Songs like Piano Quintet: I. Moderato by Alfred Schnittke
Based on a tempo of (+/- 10%) and a similar genre
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Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto for Choir: IV. Complete this Wo...
92 bpm • G Maj • 06:08 • -18.63db
9% Popularity • 11% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Mieczysław Weinberg
Cello Concerto in C Minor, Op. 43: I. Ad...
91 bpm • A# Maj • 04:05 • -22db
11% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Hans Rott
Suite in B-Flat Major, Nowak 34 (Excerpt...
93 bpm • A# Maj • 02:33 • -25.75db
20% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
20% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
8% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
90 bpm • A# Maj • 03:46 • -22.1db
13% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 1. Allegro
90 bpm • C min • 02:39 • -19.07db
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
0% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
0% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
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Marko Celesty
Calm Cascades
89 bpm • G Maj • 01:56 • -31.27db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 6. Postl...
90 bpm • F Maj • 02:08 • -35.81db
5% Popularity • 11% Danceability • 1% Energy • 5% Liveness
78% Instrumentalness • 8% Positiveness
5% Popularity • 11% Danceability • 1% Energy • 5% Liveness
78% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Reinhold Glière
8 Pieces, Op. 39: III. Berceuse
95 bpm • G Maj • 03:34 • -30.26db
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 3. Rondo (...
89 bpm • D Maj • 10:20 • -21db
4% Popularity • 37% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 19% Positiveness
4% Popularity • 37% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 19% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Requiem: Benedictus
90 bpm • D Maj • 01:41 • -38.86db
2% Popularity • 10% Danceability • 0% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 0% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
18% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Lajos Lencsés
4 Vocalises, Op. 212 (arr. L. Lencses): ...
95 bpm • F# min • 01:16 • -19db
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Concerto Grosso No. 1: I. Preludio
95 bpm • G Maj • 05:15 • -19.89db
2% Popularity • 12% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
48% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 20 in C Minor ...
88 bpm • G# Maj • 01:38 • -21.71db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 2. Larghet...
88 bpm • G Maj • 09:57 • -31.11db
2% Popularity • 19% Danceability • 2% Energy • 15% Liveness
7% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 2% Energy • 15% Liveness
7% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
96 bpm • D min • 01:08 • -17db
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
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Alfred Schnittke
5 Fragmente zu Bildern von Hieronymus Bo...
95 bpm • G# Maj • 09:02 • -24.95db
0% Popularity • 22% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Eugène Ysaÿe
Paganini variations: Variation 4
97 bpm • A min • 01:20 • -24db
37% Popularity • 26% Danceability • 7% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
37% Popularity • 26% Danceability • 7% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Pēteris Vasks
Violin Concerto “Distant light” (199...
87 bpm • E min • 06:44 • -25.08db
8% Popularity • 10% Danceability • 8% Energy • 36% Liveness
19% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 36% Liveness
19% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Piano Sonata No. 2: II. Lento
89 bpm • E Maj • 05:29 • -25.03db
0% Popularity • 49% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
0% Popularity • 49% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
4% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
4% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
► Preview
Alfred Schnittke
Concerto Grosso No. 1: V. Rondo
95 bpm • C Maj • 06:51 • -14.25db
7% Popularity • 32% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
7% Popularity • 32% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
► Preview
Gian Carlo Menotti
Concerto for Violin and Orchestra: II. A...
87 bpm • D Maj • 08:27 • -31.25db
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Samy Moussa
Violin Concerto “Adrano”: I. circa 4...
87 bpm • G Maj • 05:31 • -27.05db
10% Popularity • 11% Danceability • 3% Energy • 8% Liveness
59% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 8% Liveness
59% Instrumentalness • 3% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
The Swan of Tuonela, Op. 22, No. 2
86 bpm • E min • 08:00 • -26.41db
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Alfred Schnittke
Suite in the Old Style (arr. V. Spivakov...
89 bpm • C Maj • 03:53 • -29.14db
0% Popularity • 40% Danceability • 1% Energy • 28% Liveness
39% Instrumentalness • 34% Positiveness
0% Popularity • 40% Danceability • 1% Energy • 28% Liveness
39% Instrumentalness • 34% Positiveness
► Preview
William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Ernst von Dohnányi
Ruralia Hungarica, Op. 32b: Andante ruba...
86 bpm • G min • 06:44 • -22.55db
7% Popularity • 12% Danceability • 7% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 7% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
98 bpm • F# min • 03:40 • -14.38db
32% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
Tango (Arr. by Andriy Rakhmanin for Viol...
86 bpm • F min • 03:00 • -21db
14% Popularity • 36% Danceability • 5% Energy • 7% Liveness
47% Instrumentalness • 9% Positiveness
14% Popularity • 36% Danceability • 5% Energy • 7% Liveness
47% Instrumentalness • 9% Positiveness
► Preview
Valentin Silvestrov
Der Bote
86 bpm • C Maj • 09:13 • -39db
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Anna Clyne
DANCE: II. if you’ve torn the bandage ...
99 bpm • G Maj • 04:10 • -16.44db
15% Popularity • 28% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
15% Popularity • 28% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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John Ireland
Mother and Child: No. 3. Hope (arr. J. L...
99 bpm • E min • 01:31 • -29db
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
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Claude Debussy
Nocturnes, L. 91: I. Nuages (Arr. by Den...
86 bpm • C Maj • 08:03 • -40.37db
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Concerto Grosso No. 2: I. Andantino - Al...
89 bpm • G Maj • 06:57 • -15.13db
0% Popularity • 41% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 20% Positiveness
0% Popularity • 41% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 20% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Oriental Dance
99 bpm • A min • 02:13 • -18.49db
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Alexander Glazunov
2 Pieces for Cello & Orchestra, Op. 20: ...
99 bpm • D Maj • 02:49 • -19db
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 2. Risoluto
95 bpm • G# Maj • 03:40 • -19.02db
16% Popularity • 37% Danceability • 28% Energy • 12% Liveness
61% Instrumentalness • 18% Positiveness
16% Popularity • 37% Danceability • 28% Energy • 12% Liveness
61% Instrumentalness • 18% Positiveness
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Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Piano Sonata No. 2: I. Moderato
95 bpm • D min • 06:26 • -20.87db
0% Popularity • 37% Danceability • 28% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 37% Danceability • 28% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Hector Berlioz
Requiem, Op. 5 (Grande Messe des Morts):...
84 bpm • G min • 10:37 • -27.74db
3% Popularity • 8% Danceability • 3% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
3% Popularity • 8% Danceability • 3% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Lili Boulanger
D'un soir triste
84 bpm • C Maj • 10:36 • -26.3db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Carl Orff
Musik zur Nacht: Siziliano (Carl Orff) f...
100 bpm • C Maj • 01:34 • -36.75db
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
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Alfred Schnittke
Requiem: Domine Jesu Christe
96 bpm • G# Maj • 01:19 • -28.29db
2% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 08:55 • -21.54db
10% Popularity • 9% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
