Songs like Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich
Based on a tempo of (+/- 10%) and a similar genre
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Germaine Tailleferre
String Quartet: I. Modéré
77 bpm • C# min • 02:27 • -17.97db
15% Popularity • 23% Danceability • 11% Energy • 19% Liveness
46% Instrumentalness • 14% Positiveness
15% Popularity • 23% Danceability • 11% Energy • 19% Liveness
46% Instrumentalness • 14% Positiveness
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Maurice Ravel
Daphnis et Chloe: Part III: Lever du jou...
77 bpm • E min • 05:29 • -17db
41% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 7 In A, Op. 92: 2. Allegret...
77 bpm • E min • 07:45 • -22.93db
48% Popularity • 22% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
48% Popularity • 22% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
46% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
41% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Chamber Symphony (Quartet No. 8), Op. 11...
77 bpm • G# Maj • 05:14 • -21.78db
17% Popularity • 7% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Germaine Tailleferre
Pas trop vite
76 bpm • C# min • 01:35 • -32db
40% Popularity • 33% Danceability • 1% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
40% Popularity • 33% Danceability • 1% Energy • 17% Liveness
96% Instrumentalness • 9% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
78 bpm • C# Maj • 03:41 • -14.18db
47% Popularity • 39% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 15% Positiveness
47% Popularity • 39% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 15% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: II. A...
78 bpm • C# min • 08:51 • -27db
44% Popularity • 22% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
44% Popularity • 22% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
35% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
35% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
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Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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John Brunning
Concerto Magna Carta: III. Intense and e...
76 bpm • E Maj • 06:40 • -13.9db
25% Popularity • 24% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
31% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
31% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: III. Andant...
75 bpm • D min • 01:17 • -40db
27% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
27% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
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Franz Schubert
Schubert: Sonata in A Minor, D. 821 "Arp...
79 bpm • B Maj • 03:40 • -33.82db
43% Popularity • 9% Danceability • 0% Energy • 11% Liveness
45% Instrumentalness • 6% Positiveness
43% Popularity • 9% Danceability • 0% Energy • 11% Liveness
45% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 1: I. Adoration...
79 bpm • D Maj • 03:27 • -32db
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am Laid ...
79 bpm • G min • 03:09 • -21.75db
42% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
42% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
60% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne No. 1 In B Flat Minor, Op. 9 No...
75 bpm • C# Maj • 04:46 • -27.53db
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
62% Popularity • 26% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
38% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux: Saint-Saens - C...
75 bpm • F# Maj • 02:48 • -36.73db
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
55% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
55% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
48% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Shostakovich: Fugue No. 7 In A Major
79 bpm • A Maj • 02:43 • -26db
35% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Siciliano (After "Erbarme dich" from Mat...
79 bpm • G min • 02:05 • -22.72db
55% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
55% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
79 bpm • D min • 01:26 • -36.49db
34% Popularity • 26% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
34% Popularity • 26% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Gabriel Yared
The English Patient: Main Title Theme
75 bpm • D Maj • 05:42 • -27.5db
33% Popularity • 23% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
33% Popularity • 23% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
31% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
31% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
37% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
47% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
47% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
80 bpm • E Maj • 08:18 • -26.11db
12% Popularity • 15% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
75 bpm • G# Maj • 01:23 • -28.96db
25% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
25% Popularity • 17% Danceability • 5% Energy • 19% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
59% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
31% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
42% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Fritz Kreisler
Liebesleid
74 bpm • A Maj • 03:41 • -25db
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
40% Popularity • 22% Danceability • 5% Energy • 19% Liveness
65% Instrumentalness • 15% Positiveness
► Preview
Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Tomaso Antonio Vitali
Chaconne in G Minor
80 bpm • G min • 09:31 • -9.84db
39% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
39% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Florence Beatrice Price
Adoration (Version for Solo Violin and S...
80 bpm • D Maj • 03:52 • -22.7db
21% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
3 Nocturnes, Op. 9: I. Larghetto
74 bpm • A# min • 05:52 • -29.03db
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
35% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
35% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
80 bpm • G Maj • 03:09 • -30.78db
31% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
51% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
48% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
48% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Fantasy on Polish Airs, Op. 13: Largo no...
81 bpm • A Maj • 04:55 • -33.71db
50% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
52% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Shostakovich: Suite for Jazz Orchestra N...
81 bpm • D# Maj • 02:42 • -34db
32% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
32% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
53% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
53% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Philharmonic Orchestra
Pavane for a Dead Princess
73 bpm • G Maj • 06:56 • -29db
36% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Symphony No. 2 in C Major, Op. 61: III. ...
73 bpm • D# Maj • 10:06 • -35.68db
42% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
28% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
28% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)