A Maj • 03:10 • -18.38db
16% Popularity • 47% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
16% Popularity • 47% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
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Johannes Brahms
Trio for Piano, Violin and Horn in E-Fla...
101 bpm • D# min • 07:26 • -23.99db
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Fernand de la Tombelle
Rêverie
99 bpm • E Maj • 02:24 • -22.93db
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Henryk Melcer
Piano Concerto No. 1 in E Minor: III. Vi...
100 bpm • C# min • 11:40 • -16.08db
2% Popularity • 36% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
2% Popularity • 36% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 6% Positiveness
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Alexander Tsfasman
Suite for Piano and Orchestra: No. 4, Ra...
99 bpm • F Maj • 03:02 • -15.35db
12% Popularity • 40% Danceability • 46% Energy • 32% Liveness
91% Instrumentalness • 65% Positiveness
12% Popularity • 40% Danceability • 46% Energy • 32% Liveness
91% Instrumentalness • 65% Positiveness
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Felix Mendelssohn
Symphony No. 4, Op. 90, "Italian": IV. S...
101 bpm • A min • 05:26 • -20.18db
14% Popularity • 40% Danceability • 18% Energy • 21% Liveness
91% Instrumentalness • 39% Positiveness
14% Popularity • 40% Danceability • 18% Energy • 21% Liveness
91% Instrumentalness • 39% Positiveness
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Franco Alfano
Amour... amour... (Version for Orchestra...
99 bpm • G Maj • 05:49 • -22.54db
13% Popularity • 15% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
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Xaver Scharwenka
Variations for Piano, Op. 48: Var. 6. En...
98 bpm • D min • 01:02 • -18.62db
12% Popularity • 22% Danceability • 27% Energy • 24% Liveness
72% Instrumentalness • 34% Positiveness
12% Popularity • 22% Danceability • 27% Energy • 24% Liveness
72% Instrumentalness • 34% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D Major, Op. 25 “Cla...
102 bpm • G Maj • 04:11 • -19.75db
11% Popularity • 53% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 53% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 40% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
98 bpm • G min • 03:38 • -32.76db
16% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: III. Allegro g...
98 bpm • A Maj • 05:24 • -22.21db
10% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: VIII, Ankunf...
102 bpm • A min • 02:01 • -12.89db
16% Popularity • 31% Danceability • 29% Energy • 34% Liveness
61% Instrumentalness • 33% Positiveness
16% Popularity • 31% Danceability • 29% Energy • 34% Liveness
61% Instrumentalness • 33% Positiveness
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Henryk Melcer
Dumka for Violin and Piano
103 bpm • A min • 03:11 • -18.35db
0% Popularity • 24% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
0% Popularity • 24% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Flight of t...
97 bpm • D min • 01:17 • -27.82db
16% Popularity • 53% Danceability • 15% Energy • 15% Liveness
78% Instrumentalness • 54% Positiveness
16% Popularity • 53% Danceability • 15% Energy • 15% Liveness
78% Instrumentalness • 54% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
97 bpm • F Maj • 04:07 • -18.79db
0% Popularity • 36% Danceability • 16% Energy • 7% Liveness
78% Instrumentalness • 30% Positiveness
0% Popularity • 36% Danceability • 16% Energy • 7% Liveness
78% Instrumentalness • 30% Positiveness
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Nastasia Khrustcheva
Russian Dead Ends: 36
103 bpm • G min • 01:03 • -14.99db
17% Popularity • 41% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
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Casualidades Del Destino
A Un Mundo
97 bpm • A min • 02:20 • -22db
16% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Emil von Sauer
Piano Concerto No. 2 in C Minor: IV. All...
103 bpm • D# Maj • 06:35 • -20.94db
13% Popularity • 40% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
13% Popularity • 40% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
ヴァイオリン協奏曲 ホ短調 �...
97 bpm • C Maj • 07:43 • -24.75db
11% Popularity • 16% Danceability • 12% Energy • 18% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 12% Energy • 18% Liveness
4% Instrumentalness • 4% Positiveness
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Robert Schumann
Symphony No. 3 in E-Flat Major, Op. 97 "...
103 bpm • G# Maj • 04:23 • -29.2db
9% Popularity • 25% Danceability • 2% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 2% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Stravinsky: Concerto for String Orchestr...
97 bpm • D Maj • 06:15 • -24.41db
19% Popularity • 40% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
19% Popularity • 40% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
97 bpm • E min • 10:19 • -16.66db
0% Popularity • 25% Danceability • 17% Energy • 8% Liveness
52% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 17% Energy • 8% Liveness
52% Instrumentalness • 11% Positiveness
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Xaver Scharwenka
Variations for Piano, Op. 48: Var. 7. Le...
103 bpm • D Maj • 01:43 • -18.4db
5% Popularity • 42% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
5% Popularity • 42% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Franz von Suppé
Fantasia symphonica: III. Allegro scherz...
97 bpm • A min • 03:52 • -24.64db
13% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
13% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
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Anton Bruckner
Symphony No. 9 in D Minor, WAB 109 : II....
104 bpm • D min • 09:49 • -20.09db
18% Popularity • 33% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
18% Popularity • 33% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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Rihards Dubra
Les passions d'hiver
96 bpm • E min • 09:15 • -21.13db
12% Popularity • 28% Danceability • 16% Energy • 26% Liveness
52% Instrumentalness • 10% Positiveness
12% Popularity • 28% Danceability • 16% Energy • 26% Liveness
52% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Corelli, Op.42:...
104 bpm • D min • 01:01 • -15.22db
11% Popularity • 43% Danceability • 34% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 43% Danceability • 34% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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蔡榮吉
憶舊遊~旋律
96 bpm • D# Maj • 03:42 • -16.59db
8% Popularity • 25% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
96 bpm • C Maj • 09:46 • -14.82db
10% Popularity • 22% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
10% Popularity • 22% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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Richard Strauss
Oboe Concerto in D Major TrV292: I. Alle...
104 bpm • D Maj • 08:44 • -16.53db
9% Popularity • 24% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 20% Positiveness
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Lorenzo Perosi
Piano Quintet No. 3 in A Minor: III. Viv...
96 bpm • A Maj • 05:21 • -12.31db
9% Popularity • 34% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
9% Popularity • 34% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
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Frédéric Chopin
12 Études, Op. 25: No. 1 in A-Flat Majo...
96 bpm • G# Maj • 02:30 • -25.32db
32% Popularity • 19% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Symphony No. 3 in E-Flat Major, Op. 97 "...
95 bpm • C Maj • 05:27 • -21.89db
8% Popularity • 21% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Lowie Wolf Hoeyberghs
Alegrando
96 bpm • D Maj • 04:07 • -17.89db
7% Popularity • 30% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
7% Popularity • 30% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Leó Weiner
Divertimento No. 1, Op. 20: I. Jo alapos...
95 bpm • D Maj • 02:03 • -20db
17% Popularity • 54% Danceability • 6% Energy • 26% Liveness
92% Instrumentalness • 27% Positiveness
17% Popularity • 54% Danceability • 6% Energy • 26% Liveness
92% Instrumentalness • 27% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Flight of t...
95 bpm • F Maj • 01:14 • -29db
5% Popularity • 46% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
5% Popularity • 46% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
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Myroslav Skoryk
Melody (Version for 2 Pianos)
105 bpm • A min • 03:21 • -19.02db
17% Popularity • 49% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
17% Popularity • 49% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Chopin: Cello Sonata in G Minor, Op. 65:...
105 bpm • G min • 10:25 • -20.44db
0% Popularity • 28% Danceability • 14% Energy • 12% Liveness
73% Instrumentalness • 11% Positiveness
0% Popularity • 28% Danceability • 14% Energy • 12% Liveness
73% Instrumentalness • 11% Positiveness
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Hannes Pohlit
Paraphrase de concert sur „Volvio Una ...
95 bpm • C# Maj • 03:19 • -16.93db
11% Popularity • 37% Danceability • 18% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
11% Popularity • 37% Danceability • 18% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
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Franz Schubert
Schubert: String Quartet No. 14 in D Min...
95 bpm • D min • 08:58 • -18.07db
11% Popularity • 39% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
11% Popularity • 39% Danceability • 14% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
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Ferdinand Hérold
La Fille mal gardée, Act I: 1. Introduc...
95 bpm • A Maj • 03:14 • -27.65db
11% Popularity • 18% Danceability • 3% Energy • 23% Liveness
78% Instrumentalness • 6% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 23% Liveness
78% Instrumentalness • 6% Positiveness
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Arthur Bliss
Bliss: Cello Concerto: II. Larghetto
95 bpm • C Maj • 07:40 • -24.58db
15% Popularity • 12% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 9 in A Major, Op. 47 "...
95 bpm • A Maj • 08:22 • -20.38db
8% Popularity • 38% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
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Henryk Melcer
Trio for Piano, Violin and Cello in G Mi...
106 bpm • A Maj • 05:43 • -15.18db
0% Popularity • 52% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
0% Popularity • 52% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
► Preview
Igor Stravinsky
Concerto for 2 Pianos, K058: I. Con moto
106 bpm • F Maj • 06:26 • -19.79db
15% Popularity • 39% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
15% Popularity • 39% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
17% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
17% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
95 bpm • F Maj • 04:14 • -16.72db
9% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Max Reger
Variation 1: Piu andante
106 bpm • A Maj • 01:10 • -20.79db
16% Popularity • 32% Danceability • 24% Energy • 28% Liveness
97% Instrumentalness • 19% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 28% Liveness
97% Instrumentalness • 19% Positiveness
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Fanny Mendelssohn
3 Mélodies, Op. 5: No. 4, Lento appassi...
94 bpm • D Maj • 02:33 • -29.36db
10% Popularity • 35% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 35% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Franz Liszt
Erlkönig, S. 558 No. 4 (Arr. for Piano ...
106 bpm • G min • 04:48 • -22.61db
9% Popularity • 32% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 32% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Henryk Melcer
Sonata for Violin and Piano in G Major: ...
94 bpm • G Maj • 10:13 • -17.07db
0% Popularity • 28% Danceability • 19% Energy • 20% Liveness
13% Instrumentalness • 9% Positiveness
0% Popularity • 28% Danceability • 19% Energy • 20% Liveness
13% Instrumentalness • 9% Positiveness
► Preview
Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
106 bpm • C Maj • 10:48 • -19.86db
10% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux: X...
94 bpm • C Maj • 02:00 • -18.44db
9% Popularity • 47% Danceability • 27% Energy • 9% Liveness
61% Instrumentalness • 61% Positiveness
9% Popularity • 47% Danceability • 27% Energy • 9% Liveness
61% Instrumentalness • 61% Positiveness
► Preview
Alexander Glazunov
Theme and Variations, Op. 72: Var. 12. A...
106 bpm • E min • 02:19 • -25.89db
19% Popularity • 38% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Norwegian Dances, Op. 35: No. 2 in A Maj...
106 bpm • A Maj • 02:27 • -28.51db
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
94 bpm • A Maj • 04:45 • -15.54db
3% Popularity • 42% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 57% Positiveness
3% Popularity • 42% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 57% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
106 bpm • A Maj • 01:26 • -16.87db
10% Popularity • 48% Danceability • 31% Energy • 9% Liveness
74% Instrumentalness • 9% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 9% Liveness
74% Instrumentalness • 9% Positiveness
► Preview
Valery Gergiev
Piano Concerto No. 1 in B-Flat Minor, Op...
94 bpm • A# min • 07:03 • -15.59db
14% Popularity • 33% Danceability • 27% Energy • 42% Liveness
88% Instrumentalness • 46% Positiveness
14% Popularity • 33% Danceability • 27% Energy • 42% Liveness
88% Instrumentalness • 46% Positiveness
► Preview
Franz Liszt
Études d'exécution transcendante, S. 1...
94 bpm • G# Maj • 05:24 • -13.45db
9% Popularity • 32% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
9% Popularity • 32% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Erich Wolfgang Korngold
Much Ado About Nothing Suite, Op. 11 (Ve...
94 bpm • C Maj • 02:34 • -18.06db
8% Popularity • 45% Danceability • 18% Energy • 13% Liveness
17% Instrumentalness • 43% Positiveness
8% Popularity • 45% Danceability • 18% Energy • 13% Liveness
17% Instrumentalness • 43% Positiveness
► Preview
Steve Elcock
Violin Concerto: III. Passacaglia. Andan...
107 bpm • G min • 06:49 • -20.18db
22% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Piano Concerto No. 1 in E Minor, Op. 11:...
107 bpm • E Maj • 10:07 • -22.34db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Antonio Vivaldi
The New Four Seasons - Spring: I. Ice Me...
107 bpm • E Maj • 03:38 • -13.33db
13% Popularity • 37% Danceability • 32% Energy • 27% Liveness
23% Instrumentalness • 20% Positiveness
13% Popularity • 37% Danceability • 32% Energy • 27% Liveness
23% Instrumentalness • 20% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 6 in F, Op. 68 -"Pastoral":...
107 bpm • F Maj • 10:05 • -19.68db
8% Popularity • 26% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
► Preview
Mikhail Glinka
Waltz-Fantasy: Waltz-Fantasy
107 bpm • B min • 08:44 • -17.35db
9% Popularity • 34% Danceability • 11% Energy • 81% Liveness
87% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 81% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Anton Bruckner
Slow Strings
93 bpm • C# min • 02:31 • -35.11db
12% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Symphony No. 1 in B-Flat Major, Op. 38 "...
107 bpm • A# Maj • 08:32 • -18.26db
9% Popularity • 37% Danceability • 25% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
9% Popularity • 37% Danceability • 25% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
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Moritz Moszkowski
Piano Concerto in B Minor, Op. 3: I. All...
107 bpm • G Maj • 10:50 • -16.22db
8% Popularity • 27% Danceability • 18% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 18% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: I, AUFZUG 1:...
108 bpm • F# min • 09:06 • -18.83db
12% Popularity • 16% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
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Bohuslav Martinů
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: IX. Torero (aft...
108 bpm • F Maj • 02:58 • -17.04db
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
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Henryk Melcer
Etude in D Major
108 bpm • D Maj • 02:51 • -14.95db
0% Popularity • 34% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
0% Popularity • 34% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
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Wilhelm Peterson-Berger
Frosoblomster (Froso-Flowers), Book 2: N...
108 bpm • C Maj • 01:55 • -22db
13% Popularity • 44% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 26% Positiveness
13% Popularity • 44% Danceability • 12% Energy • 16% Liveness
89% Instrumentalness • 26% Positiveness
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Georges Bizet
《アルルの女》第2組曲: ファ�...
108 bpm • D Maj • 03:27 • -11.96db
14% Popularity • 50% Danceability • 45% Energy • 67% Liveness
92% Instrumentalness • 58% Positiveness
14% Popularity • 50% Danceability • 45% Energy • 67% Liveness
92% Instrumentalness • 58% Positiveness
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Markolyno
Andante Ascension
108 bpm • A min • 02:04 • -39.48db
23% Popularity • 37% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
23% Popularity • 37% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Moritz Moszkowski
Suite d'orchestre No. 3, Op. 79: II. Mol...
93 bpm • F Maj • 06:04 • -23.47db
13% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Ferruccio Busoni
Concerto in D Major, Op. 35a: I. Allegro...
108 bpm • D Maj • 07:43 • -28.09db
11% Popularity • 30% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
11% Popularity • 30% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 9, Danse de la femm...
92 bpm • D# Maj • 01:27 • -34.67db
5% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
5% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Henryk Melcer
Trois morceaux caractéristiques, III. V...
109 bpm • A# Maj • 04:34 • -18.35db
0% Popularity • 39% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
0% Popularity • 39% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 5...
109 bpm • D min • 03:43 • -25.52db
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: VI, Brangän...
109 bpm • C Maj • 01:00 • -12.39db
23% Popularity • 23% Danceability • 34% Energy • 71% Liveness
67% Instrumentalness • 15% Positiveness
23% Popularity • 23% Danceability • 34% Energy • 71% Liveness
67% Instrumentalness • 15% Positiveness
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Antonín Dvořák
Symphony No. 3 in E-Flat Major, Op. 10, ...
91 bpm • D# Maj • 11:46 • -17.88db
9% Popularity • 15% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Jules Massenet
Bacchus, Act III Tableau 2: Les Mysteres...
91 bpm • F Maj • 01:57 • -36.52db
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces Book 7, Op. 62: No. 6, Home...
110 bpm • E min • 03:03 • -22.34db
1% Popularity • 48% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
1% Popularity • 48% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Henryk Melcer
Piano Concerto No. 1 in E Minor: I. Maes...
91 bpm • E min • 14:03 • -21.2db
0% Popularity • 19% Danceability • 9% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 9% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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Daniel Auber
Zanetta, S. 33 (Excerpts): Act III Entr'...
110 bpm • G# Maj • 01:36 • -17db
23% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
23% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
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Asklepios
Como en las Grandes Citas
110 bpm • C Maj • 02:26 • -15.99db
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Moritz Moszkowski
6 Phantasiestücke, Op. 52: IV. La jongl...
110 bpm • D# Maj • 01:44 • -22.59db
7% Popularity • 43% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 93% Positiveness
7% Popularity • 43% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 93% Positiveness
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Graźnya Bacewicz
Concerto for String Orchestra: II. Andan...
110 bpm • B min • 04:17 • -23.06db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
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Markolyno
Presto Prelude in D Minor
110 bpm • A min • 02:37 • -40db
24% Popularity • 44% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
24% Popularity • 44% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Henryk Melcer
Piano Trio in G minor, Op. 2: I. Moderat...
110 bpm • F Maj • 13:31 • -21.21db
0% Popularity • 33% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
0% Popularity • 33% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
